In this book, Alessandro Pierattini offers a comprehensive study of the evolution of pre-archaic Greek temple architecture from the eleventh to mid-seventh century BCE. Demystifying the formative stages of Greek architecture, he traces how temples were transformed from unassuming shrines made of perishable materials into large stone and terracotta monuments. Grounded in archaeological evidence, the volume analyzes the design, function, construction, and aesthetic of the Greek temple. While the book's primary focus is architectural, it also draws on non-architectural material culture, ancient cult practice, and social history, which also defined the context that fostered the Greek temple's initial development. In reconstituting this early history, Pierattini also draws attention to new developments as well as legacies from previous eras. Ultimately, he reveals why the temple's pre-Archaic development is not only of interest in itself, but also a key to the origins of the Greek monumental architecture of the Archaic period.

The Basilica of the Annunciation in Nazareth is among the most celebrated loca sancta in the Holy Land, a sacred destination of both Eastern and Western pilgrims for millennia. Celebrating the 50th anniversary of the modern edifice, this anthology is the first to offer a comprehensive study of the church, comprising the historical stages of its construction from the Byzantine era, through Crusader and Franciscan campaigns, and into the present day; the impact of the Second Vatican Council on the reception of modern elements of its architecture; and studies of its decorative elements including stained-glass windows, bronze doors, and votive panels from all over the world. These various analyses take into consideration the complex challenges facing Christian art in a multicultural world.

The Place of the Mosque: Genealogies of Space, Knowledge, and Power extends Foucault's analysis Of Other Spaces and the "ideological conflicts which underlie the controversies of our day [that] take place between pious descendants of time and tenacious inhabitants of space." The book uses this framework to illuminate how mosques have been threatened in the past, from the Cordoba Mosque in the eighth century to the development of Moorish aesthetics in nineteenth-century United States to the clashes surrounding the building of mosques in the West in the twentieth and twenty-first centuries. Foucault's genealogy allows us to elaborate and study the subjects that are caught in the emergence of a battle-the social and political will to power, the networks of power and the rituals of power-in the interstitial space which define the subjects and clears a space ruling both the body and space. In going beyond individual buildings to broader geographical and genealogical dimensions of the power struggles, The Place of the Mosque reconciles the public space experience, governmentality, and micro powers, paving the way for a new philosophical language. Expanding architectural and urban regional approaches, Kahera shows the biopolitical significance of the problem of space.

Die untergegangene sogenannte Capella Speciosa in Klosterneuburg ist als Initialbau der osterreichischen Gotik anzusehen. Die im Jahre 1221 geweihte Kapelle zahlte zu den bedeutendsten Bauten der Fruhgotik in Mitteleuropa. Ihre Erforschung stellte seit dem 19. Jahrhundert ein wichtiges Desiderat der Kunstgeschichte dar. Die vorliegende Publikation bringt eine umfassende Analyse des bisherigen Forschungsstandes. Zum ersten Mal werden hier vollstandig jene Bestandteile der Kapelle analysiert, die nach ihrem Abbruch nach Laxenburg ubertragen worden sind. Auf der Basis ihrer eingehenden und kritischen Auswertung und unter Heranziehung aller historischen Darstellungen der Kapelle sowie der Ergebnisse der Ausgrabung ihrer Fundamente konnte eine computergestutzte Rekonstruktion und Visualisierung des Baues erstellt werden, die ein wissenschaftlich abgesichertes, umfassendes Bild dieser Pfalzkapelle Herzog Leopolds VI. von Osterreich bietet. Der interdisziplinare Forschungsansatz aus kunsthistorischer Bestandsaufnahme und Formenanalyse sowie architekturwissenschaftlich-technischen Losungsangeboten folgt einer avancierten neuartigen Methodik. Der Bildteil des Werks enthalt alle verfugbaren Planunterlagen und Bildquellen fur die Rekonstruktion. Das Ergebnis der Visualisierung wird in Einzelbildern sowie in einer beiliegenden DVD prasentiert. Da sich der Hauptautor Mario Schwarz und sein wissenschaftliches Mitarbeiterteam seit 1993 mit der Aufgabe einer Digitalrekonstruktion der Capella Speciosa beschaftigt haben, ist der Bericht uber den schrittweisen Verlauf dieser Arbeiten nicht zuletzt ein aufschlussreicher Beitrag zur Wissenschaftsgeschichte.

