The Sunday Times bestseller! 'Downton with dance, perfect!' Santa Montefiore Prepare to be swept off your feet by the romantic and irresistible debut novel from Anton Du Beke London, 1936. Inside the spectacular Grand Ballroom of the exclusive Buckingham Hotel the rich and powerful, politicians, film stars, even royalty, rub shoulders with Raymond de Guise and his troupe of talented dancers from all around the world, who must enchant them, captivate them, and sweep away their cares. Accustomed to waltzing with the highest of society, Raymond knows a secret from his past could threaten all he holds dear. Nancy Nettleton, new chambermaid at the Buckingham, finds hotel life a struggle after leaving her small hometown. She dreams of joining the dancers on the ballroom floor as she watches, unseen, from behind plush curtains and hidden doorways. She soon discovers everyone at the Buckingham - guests and staff alike - has something to hide . . . The storm clouds of war are gathering, and beneath the glitz and glamour of the ballroom lurks an irresistible world of scandal and secrets. Let's dance . . .

With an Introduction, explanatory notes, and annotated bibliography by Nicholas Seager. This collection brings together Jane Austen's earliest experiments in the art of fiction and novels that she left incomplete at the time of her premature death in 1817. Her fragmentary juvenilia show Austen developing her own sense of narrative form whilst parodying popular kinds of fiction of her day. Lady Susan is a wickedly funny epistolary novel about a captivating but unscrupulous widow seeking to snare husbands for her daughter and herself. The Watsons explores themes of family relationships, the marriage market, and attitudes to rank, which became the hallmarks of her major novels. In Sanditon, Austen exercises her acute powers of social observation in the setting of a newly fashionable seaside resort. These novels are here joined by shorter fictions that survive in Austen's manuscripts, including critically acclaimed works like Catharine, Love and Freindship [sic], and The History of England.

Is Love Stronger Than Vengeance?

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that's one order she's more than happy to obey. He may have taken her, but he will never have her.

Casteel Da'Neer is known by many names and many faces. His lies are as seductive as his touch. His truths as sensual as his bite. Poppy knows better than to trust him. He needs her alive, healthy, and whole to achieve his goals. But he's the only way for her to get what she wants-to find her brother Ian and see for herself if he has become a soulless Ascended. Working with Casteel instead of against him presents its own risks. He still tempts her with every breath, offering up all she's ever wanted. Casteel has plans for her. Ones that could expose her to unimaginable pleasure and unfathomable pain. Plans that will force her to look beyond everything she thought she knew about herself-about him. Plans that could bind their lives together in unexpected ways that neither kingdom is prepared for. And she's far too reckless, too hungry, to resist the temptation.

But unrest has grown in Atlantia as they await the return of their Prince. Whispers of war have become stronger, and Poppy is at the very heart of it all. The King wants to use her to send a message. The Descenters want her dead. The wolven are growing more unpredictable. And as her abilities to feel pain and emotion begin to grow and strengthen, the Atlantians start to fear her. Dark secrets are at play, ones steeped in the blood-drenched sins of two kingdoms that would do anything to keep the truth hidden. But when the earth begins to shake, and the skies start to bleed, it may already be too late.

You are cordially invited to summer on New York State's idyllic Fire Island.
Thirty miles of golden sand:
No traffic. No tourists. No trash.

The city elite gather here every year, trailing kids, their nannies, wine and seafood imported from Manhattan: hard workers need their playtime.

Take the Parkers and the Weinsteins. Lauren and Jen hold sway on the beach and the tennis court. Their husbands are childhood friends bearing grudges as deep as they are secret.

Their lone single friend, Rachel Woolf, is looking to meet her match, whether he's the new tennis pro - or someone else's husband. She's not picky.

And while this season starts out quietly as any other, it soon changes when beneath the boardwalk, a body is found.

No one is claiming to be a good person . . . But is someone actually capable of murder?

