Athens at the time of the Peloponnesian war was the arena for a dramatic battle between politics and religion in the hearts and minds of the people. Fear and Loathing in Ancient Athens, originally published in German but now available for the first time in an expanded and revised English edition, sheds new light on this dramatic period of history and offers a new approach to the study of Greek religion. The book explores an extraordinary range of events and topics, and will be an indispensable study for students and scholars studying Athenian religion and politics.

It is widely believed that the practice of ancient Egyptian religion ceased with the end of pharaonic culture and the rise of Christianity. However, an organised reconstruction and revival of the authentic practice of Egyptian, or Kemetic religion has been growing, almost undocumented, for nearly three decades. Profane Egyptologists is the first in-depth study of the now-global phenomenon of Kemeticism. Presenting key players in their own words, the book utilises extensive interviews to reveal a continuum of beliefs and practices spanning eight years of community growth. The existence of competing visions of Egypt, which employ ancient material and academic resources, questions the position of Egyptology as a gatekeeper of Egypt's past. Exploring these boundaries, the book highlights the politised and economic factors driving the discipline's self-conception. Could an historically self-imposed insular nature have harmed Egyptology as a field, and how could inclusive discussion help guard against further isolationism? Profane Egyptologists is both an Egyptological study of Kemeticism, and a critical study of the discipline of Egyptology itself. It will be of value to scholars and students of archaeology and Egyptology, cultural heritage, religion online, phenomenology, epistemology, pagan studies and ethnography, as well as Kemetics and devotees of Egyptian culture.

Paganism is one of the world's fastest-growing religions, practised in a huge variety of ways. The Paganism Reader provides a definitive collection of key sources in Paganism, ranging from its ancient origins to its twentieth-century reconstruction and revival. Chronologically organized sections include extracts from ancient Greek, Norse and Celtic literature, inspirational texts from the early twentieth-century, writings by leaders of the Pagan revival, and newer perspectives showing the diversity of Paganism today. Witchcraft, nature religion, shamanism and goddess worship are considered, as is the influence of environmental and feminist movements. Fully introduced, with editors' prefaces to all extracts and suggestions for further reading, this comprehensive book is an invaluable guide to Paganism and critical issues in its study.

The Commentaries translated here, dating from the sixth century, show the persisting survival of Greek learning in an increasingly Christianised world. The work takes the form of a series of explanations and glosses of classical references in Gregory's original Sermons. Although the author uses an elementary technique of the schools to structure his text, which has little in the way of eloquence or literary art, there is a striking single-mindededness and confidence in his explanations. Some of the information given is inaccurate, and the author is not averse to rewriting texts that he cannot explain. Nonetheless, the work displays a lively interest in Greek learning, and presents a fascinating insight into the attitude of one particular Christian to its continuing validity.

Paganism is one of the world's fastest-growing religions, practised in a huge variety of ways. The Paganism Reader provides a definitive collection of key sources in Paganism, ranging from its ancient origins to its twentieth-century reconstruction and revival. Chronologically organized sections include extracts from ancient Greek, Norse and Celtic literature, inspirational texts from the early twentieth-century, writings by leaders of the Pagan revival, and newer perspectives showing the diversity of Paganism today. Witchcraft, nature religion, shamanism and goddess worship are considered, as is the influence of environmental and feminist movements. Fully introduced, with editors' prefaces to all extracts and suggestions for further reading, this comprehensive book is an invaluable guide to Paganism and critical issues in its study.

Contents:
Preface 1. Introduction 2. Approaches to witchcraft 3. Feminists and witches 4. Feminists and the Goddess 5. Researching witches: Becoming enchanted 6. Feminist witchcraft in New Zealand: Origins and development 7. The attraction of witchcraft 8. The attraction of the Goddess: Witches' worldview 9. What witches do 10. Ritual as artefact 11. How magic works 12. Re-membering the witch and the Goddess References

Contents:
Preface 1. Introduction 2. Approaches to witchcraft 3. Feminists and witches 4. Feminists and the Goddess 5. Researching witches: Becoming enchanted 6. Feminist witchcraft in New Zealand: Origins and development 7. The attraction of witchcraft 8. The attraction of the Goddess: Witches' worldview 9. What witches do 10. Ritual as artefact 11. How magic works 12. Re-membering the witch and the Goddess References

