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Books > Arts & Architecture > Architecture > Religious buildings
How do we understand religious spaces? What is their role or
function within specific religious traditions or with respect to
religious experience? This handbook brings together thirty-three
essays addressing these questions using a range of methods and
approaches to examine specific spaces or types of spaces around the
world and across time. The authors here represent and draw upon
many disciplines: religious studies and religion, anthropology,
archaeology, architectural history and architecture, cultural and
religious history, sociology, geography, gender and women's studies
and others. Their essays are snapshots, each offering a specific
way to think about the religious space(s) under consideration:
Roman shrines, Jewish synagogues, Christian churches, Muslim and
Catholic shrines, indigenous spaces in Central America and East
Africa, cemeteries, memorials, and more. Some overarching
principles emerge from these snapshots. The authors demonstrate
that religious spaces are simultaneously individual and collective,
personal and social; that they are influenced by culture,
tradition, and immediate circumstances; and that they participate
in various relationships of power. These essays demonstrate that
religious spaces do not simply provide a convenient background for
religious action but are also constituent of religious meaning and
religious experience; they play an active role in creating,
expressing, broadcasting, maintaining, and transforming religious
meanings and religious experiences. By learning how religious
spaces function, readers of this collection will gain a deeper
understanding of religious life and religions themselves.
The ancient Greeks attributed great importance to the sacred during
war and campaigning, as demonstrated from their earliest texts.
Among the first four lines of the Iliad, for example, is a
declaration that Apollo began the feud between Achilles and
Agamemnon and sent a plague upon the Greek army because its leader,
Agamemnon, had mistreated Apollo's priest. In this first in-depth
study of the attitude of military commanders towards holy ground,
Sonya Nevin addresses the customs and conduct of these leaders in
relation to sanctuaries, precincts, shrines, temples and sacral
objects. Focusing on a variety of Greek kings and captains, the
author shows how military leaders were expected to react to the
sacred sites of their foes. She further explores how they were
likely to respond, and how their responses shaped the way such
generals were viewed by their communities, by their troops, by
their enemies and also by those like Herodotus, Thucydides and
Xenophon who were writing their lives. This is a groundbreaking
study of the significance of the sacred in warfare and the wider
culture of antiquity.
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'Somerville is one of our finest gazetteers of the British
countryside. He brings his formidable knowledge to bear on his
personal quest to explore the cathedrals in this entrancing book'
The Spectator Christopher Somerville, author of the acclaimed The
January Man, pictured cathedrals as great unmoving bastions of
tradition. But as he journeys among Britian's favourites, old and
new, he discovers buildings and communities that have been in
constant upheaval for a thousand years. Here are stories of the
monarchs and bishops who ordered the construction of these
buildings, the masons whose genius brought them into being, and the
peasants who worked and died on the scaffolding. We learn of rogue
saints exploited by holy sinners, the pomp and prosperity that
followed these ships of stone, the towns that grew up in their
shadows. Meeting believers and non-believers, architects and
archaeologists, the cleaner who dusts the monuments and the mason
who judges stone by its taste, we delve deep into the private lives
and the uncertain future of these ever-voyaging Ships of Heaven.
'Somerville paints word pictures of exquisite quality' Church Times
Standing in the nave of a cathedral, it is hard not to wonder how
ordinary human beings could have created sky-scraping, dizzyingly
high buildings on which even the top-most parts were delicately
decorated, in an age before even the simplest of power tools. Stone
on Stone presents the full story of the men who built the
cathedrals of the medieval era: who they were, how they lived and
how with the simplest of hand tools they created the astonishing
buildings that hundreds of years later still stand as monuments to
their ingenuity and skill. Topics covered include the context for
building such huge places of worship; the men who built: who they
were, and the challenges they had to face; finding the materials;
construction techniques; building control and finally, who paid for
it all.
It is fascinating to think that many hundreds of generations of
Londoners lie beneath the city without us knowing. Over many
centuries burial grounds have been developed, built over and then
forgotten, often beneath playgrounds, gardens or car parks. When
modern development takes place, remains are disturbed and we are
reminded of a London that has long since disappeared, particularly
with recent archaeological discoveries across the city. In London's
Hidden Burial Grounds, authors Robert Bard and Adrian Miles seek to
uncover many of the capital's lost graveyards, often in the
unlikeliest of places.
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