From one of the world's most acclaimed writers comes a collection of beautiful short stories based on the author's childhood.
Pramoedya Ananta Toer is a major figure in world literature, listed in John Major's rewrite of the famous Lifetime Reading Plan among the likes of James Baldwin, Bertolt Brecht, Graham Greene, and John Steinbeck as one of 100 authors everyone should read. A constant contender for the Nobel Prize, he recently won one of France's highest literary awards and has won the highest award in Asian letters.
In All That Is Gone, Pramoedya's semiautobiographical stories deal with life's major themes: birth and death, sexual knowledge and love, compassion and revenge. Some stories are written from a child's point of view, others from that of an adult. But all are written in a style that quickly wraps the reader up in this master storyteller's narrative web. This is the first time Pramoedya's short fiction has been widely available to the English reading public; its publication represents a significant addition to the canon of world literature in translation.

A novel of rural Ireland: "Furious, raging, passionate and . . . very, very funny."--"Boston Globe." "At once a rueful elegy to a vanished spirit and a comic celebration. For those who wear the green, this book will provide a bounty of tears and laughs."--"Publishers Weekly."

It's summer on Nantucket, and as the season begins, three
women arrive at the local airport, observed by Josh, a local
boy, home from college. Burdened with small children,
unwieldy straw hats, and some obvious emotional issues,
the women--two sisters and one friend--make their way to
the sisters' tiny cottage, inherited from an aunt. They're all
trying to escape from something: Melanie, after seven failed
in-vitro attempts, discovered her husband's infidelity and
then her own pregnancy; Brenda embarked on a passionate
affair with an older student that got her fired from her
prestigious job as a professor in New York; and her sister
Vickie, mother to two small boys, has been diagnosed with
cancer. Soon Josh is part of the chaotic household, acting
as babysitter, confidant, and, eventually, something
more, while the women confront their pasts and map out
their futures.

Supernatural Buchan - Stories of Ancient Spirits uncanny places and strange creatures. Buchan's stories of solid characters clad in tweeds and braving all odds armed only with a stout walking stick have become popular classics. Perhaps it is therefore no surprise that the same character types populate his highly entertaining tales of the strange and weird - here collected into a feast of supernatural delights. In a Buchan story the hauntings and other manifestations are far more subtle than the usual blood-curdling phantoms. The author brings finely crafted detail and a profound sense of the spirit of landscape (specially that of his native Scotland) and place to locales that are as disparate as the stories themselves. Whether they are acknowledged or not, ancient other-worldly creatures, deities and people intrude into Buchan's settings to influence and effect the lives of "modern" man. These wonderful tales of hidden threat and menace make dealing with the mundane concerns of our own world seem like child's play.

With an Introduction and Notes by Doreen Roberts, Rutherford College, University of Kent at Canterbury. Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.

Detroit process server Jack Ryan has a reputation for being the best in the business at finding people who don't want to be found. Now he's looking for a missing stockholder known only as "Unknown Man No. 89." But his missing man isn't "unknown" to everyone: a pretty blonde hates his guts and a very nasty dude named Royal wants him dead in the worst way. Which is very unfortunate for Jack Ryan, who is suddenly caught in the crossfire of a lethal triple-cross and as much a target as his nameless prey.

Bruce McNall became obsessed with coin collecting at the age of 10. At 16, his collection was worth $60,000. During college, he traveled the world buying coins stolen from ancient sites and tombs. McNall's first major sale was to Sy Weintraub, the head of Panavision, who bought $500,000 worth of coins in one sitting. Soon, McNall branched out into horse racing, movie making (The Fabulous Baker Boys), and owning the L.A. Kings hockey team.

