Sharing with the Gods examines one of the most ubiquitous yet little studied aspects of ancient Greek religion, the offering of so-called 'first-fruits' (aparchai) and 'tithes' (dekatai), from the Archaic period to the Hellenistic. While most existing studies of Greek religion tend to focus on ritual performance, this volume investigates questions of religious belief and mentality: why the Greeks presented these gifts to the gods, and what their behaviour tells us about their religious world-view, presuppositions, and perception of the gods. Exploiting an array of ancient sources, the author assesses the diverse nature of aparchai and dekatai, the complexity of the motivations underlying them, the role of individuals in shaping tradition, the deployment of this religious custom in politics, and the transformation of a voluntary practice into a religious obligation. By synthesizing a century of scholarship on 'first-fruits' practices in Greek and other religious cultures, the author challenges prevailing interpretations of gift-exchange with the gods in terms of do ut des and da ut dem, which emphasize the reciprocal, obligatory, and sometimes commercial aspects of the gift, and explores hitherto neglected notions including gratitude and thanksgiving. Drawing on current approaches to gift-giving in anthropology, sociology, and economics, in particular the French anthropologist Godelier's idea of 'debt', the volume offers new perspectives with which to conceptualize human-divine relations, and challenges traditional views of the nature of gift-giving between men and gods in Greek religion.

Since the 2015 publication of The Poetic Edda: Stories of the Norse Gods and Heroes, Old Norse specialist Dr. Jackson Crawford has delighted readers with his English-language translations of Old Norse sagas and poems that tell the tales of Odin, Thor, Loki, dragon-slayer Sigurd, Brynhild the Valkyrie, Hrolf Kraki, and many more. This limited-edition set collects three of Dr. Crawford's Hackett Publishing books, The Poetic Edda (2015), The Saga of the Volsungs (2017), and Two Sagas of Mythical Heroes (2021) in a beautifully designed, hand-numbered, and hand-crafted slipcase box. Each book in the set features smyth-sewn hardcover bindings with new custom artwork for the front covers. The Poetic Edda features a medallion of the wolf Fenrir, The Saga of the Volsungs a medallion of the dragon/serpent Fafnir, and Two Sagas of Mythical Heroes a medallion of a bear. Each volume in the set begins with a phrase hand-written by Dr. Crawford that best exemplifies the text to follow or Dr. Crawford's favorite passage from the book. The quotes in The Poetic Edda and Two Sagas of Mythical Heroes also contain the runic "originals." The Poetic Edda also includes a bookplate personally signed by Dr. Crawford and hand-tipped into the front of the book.

The Greek myths are characteristically fabulous; they are full of monsters, metamorphoses, and the supernatural. However, they could be told in other ways as well. This volume charts ancient dissatisfaction with the excesses of myth, and the various attempts to cut these stories down to size by explaining them as misunderstood accounts of actual events. In the hands of ancient rationalizers, the hybrid forms of the Centaurs become early horse-riders, seen from a distance; the Minotaur the result of an illicit liaison, not an inter-species love affair; and Cerberus, nothing more than a notorious snake with a lethal bite. Such approaches form an indigenous mode of ancient myth criticism, and show Greeks grappling with the value and utility of their own narrative traditions. Rationalizing interpretations offer an insight into the practical difficulties inherent in distinguishing myth from history in ancient Greece, and indeed the fragmented nature of myth itself as a conceptual entity. By focusing on six Greek authors (Palaephatus, Heraclitus, Excerpta Vaticana, Conon, Plutarch, and Pausanias) and tracing the development of rationalistic interpretation from the fourth century BC to the Second Sophistic (1st-2nd centuries AD) and beyond, Rationalizing Myth in Antiquity shows that, far from being marginalized as it has been in the past, rationalization should be understood as a fundamental component of the pluralistic and shifting network of Greek myth as it was experienced in antiquity.