Do humans have a special capacity designed to foster experiences of God? What role do specific bodily actions or emotions play in the cultivation of a divine experience? Prayer as Divine Experience in 4 Ezra and John's Apocalypse: Emotion, Empathy, and Engagement with God explores these questions in a systematic study of the emotions in two apocalyptic texts. The book of 4 Ezra, an ancient Jewish apocalypse, and the book of Revelation, an ancient Christian Apocalypse written by John, are examined with a focus on the emotional language of the prayers and prayer preludes contained in this literature. Both texts were composed in the first-century of the Common Era, a time when most people exposed to literature heard the content as it was recited. The emotive language in these writings could potentially arouse similar emotions in the readers or hearers of these texts, allowing the person to have access to the divine experiences, which are described by the seer in 4 Ezra and are expressed by the angelic choir in John's Apocalypse. Prior to examining the prayers, Prayer as Divine Experience will describe the neurological processes that cause a person to mirror the emotions expressed by another individual, thereby prompting an imitation of the experience that is perceived.

Often ignored in studies of Classical Greek religion, private cults were widespread in the Hellenistic world. Although worshippers in Classical Greece were normally involved in group and civic worship, there is evidence that they could also act outside of these constraints, expressing their piety through the financing and administration of cults they established on their own. Singular Dedications is the first comprehensive study of this phenomenon, examining three case studies that represent the diversity and complexity that characterise ancient Greek religion in the Classical period.

This volume assembles fourteen highly influential articles written by Michael H. Jameson over a period of nearly fifty years, edited and updated by the author himself. They represent both the scope and the signature style of Jameson's engagement with the subject of ancient Greek religion. The collection complements the original publications in two ways: firstly, it makes the articles more accessible; and secondly, the volume offers readers a unique opportunity to observe that over almost five decades of scholarship Jameson developed a distinctive method, a signature style, a particular perspective, a way of looking that could perhaps be fittingly called a 'Jamesonian approach' to the study of Greek religion. This approach, recognizable in each article individually, becomes unmistakable through the concentration of papers collected here. The particulars of the Jamesonian approach are insightfully discussed in the five introductory essays written for this volume by leading world authorities on polis religion.

It has often been thought that participation in fertility rituals was women's most important religious activity in classical Greece. Matthew Dillon's wide-ranging study makes it clear that women engaged in numerous other rites and cults, and that their role in Greek religion was actually more important than that of men. Women invoked the gods' help in becoming pregnant, venerated the god of wine, worshipped new and exotic deities, used magic for both erotic and pain-relieving purposes, and far more besides.
Clear and comprehensive, this volume challenges many stereotypes of Greek women and offers unexpected insights into their experience of religion. With more than fifty illustrations, and translated extracts from contemporary texts, this is an essential resource for the study of women and religion in classical Greece.

eBook available with sample pages: 0203621328

This dictionary provides a readily available collection of source material for a subject which has recently become of considerable public and academic interest. It provides a point of reference for key words and concepts which have previously been available only in short glossaries, footnotes, or within a body of text. It deals with concepts shared by all Pagans, and also with those concepts unique to a particular Pagan tradition.

Contents:
Acknowledgements Intoduction THE DICTONARY Select Biblography

The twenty-one studies assembled in this volume focus on the apparatus and practitioners of religions in the western Roman empire, the enclaves, temples, altars and monuments that served the cults of a wide range of divinities through the medium of priests and worshippers. Discussion focuses on the analysis or reconstruction of the centres at which devotees gathered and draws on the full range of available evidence. While literary authorities remain of primary concern, these are for the most part overshadowed by other categories of evidence, in particular archaeology, epigraphy, numismatics and iconography, sources in some cases confirmed by the latest geophysical techniques - electrical resistivity tomography or ground-probing radar. The material is conveniently presented by geographical area, using modern rather than Latin terminology: Rome, Italy, Britain, Gaul, Spain, Hungary, along with a broader section that covers the empire in general. The titles of the various articles speak for themselves but readers may find the preface of interest in so far as it sets out my ideas on the use of ancient evidence and the pitfalls of some of the approaches favoured by modern scholars. Together with the wide range of individual papers the preface makes the book of interest to all students of the Roman empire as well as those specifically concerned with the history of religions.

Modern scholars have seen women's most important religious activity in classical Greece as their participation in fertility rituals. Matthew Dillon's wide-ranging new study makes it clear that women engaged in numerous rites and cults besides such festivals, and that their role in Greek religion was actually more important than that of men.
Women invoked the gods for help in becoming pregnant, venerated the god of wine, worshipped exotic gods new to the Greek pantheon, used magic and potions for both erotic and pain-relieving purposes - and far more besides. While traditional scholarship has seen such involvement in religion as 'escapist', Dillon's skilful presentation of the evidence proves that this denigrates women's religiosity, and the real importance which they attached to their mediation with the divine.

