A close analysis of the architecture of the stupa a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences."

This handsomely illustrated volume explores the medieval Deccani temple complexes at the UNESCO World Heritage Site of Pattadakal, with careful attention to their makers. The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. In Shiva's Waterfront Temples, Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.

Britain is well-known for its churches and cathedrals; buildings of great architecture and religious grandeur that form many of our recognisable skylines. But these grand structures are also full of facts, histories and stories that you may not have been aware of.

Did you know that there are only three cathedrals in Britain without a ringing bell? Or that St Davids Cathedral, nestled away in a Welsh valley, has a very unique choir, where the top line is sung only by female choristers, aged eight to eighteen? How about that the Great Pyramids in Egypt were the world's tallest structures for over 3,870 years, until the construction of Lincoln Cathedral in 1311?

Award-wining travel writer and editor Sue Dobson takes us on a journey around the United Kingdom, showing us her highlights while providing fascinating details and stories along the way.

This book contains the first published results of Schwaller's 12 years of research at the temple of Luxor and its implications for interpreting the symbolic and mathematical processes of the Egyptians through their sacred architecture.?

The British Archaeological Association's 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter.

This book is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola's biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe, before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss are central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.

For the first time in its 750-year existence, a full history of Holy Trinity is available to the general public. One of only a small number of parish churches to be Grade I listed, Holy Trinity displays its rich heritage through stained glass, memorials, unique woodwork and glorious painted ceilings. It also houses the tomb of Sutton Coldfield's most famous son, John Vesey, Bishop of Exeter. Vesey's work for the benefit of both church and town, with the blessing of King Henry VIII, continues to earn him the respect of the local community in every generation. Funded by the Heritage Lottery, this book is a complete and up-to-date history of an ancient place of worship, preserving its story alongside a major re-ordering of the church interior, which has created a space for church and community fit for the twenty-first century.

Each year in the United States, hundreds of religious buildings and schools become vacant or underutilized as congregations and populations merge, move, or diminish. These structures are often well located, attractive, eligible for tax credits, and available for redevelopment. In this practical and innovative handbook, authors Simons, DeWine, and Ledebur have compiled a step-by-step guide to finding sustainable new uses for vacant structures. The reuse of these important buildings offers those charged with revitalizing them an opportunity to capture their embodied energy, preserve local beloved landmarks, and boost sustainability. Rehabbing presents an opportunity for developers to recoup some value from these assets. Neighbors and other stakeholders also enjoy benefits as the historic structures are retained and the urban fabric of communities is preserved. Retired, Rehabbed, Reborn features ten in-depth case studies of adaptive reuse outcomes for religious buildings and public schools that have achieved varying degrees of success. Several case vignettes appear within various chapters to illustrate specific points. The book is a useful tool for architects, planners, developers, and others interested in reusing these important structures. In addition to covering the demographics of demand and supply for historic buildings, the authors demonstrate how to identify a worthy project and how to determine a building's highest and best use, its market potential, and its financial feasibility, including costs and public subsidies. Finally, they address the planning process and how to time the redevelopment and repurposing of these venerable buildings. Simons, DeWine, and Ledebur explain that while each rehab deal is unique and tricky-especially for prominent community structures that hold significant nostalgic and historical value to community stakeholders-there are identifiable patterns of successful and unsuccessful approaches, patterns that are addressed in turn throughout the redevelopment process. As the nation moves toward a mind-set and practice of recycling, reusing, and repurposing, this unique exploration of how that applies to buildings is an essential guide for anyone interested in being part of the process as communities develop and change.

The Victorians built tens of thousands of churches in the hundred years between 1800 and 1900. Wherever you might be in the English-speaking world, you will be close to a Victorian built or remodelled ecclesiastical building. Contemporary experience of church buildings is almost entirely down to the zeal of Victorians such as John Henry Newman, Henry Wilberforce and Augustus Pugin, and their ideas about the role of architecture in our spiritual life and well-being. In Unlocking the Church, William Whyte explores a forgotten revolution in social and architectural history and in the history of the Church. He details the architectural and theological debates of the day, explaining how the Tractarians of Oxford and the Ecclesiologists of Cambridge were embroiled in the aesthetics of architecture, and how the Victorians profoundly changed the ways in which buildings were understood and experienced. No longer mere receptacles for worship, churches became active agents in their own rights, capable of conveying theological ideas and designed to shape people's emotions. These church buildings are now a challenge: their maintenance, repair or repurposing are pressing problems for parishes in age of declining attendance and dwindling funds. By understanding their past, unlocking the secrets of their space, there might be answers in how to deal with the legacy of the Victorians now and into the future.

