The first major illustrated study of this unique medieval art form for almost half a century, surveying the images and iconography that made the medieval church a riot of colour. Highly Commended in the Best Archaeological Book category of the 2008 British Archaeological Awards. Wall paintings are a unique art form, complementing, and yet distinctly separate from, other religious imageryin churches. Unlike carvings, or stained glass windows, their support was the structure itself, with the artist's "canvas" the very stone and plaster of the church. They were also monumental, often larger than life-size images forpublic audiences. Notwithstanding their dissimilarity from other religious art, wall paintings were also an integral part of church interiors, enhancing devotional imagery and inspiring faith and commitment in their own right, and providing an artistic setting for the church's sacred rituals and public ceremonies. This book brings together, often for the first time, many of the very best surviving examples of medieval church wall paintings. Using newtechnologies and many previously untried techniques, it allows us to visualize these images as the artists originally intended. The plates are accompanied by an authoritative and scholarly text, bringing the imagery and iconography of the medieval church vividly to life. ROGER ROSEWELL was educated at St Edmund Hall, Oxford University. A former journalist, he is a Director of a private European art foundation and the news editor of the online stained glass magazine, VIDIMUS.

Rosslyn Chapel is a deeply enigmatic 15th-century Gothic masterpiece, situated near Edinburgh. Although generally referred to as a 'chapel' and acting as a local parish church these days, Rosslyn is actually much more than either - and in fact most people who have studied the site in detail come to the conclusion that those who created the structure in the 15th century were not, in reality, intent on building a Christian church at all. In fact, nothing at Rosslyn is what it seems. With its overpowering air of mystery, its superlative stone carvings and its strong Templar and Freemasonic connections, Rosslyn represents one of the most absorbing historical puzzles in Britain. The discovery of new evidence by the authors puts a new slant on the motivations of those who decided to create a New Jerusalem in the Scottish Lowlands. The signs pointed the authors to a lost holy relic - the skull of St Matthew the Evangelist, in whose name the chapel is dedicated. There is startling evidence that this skull came to Rosslyn in the early 15th century, brought there by polymath, librarian and all-round genius Sir Gilbert Hay, who also put together a substantial library. What follows is no less than an adventure, using the clues from the lost books to locate St Matthew's skull - now in Washington, DC. The authors also embark on a thorough examination of Rosslyn Chapel's credentials, both a Christian church and as an icon of the impending Renaissance, a reconstruction of King Solomon's Temple and an astronomical observatory - all suffused with ancient beliefs that would have had the chapel's builders burned at the stake if their true motivations had been discovered.

Following Spains democratic transition during the late 1970s, political and business elites strategically exploited Spains rich Islamic heritage in order to further projects of national redefinition, tourist promotion, and urban revitalisation. Large and ornate mosques were built in several Spanish regions, and the State granted Muslim communities an extensive array of rights and privileges that was arguably without parallel in Europe. Toward the onset of the 21st century, however, tensions surrounding Islams growing presence in Spain became increasingly common, especially in the northeastern region of Catalonia. These tensions centered largely around the presence, or proposed establishment, of mosques in Barcelona and its greater metropolitan area. This book examines how Islam went from being an aspect of Spains national heritage to be recovered and commemorated to a pressing social problem to be managed and controlled. It traces the events and developments that gave rise to this transformation, the diverse actors involved in the process, and the manner in which disputes over Muslim incorporation have become entangled with deeply-divisive debates over church-state relations and territorial autonomy. The core of the book centres on the shifting political and social dynamics surrounding the establishment of mosques, and the question of why anti-mosque mobilisations have been more prevalent and intense in Catalonia than other Spanish regions.

This is the fourth and final volume in a series which presents a complete corpus of all the church buildings that were built, rebuilt or simply in use in the Crusader Kingdom of Jerusalem between the capture of Jerusalem by the First Crusade in 1099 and the loss of Acre in 1291. This volume deals with the major coastal cities of Acre and Tyre, which were both in Frankish hands for almost two centuries, and also contains addenda and corrigenda to volumes 1 3. It describes and discusses some 120 churches and chapels that are attested by documentary or surviving evidence, accompanied where possible by plans, elevation drawings and photographs. This is an indispensable work of reference to all those concerned with the medieval archaeology of the Holy Land, the history of the Church in the Crusader Kingdom of Jerusalem and the art and architecture of the Latin East.

This Is A New Release Of The Original 1887 Edition.