This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Corpus linguistics has much to offer history, being as both disciplines engage so heavily in analysis of large amounts of textual material. This book demonstrates the opportunities for exploring corpus linguistics as a method in historiography and the humanities and social sciences more generally. Focussing on the topic of prostitution in 17th-century England, it shows how corpus methods can assist in social research, and can be used to deepen our understanding and comprehension. McEnery and Baker draw principally on two sources - the newsbook Mercurius Fumigosis and the Early English Books Online Corpus. This scholarship on prostitution and the sex trade offers insight into the social position of women in history.

Amaya is a young Filipino immigrant who has been an exotic dancer in Honolulu, Hawaii before she was even 21. This novel is a semi-biographical examination of Amaya's life in the rural Philippines, her early teenage years in Hawaii and her life as an exotic dancer. She is unapologetic about her profession of getting naked nightly for an endless parade of customers and her descriptions of life inside a strip club, her fellow dancers, and the customers they perform for are sometimes crude and cynical, but they're also laced with humor, many times black humor. Amaya is direct and honest about her reasons to become an exotic dancer, and benefits and the dark side of the profession, and about her attempts to get out of the life. Hopefully, this novel will provide the reader a better understanding of the women caught in this career either by choice or happenstance and paints them in a shade of normalcy that is not found anywhere else. The language is many times rough and offensive, but it is the world Amaya lives in.

'I was made in Coffee Bay. Right there on the beach, in the sand.'

From the opening lines, we are drawn in and engrossed by this startling memoir of a singular childhood. Suzan is adopted as a newborn in the late 1960s into a seemingly loving and welcoming family living in Pietermaritzburg. But Suzan is set on a collision course with, most particularly, her adoptive mother, and society, from her very beginning. Suzan's relationship with her mother is fraught with drama, which veers over into a level of emotional abuse and needless cruelty that is shocking.

At the age of thirteen, Suzan is sent to a place of safety as a ward of the state, effectively 'orphaning' her. From there, she spirals out of control – fighting to survive in a world of other neglected, abandoned and abused children. She becomes a 'runner', escaping at every opportunity from her various places of confinement, grabbing her schooling in snatches, living on the edges of a drug and prostitution underworld, finding love wherever she can.

Suzan’s young life was the stuff of movies, but it is her writing, in a voice that is unforgettable and true, that transforms her memories into something magical rarely matched in South African literature. A new classic.

Selling Sex in the City offers a worldwide analysis of prostitution that takes a long historical approach which covers a time period from 1600 to the 2000s. The overviews in this volume examine sex work in more than twenty notorious "sin cities" around the world, ranging from Sydney to Singapore and from Casablanca to Chicago. Situated within a comparative framework of local developments, the book takes up themes such as labour relations, coercion, agency, gender, and living and working conditions. Selling Sex in the City thus reveals how prostitution and societal reactions to the trade have been influenced by colonization, industrialization, urbanization, the rise of nation states, imperialism, and war, as well as by revolutions in politics, transport, and communication. Contributors are: Pascale Absi, Dlila Amir, Deborah Bernstein, Francesca Biancani, Thaddeus Gregory Blanchette, Amalia L. Cabezas, Susan P. Conner, Satarupa Dasgupta, Mfon Umoren Ekpootu, Raelene Frances, Pamela Fuentes, Sue Gronewold, Hanan Hammad, Shawna Herzog, Philippa Hetherington, Nicole Keusch, Liat Kozma, Julia Laite, Nomi Levenkron, Mary Linehan, Maja Mechant, Fernanda Nunez, Marion Pluskota, Cristiana Schettini, Hila Shamir, Yvonne Svanstroem, Isabelle Tracol-Huynh, Michela Turno, Elise van Nederveen Meerkerk, and Mark David Wyers.