Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen.

Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour.

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.

The Hahnemühle cylinder mould made 100% cotton paper for artistic print techniques is produced in single sheets with 4 genuine deckled edges. This heavy weight, supple paper is ideal for all forms of intaglio and lithography applications. The paper’s matt, slightly textured surface produces particularly effective prints.

Cotton content papers have a natural lasting brightness, crisp purity, strength and elegance. During the paper making process, the long cotton fibers bond and securely intertwine creating paper with exceptional strength for the most demanding of printing techniques. Your project will benefit from using this elegant, true felt finished, cotton enhanced paper that is luxurious to the touch. Printing/Handling Tips: Paper should be allowed to acclimate to pressroom conditions of 70° – 75° F with 50% relative humidity. Twenty-four hours is recommended and slightly longer during cold weather. Due to the bulk of the 111# Cover it may require special handling. Small lifts are recommended. Make sure the cutting blade is sharp. Conventional low-tack inks are recommended. The use of an IR oven often helps drying time. Consult with your ink manufacturer for varnish or aqueous coating applications. Always score before folding with multiple folds, the primary fold should be in the grain direction. Applications: Greeting cards, business cards, book covers, inserts, shopping bags, menus, luxury packaging, folders, calendars, prestige publications, brochures, envelopes, and direct mail advertising

Made with 60% cotton, Rosaspina is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk-screening). The watermark runs parallel to the two larger sides of the sheet and reproduces the Fabriano trademark and logo. The two larger sides are deckled.

Suitable for all printmaking techniques, Fabriano Unica originates from the many centuries of experience gained by the Fabriano paper mills and developed in collaboration with a group of artists from the Opificio della Rosa, an international centre dedicated to the awareness and spread of traditional and innovative methods of printmaking. Fourdrinier made, 50% cotton, acid free paper. Flexible and resistant. Also suitable for drawing mediums such as graphite, charcoal and pencil.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards. The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work. All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.

The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.

All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fibre. Acid-free.This pad contains 20 sheets.

Weight: 280 g/m2Surface: Medium-texture, softMedia Applications: PrintmakingThis natural white printmaking paper is ideally suited for printmaking processes that require a heavier paper such as lithography, intaglio and screen print. Also suitable for relief printing. Medium-textured surface is soft, durable and can absorb large amounts of ink. Paper contains high alpha cellulose wood fibre. Acid-free.This pad contains 20 sheets.

Canson Infinity Rag Photographique is a 100% cotton museum grade white inkjet paper. The exceptional smooth white tone is achieved during manufacturing by introducing natural minerals to the process. It has been developed to address the need for continued longevity requirements in the Digital Fine Art market.

Rag Photographique offers a unique extra smooth surface with a delicate feel. It also provides one of the highest achievable Dmax currently available on the market, making it ideal for fine art photography as well as fine art printmaking. 

Cotton content papers have a natural lasting brightness, crisp purity, strength and elegance. During the paper making process, the long cotton fibers bond and securely intertwine creating paper with exceptional strength for the most demanding of printing techniques. Your project will benefit from using this elegant, true felt finished, cotton enhanced paper that is luxurious to the touch. Printing/Handling Tips: Paper should be allowed to acclimate to pressroom conditions of 70° – 75° F with 50% relative humidity. Twenty-four hours is recommended and slightly longer during cold weather. Due to the bulk of the 111# Cover it may require special handling. Small lifts are recommended. Make sure the cutting blade is sharp. Conventional low-tack inks are recommended. The use of an IR oven often helps drying time. Consult with your ink manufacturer for varnish or aqueous coating applications. Always score before folding with multiple folds, the primary fold should be in the grain direction. Applications: Greeting cards, business cards, book covers, inserts, shopping bags, menus, luxury packaging, folders, calendars, prestige publications, brochures, envelopes, and direct mail advertising

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.

This paper has two deckled edges and is embossed in one corner with the Rives logo.

Somerset is a world leading traditional printmaking paper. Mould made from 100% cotton to high archival standards.The surface has a gentle texture, soft and good-tempered nature, and is a strong and stable enough sheet to ensure excellent printing. It remains flat after printing and offers durability and long life to finished editions of work.All materials are screened in the mill to ensure minimal environmental effect. No hazardous chemicals are released into the water ways. Pulps are sourced from sustainable sources (no rainforests are harmed in making the papers), and the cotton linters are a by-product from the textile industry.

This paper has a soft textured surface and is ideal for etching, silk screen and letterpress printing. It is mould-made from 100% cotton, is internally sized and watermarked with 4 deckled edges. Acid free and calcium carbonate buffered.Single sheet in 200gsm, 56x76cm.

This paper has a soft textured surface and is ideal for etching, silk screen and letterpress printing. It is mould-made from 100% cotton, is internally sized and watermarked with 4 deckled edges. Acid free and calcium carbonate buffered.Pack of 25 Sheets, 200gsm in white, each sheet measures 56x76cm.

Stonehenge fine art papers are 100% cotton, with a smooth, flawless, slightly mottled surface to resemble vellum. They are acid-free, buffered with calcium carbonate to help protect artwork from contaminated environments. Created over 30 years ago, Stonehenge was originally created for a variety of printmaking techniques including etching and silkscreen. Over the decades it has become one of the finest papers for pastel, pencil, charcoal, acrylics and watercolour. • 250gsm weight • 100% cotton fibres • Acid-free • 2 deckle edges • Smooth 'vellum' surface.

Made with qualitatively high-level raw material (60% Cotton). Rosaspina is a mould made paperboard and suitable for all printmaking techniques (etching, lithography and silk-screening). The watermark runs parallel to the two larger sides of the sheet and reproduces the Fabriano trademark and logo. The two larger sides are deckled.

Suitable for all printmaking techniques, Fabriano Unica originates from the many centuries of experience gained by the Fabriano paper mills and developed in collaboration with a group of artists from the Opificio della Rosa, an international centre dedicated to the awareness and spread of traditional and innovative methods of printmaking. Fourdrinier made, 50% cotton, acid free paper. Flexible and resistant. Also suitable for drawing mediums such as graphite, charcoal and pencil.