This is the first book fully dedicated to Indian philosophical doxography. It examines the function such dialectical texts were intended to serve in the intellectual and religious life of their public. It looks at Indian doxography both as a witness of inter- and intra-sectarian dialogues and as a religious phenomenon. It argues that doxographies represent dialectical exercises, indicative of a peculiar religious attitude to plurality, and locate these 'exercises' within a known form of 'yoga' dedicated to the cultivation of 'knowledge' or 'gnosis' (jnana). Concretely, the book presents a critical examination of three Sanskrit doxographies: the Madhyamakah?dayakarika of the Buddhist Bhaviveka, the ?a?darsanasamuccaya of the Jain Haribhadra, and the Sarvasiddhantasa?graha attributed to the Advaitin Sa?kara, focusing on each of their respective presentation of the Mima?sa view. It is the first time that the genre of doxography is considered beyond its literary format to ponder its performative dimension, as a spiritual exercise. Theoretically broad, the book reaches out to academics in religious studies, Indian philosophy, Indology, and classical studies.

In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts - from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, Andre Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Leon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

Numerous ancient texts describe human sacrifices and other forms of ritual killing: in 480 BC Themistocles sacrifices three Persian captives to Dionysus; human scapegoats called pharmakoi are expelled yearly from Greek cities, and according to some authors they are killed; Locrin girls are hunted down and slain by the Trojans; on Mt Lykaion children are sacrificed and consumed by the worshippers; and many other texts report human sacrifices performed regularly in the cult of the gods or during emergencies such as war and plague. Archaeologists have frequently proposed human sacrifice as an explanation for their discoveries: from Minoan Crete children's bones with knife-cut marks, the skeleton of a youth lying on a platform with a bronze blade resting on his chest, skeletons, sometimes bound, in the dromoi of Mycenaean and Cypriot chamber tombs; and dual man-woman burials, where it is suggested that the woman was slain or took her own life at the man's funeral. If the archaeologists' interpretations and the claims in the ancient sources are accepted, they present a bloody and violent picture of the religious life of the ancient Greeks, from the Bronze Age well into historical times. But the author expresses caution. In many cases alternative, if less sensational, explanations of the archaeological are possible; and it can often be shown that human sacrifices in the literary texts are mythical or that late authors confused mythical details with actual practices.Whether the evidence is accepted or not, this study offers a fascinating glimpse into the religious thought of the ancient Greeks and into changing modern conceptions of their religious behaviour.

Winner of The PEN Hessell-Tiltman Prize 2022 Shortlisted for The Wolfson History Prize 2022 A The Times Books of the Year 2022 A fascinating, surprising and often controversial examination of the real God of the Bible, in all his bodily, uncensored, scandalous forms. Three thousand years ago, in the Southwest Asian lands we now call Israel and Palestine, a group of people worshipped a complex pantheon of deities, led by a father god called El. El had seventy children, who were gods in their own right. One of them was a minor storm deity, known as Yahweh. Yahweh had a body, a wife, offspring and colleagues. He fought monsters and mortals. He gorged on food and wine, wrote books, and took walks and naps. But he would become something far larger and far more abstract: the God of the great monotheistic religions. But as Professor Francesca Stavrakopoulou reveals, God's cultural DNA stretches back centuries before the Bible was written, and persists in the tics and twitches of our own society, whether we are believers or not. The Bible has shaped our ideas about God and religion, but also our cultural preferences about human existence and experience; our concept of life and death; our attitude to sex and gender; our habits of eating and drinking; our understanding of history. Examining God's body, from his head to his hands, feet and genitals, she shows how the Western idea of God developed. She explores the places and artefacts that shaped our view of this singular God and the ancient religions and societies of the biblical world. And in doing so she analyses not only the origins of our oldest monotheistic religions, but also the origins of Western culture. Beautifully written, passionately argued and frequently controversial, God: An Anatomy is cultural history on a grand scale. 'Rivetingly fresh and stunning' - Sunday Times 'One of the most remarkable historians and communicators working today' - Dan Snow

