Celebrating 250 years, St. Peter's Episcopal Church in the Society Hill neighborhood of Philadelphia, has witnessed a rich mixture of people and events that reflect critical periods of American political and cultural history. George Washington worshiped here as did abolitionists and slave holders, Whigs, Democrats, and Republicans. St. Peter's was a point of first contact for thousands of immigrants, and the church opened schools for immigrants to help them to acculturate to life in Philadelphia.

Opening a window onto colonial Philadelphia and the nation's histories, a"St. Peter's Church"ais a glorious testament to this National Historic Landmark. In addition to the stories and hundreds of black-and-white and color photographs, this handsome volume provides a history of the grounds, the churchyard, and the church itself-a classic example of eighteenth-century Philadelphia design that later incorporated the work of renown architects William Strickland, Thomas U. Walter, and Frank Furness."

At the Venice Biennale, NVA art agency along with great minds from many different disciplines gathered together to discuss the fate of Scotland's iconic modernist building, St Peter's Seminary. Rather than providing a structured blue print for St Peter's, this collection of essays aims to open all possibilities, focusing not merely on preserving the building, but imagining it as a landscape within which new narratives can be woven.

Le Guide du Leader Cette etude biblique approfondie est preparee pour les leaders de l'Eglise notamment: Pasteurs, Diacres, Evangelistes, Predicateurs, Enseignants ou Docteurs, Chefs de groupes.... "Le verset clef d'encouragement 2 Timothee 2: 15 Efforce-toi de te presenter devant Dieu comme un homme eprouve, un ouvrier qui n'a point a rougir qui dispense droitement la parole de la verite. Le Tome I de la serie "Le Guide du Leader" s'etend sur quatre grands chapitres: 1. Le Millenium ou le Royaume de Christ 2. Le Travail du Saint Esprit avec le croyant 3. Les Anges qui sont-ils? 4. Les Doctrines Fondamentales de la Bible Ecrit par: Frere Gary Volcy Theologien Linguiste Gestionnaire Programmeur (Computer Science)

Minarets have defined Cairo's skyline since its early history: they are one of the most characteristic features of Islamic architecture. In Egypt, where civilizations have manifested themselves through awe-inspiring structures since antiquity, 'a thousand minarets' reveal the impact of Islamic civilization and urban aesthetics. "The Minarets of Cairo" offers an accessible and vivid insight into the religious, historical and architectural significance of the minaret in Cairo from the Arab Conquest, through the Abbasid, Fatimid, Ayyubid, Mamluk and Ottoman periods. Students and scholars will welcome historian and art historian Doris Behrens-Abouseif's excellent new research and analysis as well as over one hundred illustrated entries for individual minarets, brought to life by Nicholas Warner's masterly architectural drawings and reconstructions. With nearly three hundred illustrations, this beautiful book provides depth and color, displaying to full effect historic Cairo's most impressive monuments.

A small church nestling deep in the countryside is instantly evocative. Why is it there at all? Whom does it serve? In a county by county guide to the smallest gems of English ecclesiastical architecture, John Kinross provides the reader with descriptions of over 100 of the country's loveliest and most interesting churches and chapels, and offers directions on how to find these churches for those inspired to seek them out. The book, which is comprehensively illustrated with colour and black-and-white photographs, drawings and location maps, will appeal both to those living in England and to visitors.

No serious art-historical library should be without it. [The publisher] is to be congratulated for taking on this epic venture. BURLINGTON MAGAZINE. The fifty years between 1130 and 1180 produced some of the most original and evocative capitals of the middle ages - a period that was largely responsible for the evolution of the Gothic style. But despite the fact that many are hard to examine in situ and are often too dark to observe closely, they have rarely been published before. These volumes will therefore be widely welcomed. The 7,600 illustrations they contain cover, in large and exquisite detail,nearly every capital; they include the multitude of works in the great cathedrals and abbeys of the time, including Chartres, Laon, Noyon, Paris, Saint-Denis, Senlis and Sens. The staggering range of individual creativity shows aculture able to reinvent itself in a rare and exciting way. The publication of the fourth and fifth volumes in the sequence completes the photographic archive of foliate carving from the Paris Basin during the formative two centuries in which architecture and the techniques of building were transformed. They are also the foundation for subsequent volumes which will establish a chronology for Early Gothic architecture and sculpture, as well as technological developments in rib vaults and construction methods. Dr JOHN JAMES is a world authority on medieval architecture, and author of over sixty books and articles.

