The figure of Orpheus has long exercised a potent influence on religious thought. Yet what we know directly about Orphism comes from a scatter of isolated and often very short fragments quoted in the works of Platonists of the Roman period, notably Proclus, Damascius and Olympiodorus. The author's concern here is to establish the context in which these passages were cited, and to trace the development of the written tradition, from the texts which contain a critique of the beliefs of the Homeric era to those, whether newly composed or transformed, which show signs of adaptation to later religious and philosophical movements, among them Stoicism and Platonism. In sharp contrast to views held by others, it is argued that it is possible to map out a process of evolution, amongst other criteria by focusing on the role and place of Chronos in the Orphic theogony. The author also asks whether there really ever existed true Orphic sects with a cult with specific rites, and would conclude that the present evidence cannot be held to substantiate this. Orphee a pendant longtemps exerce une puissante influence sur la pensee religieuse. Cependant, ce que nous connaissons directement de l'OrphA-sme se reduit A une poignee de fragments isoles et souvent tres courts qui se trouvent eparpilles dans les oeuvres de Platoniciens ayant vecu sous l'Empire romain, surtout Proclus, Damascius et Olympiodore. Dans les articles qui composent ce recueil, l'auteur s'est attache A reconstituer les contextes dans lesquels ces passages sont cites, et A comprendre comment s'est developpee la tradition ecrite A laquelle ils appartiennent, depuis les textes qui critiquent les croyances vehiculees par Homere et par Hesiode et qui, ayant fait l'objet d'une redaction ou d'une transformation recente, presentent les signes d'une adaptation A des mouvements religieux ou philosophiques tardifs, le StoA-cisme et le medio-Platonisme entre autres. S'opposant en cela A b

The unique relationship between word and image in ancient Egypt is a defining feature of that ancient culture's records. All hieroglyphic texts are composed of images, and large-scale figural imagery in temples and tombs is often accompanied by texts. Epigraphy and palaeography are two distinct, but closely related, ways of recording, analyzing, and interpreting texts and images. This Handbook stresses technical issues about recording text and art and interpretive questions about what we do with those records and why we do it. It offers readers three key things: a diachronic perspective, covering all ancient Egyptian scripts from prehistoric Egypt through the Coptic era (fourth millennium BCE-first half of first millennium CE), a look at recording techniques that considers the past, present, and future, and a focus on the experiences of colleagues. The diachronic perspective illustrates the range of techniques used to record different phases of writing in different media. The consideration of past, present, and future techniques allows readers to understand and assess why epigraphy and palaeography is or was done in a particular manner by linking the aims of a particular effort with the technique chosen to reach those aims. The choice of techniques is a matter of goals and the records' work circumstances, an inevitable consequence of epigraphy being a double projection: geometrical, transcribing in two dimensions an object that exists physically in three; and mental, an interpretation, with an inevitable selection among the object's defining characteristics. The experiences of colleagues provide a range of perspectives and opinions about issues such as techniques of recording, challenges faced in the field, and ways of reading and interpreting text and image. These accounts are interesting and instructive stories of innovation in the face of scientific conundrum.

Few women's voices have survived from the antiquity period, but evidence shows that, especially in the area of religion, women were influential in Greek culture. Drawing on Socrates' Symposium , Nye advances this notion by not only exploring the original religious meaning of Diotima's teaching but also how that meaning has been lost throughout time.

Disputation literature is a type of text in which usually two non-human entities (such as trees, animals, drinks, or seasons) try to establish their superiority over each other by means of a series of speeches written in an elaborate, flowery register. As opposed to other dialogue literature, in disputation texts there is no serious matter at stake only the preeminence of one of the litigants over its rival. These light-hearted texts are known in virtually every culture that flourished in the Middle East from Antiquity to the present day, and they constitute one of the most enduring genres in world literature. The present volume collects over twenty contributions on disputation literature by a diverse group of world-renowned scholars. From ancient Sumer to modern-day Bahrain, from Egyptian to Neo-Aramaic, including Latin, French, Middle English, Armenian, Chinese and Japanese, the chapters of this book study the multiple avatars of this venerable text type.