This collection of essays explores the rhetoric and practices surrounding views on life after death and the end of the world, including the fate of the individual, apocalyptic speculation and hope for cosmological renewal, in a wide range of societies from Ancient Mesopotamia to the Byzantine era. The 42 essays by leading scholars in each field explore the rich spectrum of ways in which eschatological understanding can be expressed, and for which purposes it can be used. Readers will gain new insight into the historical contexts, details, functions and impact of eschatological ideas and imagery in ancient texts and material culture from the twenty-fifth century BCE to the ninth century CE. Traditionally, the study of "eschatology" (and related concepts) has been pursued mainly by scholars of Jewish and Christian scripture. By broadening the disciplinary scope but remaining within the clearly defined geographical milieu of the Mediterranean, this volume enables its readers to note comparisons and contrasts, as well as exchanges of thought and transmission of eschatological ideas across Antiquity. Cross-referencing, high quality illustrations and extensive indexing contribute to a rich resource on a topic of contemporary interest and relevance. Eschatology in Antiquity is aimed at readers from a wide range of academic disciplines, as well as non-specialists including seminary students and religious leaders. The primary audience will comprise researchers in relevant fields including Biblical Studies, Classics and Ancient History, Ancient Philosophy, Ancient Near Eastern Studies, Art History, Late Antiquity, Byzantine Studies and Cultural Studies. Care has been taken to ensure that the essays are accessible to undergraduates and those without specialist knowledge of particular subject areas.

Ancestor worship is often assumed by contemporary European audiences to be an outdated and primitive tradition with little relevance to our societies, past and present. This book questions that assumption and seeks to determine whether ancestor ideology was an integral part of religion in Viking Age and early medieval Scandinavia. The concept is examined from a broad socio-anthropological perspective, which is used to structure a set of case studies which analyse the cults of specific individuals in Old Norse literature. The situation of gods in Old Norse religion has been almost exclusively addressed in isolation from these socio-anthropological perspectives. The public gravemound cults of deceased rulers are discussed conventionally as cases of sacral kingship, and, more recently, religious ruler ideology; both are seen as having divine associations in Old Norse scholarship. Building on the anthropological framework, this study introduces the concept of 'superior ancestors', employed in social anthropology to denote a form of political ancestor worship used to regulate social structure deliberately. It suggests that Old Norse ruler ideology was based on conventional and widely recognised religious practices revolving around kinship and ancestors and that the gods were perceived as human ancestors belonging to elite families.

Addressing the close connections between ancient divination and knowledge, this volume offers an interlinked and detailed set of case studies which examine the epistemic value and significance of divination in ancient Greek and Roman cultures. Focusing on diverse types of divination, including oracles, astrology, and the reading of omens and signs in the entrails of sacrificial animals, chance utterances and other earthly and celestial phenomena, this volume reveals that divination was conceived of as a significant path to the attainment of insight and understanding by the ancient Greeks and Romans. It also explores the connections between divination and other branches of knowledge in Greco-Roman antiquity, such as medicine and ethnographic discourse. Drawing on anthropological studies of contemporary divination and exploring a wide range of ancient philosophical, historical, technical and literary evidence, chapters focus on the interconnections and close relationship between divine and human modes of knowledge, in relation to nuanced and subtle formulations of the blending of divine, cosmic and human agency; philosophical approaches towards and uses of divination (particularly within Platonism), including links between divination and time, ethics, and cosmology; and the relationship between divination and cultural discourses focusing on gender. The volume aims to catalyse new questions and approaches relating to these under-investigated areas of ancient Greek and Roman life. which have significant implications for the ways in which we understand and assess ancient Greek and Roman conceptions of epistemic value and variant ways of knowing, ancient philosophy and intellectual culture, lived, daily experience in the ancient world, and religious and ritual traditions. Divination and Knowledge in Greco-Roman Antiquity will be of particular relevance to researchers and students in classics, ancient history, ancient philosophy, religious studies and anthropology who are working on divination, lived religion and intellectual culture, but will also appeal to general readers who are interested in the widespread practice and significance of divination in the ancient world.