John Fitchen systematically treats the process of erecting the great edifices of the Gothic era. He explains the building equipment and falsework needed, the actual operations undertaken, and the sequence of these operations as specifically as they can be deduced today. Since there are no contemporary accounts of the techniques used by medieval builders, Fitchen's study brilliantly pieces together clues from manuscript illuminations, from pictorial representations, and from the fabrics of the building themselves.
"Anyone who has caught the fascination of Gothic Churches (and once caught, has almost necessarily got it in the blood) will find this book enthralling. . . . Clearly written and beautifully illustrated." --A. D. R. Caroe, "Annual Review, " Central Council for the Care of Churches
"Fitchen's study is a tribute to the extraordinary creative and engineering skills of successive generations of mediaeval builders. . . . This study enables us to appreciate more fully the technical expertise and improvements which enabled the creative spirit of the day to find such splendid embodiment." --James Lingwood, "Oxford Art Journal"
"Fitchen, in what can only be defined as an architectural detective story, fully explores the problems confronting the medieval vault erectors and uncovers their solution. . . . This is a book that no serious student of architecture will want to miss." --"Progressive Architecture"

English cathedrals, including Canterbury, Durham, Winchester and York, are the greatest collective work of art and architecture in Britain, reflecting over a thousand years of history. "English Cathedrals" is an account of their foundation, construction and decoration - their architectural history - but also of who used them and what happened in them - their human history. Cathedrals were centres of learning, music and wealth. Continuity of worship over hundreds of years was broken by the two great crises of the sixteenth-century Reformation and the seventeenth-century Civil War. There were also dramatic episodes, such as the loss of St Paul's in the Great Fire of 1666, subsequently to be rebuilt by Sir Christopher Wren. All have changed over the centuries. These great buildings remain striking monuments in the landscape with a unique power to evoke the past.

Im Gegensatz zu den professionellen sachsischen Architekten des 18. und 19. Jahrhunderts finden die zahlreichen landlichen Handwerksmeister nur wenig Beachtung. Dabei haben gerade diese entscheidenden Anteil an der Weiterfuhrung der protestantischen Gemeindekirche bis etwa 1860. Der bedeutendste unter ihnen ist der Zimmermeister Christian Friedrich Uhlig aus Altenhain bei Chemnitz. Nach seinen Planen wurden zwischen 1820 und 1850 im Erzgebirge und seinem Vorland insgesamt 12 Kirchen errichtet. Konzeptionell stehen sie mit umlaufenden Emporen und Kanzelaltar in der Tradition der barocken Predigtkirche; architekturgeschichtlich spannen sie den Bogen vom Barock uber klassizistische Elemente hin zu historisierenden Formen. Die Untersuchung widmet sich neben Leben und Werk Christian Friedrich Uhligs, vor allem der eingehenden Beschreibung seiner Sakralbauten und ihres architektur- und kirchengeschichtlichen Kontextes. Dabei wird versucht, das Charakteristische an Uhligs Handschrift herauszuarbeiten und seinen gewichtigen Beitrag zum sachsischen Kirchenbau im 19. Jahrhundert wieder starker ins Bewusstsein zu rucken.

For 250 years chapels have been at the heart of Black Country life - both social and religious. Poor social conditions in this heavily industrialised area stimulated the growth of religious nonconformity, and chapel influence is strong even today, despite many closures and demolitions over the last few years. over the Black Country and from a wide range of denominations (Baptist, Methodist, Presbyterian, Congregationalist, Independent and Quaker) and has recorded their memories. This is, therefore, a first-hand account not only of the buildings themselves - including tin chapels, those converted to other uses, and some that have vanished altogether - but also of the wide-ranging and active social life that surrounded them - Sunday schools, Scouts and Guides, choirs, youth groups, parades and carnivals, outings, sporting events and so on. paintings, posters and other ephemera, Black Country Chapels will bring back memories for anyone who was born and brought up in the Black Country.

Abbeys and priories are both types of monastery and the author traces the history of monasteries in Britain from Anglo-Saxon times to the Dissolution under Henry VIII. He describes the different monastic orders, the running of the monasteries and the daily life of the monks and nuns, the layout of monastic buildings, the influence of the religious houses on life in medieval times and their effect on the landscape, all with references to examples accessible to the public. This new edition has been enlarged into the 'Discovering Handbook' series and is fully illustrated in colour.

This new and unusual Pocket Guide refers to more than 300 Welsh graves of the famous and not so famous. They are grouped in convenient geographical areas using the current local government boundaries and there is guidance on how to find the graves themselves. The book is not so much about the graves themselves (although where they are particularly notable there are photographs and descriptions) but about the people buried in them. It thus provides potted biographies of the individuals involved and offers some intriguing juxtapositions. So we find the fairly respectable Cynan and Sir John Edward Lloyd buried close to the seriously eccentric John Evans (Bardd Cocos) at Menai Bridge, Joe Erskine close to Arwel Hughes at Thornhill, while Trealaw would be worth visiting to see the graves of Viscount Tonypandy, Tommy Farr, Lewis Jones and Kitchener Davies as well as that of Williams Evans, owner of the Corona pop factory.

Four examples of early Mesopotamian temples are discussed: Le temple de Nigirsu a Tello, Le temple de Ninhursag a Tell el Obeid, Le Riemchengbbaude d'Uruk, Le Steingebaude d'Uruk, with a very brief conclusion. Many plans and reconstructions.