Can time exist independently of consciousness? In antiquity this question was often framed as an enquiry into the relationship of time and soul. Aristotle cautiously suggested that time could not exist without a soul that is counting it. This proposal was controversially debated among his commentators. The present book offers an account of this debate beginning from Aristotle's own statement of the problem in Book IV of the Physics. Subsequent chapters discuss Aristotle's Peripatetic followers, Boethus of Sidon and Alexander of Aphrodisias; his Neoplatonic readers, Plotinus and Simplicius; and early Christian authors, Gregory of Nyssa and Augustine. At the centre of the debate stood the relation between the subjective time in the soul and the objective time of the cosmos. Both could be seen as united in the world soul as the seat of subjective time on a cosmic scale. But no solution to the problem was final. No theory gained general acceptance. The book shows the fascinating variety and plurality of ideas about time and soul throughout antiquity. Throughout antiquity, the problem of time and soul remained as intriguing as it proved intractable.

This study raises that difficult and complicated question on a broad front, taking into account the expressions and attitudes of a wide variety of Greek, Roman, Jewish, and early Christian sources, including Herodotus, Polybius, Cicero, Philo, and Paul. It approaches the topic of ethnicity through the lenses of the ancients themselves rather than through the imposition of modern categories, labels, and frameworks. A central issue guides the course of the work: did ancient writers reflect upon collective identity as determined by common origins and lineage or by shared traditions and culture?

The author uses the heb-sed, or Sed-festival, an ancient Egyptian religious festival that can be traced to the Archaic period, as the basis for a comparative study for providing insights into the controversial reign of Amenhotep IV - Akhenaten.

In this important new book, the distinguished Egyptologist Jan Assmann provides a masterful overview of a crucial theme in the religious history of the West - that of 'religio duplex', or dual religion. He begins by returning to the theology of the Ancient Egyptians, who set out to present their culture as divided between the popular and the elite. By examining their beliefs, he argues, we can distinguish the two faces of ancient religions more generally: the outer face (that of the official religion) and the inner face (encompassing the mysterious nature of religious experience). Assmann explains that the Early Modern period witnessed the birth of the idea of dual religion with, on the one hand, the religion of reason and, on the other, that of revelation. This concept gained new significance in the Enlightenment when the dual structure of religion was transposed onto the individual. This meant that man now owed his allegiance not only to his native religion, but also to a universal 'religion of mankind'. In fact, argues Assmann, religion can now only hold a place in our globalized world in this way, as a religion that understands itself as one among many and has learned to see itself through the eyes of the other. This bold and wide-ranging book will be essential reading for historians, theologians and anyone interested in the nature of religion and its role in the shaping of the modern world.

Winner of the Runciman Award Winner of the Charles J. Goodwin Award "Tells the story of how the Seleucid Empire revolutionized chronology by picking a Year One and counting from there, rather than starting a new count, as other states did, each time a new monarch was crowned...Fascinating." -Harper's In the aftermath of Alexander the Great's conquests, his successors, the Seleucid kings, ruled a vast territory stretching from Central Asia and Anatolia to the Persian Gulf. In 305 BCE, in a radical move to impose unity and regulate behavior, Seleucus I introduced a linear conception of time. Time would no longer restart with each new monarch. Instead, progressively numbered years-continuous and irreversible-became the de facto measure of historical duration. This new temporality, propagated throughout the empire and identical to the system we use today, changed how people did business, recorded events, and oriented themselves to the larger world. Some rebellious subjects, eager to resurrect their pre-Hellenic past, rejected this new approach and created apocalyptic time frames, predicting the total end of history. In this magisterial work, Paul Kosmin shows how the Seleucid Empire's invention of a new kind of time-and the rebellions against this worldview-had far reaching political and religious consequences, transforming the way we organize our thoughts about the past, present, and future. "Without Paul Kosmin's meticulous investigation of what Seleucus achieved in creating his calendar without end we would never have been able to comprehend the traces of it that appear in late antiquity...A magisterial contribution to this hitherto obscure but clearly important restructuring of time in the ancient Mediterranean world." -G. W. Bowersock, New York Review of Books "With erudition, theoretical sophistication, and meticulous discussion of the sources, Paul Kosmin sheds new light on the meaning of time, memory, and identity in a multicultural setting." -Angelos Chaniotis, author of Age of Conquests