Join Egyptologist Garry J. Shaw on a tour up the Nile, through a beautiful and fascinating landscape populated with a rich mythology: the stories of Horus, Isis, Osiris, and their enemies and allies, tales of vengeance, tragedy, and fantastic metamorphoses. The myths of ancient Egypt have survived in fragments of ancient hymns and paintings on the walls of tombs and temples, spells inked across coffins and stories scrawled upon scrolls. Shaw not only retells these stories with his characteristic wit, but also reconnects them to the temples and monuments that still stand today, offering a fresh look at the most visited sites in Egypt. Shaw's evocative descriptions of the ancient ruins will transport you to another landscape - including the magnificent sites of Dendera, Tell el-Amarna, Edfu, and Thebes. At each site, discover which gods or goddesses were worshipped there, as well as the myths and stories that formed the backdrop to the rituals and customs of everyday life. Each chapter ends with a potted history of the site, as well as tips for visiting the ruins today. Illustrations throughout bring to life the creation of the world and the nebulous netherworld, the complicated relationships between fickle gods, powerful magicians and pharaohs, and eternal battles on a cosmic scale. This is the perfect companion to the myths of Egypt and the gods and goddesses that shaped its ancient landscape. With 58 illustrations

Kinyras, in Greco-Roman sources, is the central culture-hero of early Cyprus: legendary king, metallurge, Agamemnon's (faithless) ally, Aphrodite's priest, father of Myrrha and Adonis, rival of Apollo, ancestor of the Paphian priest-kings, and much more. Kinyras increased in depth and complexity with the demonstration in 1968 that Kinnaru-the divinized temple-lyre-was venerated at Ugarit, an important Late Bronze Age city just opposite Cyprus on the Syrian coast. John Curtis Franklin seeks to harmonize Kinyras as a mythological symbol of pre-Greek Cyprus with what is known of ritual music and deified instruments in the Bronze Age Near East, using evidence going back to early Mesopotamia. Franklin addresses issues of ethnicity and identity; migration and colonization, especially the Aegean diaspora to Cyprus, Cilicia, and Philistia in the Early Iron Age; cultural interface of Hellenic, Eteocypriot, and Levantine groups on Cyprus; early Greek poetics, epic memory, and myth-making; performance traditions and music archaeology; royal ideology and ritual poetics; and a host of specific philological and historical issues arising from the collation of classical and Near Eastern sources. Kinyras includes a vital background study of divinized balang-harps in Mesopotamia by Wolfgang Heimpel. This paperback edition contains minor corrections, while retaining the foldout maps of the original hardback edition as spreads, alongside illustrations and artwork by Glynnis Fawkes.

This collaboration between two scholars from different fields of religious studies draws on three comparative data sets to develop a new theory of purity and pollution in religion, arguing that a culture's beliefs about cosmological realms shapes its pollution ideas and its purification practices. The authors of this study refine Mary Douglas' foundational theory of pollution as "matter out of place," using a comparative approach to make the case that a culture's cosmology designates which materials in which places constitute pollution. By bringing together a historical comparison of Ancient Near Eastern and Mediterranean religions, an ethnographic study of indigenous shamanism on Jeju Island, Korea, and the reception history of biblical rhetoric about pollution in Jewish and Christian cultures, the authors show that a cosmological account of purity works effectively across multiple disparate religious and cultural contexts. They conclude that cosmologies reinforce fears of pollution, and also that embodied experiences of purification help generate cosmological ideas. Providing an innovative insight into a key topic of ritual studies, this book will be of vital interest to scholars and graduate students in religion, biblical studies, and anthropology.

This is a scintillating volume on the mythologies of the afterlife in the world religions from various eras. "Tales of Lights and Shadows" offers a fresh approach to the traditional mythology and literature of the afterlife, centering on tensions and polarities in the afterlife concepts: bright vs. dismal, heaven vs. reincarnation, theocentric vs. anthropocentric heaven, etc. Presenting examples from virtually all the world's religious cultures past and present, this fascinating book puts the concepts clearly in the context of the worldview and social issues of that society. Robert Ellwood depicts the many rich mythologies of the afterlife from the ancient Mesopotamians, Japanese, Greeks of the Homeric era, to Christian views of heaven or the Buddhist western paradise. He explores views of the concept of reincarnation as well as the arduous preparation for the afterlife that must be taken in some traditions. Ellwood concludes by looking at the way varying views of the afterlife influence religious and even secular culture, and how in turn culture can influence the popular heavens and hells of the time and place.

