Couples work continues to grow in popularity amongst psychoanalytic clinicians * Builds on the popular Couples on the Couch title * Offers a broad psychoanalytic perspective across a range of theoretical approaches, and clear clinical guidance

Since trauma is a thoroughly relational phenomenon, it is highly unpredictable, and cannot be made to fit within the scientific framework Freud so admired. In Toward a Psychology of Uncertainty: Trauma-Centered Psychoanalysis, Doris Brothers urges a return to a trauma-centered psychoanalysis. Making use of relational systems theory, she shows that experiences of uncertainty are continually transformed by the regulatory processes of everyday life such as feeling, knowing, forming categories, making decisions, using language, creating narratives, sensing time, remembering, forgetting, and fantasizing. Insofar as trauma destroys the certainties that organize psychological life, it plunges our relational systems into chaos and sets the stage for the emergence of rigid, life-constricting relational patterns. These trauma-generated patterns, which often involve denial of sameness and difference, the creation of complexity-reducing dualities, and the transformation of certainty into certitude, figure prominently in virtually all of the complaints for which patients seek analytic treatment. Analysts, she claims, are no more strangers to trauma than are their patients. Using in-depth clinical illustrations, Dr. Brothers demonstrates how a mutual desire to heal and to be healed from trauma draws patients and analysts into their analytic relationships. She recommends the reconceptualization of what has heretofore been considered transference and countertransference in terms of the transformation of experienced uncertainty. In her view the increased ability of both analytic partners to live with uncertainty is the mark of a successful treatment. Dr. Brothers' perspective sheds fresh light on a variety of topics of great general interest to analysts as well as many of their patients, such as gender, the acceptance of death, faith, cult-like training programs, and burnout. Her discussions of these topics are enlivened by references to contemporary cinema and theatre.

* Post-Bionian field theory is a hot topic in contemporary psychoanalysis * Psychoanalytic aspects of art theory remain very popular in psychoanalytic circles * First psychoanalytic book to look at the work of Cezanne

This illustrated book shows how "thinking" systems offer new ways of seeing people which can help us see and do things differently. The authors describe how a theory of living human systems was developed and even recently revised. This major revision led to a theory of the person-as-a-system and its role-systems map that helps us see which system in us and in others is running the show. The authors illustrate how life force energy fuels the hierarchy of living human systems and how theory and practice with role-systems can be useful in everyday life. They begin with describing how they have used the new illustrations as a map to locate the contexts of our roles. Using this map has also enabled the authors to identify the role-systems and explore the territory of ourselves and our groups in new ways that deepened our understanding of roles and role locks. This book illustrates systems-centered therapy and training (SCT) theory by offering a practical theory to guide group psychotherapists, leaders and consultants in working with group dynamics.

1. The first book to consider the psychological genesis of artistic creation through Bionian theory 2. Considers both the creation and observation of art through Kleinian, Freudian, Winnicottian theory 3. Includes, and analyses, famous art pieces and Literature (such as Ulysses) the reader will be familiar with throughout to support the author's theories on creativity and psychoanalysis

This book provides clinicians and students with insights on the use of psychodynamic therapy to treat drug abuse and addiction, combining theory with clinical case material. The perspectives of analysts such as Abraham, Rado, Zimmel, Tibout, Wurmser, Khanzian, Krystal and McDougall are reviewed alongside original and more recent conceptualizations of drug addiction and recovery based on Kleinian, Winnicottian and Kohutian ideas. The case material deals with clinical phenomena that characterize working with this complex population, such as intense projective identification, countertransference difficulties and relapses. The theoretical analysis covers a range of concepts, such as John Steiner's psychic shelters and Betty Joseph's near-death-addiction, which are yet to be fully explored in the context of addiction. Prevalent topics in the addiction field, such as the reward system, the cycle of change and the 12-step program, are also discussed in relation to psychodynamic theory and practice. Written by an experienced therapist, Psychodynamic Approaches for Treatment of Drug Abuse and Addiction is useful reading for anyone looking to understand how psychodynamic thought is applicable in the treatment of drug abuse and addiction. It may also be of some relevance to those working on treating alcohol use disorders and behavioral addictions.