In a moonlit graveyard somewhere in southern Italy, a soldier removes his clothes in readiness to transform himself into a wolf. He depends upon the clothes to recover his human shape, and so he magically turns them to stone, but his secret is revealed when, back in human form, he is seen to carry a wound identical to that recently dealt to a marauding wolf. In Arcadia a man named Damarchus accidentally tastes the flesh of a human sacrifice and is transformed into a wolf for nine years. At Temesa Polites is stoned to death for raping a local girl, only to return to terrorize the people of the city in the form of a demon in a wolfskin. Tales of the werewolf are by now well established as a rich sub-strand of the popular horror genre; less widely known is just how far back in time their provenance lies. These are just some of the werewolf tales that survive from the Graeco-Roman world, and this is the first book in any language to be devoted to their study. It shows how in antiquity werewolves thrived in a story-world shared by witches, ghosts, demons, and soul-flyers, and argues for the primary role of story-telling-as opposed to rites of passage-in the ancient world's general conceptualization of the werewolf. It also seeks to demonstrate how the comparison of equally intriguing medieval tales can be used to fill in gaps in our knowledge of werewolf stories in the ancient world, thereby shedding new light on the origins of the modern phenomenon. All ancient texts bearing upon the subject have been integrated into the discussion in new English translations, so that the book provides not only an accessible overview for a broad readership of all levels of familiarity with ancient languages, but also a comprehensive sourcebook for the ancient werewolf for the purposes of research and study.

Based on extensive archival research, The Power of Huacas is the first book to take account of the reciprocal effects of religious colonization as they impacted Andean populations and, simultaneously, dramatically changed the culture and beliefs of Spanish Christians. Winner, Award for Excellence in the Study of Religion in the category of Historical Studies, American Academy of Religion, 2015 The role of the religious specialist in Andean cultures of the sixteenth, seventeenth, and eighteenth centuries was a complicated one, balanced between local traditions and the culture of the Spanish. In The Power of Huacas, Claudia Brosseder reconstructs the dynamic interaction between religious specialists and the colonial world that unfolded around them, considering how the discourse about religion shifted on both sides of the Spanish and Andean relationship in complex and unexpected ways. In The Power of Huacas, Brosseder examines evidence of transcultural exchange through religious history, anthropology, and cultural studies. Taking Andean religious specialists-or hechizeros (sorcerers) in colonial Spanish terminology-as a starting point, she considers the different ways in which Andeans and Spaniards thought about key cultural and religious concepts. Unlike previous studies, this important book fully outlines both sides of the colonial relationship; Brosseder uses extensive archival research in Bolivia, Chile, Ecuador, Peru, Spain, Italy, and the United States, as well as careful analysis of archaeological and art historical objects, to present the Andean religious worldview of the period on equal footing with that of the Spanish. Throughout the colonial period, she argues, Andean religious specialists retained their own unique logic, which encompassed specific ideas about holiness, nature, sickness, and social harmony. The Power of Huacas deepens our understanding of the complexities of assimilation, showing that, within the maelstrom of transcultural exchange in the Spanish Americas, European paradigms ultimately changed more than Andean ones.

At the heart of the mythology of the Anglo-Scandinavian-Germanic North is the evergreen Yggdrasil, the tree of life believed to hold up the skies and unite and separate three worlds: Asgard, high in the tree, where the gods dwelled in their great halls; Middlegard, where human beings lived; and the dark underground world of Hel, home to the monstrous goddess of death. With the advent of Christianity in the North around the year 1000, Yggdrasil was recast as the cross on which Christ sacrificed himself. G. Ronald Murphy offers an insightful examination of the lasting significance of Yggdrasil in northern Europe, showing that the tree's image persisted not simply through its absorption into descriptions of Christ's crucifix, but through recognition by the newly converted Christians of the truth of their new religion in the images and narratives of their older faith.
Rather than dwelling on theological and cultural differences between Christianity and older Anglo-Scandinavian beliefs, Murphy makes an argument internal to the culture, showing how the new dispensation was a realization of the old. He shows how architectural and literary works, including the Jelling stone in Denmark, the stave churches in Norway, The Dream of the Rood, the runes of the futhark, the round churches on Bornholm, the Viking crosses at Middleton in Yorkshire and even the Christmas tree, are all indebted to the cultural interweaving of cross and tree in the North. Tree ofSalvation demonstrates that both Christian and older Northern symbols can be read as a single story of salvation.