This book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. By bringing to light many unresearched dimensions of the twelfth-century Cambodian temple of Angkor Wat during its modern history, the study argues for a conceptual, connected history that unfolded within the transcultural interstices of European and Asian projects. With more than 1,400 black-and-white and colour illustrations of historic photographs, architectural plans and samples of public media, the monograph discusses the multiple lives of Angkor Wat over a 150-year-long period from the 1860s to the 2010s. Volume 1 (Angkor in France) reconceptualises the Orientalist, French-colonial 'discovery' of the temple in the nineteenth century and brings to light the manifold strategies at play in its physical representations as plaster cast substitutes in museums and as hybrid pavilions in universal and colonial exhibitions in Marseille and Paris from 1867 to 1937. Volume 2 (Angkor in Cambodia) covers, for the first time in this depth, the various on-site restoration efforts inside the 'Archaeological Park of Angkor' from 1907 until 1970, and the temple's gradual canonisation as a symbol of national identity during Cambodia's troublesome decolonisation (1953-89), from independence to Khmer Rouge terror and Vietnamese occupation, and, finally, as a global icon of UNESCO World Heritage since 1992 until today. Congratulations to our author Michael Falser who received the prestigious 2021 ICAS Book Prize in the "Ground Breaking Subject Matter" category.

In the late fifteenth century the newly built Sistine Chapel was home to a vigorous culture of musical composition and performance. Josquin des Prez stood at its center, singing and composing for the pope's private choir. Josquin's Rome offers a new reading of the composer's work in light of the repertory he and his fellow papal singers performed from the chapel's singers' box. Comprising the single largest surviving corpus of late fifteenth-century sacred music, these pieces served as a backdrop for elaborately choreographed liturgical ceremonies-a sonic analogue to the frescoes by Botticelli, Perugino, and their contemporaries that adorn the chapel's walls. Author Jesse Rodin uses a comparative approach to uncover this aesthetically and intellectually rich musical tradition. He confronts longstanding problems concerning the authenticity and chronology of Josquin's music while offering nuanced readings of scandalously understudied works by the composer's contemporaries. The book further contextualizes Josquin by locating intersections between his music and the wider soundscape of the Cappella Sistina. Central to Rodin's argument is the idea that these pieces lived in performance. The author puts his interpretations into practice through a series of exquisite recordings by his ensemble, Cut Circle (available both on the companion website and as a CD from Musique en Wallonie). Josquin's Rome is an essential resource for musicologists, scholars of the Italian Renaissance, and enthusiasts of early music.

Artist Eugenia Balcells explores color and light as an artistic expression. FREQUENCIES is the catalogue that accompanies a new exhibition project by the artist Eugnia Balcells on some perceptive aspects of energy: light and colour. FREQUENCIES is a book that wants to be faithful to the screens on which the images of the multimedia installations Colour wheel, Labyrinth, Marble and Frequencies are projected. It is a book that allows us to slowly study the flow of the colour spectrum that defines the geometry of everything that exists. FREQUENCIES is both a visual source of knowledge and a collection of reflections on the communicative capacity of art and sciences.

Situated at the foothills of the Andes, overlooking the city of Santiago, Chile, the Baha'i Temple of South America will be opened in fall 2016. The Baha'i House of Worship is the most recent of the continental temples. It welcomes people from all directions and all creeds. Designed by Siamak Hariri and his team at Hariri Pontarini Architects in Toronto, Canada, the sacred building combines advanced engineering solutions, cutting-edge material innovation, and computerized fabrication methods to create a light-filled space for prayer and meditation - at once monumental and intimate. Esthetics and technology in perfect synthesis. With numerous drawings, models, renderings, and photographs, the book shows the design and construction process, and the beauty, of this unique building.

The social sciences have mostly ignored the role of physical buildings in shaping the social fabric of communities and groups. Although the emerging field of the sociology of architecture has started to pay attention to physical structures, Brenneman and Miller are the first to combine the light of sociological theory and the empirical method in order to understand the impact of physical structures on religious groups that build, transform, and maintain them. Religious buildings not only reflect the groups that build them or use them; these physical structures actually shape and change those who gather and worship there. Religious buildings are all around us. From Wall Street to Main Street, from sublime and historic cathedrals to humble converted storefronts, these buildings shape the global religious landscape, "building faith" among those who worship in them while providing a testament to the shape and duration of the faith of those who built them and those who maintain them. Building Faith explores the social impact of religious buildings in places as diverse as a Chicago suburb and a Guatemalan indigenous Mayan village, all the while asking the questions, "How does space shape community?" and "How do communities shape the spaces that speak for them?"

This guidance is aimed at conservators and those specifying conservation treatments for historic stonework. It will also be of interest to conservation officers, and building owners and managers. Although the past ten years have seen an increase in the use of nanolime as a stone consolidant, not much was known about its properties and performance, and there had been no long-term evaluation of its effect on deteriorated limestone in an external UK environment. Furthermore, there was no consistent guidance regarding application of nanolime. For these reasons, Historic England commissioned a programme of research at the University of Bath and site trials at various English cathedrals. This information will aid practitioners and specifiers to make informed decisions about when and how to use nanolime. This document describes: the performance requirements and essential properties of consolidants in general the scientific theory underpinning the use of nanolime factors that might limit the effectiveness of nanolime the best ways to assess the suitability of stone for treatment with nanolime how to apply nanolime