Ada Sibelius is raised by David, her brilliant, eccentric, socially inept single father, who directs a computer science lab in 1980s-era Boston. Home-schooled, Ada accompanies David to work every day; by twelve, she is a painfully shy prodigy. The lab begins to gain acclaim at the same time that David's mysterious history comes into question. When his mind begins to falter, leaving Ada virtually an orphan, she is taken in by one of David's colleagues. Soon she embarks on a mission to uncover her father's secrets: a process that carries her from childhood to adulthood. What Ada discovers on her journey into a virtual universe will keep the reader riveted until The Unseen World's heart-stopping, fascinating conclusion.

In Iron Man, Lynne Bryan writes in such an insightful, thought-provoking and moving way about disability, the vulnerability of the body and of the mind, and about the frailty and also the strength of our corporeality. She also writes so thoughtfully about the ways in which women's access to head space and physical and economic space for creativity can be restricted, limited, blocked - sometimes by the people they love best and who love them best; but also of course sometimes by themselves.

From the award-winning author of Pushout, an inspiring graphic novel about what can happen when Black girls are given the opportunity to find their genuine power Monique Couvson's trailblazing book Pushout laid the groundwork for understanding how our schools are failing Black girls; her follow-up, Sing a Rhythm, Dance a Blues, provided a blueprint for their healing and liberation. Now Couvson invites readers to be inspired by her liberatory imagination with an original narrative told from the perspective of the very girls she has been fighting for years to lift up. Charisma's Turn is a graphic novel that follows the dynamic story of Charisma, a sixteen-year-old Black high school student who is grappling with mounting pressures from home and school. When frustrations with her family intersect with a conflict at school, she reaches a crossroads, facing a choice that could change her future. Featuring vibrantly illustrated art from Amanda Jones and a foreword by poet, artist, and arts educator Susan Arauz Barnes, this book will appeal to teens, parents, educators, librarians, and more. Charisma's Turn exemplifies how Black girls can be truly empowered to reach their full potential when they have supportive educators and community members in their corner.

Introduction and Notes by Gene M. Moore, Universiteit van Amsterdam. Generally regarded as the pre-eminent work of Conrad's shorter fiction, Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals. The other two stories in this book - Youth and The End of the Tether - concern the sea and those who sail upon it, a genre in which Conrad reigns supreme.

Perfect for fans of Richard and Judy picks The Silent Patient and He Said/She Said. What if the people you trust are the ones you should fear most? We all recognise them: those who send prickles up the back of our necks. The charmers, the liars, the manipulators. Those who have the potential to go that one step too far. And then take another step. Each week Jessamine Gooch broadcasts a radio show about convicted killers. But when she is approached for help in solving a current case, around a troubled missing woman, she faiis to realise there is a dark figure closer to home, one that threatens the safety of her own family . . . Relentlessly gripping, The Dangerous Kind is a thriller that will make you second-guess everyone you meet. What people are saying about THE DANGEROUS KIND 'Brilliantly compelling' T.M. Logan 'Dark and unpredictable' Jenny Quintana 'One of the best page-turners around' Glamour 'Gritty, gripping and timely' Heat 'Searingly relevant' Gillian McAllister 'Dark, uncompromising but full of heart. It gave me goosebumps' Holly Seddon 'Tense right from the first pitch black scene' Amy Lloyd 'Great concept, silky prose & originality oozing off every page' Eva Dolan 'Absolutely brilliant . . . a really sophisticated, smart, engaging thriller' Jo Spain 'Dark, disturbing, devilishly plotted' Chris Whitaker 'Terrifyingly plausible . . . One of the thrillers of the year' Martyn Waites

Northern Britain, c. 300 BC. Former slave, indomitable survivor and now matriarch Rian returns with her daughters to her Celtic homeland. She navigates everything from plundered riches and feuding warlords to betrayals and menacing curses. But when a disaster befalls her older daughter mirroring the cruellest events in Rian's own past, Rian finds herself conflicted. A beautifully written, engrossing tale, The Lyre Dancers takes place in a richly imagined world that, despite its distance from our own times, is peopled with characters whose emotions and circumstances we relate to instantly. This is a powerful narrative that challenges our modern views of family, social roles and our place in the environment. Above all, the storytelling soars as grudges, peril and passions take their turn across the pages of this early Celtic saga.