In "Contemporary Psychoanalysis and Masterworks of Art and Film," Harry Trosman demonstrates that a psychoanalytic point of view can vastly enrich one's understanding and appreciation of works of art.

Drawing on current psychoanalytic views of the importance of fantasy, attachment and individuation theory, preoedipal factors in development, and object relations, Trosman addresses the impact of psychoanalysis on the understanding of the visual arts, painting, and film. Vel zquez's "Las Meninas," Giorgione's "The Tempest," Rembrandt's self-portraits, and Seurat's "La Grand Jatte" are among the paintings Trosman analyzes. He also considers such films as Antonioni's "L'avventura," Welles's "Citizen Kane," Hitchcock's "Vertigo," and Fellini's "8 1/2." The result is an insightful and innovative perspective, integrating classical and contemporary psychoanalytic thought with art and film criticism.

The face of Islam currently visible to the West bears the features of orthodoxy, fundamentalism, the so-called "new anti-Semitism," and political terrorism. Images of inter-ethnic bloodshed in Iraq, bellicose Iranian posturing, Al-Qaeda training camps, and zealot suicide bombers are the basic grammar of such perception. While not entirely untrue, this portrayal of Islam also emanates from the 'villain hunger' of the West, a hunger that has increased since the fall of the USSR. The false equation of 'Muslim' with 'Arab' has also created stereotypes and ambiguities. The fact is that most Muslims of the world are not Arab and many Arabs are not Muslims. Indeed the people, culture, traditions, and even religious practices of Islam are highly varied and complex. Its belief systems range from the austere Wahabbi rigidity to lyrical Sufi mysticism. Its cultural fabric includes the dark spots of suppression of women on the one hand and breathtakingly beautiful fibers of calligraphy, architecture, rug weaving, and romantic poetry on the other hand. Attempting to advance knowledge about Islam and to create the possibility of a dialogue between Islam and psychoanalysis, The Crescent and the Couch brings together a distinguished panel of Muslim and non-Muslim contributors from the fields of history, religion, anthropology, politics, and psychoanalysis. Together these authors highlight the world-changing contributions of prominent Muslim figures, and elucidate the encounter of Islam with Christianity, Judaism, and Hinduism. Moving on to matters of family, individual personality formation, human sexuality, and religious identity, they also address clinical issues that arise in the treatment of Muslim patients as well as the technical work of Muslim psychoanalysts. The book thus becomes a literary ambassador of sorts, bridging the conceptual gap between psychoanalytic theory on the one hand and Islamic conceptualizations of life on the other. It is a work of synthesis at its best and since bringing diverse thin

* Explores how the rise of Nazism went alongside the development of psychoanalysis * Examines how the Nazi distortion of language affected psychoanalysis * Covers how this language distortion continues to affect psychoanalytic theory and practice

This book describes the ways in which space can be created to strengthen the capacity to withstand suffering, as well as the application of systemic and narrative psychology to develop interventions at an individual, team, group, and organisational level.