How did ancient Greek men and women deal with the uncertainty and risk of everyday life? What did they fear most, and how did they manage their anxieties? Esther Eidinow sets side-by-side two collections of material usually studied in isolation: binding curse tablets from across the ancient world, and the collection of published private questions from the oracle at Dodona in north-west Greece. Eidinow uses these texts to explore perceptions of risk and uncertainty in ancient society, challenging previous explanations. In these records we hear voices that are rarely, if ever, heard in literary texts and history books. The questions and curses in these tablets comprise fervent, sometimes ferocious appeals to the gods. The stories they tell offer tantalizing glimpses of everyday life, carrying the reader through the teeming ancient city - both its physical setting and its social dynamics. Among these tablets we find prostitutes and publicans, doctors and soldiers, netmakers and silver-workers, actors and seamstresses. Anxious litigants ask the gods to silence their opponents. Men inquire about the paternity of their children. Women beg the gods to help them keep their men. Business rivals try to corner the market. Slaves plead to escape their masters. This material takes us beyond the headlines of ancient history, offering new insights into institutions, activities, and relationships. Above all, individually and together, these texts help us to understand some of the ways in which ancient Greek men and women understood the world. In turn, the beliefs and activities of an ancient culture may shed light on modern attitudes to risk.

Tombs and burial customs are an exquisite source for social history, as their commemorative character inevitably expresses much of the contemporaneous ideology of a society. This book presents, for the first time, a holistic view of the funerary culture of Rome and its surroundings during the third century AD. While the third century is often largely ignored in social history, it was a transitional period, an era of major challenges - political, economic, and social - which inspired creativity and innovation, and paved the way for the new system of late antiquity. Barbara Borg argues that during this time there was, in many ways, a return to practices known from the Late Republic and early imperial period, with spectacular monuments for the rich, and a large-scale reappearance of collective burial spaces. Through a study of terraced tombs, elite monuments, the catacomb nuclei, sarcophagi, and painted image decoration, this volume explores how the third century was an exciting period of experimentation and creativity, a time when non-Christians and Christians shared fundamental ideas, needs, and desires as well as cemeteries, tombs, and hypogea. Ambition continued to be a driving force and a determining factor in all social classes, who found innovative solutions to the challenges they encountered.

In this important new book, the distinguished Egyptologist Jan Assmann provides a masterful overview of a crucial theme in the religious history of the West - that of 'religio duplex', or dual religion. He begins by returning to the theology of the Ancient Egyptians, who set out to present their culture as divided between the popular and the elite. By examining their beliefs, he argues, we can distinguish the two faces of ancient religions more generally: the outer face (that of the official religion) and the inner face (encompassing the mysterious nature of religious experience). Assmann explains that the Early Modern period witnessed the birth of the idea of dual religion with, on the one hand, the religion of reason and, on the other, that of revelation. This concept gained new significance in the Enlightenment when the dual structure of religion was transposed onto the individual. This meant that man now owed his allegiance not only to his native religion, but also to a universal 'religion of mankind'. In fact, argues Assmann, religion can now only hold a place in our globalized world in this way, as a religion that understands itself as one among many and has learned to see itself through the eyes of the other. This bold and wide-ranging book will be essential reading for historians, theologians and anyone interested in the nature of religion and its role in the shaping of the modern world.

This edited collection addresses the role of ritual representations and religion in the epic poems of the Flavian period (69-96 CE): Valerius Flaccus' Argonautica, Silius Italicus' Punica, Statius' Thebaid, and the unfinished Achilleid. Drawing on various modern studies on religion and ritual, and the relationship between literature and religion in the Greco-Roman world, it explores how we can interpret the poets' use of the relationship between gods and humans, cults and rituals, religious activities, and the role of the seer / prophet and his identification with poetry.
Divided into three major sections, the volume includes essays on the most important religious activities (prophecy or augury, prayers and hymns) and the relationship between religion and political power under the Flavian emperors. It also addresses specific episodes in Flavian epic which focus on religious activities associated with the dead and the Underworld, such as purification, necromancy, katabasis, suicide, and burial. It finally explores the role of gender in ritual and religion.