Originally published in 1909, this book contains a guide in English and French to the sculptures of Chartres Cathedral. The text is illustrated with over one hundred photographic plates of the sculptures, with an explanation for each in both languages on the facing page. Some of the photographs included are among the earliest published examples of telephotography. This book will be of value to anyone with an interest in French medieval sculpture, the cathedral at Chartres or the history of photography.

Built around 1100, the church of Asinou in Cyprus is decorated with accretions of images, from the fresco cycle executed shortly after construction to those made in the 17th century. This volume sets Asinou's art and architecture in the context of the surrounding area's changing fortunes under Byzantine and Ottoman rule.

Through years of fieldwork in the state of Oaxaca, Mexico, art historian and archaeologist Alessia Frassani formulated a compelling question: How did Mesoamerican society maintain its distinctive cultural heritage despite colonization by the Spanish? In Building Yanhuitlan, she focuses on an imposing structure - a sixteenth-century Dominican monastery complex in the village of Yanhuitlan. For centuries, the buildings have served a central role in the village landscape and the lives of its people. Ostensibly, there is nothing indigenous about the complex or the artwork inside. So how does such a place fit within the Mixteca, where Frassani acknowledges a continuity of indigenous culture in the towns, plazas, markets, churches, and rural surroundings? To understand the monastery complex - and Mesoamerican cultural heritage in the wake of conquest - Frassani calls for a shifting definition of indigenous identity, one that acknowledges the ways indigenous peoples actively took part in the development of post-conquest Mesoamerican culture. Frassani relates the history of Yanhuitlan by examining the rich store of art and architecture in the town's church and convent, bolstering her account with more than 100 color and black-and-white illustrations. She presents the first two centuries of the church complex's construction works, maintenance, and decorations as the product of cultural, political, and economic negotiation between Mixtec caciques, Spanish encomenderos, and Dominican friars. The author then ties the village's present-day religious celebrations to the colonial past, and traces the cult of specific images through these celebrations' history. Cultural artifacts, Frassani demonstrates, do not need pre-Hispanic origins to be considered genuinely Mesoamerican - the processes attached to their appropriation are more meaningful than their having any pre-Hispanic past. Based on original and unpublished documents and punctuated with stunning photography, Building Yanhuitlan combines archival and ethnographic work with visual analysis to make an innovative statement regarding artistic forms and to tell the story of a remarkable community.

How should we construct sacred spaces, the places where we worship? Transcending Architecture considers the mysterious, profound, and real power of designed environments to address the spiritual dimension of our humanity. By incorporating perspectives from within and without architecture, the book o ers a wide, critical, and nuanced understandin of the lived relationship between the built and the numinous worlds. Far from avoiding the charged issues of subjectivity, culture andintangibility, the book examines phenomenological, symbolic and designerly ways in which the holy gets fixed and experienced through buildings, landscapes, and urban forms, and not just in institutionally defined religious or sacred places. Acknowledging that no individual voice can exhaust the topic, Transcending Architecture brings together a stellar group of scholars and practitioners to share their insights: architect Juhani Pallasmaa and philosopher Karsten Harries, comparative religion scholar Lindsay Jones and architectural theoretician Karla Britton, sacred architecture researcher Thomas Barrie and theologian Kevin Seasoltz, landscape architect Rebecca Krinke and Faith & Form magazine editor Michael Crosbie, are among the illustrious contributors. The result is the most direct, clear, and subtle scholarly text solely focused on the transcendental dimension of architecture available. This book thus provides, on one hand, understanding, relief, and growth to an architectural discipline that usually avoids its ineffable dimension and, on the other hand, a necessary dose of detail and reality to fields such as theological aesthetics, material anthropology, or philosophical phenomenology that too often fall trapped into unproductive generalizations and over-intellectualizations.