This book shows how persecution is a condition that binds each in an ethical obligation to the other. Persecution is functionally defined here as an impinging, affective relation that is not mediated by reason. It focuses on the works and personal lives of Emmanuel Levinas-a phenomenological ethicist who understood persecution as an ontological condition for human existence-and Sigmund Freud, the inventor of psychoanalysis who proposed that a demanding superego is a persecuting psychological mechanism that enables one to sadistically enjoy moral injunctions. Scholarship on the work of Freud and Levinas remains critical about their objectivity, but this book uses the phenomenological method to bracket this concern with objective truth and instead reconstruct their historical biographies to evaluate their hyperbolically opposing claims. By doing so, it is suggested that moral actions and relations of persecution in their personal lives illuminate the epistemic limits that they argued contribute to the psychological and ontological necessity of persecuting behaviors. Object relations and intersubjective approaches in psychoanalysis successfully incorporate meaningful elements from both of their theoretical works, which is used to develop an intentionality of search that is sensitive to an unknowable, relational, and existentially vulnerable ethical subjectivity. Details from Freud's and Levinas' works and lives, on the proclivity to use persecution to achieve moral ends, provide significant ethical warnings, and the author uses them as a strategy for developing the reader's intentionality of search, to reflect on when they may use persecuting means for moral ends. The interdisciplinary nature of this research monograph is intended for academics, scholars, and researchers who are interested in psychoanalysis, moral philosophy, and phenomenology. Comparisons between various psychoanalytic frameworks and Levinas' ethic will also interest scholars who work on the relation between psychoanalysis and The Other. Levinas scholars will value the convergences between his ethics and Freud's moral skepticism; likewise, readers will be interested in the extension of Levinas' intentionality of search. The book is useful for undergraduate or graduate courses on literary criticism and critical theories worldwide.

This book analyzes the cinematic superhero as social practice. The study's critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Superman's restorative nostalgia, and read MCU's overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolan's Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Prime's The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon.

In a work of startling originality, Professor Brett Kahr has resurrected Donald Winnicott from the dead and has invited him for a memorable cup of tea at 87 Chester Square - his former London residence - where the two men discuss Winnicott's life and work in compelling detail. With original drawings by Alison Bechdel, best-selling author and illustrator of Fun Home and Are You My Mother?, this 'posthumous interview' will be the perfect guide for students and the ideal present for colleagues.

This second edition of Ronald Britton's personal reappraisal of psychoanalytic theories is based on further clinical experience, further study of current neuroscience and continued reflection on the relationship of brain and mind, selfhood and self-awareness, belief and knowledge, and certainty and uncertainty. Divided into three parts - "Hysteria," "The ego and superego," and "Narcissism" - this new edition adds content on brain, mind and self, the death instinct and a discussion on the biological, psychological and sociological basis of gender. It suggests that our increasing knowledge necessarily produces a dissolution of our coherent concepts of mind and brain, and that during this phase of creative dissolution we need to reassess what we know and what we don't know. Fundamental to the book is the notion that human beings have to live with probability but that we long for certainty, and create it for ourselves. This book will be of great interest to psychoanalysts in clinical practice and academia, as well as other mental health professionals and those with an interest in psychoanalytic theory.

* Offers an interdisciplinary approach to Lacan's work, and will appeal to scholars of Lacanian psychoanalysis working in various disciplines, including critical psychology, literature, film studies and gender studies. * The first text to present a seminar-by-seminar analysis of the evolution of one of the central Lacanian concepts of fantasy. * Includes real-life examples from the 'age of the image' and social media and responds to current events, such as our experience of fantasy in lockdown. * Written in an accessible style that will appeal to both beginning and experienced scholars.

Drawing on a range of clinical cases, Towards Happiness presents an engaging, insightful look at how we define and achieve happiness in core aspects of our lives: work and money, wellness and personal growth, sex and love, family and friendship, and aging. The book includes a series of essays by Dr. Ahron Friedberg, a prominent Manhattan psychiatrist, concerning how his patients sought to achieve greater happiness during challenging periods of their lives, and how as a consequence they grew personally and professionally. Each chapter considers a core topic through the lens of Dr. Friedberg's practice, demonstrating how patients worked through difficult, sometimes chronic personal issues. Throughout, there are useful summaries of key points. While candidly acknowledging that each life is different, Towards Happiness offers practical examples that can enhance readers' efforts to achieve greater levels of happiness and reorient their lives towards a deeper capacity for happiness. Towards Happiness offers honest insights into the compromises, sacrifices, and resulting degrees of success that characterize pursuing happiness, and will be of great interest to psychoanalysts, clinical psychologists, and other mental health professionals. It will also be useful reading for anyone seeking to understand the achievement of happiness in their own lives.