Brecht Evens, the award-winning author of The Wrong Place and The Making Of, returns with an unsettling graphic novel about a little girl and her imaginary feline companion. Iconoclastic in his cartooning and page layouts, subtle in his plotting, and deft in his capturing of the human experience, Brecht Evens has crafted a tangled, dark masterwork. Christine lives in a big house with her father and her cat, Lucy. When Lucy gets sick and dies, Christine is devastated. But alone in her room, something special happens: a panther pops out of her dresser drawer and begins to tell her stories of distant Pantherland, where he is the crown prince. A shapeshifter who tells Christine anything she wants to hear, Panther begins taking over Christine's life, alienating her from her other toys and friends. As Christine's world spirals out of control, so does the world Panther has created for her. Panther is a chilling voyage into the shadowy corners of the human psyche and a revelatory work about the traumatic nature of abusive relationships.

First published in 1921 as part of her ground-breaking short-story collection Monday or Tuesday, Kew Gardens follows the thoughts of a set of characters walking past a flower bed in the royal botanic garden on a hot July day. Interweaving the thoughts of the characters with depictions of the natural world surrounding them, the narrative flows from mind to mind, from the tranquil flower bed to the bustling city outside. Written in Woolf's trademark style, brimming with keen observation and rich language, Kew Gardens is both a paean to the natural world and an empathetic exploration of human experience. 'The light fell either upon the smooth, grey back of a pebble or the shell of a snail with its brown, circular veins, or, falling into a raindrop, it expanded with such intensity of red, blue and yellow the thin walls of water that one expected them to burst and disappear... Then the breeze stirred rather more briskly overhead and the colour was flashed into the air above, into the eyes of the men and women who walk in Kew Gardens in July.'

Set in Colonial New England, Slewfoot is a tale of magic and mystery, of triumph and terror as only dark fantasist Brom can tell it.

Connecticut, 1666: An ancient spirit awakens in a dark wood. The wildfolk call him Father, slayer, protector. The colonists call him Slewfoot, demon, devil.

To Abitha, a recently widowed outcast, alone and vulnerable in her pious village, he is the only one she can turn to for help.

Together, they ignite a battle between pagan and Puritan – one that threatens to destroy the entire village, leaving nothing but ashes and bloodshed in their wake.

This terrifying tale of bewitchery features more than two dozen of Brom’s haunting full-color paintings and brilliant endpapers, fully immersing readers in this wild and unforgiving world.

Love: Not as easy as ABC.

They were supposed to keep things casual. Who’d expect they’d be schooled in love?

Those who can, teach. Marvin Block is one of the best kindergarten teachers out there. And despite his anxiety, Marvin’s life is sweet. He knows what he wants. And what he wants is the Teacher of the Year Award. Not just for himself – his school needs him to win.

Returning from break, the New Year finds Marvin all set to welcome a new pupil to his class. But when Illona walks in with her cute-as-hell single dad beside her, Marvin’s focus starts to slide.

Sure, his students always come first, but he deserves to have a life outside the classroom, too, right?

As their friendship starts to deepen, Marvin realizes Olan has the potential to teach him things about love he never thought possible. But with the Teacher of the Year award and his school’s future on the line, now’s not the time for anything complicated.

Education has always been Marvin’s world. And he needs to keep a cool head if he wants to win the award and save his school. But will it be worth it if he loses Olan in the process?

With Olan’s past and Marvin’s present colliding, their experiment in love hangs in the balance. Marvin knows what he wants out of life. But now he’s forced to consider what he wants out of love.

Will Marvin chalk the relationship up to experience? Or can they revise their story into a textbook romance?

Bibi Slippers se debuutbundel vier die mens en kultuur as fotostaatmasjien en die gedig as foutiewe fotostaat. Die digter neem die rol van monnik in die middeleeuse skriptorium aan, maar die oorskrywer is gelyktydig ook ’n boorling van ’n digitale wereld waar perfekte kopiee met die druk van ’n knoppie geskep kan word, en emoji’s, youTUBE-videos en Instagram-foto’s werklikheid word. Fotostaatmasjien dokumenteer die skeppingsproses in afdrukke, en maak so oorspronklike fotostate.

Can you imagine it? I'd say to them. Can you imagine me there in the front row in Saint Peter's Square? The lesbian sister of a literal saint.

Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . .

Inspired by the author's own devout upbringing, Ordinary Saints is a brilliant debut novel from a fresh, exciting new voice which asks - who gets to decide how we are remembered - and who we will become?