Edinburgh, January 1732. It's the funeral of Rachel, wife of Lord Grange. Her death is a shock. Still young, she'd shown no signs of ill health. Rachel is, however, still alive. She has been brutally kidnapped by the man who has falsified her death: her husband. Her punishment, perhaps, for railing against his infidelity - or simply for being too feisty for a lady and never submissive enough as a wife. Whether to conceal his Jacobite leanings or to replace his wife with a long-time mistress, Lord Grange banishes Rachel to a remote island exile, to an isolated life of hardship on St Kilda, where she can never be found. This is the gripping story of a woman who has until now been remembered mostly by her husband's unflattering account. It's a remarkable tale of how the real Lady Grange may have coped with such a dramatic fate, with courage and grace

With an introduction by Neil Gaiman Before television and radio, before penny paperbacks and mass literacy, people would gather on porches, on the steps outside their homes, and tell stories. The storytellers knew their craft and bewitched listeners would sit and listen long into the night as moths flitted around overhead. The Moth is a non-profit group that is trying to recapture this lost art, helping storytellers - old hands and novices alike - hone their stories before playing to packed crowds at sold-out live events. The very best of these stories are collected here: whether it's Bill Clinton's hell-raising press secretary or a leading geneticist with a family secret; a doctor whisked away by nuns to Mother Teresa's bedside or a film director saving her father's Chinatown store from money-grabbing developers; the Sultan of Brunei's concubine or a friend of Hemingway's who accidentally talks himself into a role as a substitute bullfighter, these eccentric, pitch-perfect stories - all, amazingly, true - range from the poignant to the downright hilarious.

Generation after generation, people dragooned by government rise up and struggle with the bonds of law and ownership which oppress them, and so it was on Tayside at the end of the 18th century and in the Outer Isles in 1849. From time to time a person of unusual resolve and clarity of mind finds him - or herself thrown up into the vanguard of the rising, to speak and decide and rally. Angus Cameron, a wright from Lochaber, spoke up for the families around Loch Tay who were faced with losing their young men to a Conscription Act in the summer of 1797. Cameron knows how his people have suffered through decades of eviction and military recruitment and is anguished by how little the ordinary people can do against a heartless Establishment which has weapons, powers and privileges. Arrested and outlawed, he survived to live on. King Cameron imagines a later life for him, as husband and father, then again as spokesman for crofters facing eviction on North Uist. These are times of famine, emigration, and the desperate fight with stones and tangle-stems against clearance from the homeland. David Craig writes with power and anger of lives which have few memorials. Past times are not museum-frozen, they are brought near enough to hear and touch and smell. The whole experience of countryfolk as they fish and plant argue and sing, love and bear children are revealed to the reader. Here is an entire class, shown (as it rarely is) in lifelike close-up, during the most testing episodes in its history, enduring the Potato Famine, battling with their bare hands against clearance. It will appeal to everyone with an interest in the Clearances, Scottish history or anyone who appreciates a good read by an expert storyteller. For a fuller appreciation of the story, readers will enjoy its sequel, the acclaimed "The Unbroken Harp".

Fifty-something librarian Shona is a proud former pupil of the Marcia Blaine School for Girls, but has a deep loathing for The Prime of Miss Jean Brodie, which she thinks gives her alma mater a bad name. Impeccably educated and an accomplished martial artist, linguist and musician, Shona is personally selected by Marcia Blaine herself to travel back in time for an important mission in fin-de-siecle France. But Shona finds this mission very confusing. Why, for example, have so many people been torn to death by wild animals, what are Maman and the mayor up to, and is the reclusive aristocrat really suffering from toothache? It's a race against time to solve the mystery. It is also a very tall order - but as Shona is wont to remind herself: Never underestimate a librarian!