- features research that is uniquely existential and spiritual - there's not yet a lot available on the topic of reconciliation and forgiveness (aspects of the aging process that need to be explored)

This book examines works of four German-Jewish scholars who, in their places of exile, sought to probe the pathology of the Nazi mind: Wilhelm Reich's The Mass Psychology of Fascism (1933), Erich Fromm's Escape from Freedom (1941), Siegfried Kracauer's From Caligari to Hitler: A Psychological History of the German Film (1947), and Erich Neumann's Depth Psychology and a New Ethic (1949). While scholars have examined these authors' individual legacies, no comparative analysis of their shared concerns has yet been undertaken, nor have the content and form of their psychological inquiries into Nazism been seriously and systematically analyzed. Yet, the sense of urgency in their works calls for attention. They all took up their pens to counter Nazi barbarism, believing, like the English jurist and judge Sir William Blackstone, who wrote in 1753 - scribere est agere ("to write is to act").

Marcia Cavell draws on philosophy, psychoanalysis, and the sciences of the mind in a fascinating and original investigation of human subjectivity. A 'subject' is a creature, we may say, who recognizes herself as an 'I', taking in the world from her own subjective perspective; who is an agent, doing things for reasons, sometimes self-reflective, and able to assume responsibility for herself and some of her actions. The idea of a 'subject' points, then, toward an ideal. It asks for the conditions under which a human infant becomes a subject, and for the sorts of things, like self-deception and massive anxiety, that get in the way. What sorts of questions are these? Certainly philosophical. They burrow into central issues in moral philosophy: freedom of the will, the 'self', self-knowledge, the relations between reason and passion, between autonomy and self-knowledge, issues that form roughly the second half of the book. They lead also into metaphysics and epistemology: Is subjectivity incompatible with objectivity? Are subjects not also objects in the real world? As such, how are they to be treated? Would it be possible, in theory, for a creature to become a subject in the absence of relationships with other subjects? But the questions are also practical. In particular they are at the heart of psychoanalysis both as a theory of the mind, and as a therapy which aims at maximizing the ideals of autonomy and self-knowledge implicit in the very idea of a 'subject'. One of the guiding premises of Becoming a Subject is that philosophical investigation into the specifically human way of being in the world cannot separate itself from investigations of a more empirical sort. Cavell brings together for the first time reflections in philosophy, findings in neuroscience, studies in infant development, psychoanalytic theory, and clinical vignettes from her own psychoanalytic practice.

The Wounded Researcher addresses the crises of epistemological violence when we fail to consider that a researcher is addressed by and drawn into a work through his or her complexes. Using a Jungian-Archetypal perspective, this book argues that the bodies of knowledge we create degenerate into ideologies, which are the death of critical thinking, if the complexity of the research process is ignored. Writing with soul in mind invites us to consider how we might write down the soul in writing up our research.

Includes case materials and illustrative photographs throughout. Offers several unique contributions to the field as well as an alternative to the standard Jungian approach. Functions as a complete guide to the approach.

What do we know about Hegel? What do we know about Marx? What do we know about democracy and totalitarianism? Communism and psychoanalysis? What do we know that isn't a platitude that we've heard a thousand times - or a self-satisfied certainty? Through his brilliant reading of Hegel, Slavoj Zizek - one of the most provocative and widely-read thinkers of our time - upends our traditional understanding, dynamites every cliche and undermines every conviction in order to clear the ground for new ways of answering these questions. When Lacan described Hegel as the most sublime hysteric , he was referring to the way that the hysteric asks questions because he experiences his own desire as if it were the Other's desire. In the dialectical process, the question asked of the Other is resolved through a reflexive turn in which the question begins to function as its own answer. We had made Hegel into the theorist of abstraction and reaction, but by reading Hegel with Lacan, Zizek unveils a Hegel of the concrete and of revolution - his own, and the one to come. This early and dazzlingly original work by Zizek offers a unique insight into the ideas which have since become hallmarks of his mature thought. It will be of great interest to anyone interested in critical theory, philosophy and contemporary social thought.