The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers.

This book explores a seminal topic concerning the Mesoamerican past: the religious festivals that took place during the eighteen periods of twenty days, or veintenas, into which the solar year was divided. Pre-Columbian societies celebrated these festivals through complex rituals, involving the priests and gods themselves, embodied in diverse beings and artifacts. Specific sectors of society also participated in the festivals, while city inhabitants usually attended public ceremonies. As a consequence, this ritual cycle played a significant role in Mesoamerican religious life; at the same time, it informs us about social relations in pre-Columbian societies. Both religious and social aspects of the solar cycle festivals are tackled in the twelve contributions in this book, which aims to address the entire veintena sequence and as much of the territory and history of Mesoamerica as possible. Specifically, the book revisits long-standing discussions of the solar cycle festivals, but also explores these religious practices in original ways, in particular through investigating understudied rituals and offering new interpretations of rites that have previously been extensively analyzed. Other chapters consider the entire veintena sequence through the prism of specific topics, providing multiple though often complementary analyses. As a consequence, this book will attract the attention of scholars and graduate students with interests in Mesoamerica and early Latin America, as well as ethnohistory, cultural history, history of religions, art history, archaeology and anthropology.

This first volume of The History of Evil covers Graeco-Roman, Indian, Near Eastern, and Eastern philosophy and religion from 2000 BCE to 450 CE. This book charts the foundations of the history of evil among the major philosophical traditions and world religions, beginning with the oldest recorded traditions: the Vedas and Upanisads, Confucianism and Daoism, and Buddhism, and continuing through Graeco-Roman and Judaeo-Christian schools of thought. This cutting-edge treatment of the history of evil at its crucial and determinative inception will appeal to those with particular interests in the ancient period and early theories and ideas of evil and good, as well as those seeking an understanding of how later philosophical and religious developments were conditioned and shaped.

Oedipus Tyrannus by the great tragedian Sophocles is one of the most famous works of ancient Greek literature. The play has always been admired for the tight unity of its plot; every bit of every scene counts towards the dramatic effect. The action is concentrated into a single day in Oedipus' life; his heinous crimes of unwittingly killing his father and marrying his mother all lie long ago in the past, and now, in the action of this one day, there awaits for him only the discovery of the truth. Oedipus is portrayed as a noble king, deeply devoted to his people and they to him. Proud of his earlier defeat of the Sphinx, he is determined to save his city once again, and he unflinchingly pursues the truth of who he is and what he has done, unaware that it will bring him to disaster. The spectators, familiar with Oedipus' story, wait in horrified suspense for that terrible moment of realisation to arrive. And when it does, Oedipus survives it: he takes full responsibility for what he has done, accepts the grief and the pain, and carries on, remaining indomitable to the end. Sophocles gives no answer as to why Oedipus is made to suffer his tragic fate. He simply shows us how human life is; how even a great and good man can be brought to the utmost misery through no fault of his own. The gods may, for no apparent reason, deal out unbelievable suffering, but humankind can survive it. Jenny March's new facing-page translation brings alive the power and complexities of Sophocles' writing, with a substantial introduction and a detailed commentary.

This book is an exploration of the ideals and values of the ascetic and monastic life, as expressed through clothes. Clothes are often seen as an extension of us as humans, a determinant of who we are and how we experience and interact with the world. In this way, they can play a significant role in the embodied and material aspects of religious practice. The focus of this book is on clothing and garments among ancient monastics and ascetics in Egypt, but with a broader outlook to the general meaning and function of clothes in religion. The garments of the Egyptian ascetics and monastics are important because they belong to a period of transition in the history of Christianity and very much represent this way of living. This study combines a cognitive perspective on clothes with an attempt to grasp the embodied experiences of being clothed, as well as viewing clothes as potential actors. Using sources such as travelogues, biographies, letters, contracts, images, and garments from monastic burials, the role of clothes is brought into conversation with material religion more generally. This unique study builds links between ancient and contemporary uses of religious clothing. It will, therefore, be of interest to any scholar of religious studies, religious history, religion in antiquity, and material religion.