For more than 1500 years, from the Indian subcontinent to the islands of the Indonesian archipelago, the temple has embodied and symbolized the Hindu worldview at its deepest level and inspired the greatest architectural and artistic achievements in Hindu Asia. In "The Hindu Temple," considered the standard introduction to the subject, George Michell explains the cultural, religious, and architectural significance of the temple. He illustrates his points with a profusion of photographs, building plans, and drawings of architectural details, making the book a useful guide for travelers to Asia as well as an illuminating text for students of architecture, religion, and Asian civilizations.
Michell's discussion of the meaning and forms of the temple in Hindu society encompasses the awe-inspiring rock-cut temples at Ellora and Elephanta, the soaring superstructures and extraordinary sexual exhibitionism of the sculptures at Khajuraho, and the colossal mortuary temple of Angkor Vat, as well as the tiny iconic shrines that many Hindus wear around their necks and the simple shrines found under trees or near ponds.

Cambridgeshire is a large and diverse county, and this is reflected in its churches. In the south, chalk provided flints for even the grandest of churches. The Fens in the north and east had no building materials of their own, so limestone was transported from further north and may best be seen in those churches that were owned or established by monastic houses. In the former county of Huntingdonshire limestone dominates, and bricks made from the local clays make an early appearance. In this book author John E. Vigar presents a selection of the most interesting churches from across the county, including the former counties of the Isle of Ely, Huntingdonshire and Peterborough, covering every period and type of church, from simple Saxo-Norman churches such as Hauxton, to late medieval churches where money was plentiful such as Whittlesey. Former monastic houses are represented by March and Ramsey, a rare seventeenth-century church at Guyhirn and one of the most important nineteenth-century churches in England at Cambridge All Saints, as well as many other ecclesiastical gems in the county. This fascinating picture of an important part of the history of Cambridgeshire over the centuries will be of interest to all those who live in or are visiting this attractive county in England.

Temples and Towns is the first comparative study of Roman sanctuary design for the six centuries of architecture on the Iberian Peninsula, from the arrival of the Romans in the third century B.C. until the decline of urban life on the peninsula in the third century A.D. During these six centuries, the peninsula became an important influence in the Roman world. The area supplied writers, politicians, and emperors, a fact acknowledged by Romanists for centuries. But study of the peninsula itself has often been brushed aside as insignificant and uninteresting. In Temples and Towns in Roman Iberia Mierse challenges such a view.

By examining the changing forms of temples and their placement within the urban fabric, Mierse shows that Iberian architecture had great variation. It was never a slavish imitation of an imported model but always a novel experiment. Sometimes the forms arrived at were both new and unexpected; sometimes the specific prototypes were obvious. But the Iberian form was significantly altered to suit local needs. What might seem at first to be a repetition of forms turns out to be theme and variation upon closer investigation. Mierse brings impressive learning to his quest, which allows him a unique perspective on the interaction between the events and architecture he chronicles here.

The architectural changes are interesting in themselves, but also of note are the reasons underlying the modifications. We see the growing role of private patronage and the increasing importance of local wealth in determining choices of form over the six centuries. We also see how the architecture responds to Iberians' increasing sense of Romanness, which by the third century has takencomplete hold of most of the peninsula. The power of outside forces on local forms, the influence of local elites who paid for the structures, and the innovations of architects and builders produced distinctive designs.

Through well-researched text, as well as drawings and color photography, this book captures the magnificence of European cathedrals and the brilliance of the Master Builders and craftsmen who designed and built them. Cathedral building is a fusion of man's greatest accomplishments in the arts, sciences, and humanities over the centuries. More than 250 photos and drawings capture the quality and craftsmanship built into these stunning structures created to replicate God's house or heaven on Earth. Color photos illustrate the gorgeous naves, detailed fan vaulted ceilings, beautiful stained-glass windows, flying buttresses, and 650-year-old parchment drawings of the cathedrals. Discover the origin of Gothic architecture, see how Gothic cathedrals were built using primitive tools, and learn about the development of Freemasonry and its direct descent from the stonemasons of the Middle Ages. Enjoy 30 cathedral tours and acquire a few Masonic secrets of the stonemasons.

Die Wallfahrtskirche Notre-Dame-Du-Haut in Ronchamp (1950-54), Ikone der modernen Architektur, stellt einen der zentralen Bauten in Le Corbusiers Spatwerk dar. Auf einem Hochplateau der Vogesen oberhalb Belforts gelegen, ist dieser Bau ein in Raum- und Formgestaltung einzigartiges Kunstwerk, das sich einmalig in seine Umgebung einpasst. Das muschelfoermige Dach, die gerundeten Mauern, die Turme aus Steinmauerwerk sowie die durch farbige Glasoeffnungen rhythmisierte Fassade sind wesentliche Bestandteile dieser skulpturalen Konstruktion. Die Kapelle von Ronchamp ist in ihren Massstaben und Proportionen nach dem von Le Corbusier entwickelten "Modulor" entworfen und erhalt auch von daher ihre besondere raumliche Wirkung. Wie alle Guides dieser Reihe ist das Buch sowohl fur das Fachpublikum als auch fur an Architektur und moderner Kunst interessierte Touristen unentbehrlich. Es eignet sich zudem als apartes Geschenkbuch.