For almost a hundred years, Hadrian Marlowe has served the Empire in its war against the Cielcin, a vicious alien race bent on humanity’s destruction. Rumors of a new king amongst the Cielcin have reached the Imperial throne. This one is not like the others. It does not raid borderworld territories, preferring precise, strategic attacks on the humans’ Empire.

To make matters worse, a cult of personality has formed around Hadrian, spurred on by legends of his having defied death itself. Men call him Halfmortal. Hadrian’s rise to prominence proves dangerous to himself and his team, as pressures within the Imperial government distrust or resent his new influence.

Caught in the middle, Hadrian must contend with enemies before him—and behind.

And above it all, there is the mystery of the Quiet. Hadrian did defy death. He did return. But the keys to the only place in the universe where Hadrian might find the answers he seeks lie in the hands of the Emperor himself....

'One of the most unforgettable books I have read in the last few years... What a writer! What a thinker! What a woman!' Fiammetta Rocco From the award-winning author of Dust comes a magical, sea-saturated, coming-of-age novel that transports readers from Kenya to China and Turkey. On an island in the Lamu Archipelago lives a solitary, stubborn child called Ayaana and her mother, Munira. When a sailor, Muhidin, enters their lives, the child finds something she has never had before: a father. But as Ayaana grows into adulthood, forces of nature and history begin to reshape her life, leading her to distant countries and fraught choices. Selected as a descendant of long-ago Chinese shipwrecked sailors Ayaana is sent to study in China. Leaving her resourceful single mother, she is forced to grow up fast. Whether it's the scarred captain of the Chinese shipping container that transports Ayaana or the son of Turkish shipping magnate who trades in refugees, Owuor never loses a profound sense of empathy for her characters. She evokes a fascinating kind of beauty in this dangerous, chaotic world and its ever-shifting oceans and trade. Told with a glorious lyricism, The Dragonfly Sea is a transcendent story of love and adventure, and of the inexorable need for shelter in a dangerous world. 'One of Africa's most exciting voices ... The Dragonfly Sea is a continent-hopping novel of epic proportions.' Refinery29 'In its omnivorous interest in the world, The Dragonfly Sea is a paean to both cultural diffusion and difference . . . as much as [the novel] traces the globe, it also depicts an internal pilgrimage, its heroine in rose attar a broken saint.' New York Times 'Owuor continues to break ground among contemporary African writers.' Vanity Fair

Will it be tears or triumph for the Hat Girl from Silver Street?It's been five years since Ella Bancroft lost the love of her life, Harper Fortescue, and despite her friends' encouragement, she's still not been able to move on. The one thing keeping Ella smiling is the success of her hat shop, Ivella. Her beautiful designs and fabulous creations are the first choice for the fashionable Edwardian ladies of Walsall, and her fame is spreading far and wide. Darcie Newland won't ever forgive Ella for stealing her fiance and ruining her life, even though Harper was never really hers in his heart. After being exiled by her parents to Scotland after yet another scandal, Darcie is now back in Birmingham and set on revenge. As her hat shop flourishes, and the possibility of a new love appears when she least expects it, Ella finally dares to hope for a happy future. But storm clouds are gathering over the Black Country, and life might have other plans for the hat girl from Silver Street. The Queen of the Black Country sagas is back with this page-turning story of friendship and fun, love and second chances. Perfect for fans of Val Wood and Lyn Andrews. Praise for Lindsey Hutchinson: 'I love Lindsey Hutchinson's stories, they always seem heartfelt and I can really identify with the characters as if I know them personally.' 'Wow, what can I say about this book, brilliant from page one, thanks Lindsey Hutchinson!' 'I absolutely loved the hat girl and pray there is a sequel to it. Such a wonderful story, full of love and trials. More please.' 'Loved this book from page one , couldn't put it down , definitely recommend and it's five stars from me.'