From its first publication in 1719, Robinson Crusoe has been printed in over 700 editions. It has inspired almost every conceivable kind of imitation and variation, and been the subject of plays, opera, cartoons, and computer games. The character of Crusoe has entered the consciousness of each succeeding generation as readers add their own interpretation to the adventures so thrillingly 'recorded' by Defoe. Praised by eminent figures such as Coleridge, Rousseau and Wordsworth, this perennially popular book was cited by Karl Marx in Das Kapital to illustrate economic theory. However it is readers of all ages over the last 280 years who have given Robinson Crusoe its abiding position as a classic tale of adventure.

The perfect edition for any Orwell enthusiasts' collection, discover Orwell's classic dystopian masterpiece beautifully reimagined by renowned street artist Shepard Fairey 'All animals are equal. But some animals are more equal than others.' Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges. . . First published in 1945, Animal Farm - the history of a revolution that went wrong - is George Orwell's brilliant satire on the corrupting influence of power. 'Remains our great satire of the darker face of modern history' Malcolm Bradbury 'A prophet who thought the unthinkable and spoke the unspeakable, even when it offended conventional thought' Daily Express 'As valid today as it was fifty years ago' Ralph Steadman COMPLETE THE TRIO WITH SHEPARD FAIREY'S NEW-LOOK 1984 AND DOWN AND OUT IN PARIS AND LONDON.

Elizabeth Gaskell's first novel depicts nothing less than the great clashes between capital and labour, which arose from rapid industrialisation and problems of trade in the mid-nineteenth century. But these clashes are dramatized through personal struggles. John Barton has to reconcile his personal conscience with his socialist duty, risking his life and liberty in the process. His daughter Mary is caught between two lovers, from opposing classes - worker and manufacturer. And at the heart of the narrative lies a murder which implicates them all. Mary Barton was published in 1848, at a time of great social ferment in Europe, and it reflects its revolutionary moment through an English lens. Elizabeth Gaskell wrote her first novel about the world in which she lived - Manchester at the height of the industrial revolution. As the wife of a Unitarian minister she was solidly middle-class; but she also had close contact with the working classes around her, sympathised with them, and represented their extreme distresses in her fiction. She is radical in taking on their dialect, imagining the realities of their lives, and placing a working woman at the centre of her fiction. If to our eyes her vision remains limited, it was an honest vision, for which she was much criticised in her own time, by her own class.

Sarah Harper is driven to achieve success no matter what the cost. She wants to do good and not hurt the people she loves--especially children and her husband, Joe--but her desire to succeed in her career too often leaves little time for family.
One cold, autumn afternoon, all of that changes when Sarah's car plunges off a bridge and into a river. She is presumed dead by those on the "outside," but Sarah's spirit is still very much alive. What she discovers on the other side transforms everything about Sarah's view of life--past, present, and future.
When Sarah is revived, she is a changed woman. And the unsuspecting world around her will never be the same again.

Sometimes people just...click.

Thirty-something Girlie Delmundo works a day job as a content moderator, flagging and removing the very worst that makes it on to the internet. She's one of the best at it, too - dispassionate, unflinching, maybe because she learned by necessity to wall off all her emotions when she was still a kid - so it's no surprise to anyone when the social-media company for which she works offers her a big salary rise and an office to start moderating its new venture: virtual-reality theme parks, lush and near-perfect simulations of civilizations long since dead.

Girlie takes the job, and getting paid to spend her days wandering the crowds of medieval jousts or exploring romantic Left Bank Paris seems too good to be true. Almost. Sure, she signed up for having to deal with the sordidness of pretty much any virtual space, but as she begins to explore the intricate worlds that she moderates, she notices two deeply troubling things: that there might be something much darker built into the very code of the company, and that William, technically her new boss, a man whose barriers are as mighty as her own, might just be that long-forgotten thing... Girlie's type.

LONGLISTED FOR THE 2026 WOMEN'S PRIZE FOR FICTION.