This is the fourth and final volume in a series which presents a complete corpus of all the church buildings that were built, rebuilt or simply in use in the Crusader Kingdom of Jerusalem between the capture of Jerusalem by the First Crusade in 1099 and the loss of Acre in 1291. This volume deals with the major coastal cities of Acre and Tyre, which were both in Frankish hands for almost two centuries, and also contains addenda and corrigenda to volumes 1 3. It describes and discusses some 120 churches and chapels that are attested by documentary or surviving evidence, accompanied where possible by plans, elevation drawings and photographs. This is an indispensable work of reference to all those concerned with the medieval archaeology of the Holy Land, the history of the Church in the Crusader Kingdom of Jerusalem and the art and architecture of the Latin East.

In the aftermath of the deliberate destruction of cultural heritage pursued by Islamist groups like ISIS, many observers have erroneously come to associate Islamic doctrine and practice with such acts. This book explores the diverse ways Muslims have engaged with the material legacies of ancient and pre-Islamic societies, as well as how Islam's own heritage has been framed and experienced over time. This is a new collection of articles previously available in issues of the International Journal of Islamic Architecture. The tragically familiar spectacles of cultural heritage destruction performed by the Islamic State group (ISIS) in Syria and Iraq are frequently presented as barbaric, baffling, and far outside the bounds of what are imagined to be normative, 'civilized' uses of the past. Often superficially explained as an attempt to stamp out idolatry or as a fundamentalist desire to revive and enforce a return to a purified monotheism, analysis of these spectacles of heritage violence posits two things: that there is, fact, an 'Islamic' manner of imagining the past - its architectural manifestations, its traces and localities - and that actions carried out at these localities, whether constructive or destructive, have moral or ethical consequences for Muslims and non-Muslims alike. In this reading, the iconoclastic actions of ISIS and similar groups, for example the Taliban or the Wahhabi monarchy in Saudi Arabia, are represented as one, albeit extreme, manifestation of an assumedly pervasive and historically on-going Islamic antipathy toward images and pre-contemporary holy localities in particular, and, more broadly, toward the idea of heritage and the uses to which it has been put by modern nationalism. But long before the emergence of ISIS and other so-called Islamist iconoclasts, and perhaps as early as the rise of Islam itself, Muslims imagined Islamic and pre-Islamic antiquity and its localities in myriad ways: as sites of memory, spaces of healing, or places imbued with didactic, historical, and moral power. Ancient statuary were deployed as talismans, paintings were interpreted to foretell and reify the coming of Islam, and temples of ancient gods and churches devoted to holy saints were converted into mosques in ways that preserved their original meaning and, sometimes, even their architectural ornament and fabric. Often, such localities were valued simply as places that elicited a sense of awe and wonder, or of reflection on the present relevance of history and the greatness of past empires, a theme so prevalent it created distinct genres of Arabic and Persian literature (aja'ib, fada'il). Sites like Ctesiphon, the ancient capital of the Zoroastrian Sasanians, or the Temple Mount, where the Jewish temple had stood, were embraced by early companions of the Prophet Muhammad and incorporated into Islamic notions of the self. Furthermore, various Islamic interpretive communities as well as Jews and Christians often shared holy places and had similar haptic, sensorial, and ritual connections that enabled them to imagine place in similar ways. These engagements were often more dynamic and purposeful than conventional scholarly notions of 'influence' and 'transmission' can account for. And yet, Muslims also sometimes destroyed ancient places or powerfully reimagined them to serve their own purposes, as for example in the aftermath of the Crusader presence in the Holy Land or in the destruction, reuse and rebuilding of ancient Buddhist and Hindu sites in the Eastern Islamic lands and South Asia. This volume presents thirteen essays by leading scholars that address the issue of Islamic interest in the material past of the ancient and Islamic world, with essays examining attitudes about antiquarianism in the Islamic world from medieval times to the present. Main readership will be among scholars, graduate and undergraduate students, researchers, educators and academic libraries working or studying in the fields of the ancient world, antiquities, heritage and the Islamic world.