This is the first major synthesis of Greek religion to appear for a generation. A clearly structured and readable survey for classical scholars and students, it will also be generally welcomed as the best modern account of any polytheistic religious system. The text builds up an impressive and coherent picture of the current state of knowledge about the religion of the ancient Greeks.

In their wide-ranging interpretation of the religion of ancient Egypt, Francoise Dunand and Christiane Zivie-Coche explore how, over a period of roughly 3500 years, the Egyptians conceptualized their relations with the gods. Drawing on the insights of anthropology, the authors discuss such topics as the identities, images, and functions of the gods; rituals and liturgies; personal forms of piety expressing humanity's need to establish a direct relation with the divine; and the afterlife, a central feature of Egyptian religion. That religion, the authors assert, was characterized by the remarkable continuity of its ritual practices and the ideas of which they were an expression.Throughout, Dunand and Zivie-Coche take advantage of the most recent archaeological discoveries and scholarship. Gods and Men in Egypt is unique in its coverage of Egyptian religious expression in the Ptolemaic and Roman periods. Written with nonspecialist readers in mind, it is largely concerned with the continuation of Egypt's traditional religion in these periods, but it also includes fascinating accounts of Judaism in Egypt and the appearance and spread of Christianity there."

In the middle of the third century, a girl was born on the north-eastern frontier of the Roman empire. Eighty years later, she died as Flavia Iulia Helena, Augusta of the Roman world and mother of the first Christian emperor Constantine, without ever having been married to an emperor herself. In Helena Augusta: Mother of the Empire, Julia Hillner traces Helena's story through her life's peaks, which generated beautiful imperial artwork, entertaining legends as well as literary outrage. But Helena Augusta also pays careful attention to the disruptions in Helena's life course and in her commemoration-disruptions that were created by her nearest male relatives. Hillner shows that Helena's story was not just determined by the love of a son or the rise of Christianity. It was also-like that of many other late Roman women-defined by male violence and by the web of changing female relationships around her, to which Helena was sometimes marginal, sometimes central and sometimes ancillary. Helena Augusta offers unique insight into the roles of imperial women in Constantinian self-display and in dynastic politics from the Tetrarchy to the Theodosian Age, and it also reminds us that the late Roman female life course, even that of an empress, was fragile and non-linear.

Longlisted for the Highland Book Prize 2020 From the author of The Long Take, shortlisted for the Booker Prize and winner of both the Walter Scott Prize and the Goldsmiths Prize. 'I've long admired Robin Robertson's narrative gift . . . If you love stories, you will love this book.' Val McDermid Like some lost chapters from the Celtic folk tradition, Grimoire tells stories of ordinary people caught up, suddenly, in the extraordinary: tales of violence, madness and retribution, of second sight, witches, ghosts, selkies, changelings and doubles, all bound within a larger mythology, narrated by a doomed shape-changer - a man, beast or god. A grimoire is a manual for invoking spirits. Here, Robin Robertson and his brother Tim Robertson - whose accompanying images are as unforgettable as cave-paintings - raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments. From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation - whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape - a beauty that can switch, with a mere change in the weather, to hostility and terror.

From Zeus and Hephaestus to Hades and Persephone, this book reveals the origins of nearly thirty Greek gods and goddesses, how they've been worshipped across the centuries, and how you can work with them in your own practice. Jason Mankey and Astrea Taylor introduce you to the gods one by one, presenting their history, unique correspondences, and a ritual or spell for connecting with them. You'll also enjoy insightful contributions from members of the Witchcraft community who actively work with these deities. Modern Witchcraft with the Greek Gods features other mythological figures as well, such as the Titans and Primordial Forces, and it explores the spell and ritual structures of ancient times. Everything you want to know about Greek gods and how to call upon them today is in this book.

