In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women--mostly Korean women forced into prostitution by the Japanese army--endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative.
Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women--a double bind made strikingly apparent in the cases of women cast into sexual slavery after fleeing abuse at home. Other victims were press-ganged into prostitution, sometimes with the help of Korean procurers. Drawing on historical research and interviews with survivors, Soh tells the stories of these women from girlhood through their subjugation and beyond to their efforts to overcome the traumas of their past. Finally, Soh examines the array of factors-- from South Korean nationalist politics to the aims of the international women's human rights movement--that have contributed to the incomplete view of the tragedy that still dominates today.

In Erotic Exchanges, Nina Kushner reveals the complex world of elite prostitution in eighteenth-century Paris by focusing on the professional mistresses who dominated it. In this demimonde, these dames entretenues exchanged sex, company, and sometimes even love for being "kept." Most of these women entered the profession unwillingly, either because they were desperate and could find no other means of support or because they were sold by family members to brothels or to particular men. A small but significant percentage of kept women, however, came from a theater subculture that actively supported elite prostitution. Kushner shows that in its business conventions, its moral codes, and even its sexual practices, the demimonde was an integral part of contemporary Parisian culture.Kushner's primary sources include thousands of folio pages of dossiers and other documents generated by the Paris police as they tracked the lives and careers of professional mistresses, reporting in meticulous, often lascivious, detail what these women and their clients did. Rather than reduce the history of sex work to the history of its regulation, Kushner interprets these materials in a way that unlocks these women's own experiences. Kushner analyzes prostitution as a form of work, examines the contracts that governed relationships among patrons, mistresses, and madams, and explores the roles played by money, gifts, and, on occasion, love in making and breaking the bonds between women and men. This vivid and engaging book explores elite prostitution not only as a form of labor and as a kind of business but also as a chapter in the history of emotions, marriage, and the family.

Sex trafficking is a state crime. Nevertheless, it is also a federal crime when it involves conducting the activities of a sex trafficking enterprise in a way that affects interstate or foreign commerce or that involves travel in interstate or foreign commerce. Section 1591 of Title 18 of the United States Code outlaws the activities of sex trafficking enterprise that affects interstate or foreign commerce, including patronising such an enterprise. The Mann Act outlaws sex trafficking activities that involve travel in interstate or foreign commerce. This book provides an overview of sex trafficking. It focuses on the sex trafficking of children in the United States and reviews the Preventing Sex Trafficking and Strengthening Families Act.

The story of sex tourism in the Gringo Gulch neighborhood of San Jose, Costa Rica could be easily cast as the exploitation of poor local women by privileged North American men men who are in a position to take advantage of the vast geopolitical inequalities that make Latin American women into suppliers of low-cost sexual labor. But in Gringo Gulch, Megan Rivers-Moore tells a more nuanced story, demonstrating that all the actors intimately entangled in the sex tourism industry sex workers, sex tourists, and the state use it as a strategy for getting ahead. Rivers-Moore situates her ethnography at the intersections of gender, race, class, and national dimensions in the sex industry. Instead of casting sex workers as hapless victims and sex tourists as neoimperialist racists, she reveals each group as involved in a complicated process of class mobility that must be situated within the sale and purchase of leisure and sex. These interactions operate within an almost entirely unregulated but highly competitive market beyond the reach of the state bringing a distinctly neoliberal cast to the market. Throughout the book, Rivers-Moore introduces us to remarkable characters Susan, a mother of two who doesn't regret her career of sex work; Barry, a teacher and father of two from Virginia who travels to Costa Rica to escape his loveless, sexless marriage; Nancy, a legal assistant in the Department of Labor who is shocked to find out that prostitution is legal and still unregulated. Gringo Gulch is a fascinating and groundbreaking look at sex tourism, Latin America, and the neoliberal state.

The sex industry is an endless source of prurient drama for the mainstream media. Recent years have seen a panic over "online red-light districts," which supposedly seduce vulnerable young women into a life of degradation, and New York Times columnist Nicholas Kristof's live tweeting of a Cambodian brothel raid. The current trend for writing about and describing actual experiences of sex work fuels a culture obsessed with the behaviour of sex workers. Rarely do these fearful dispatches come from sex workers themselves, and they never seem to deviate from the position that sex workers must be rescued from their condition, and the industry simply abolished-a position common among feminists and conservatives alike. In Playing the Whore, journalist Melissa Gira Grant turns these pieties on their head, arguing for an overhaul in the way we think about sex work. Based on ten years of writing and reporting on the sex trade, and grounded in her experience as an organizer, advocate, and former sex worker, Playing the Whore dismantles pervasive myths about sex work, criticizes both conditions within the sex industry and its criminalization, and argues that separating sex work from the "legitimate" economy only harms those who perform sexual labor. In Playing the Whore, sex workers' demands, too long relegated to the margins, take center stage: sex work is work, and sex workers' rights are human rights.