Harness the mythic power of the Celtic goddesses, gods, heroes and heroines to aid your spiritual quests and magical goals. This book explains how to use creative ritual and pathworking to align yourself with the energy of these archetypes, whose potent images live deep within your psyche. The book begins with an overview of 49 different types of Celtic Paganism followed today, then gives specific instructions for evoking and invoking the energy of the Celtic patheon to channel it toward magickal and spiritual goals and into esbat, sabbat and life transition rituals. Three detailed pathworking texts will take the reader on an inner journey where they will join forces with the archetypal images of Cuchulain, Queen Maeve and Merlin the Magician to bring their energies directly into the reader's life. The last half of the book clearly details the energies of over 300 Celtic deities and mythic figures to evoke or invoke the appropriate deity to attain a specific goal. The book should help solitary pagans who seek to expand the boundaries of their practice to form working partnerships with the divine.

Despite modern Paganism being one of the fastest growing new religious movements in Britain and the USA, there is no up-to-date straightforward and informed introduction to modern Paganism from a Christian perspective. The Shaken Path addresses that gap.

The essays in this compendium examine Late-Biblical writings dating from the Hellenistic period that relate to religion and society. A focus is placed on threat scenarios and on the drawing of differences to the Hellenistic environment and the question of identity for believers during the pre-Christian centuries.

This authoritative English translation of the Middle Kingdom Coffin Texts is an essential resource for all Egyptologists. The new edition reprints Faulkner's whole work in one volume. Filling the gap between the Pyramid Texts and the New Kingdom Book of the Dead, these writings were intended to supply the deceased with the speeches he would need to achieve a secure and important position in the next world. As such they supply valuable insights into Egyptian beliefs and mortuary practices. Concise textual notes are kept to a minimum, allowing the character of the texts to be experienced as a whole. Indexes cover divinities, localities, celestial bodies, selected Egyptian words in translation and also the parts of boats and sailing gear that figure prominently in some spells.

Brittany has long been famous for its Neolithic monuments, which include the largest prehistoric standing stone ever to have been erected in Western Europe, and the spectacular Carnac alignments. How and by whom were they built? This fully illustrated study aims to answer those questions using the results of recent French research on these sites, along with the insights provided by the author's own field studies. The emphasis is on the landscape setting of these monuments, and how that landscape may have influenced or inspired the construction of megalithic tombs and settings of standing stones. The development of the monuments is set within a chronological narrative, from the last hunter-gatherers of the late 6th millennium BC and the arrival of the first farmers, down to the end of the Neolithic period 3000 years later.

When they discover Celtic spirituality, many Christians feel that in some sense they have come home. As they begin to explore the people and places significant in the early centuries of Christianity in the British Isles, they find an expression of faith that weaves together strands of being and belonging, worship and witness in a unique and powerful way. Restoring the Woven Cord takes 15 leading figures from that era - ranging from Patrick of Ireland to John of Beverley - and shares something of their stories, showing their burning love for the Bible, their depth of prayer, their radical commitment to the poor and to caring for creation. Reflecting on their lives and works, we can find powerful inspiration for our own walk with God and rich resources for the ministry of the local church.

Eusebius' Ecclesiastical History (402/3 CE) gives a vivid account of the confrontation between the Eastern Roman Emperor Theodosius and the Western usurper Eugenius. To many, the defeat of Eugenius and his pagan followers along the Frigidus River in 394 was the last gasp of a vigorous pagan revolt in the late fourth century, one spearheaded by the Roman aristocracy. This elaborate campaign to derail Christianity, as the story goes, consisted of identifiable pagan literary circles, pagan patronage of the classics, and pagan propaganda in art and literature. Recently, however, scholars have shown this picture to be wanting in accuracy and nuance. Alan Cameron's The Last Pagans of Rome will replace this view with a richly detailed portrait of pagan society during the pivotal fourth and early fifth centuries. The subject of his book is not the conversion of the last pagans but rather the duration, nature, and consequences of their survival. It is widely believed that pagan aristocrats remained in the majority till at least the 380s, and continued to be a powerful force well into the fifth century. On this basis the main focus of much modern scholarship has been on their supposed stubborn resistance to Christianity. Rather surprisingly, these aristocrats have been transformed from the arrogant, philistine land-grabbers most of them were into fearless champions of senatorial privilege, literature lovers, and aficionados of classical (especially Greek) culture. The dismantling of this romantic myth is one of the main goals of Cameron's book. If a pagan aristocracy did not mount a defiant political and cultural rearguard action, what did they do? If elite culture at this time was not starkly divided between pagan and Christian, what did it look like? By sifting through the abundant textual evidence-from the Church Fathers Ambrose, Augustine, and Jerome to the classicizing authors Claudian, Macrobius, and Aullus Gellius-as well as the visual evidence (diptychs, illuminated manuscripts, silverware, and ivories), Cameron develops sophisticated and comprehensive answers to these questions. Among the provocative conclusions he makes is that the many activities and artifacts previously identified as hallmarks of a pagan revival were in fact just as important to the life of cultivated Christians. Far from being a subversive pagan activity designed to rally pagans, the promotion of classical literature, learning, and art-and its acceptance by many elite Christians-may actually have helped the last reluctant pagans to finally abandon the old cults and adopt Christianity. Throughout Cameron's careful analysis he engages, often with wit and pugnacity, with the mountain of scholarship on the subject. The culmination of several decades of research, The Last Pagans of Rome will be quite simply a landmark publication.