Prophecy was a wide-spread phenomenon in the ancient world - not only in ancient Israel but in the whole Eastern Mediterranean cultural sphere. This is demonstrated by documents from the ancient Near East, that have been the object of Martti Nissinen's research for more than twenty years. Nissinen's studies have had a formative influence on the study of the prophetic phenomenon. The present volume presents a selection of thirty-one essays, bringing together essential aspects of prophetic divination in the ancient Near East. The first section of the volume discusses prophecy from theoretical perspectives. The second sections contains studies on prophecy in texts from Mari and Assyria and other cuneiform sources. The third section discusses biblical prophecy in its ancient Near Eastern context, while the fourth section focuses on prophets and prophecy in the Hebrew Bible/Old Testament. Even prophecy in the Dead Sea Scrolls is discussed in the fifth section. The articles are essential reading for anyone studying ancient prophetic phenomenon.

The culture of ancient Greece was thronged with personifications. In poetry and the visual arts, personified figures of what might seem abstractions claim our attention. The Greeks, in Dr Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and sacrifices, and beseeched them with hymn and prayers. Dr Stafford conducts case-studies of deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, "Did the Greeks believe their own myths?" This study contributes to the debate, by exploring widespread and creative popular theology in the historical period.

'Burning ice, biting flame; that is how life began' The extraordinary Scandinavian myth cycle is one of the most enduring, exciting, dramatic and compelling of the world's great stories. The Penguin Book of the Norse Myths compellingly retells these stories for the modern reader, taking us from the creation of the world through the building of Asgard's Wall to the final end in Ragnarok. You'll discover how Thor got his hammer and how Odin lost his eye, the terrible price of binding the wolf Fenrir and why Loki the trickster can never be trusted. The Norse myths are as thrilling to read as they are of vast cultural and historical importance. In this gripping book Kevin Crossley-Holland brings alive the passion, cruelty and heroism of these unforgettable stories.

Diana Beresford-Kroeger - a world-recognised botanist and medical biochemist - has revolutionised our understanding of the natural world with her startling insights into the hidden life of trees. In this riveting memoir, she uncovers the roots of her discoveries in her extraordinary childhood in Ireland. Soon after, her brilliant mind bloomed into an illustrious scientific career that melds the intricacies of the natural world with the truths of traditional Celtic wisdom. To Speak for the Trees uniquely blends the story of Beresford-Kroeger's incredible life and her outstanding achievement as a scientist. It elegantly shows us how forests can not only heal us as people but can also help save the planet. AUTHOR: Diana Beresford-Kroeger is a world-recognized botanist, medical biochemist, and author, whose work uniquely combines western scientific knowledge and the traditional concepts of the ancient world. Her books include The Sweetness of a Simple Life, The Global Forest, Arboretum Borealis, Arboretum America, Time Will Tell, and A Garden for Life. Currently she is advocating on behalf of an ambitious global bioplan that encourages ordinary people to develop a new relationship with nature and to restore the global forest.

This deluxe edition of the world's most beloved, bestselling classic on Greek, Roman, and Norse mythology is stunningly illustrated with specially commissioned full-color plates and a beautiful gold-bordered pages.

Since its original publication in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the world and established itself as a perennial bestseller. For nearly 80 years, readers have chosen Mythology: Timeless Tales of Gods and Heroes above all other books to discover the enchanting world of Greek, Roman, and Norse mythology -- from Odysseus's adventure-filled journey to Odin's effort to postpone the final day of doom.

This deluxe, hardcover edition is illustrated throughout with specially commissioned, original artwork and beautifully illustrated lineages, making it a true collector's item.

This volume provides a guide to research in the field of Greek Myth, introducing the main questions, theories and methods related to the study of Greek Myth today. The author points out, with critical reappraisal, the key themes and ideas in recent scholarship and makes suggestions for future lines of study. Aimed at students and scholars in Classics, it will also be of interest to larger audiences in the Humanities.