Exit! is the story of Grizelda Grootboom life of prostitution and her ultimate escape from it all.

Grizelda’s life was dramatically changed when she was gang raped at the age of nine by teenagers in her township. Her story starts there. It is a story about the cycle of poverty, family abandonment, dislocation and survival in the streets of Cape Town. She reveals the seedy and often demonised life of a prostitute; she describes the clubs and beds of the prostitution and drug industry over a twelve-year period.

She moves to Johannesburg at the age of 18 in an attempt to start a new life, but instead she is trafficked on arrival in Yeoville, tied in a room for two weeks and forced to work as a sex slave. What follows is a life of living hand-to-mouth, from one street corner to another, being pimped, being taught how to strip, and acquiring and using a variety of drugs – from buttons, ecstasy and cannabis to cocaine – to sustain herself. She speaks of how her prostitution gains momentum in city strip clubs and the sometimes tragic pregnancies that would follow.

Grizelda’s harrowing tale ends with reconciliation with her family, while raising her six-year-old son. In writing this story she hopes to open a window on the hidden and often misunderstood world of prostitution, thereby raising better awareness and understanding about its harms and the horrors of trafficking and prostitution of women and children, and drug abuse. She hopes to heal and to set an example for others to follow.

The story of Magdalena, raised in a Costa Rican slum by an alcoholic mother and pedophile stepfather. Runaway at 12, married at 13, mother at 14 and divorced prostitute at 15. A story of poverty, drugs, sex, violence and survival as told by Magdalena.

In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work.Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution-among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives-Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."

America s first anti sex trafficking law, the 1910 Mann Act, made it illegal to transport women over state lines for prostitution or any other immoral purpose. It was meant to protect women and girls from being seduced or sold into sexual slavery. But, as Jessica Pliley illustrates, its enforcement resulted more often in the policing of women s sexual behavior, reflecting conservative attitudes toward women s roles at home and their movements in public. By citing its mandate to halt illicit sexuality, the fledgling Bureau of Investigation gained entry not only into brothels but also into private bedrooms and justified its own expansion.

Policing Sexuality" links the crusade against sex trafficking to the rapid growth of the Bureau from a few dozen agents at the time of the Mann Act into a formidable law enforcement organization that cooperated with state and municipal authorities across the nation. In pursuit of offenders, the Bureau often intervened in domestic squabbles on behalf of men intent on monitoring their wives and daughters. Working prostitutes were imprisoned at dramatically increased rates, while their male clients were seldom prosecuted.

In upholding the Mann Act, the FBI reinforced sexually conservative views of the chaste woman and the respectable husband and father. It built its national power and prestige by expanding its legal authority to police Americans sexuality and by marginalizing the very women it was charged to protect."

WARNING: CONTAINS EXPLICIT LANGUAGE Letitcia was the proverbial 'good time' (girl) that had been 'had by all'. She had been sporadically pleasuring the masses in a 'career' which spanned several continents. As Mae West would comment, she had 'been things and seen places.' She was (unfortunately) blissfully unaware of her Tax liability in the UK, until HMRC kindly pointed out her responsibility. One would imagine, and certainly, logic would dictate, that suitably chastened, she could have just paid the tax bill with the attendant penalties, to carry on, and wend her merry way. But, oh no, that would just be too simple on Planet Civil Service. 'Justice', as in, showing the general public: 'Behold how we catch these miscreants ' has to be, (in the world of HMRC), SEEN to be done. It was another fine mess Letitcia had gotten into, but could she get herself out? As the comedian Max Miller would joke: 'Would she block their passage or toss them off' of the Tax train? Wince as the horror of bankruptcy, homelessness and/or incarceration squeezes her 'pincer movement' into submission. Watch her grapple with the discrimination, morality and misinformation surrounding the rights of Sex workers....along with the incompetence of her persecutors. Will it all come out in the wash or do nice gals always have to finish last? Will Brighton and beyond be deprived of their best loved Erotic Service Provider? This is her story........ (Inconveniently, she also used to work for the Inland Revenue, albeit 40 years ago )