Discover the traditional stories and wisdom behind your favourite yoga poses in this stunningly illustrated book of Indian mythology for yogis of all levels. A beautifully written introduction to Indian mythology, join storyteller, scholar and teacher, Dr Raj Balkaran, and explore the unforgettable tales behind 50 key yoga poses, such as: Virabhadrasana II, the original warrior pose Tadasana, mountain pose Bhujangasana, cobra pose Garudasana, eagle pose Padmasana, lotus pose Virasana, hero pose Savasana, corpse pose Meet iconic Gods and Goddesses, from Ganesa, the elephant-headed god of wisdom, to Siva, Lord of Yogis, and Kali, goddess of mind, body, soul and death. Explore the rivalry between the sages Vasistha and Visvamitra, and their cosmic feud over a wish-fulfilling cow. Plunge into the depths of one of the richest myths in Hinduism: the battle between the demons and the gods who churn the cosmic oceans in search for the elixir of immortality. And learn how Siva got his blue throat! Learn, through the mythology of the poses, more about the roots of this ancient practice and how you can use their teachings to better appreciate and respect yoga's true origins. Enhance your practice by reading one story before or at the end of class, and incorporating the poses and their teaching into your life, as well as your yoga practice, and transform the way you view and practice this timeless art.

Who marched in religious processions and why? How were blood sacrifice and communal feasting related to identities in the ancient Greek city? With questions such as these, current scholarship aims to demonstrate the ways in which religion maps on to the socio-political structures of the Greek polis ('polis religion'). In this book Dr Kindt explores a more comprehensive conception of ancient Greek religion beyond this traditional paradigm. Comparative in method and outlook, the book invites its readers to embark on an interdisciplinary journey touching upon such diverse topics as religious belief, personal religion, magic and theology. Specific examples include the transformation of tyrant property into ritual objects, the cultural practice of setting up dedications at Olympia, and a man attempting to make love to Praxiteles' famous statue of Aphrodite. The book will be valuable for all students and scholars seeking to understand the complex phenomenon of ancient Greek religion.

Channel the power and use the magic of more than 50 Celtic goddesses. The Celtic goddesses and druids were legendary beings. Now these heavenly spirits have personal relationships with us in everything we do. All females are divinely attuned to goddesses from birth for guidance and protection through life until death. Working by divine plan, goddesses imbue us with their ancient wisdom, which becomes our own, helping us to avoid pitfalls and reach our full potential. Celtic Goddesses and Their Spells features 52 of these inspiring deities, all beautifully illustrated. Gillian Kemp gives a description of each goddess and her main powers, followed by a spell associated with that goddess. For example, Cerridwen is the goddess of truth and she encourages you to be your most authentic self, while Awen, goddess of inspiration, helps you find the answers you need.

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.

Human sacrifice, a spirited heroine, a quest ending in a hairsbreadth escape, the touching reunion of long-lost siblings, and exquisite poetry-these features have historically made Euripides' Iphigenia in Tauris one of the most influential of Greek tragedies. Yet, despite its influence and popularity in the ancient world, the play remains curiously under-investigated in both mainstream cultural studies and more specialized scholarship. With Adventures with Iphigenia in Tauris, Edith Hall provides a much-needed cultural history of this play, giving as much weight to the impact of the play on subsequent Greek and Roman art and literature as on its manifestations since the discovery of the sole surviving medieval manuscript in the 1500s. The book argues that the reception of the play is bound up with its spectacular setting on the southern coast of the Crimean peninsula in what is now the Ukraine, a territory where world history has often been made. However, it also shows that the play's tragicomic tenor and escape plot have had a tangible influence on popular culture, from romantic fiction to Hollywood action films. The thirteen chapters illustrate how reactions to the play have evolved from the ancient admiration of Aristotle and Ovid, the Christian responses of Milton and Catherine the Great, the anthropological ritualists and theatrical Modernists including James Frazer and Isadora Duncan, to recent feminist and postcolonial dramatists from Mexico to Australia. Individual chapters are devoted to the most significant adaptations of the tragedy, Gluck's opera Iphigenie en Tauride and Goethe's verse drama Iphigenie auf Tauris. Richly illustrated and accessibly written, with all texts translated into English, Adventures with Iphigenia in Tauris argues elegantly for a reappraisal of this Euripidean masterpiece.