Gnosticism is a countercultural spirituality that forever changed the practice of Christianity. Before it emerged in the second century, passage to the afterlife required obedience to God and king. Gnosticism proposed that human beings were manifestations of the divine, unsettling the hierarchical foundations of the ancient world. Subversive and revolutionary, Gnostics taught that prayer and mediation could bring human beings into an ecstatic spiritual union with a transcendent deity. This mystical strain affected not just Christianity but many other religions, and it characterizes our understanding of the purpose and meaning of religion today. In The Gnostic New Age, April D. DeConick recovers this vibrant underground history to prove that Gnosticism was not suppressed or defeated by the Catholic Church long ago, nor was the movement a fabrication to justify the violent repression of alternative forms of Christianity. Gnosticism alleviated human suffering, soothing feelings of existential brokenness and alienation through the promise of renewal as God. DeConick begins in ancient Egypt and follows with the rise of Gnosticism in the Middle Ages, the advent of theosophy and other occult movements in the nineteenth and early twentieth centuries, and contemporary New Age spiritual philosophies. As these theories find expression in science-fiction and fantasy films, DeConick sees evidence of Gnosticism's next incarnation. Her work emphasizes the universal, countercultural appeal of a movement that embodies much more than a simple challenge to religious authority.

In this beautifully illustrated gift edition, you'll discover more than 240 mythological tales from around the world, featuring gods, heroes, princesses, villains, magicians and monsters, as well as animals with extraordinary powers. Let this collection guide you through stories from every corner of the globe, from ancient Egypt, Greece and Rome through the Vikings to the Slavic East, Japan and China and the Americas. Each culture is rich in folklore and magical tales, and this book offers a fascinating introduction to them all. This is a radical collection of stories, filled with voltage. Whether ninety or nine, there's something in these tales that wants to speak directly to you. From tales of creation and the first humans to apocalyptic battles at the end of time, explore the most thrilling tales in all mythology: thunder god Thor losing his hammer, Theseus callously abandoning Ariadne after defeating the Minotaur, Hindu god Shiva destroying his rival Kama with a blast of flame, Egyptian goddess Isis forcing the sun god to reveal his name ... and much more.

This is the first major study devoted to the early Arabic reception and adaption of the figure of Hermes Trismegistus, the legendary Egyptian sage to whom were ascribed numerous works on astrology, alchemy, talismans, medicine, and philosophy. The ancient Greek Hermetica, with which the tradition begins, are products of Roman Egypt of the second and third century CE. Thereafter, in late antiquity, they found a wide readership, both among pagans and Christians. Their ongoing popularity depended on the notion that Hermes had lived in extremely ancient times, perhaps before the Deluge, and his antiquity endowed him with a pristine intellectual priority and made him attractive as an authority in religious arguments. Early Arabic literature beginning in the eighth century also includes detailed discussions of Hermes Trismegistus, both as a teacher of ancient legend and as the alleged author of works on the apocryphal sciences, especially astrology. Moreover, Hermes is imagined in Arabic as a prophet, lawgiver, and the founder of ancient religion. This book shows how the Arabic Hermes developed out of the earlier Greek and other late antique traditions into something new, which would in turn form the background to the later reception of the Greek Hermetica in the Italian Renaissance. Assembling information in Greek, Arabic, Syriac, and Coptic primary sources, The Arabic Hermes will be of great interest to scholars in many fields, including Classics, Arabic Studies, Iranian Studies, Egyptology, and Medieval Studies.