Spaziergange durch Byzantinische Thessaloniki Thessaloniki, the most important city in the Byzantine empire after Constaninople, experienced periods of great economic prosperity and cultural and artistic flowering that created monuments of great importance in the development of Byzantine civilisation. Throughout its existence a bustling metropolis and Mediterranean port, the city is unusual in having a continuous history and cultural evolution that were not interrupted even in the most turbulent times. The monuments surviving from over two thousand years of history of the Byzantine city are representative of Byzantine culture and art over the centuries. Thessaloniki is now regarded as an open-air museum of Byzantine art. Spaziergange durch Byzantinische Thessaloniki reveals the Byzantine face of the city to the modern visitor, through the marks stamped on it by 2,300 years of history. The text describes and evaluates all the most recent evidence for the Byzantine monuments of the city. Lavishly illustrated, it offers an elegant account of the history of Byzantine civilization, enticing visitors along the major streets and narrow alleyways of the Upper town and introducing them, through the expertise of the specialist and the love of the admirer, to the enchantment of its unique monuments. German language text. 259 illustrations including 220 full colour.

Virtually all the masterpieces of Islamic art-the Alhambra, the Taj Mahal, and the Tahmasp Shahnama-were produced during the period from the Mongol conquests in the early thirteenth century to the advent of European colonial rule in the nineteenth. This beautiful book surveys the architecture and arts of the traditional Islamic lands during this era. Conceived as a sequel to The Art and Architecture of Islam: 650-1250, by Richard Ettinghausen and Oleg Grabar, the book follows the general format of the first volume, with chronological and regional divisions and architecture treated separately from the other arts. The authors describe over two hundred works of Islamic art of this period and also investigate broader social and economic contexts, considering such topics as function, patronage, and meaning. They discuss, for example, how the universal caliphs of the first six centuries gave way to regional rulers and how, in this new world order, Iranian forms, techniques, and motifs played a dominant role in the artistic life of most of the Muslim world; the one exception was the Maghrib, an area protected from the full brunt of the Mongol invasions, where traditional models continued to inspire artists and patrons. By the sixteenth century, say the authors, the eastern Mediterranean under the Ottomans and the area of northern India under the Mughals had become more powerful, and the Iranian models of early Ottoman and Mughal art gradually gave way to distinct regional and imperial styles. The authors conclude with a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries.

The Coptic Monastery of St. Paul by the Red Sea grew up around the cave where Paul, the first Christian hermit, lived in solitude. The cave served as a shrine in late antiquity, became a church in the middle ages, and expanded again in the early modern period. This visually and intellectually exciting book chronicles the history of a series of devotional paintings in the Cave Church. It explores how the monastic community commissioned painting twice in the church in the 13th century, during one of the greatest eras of Coptic art, and how one of the monks painted it again in the 18th century, helping to inaugurate a Coptic renaissance after centuries of decline. The foundation of this volume is a wall painting conservation project sponsored by the American Research Center in Egypt. The book also sets the art and architecture of the Cave Church in its historical context and examines the role of the Monastery of St. Paul as part of the sacred geography of Christian Egypt through time. Published in association with the American Research Center in Egypt, Inc.

Standing on Holy Ground in the Middle Ages illuminates how the floor surface shaped the ways in which people in medieval western Europe and beyond experienced sacred spaces. The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. By focusing on this surface as a point of encounter, Lucy Donkin positions it within a series of vertically stacked layers-the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath-providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities. Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time-while also offering a model for understanding spatial relationships in other periods, regions, and contexts.

This book unravels the formation of the modern concept of cultural heritage by charting its colonial, postcolonial-nationalist and global trajectories. By bringing to light many unresearched dimensions of the twelfth-century Cambodian temple of Angkor Wat during its modern history, the study argues for a conceptual, connected history that unfolded within the transcultural interstices of European and Asian projects. With more than 1,400 black-and-white and colour illustrations of historic photographs, architectural plans and samples of public media, the monograph discusses the multiple lives of Angkor Wat over a 150-year-long period from the 1860s to the 2010s. Volume 1 (Angkor in France) reconceptualises the Orientalist, French-colonial 'discovery' of the temple in the nineteenth century and brings to light the manifold strategies at play in its physical representations as plaster cast substitutes in museums and as hybrid pavilions in universal and colonial exhibitions in Marseille and Paris from 1867 to 1937. Volume 2 (Angkor in Cambodia) covers, for the first time in this depth, the various on-site restoration efforts inside the 'Archaeological Park of Angkor' from 1907 until 1970, and the temple's gradual canonisation as a symbol of national identity during Cambodia's troublesome decolonisation (1953-89), from independence to Khmer Rouge terror and Vietnamese occupation, and, finally, as a global icon of UNESCO World Heritage since 1992 until today. Congratulations to our author Michael Falser who received the prestigious 2021 ICAS Book Prize in the "Ground Breaking Subject Matter" category.