Applying the latest narratological theory and focusing on the use of anachrony (or 'chronological deviation'), this book explores how Statius competes - successfully - for a place within an established literary canon. Given the tremendous pressure on poets to render familiar stories in unfamiliar and novel ways, how did he achieve this? When Statius elected to sing of the quarrelsome sons of Oedipus he was acutely aware that this was a well-trod road, one frequently reproduced in a variety of genres - epic, drama and lyric poetry. Despite this highly varied corpus against which he sought to contend, he boasts that his epic has novelty and proudly declares that he is now counted among the 'prisca nomina', or ancient names, that sang of Thebes. And indeed precisely the fact that there were so many story-versions (a greater number survive for comparison than for any other work from antiquity, rivaling even the popularity of the Trojan legend) means that the story is conveniently positioned to offer a unique exploration into how Statius creates a compelling story despite working within a saturated and overly familiar mythic tradition. This book argues that it is chiefly through the use of narrative anachrony, or non-chronological modes of narration, that Statius manipulates states of anticipation, suspense, and even surprise in his audience.

Using in-depth examples of 'magical' practice such as exorcisms, love rites, alchemy and the transformation of humans into divine beings, this lively volume demonstrates that the word 'magic' was used widely in late antique texts as part of polemics against enemies and sometimes merely as a term for other people's rituals. Professor Janowitz shows that 'magical' activities were integral to late antique religious practice, and that they must be understood from the perspective of those who employed them.

Using in-depth examples of 'magical' practice such as exorcisms, love rites, alchemy and the transformation of humans into divine beings, this lively volume demonstrates that the word 'magic' was used widely in late antique texts as part of polemics against enemies and sometimes merely as a term for other people's rituals. Professor Janowitz shows that 'magical' activities were integral to late antique religious practice, and that they must be understood from the perspective of those who employed them.

Images of episodes from Greek mythology are widespread in Roman art, appearing in sculptural groups, mosaics, paintings and reliefs. They attest to Rome's enduring fascination with Greek culture, and its desire to absorb and reframe that culture for new ends. This book provides a comprehensive account of the meanings of Greek myth across the spectrum of Roman art, including public, domestic and funerary contexts. It argues that myths, in addition to functioning as signifiers of a patron's education or paideia, played an important role as rhetorical and didactic exempla. The changing use of mythological imagery in domestic and funerary art in particular reveals an important shift in Roman values and senses of identity across the period of the first two centuries AD, and in the ways that Greek culture was turned to serve Roman values.

Teachers and Texts in the Ancient World presents a comprehensive and accessible survey of religious and philosophical teaching and classroom practices in the ancient world. H. Gregory Snyder synthesises a wide range of ancient evidence and modern scholarship to address such questions as how the literary practices of Jews and Christians compared to the literary practices of the philosophical schools and whether Christians were particularly noteworthy for their attatchment to scripture.
Teachers and Texts in the Ancient World will be of interest to students of classics, ancient history, the early Christian world and Jewish studies.

Teachers and Texts in the Ancient World presents a comprehensive and accessible survey of religious and philosophical teaching and classroom practices in the ancient world. H. Gregory Snyder synthesises a wide range of ancient evidence and modern scholarship to address such questions as how the literary practices of Jews and Christians compared to the literary practices of the philosophical schools and whether Christians were particularly noteworthy for their attatchment to scripture.
Teachers and Texts in the Ancient World will be of interest to students of classics, ancient history, the early Christian world and Jewish studies.

eBook available with sample pages: 020346253X

The parables contained in this book focus on the Celtic spirit, covering themes that include love and hate, wisdom and folly and life and death. The examples are drawn from Victorian books and offer a new angle on established Celtic themes.

This stunning collection brings together goddess mythologies from across the globe: familiar, unknown, forgotten -- spectacular! Written by pioneering storyteller Sally Pomme Clayton, whose 30-year career has focused on researching female protagonists, these tales are conjured in vivid and poetic language. The book includes information about the pattern of myths and how they are represented globally and revels in the female, exploring desire, death, and the female body. Journey from Alaska to Mesopotamia and visit ancient Persian and Aztec cultures, meeting Sedna whose fingertips become sea creatures and Persephone whose sojourn in the Underworld brings Spring. This is the most significant contemporary collection of goddess myths and encourages readers to value the female, preserve culture and re-ignite storytelling traditions.