The images in this volume are the result of the photo shoot carried out in the Sistine Chapel between December 2015 and January 2016. New technologies have made it possible to achieve spectacular results, ensuring a more faithful and accurate reproduction of the Sistine masterpieces. The use of innovative Gigapixel technology has allowed achievements in life-size reproductions of the frescoes and an until now unpublished reading of the entire decoration of the Sistine, restoring its clarity and original colour. Text in English and Italian.

Monson's Church Notes, covering 227 parishes, were compiled before the 19th century spirit of renovation in Lincolnshire. Hence their value, for much of what he records disappeared during the passion for renovation.

DURHAM CATHEDRAL is regarded as the finest Romanesque building in Europe. Along with the neighbouring castle it was inscribed as a UNESCO World Heritage Site in 1986 - one of only two English cathedrals to hold such an honour. In an online poll held by the Guardian in 2011 to find Britain's favourite building, Durham Cathedral enjoyed a runaway victory. Many superlatives have been heaped on this magnificent church, standing high above the ancient medieval city, on its protective peninsula formed by the River Wear. It is at once spiritual, powerful and poetic, the mystic heart of the North East. Built by the Normans to house the shrine of St Cuthbert, and also containing the shrine of St Bede, the Father of English History, its inward beauty matches its exterior. The first impression of the nave, on entering at the west end, is both incomparable and unforgettable. This book is a journey in words and images through this wonderful building. It seeks to present the Cathedral's many facets: architectural, historical, artistic, spiritual and humane. Its authors have come to admire and love this building over two lifetimes, and offer their personal interpretation of it as an invitation to a pilgrimage. They hope that this is a book to remember the Cathedral by. Perhaps it can be more than a souvenir: rather, a book that captures the spirit of the place and keeps it alive for all who have come to cherish it as the authors do.

From the veils of the first-century Jewish temple, to the Orthodox iconostasis, to the tramezzi of Renaissance Italy, screens of various shapes, sizes, and materials have been used to separate spaces and order communities in religious buildings. Drawn from papers presented at a recent Dumbarton Oaks Byzantine Studies symposium, the contributors to this volume use a variety of perspectives to approach the history of religious screens and examine the thresholds that they mark. Focusing on the Middle Ages and Renaissance in the East and West, the volume includes discussions of screens in Egypt, Byzantium, the Gothic West and Italy. Some authors argue that screens, and particularly the one marking the threshold between the sanctuary/choir and nave, were conduits rather than barriers. Other authors emphasize the critical role of screens in dividing the laity and clergy, men and women, the pure and impure.

This volume provides new research on the history of religious screen and important insights into the many ways in which the sacred and profane are separated within ecclesiastical contexts.

Monasteries are among the most intriguing and enduring symbols of England's medieval heritage. Simultaneously places of prayer and spirituality, power and charity, learning and invention, illusion and superstition, they survive today as haunting ruins, great houses and as some of our most important cathedrals and churches.
This book examines the growth of monasticism and the different orders of monks; the architecture and administration of monasteries, the daily life of monks and nuns, the art of monasteries and their libraries, their role in caring for the poor and sick, their power and wealth, their decline and suppression, their ruin and rescue.
Many of Britain's greatest churches, including Westminster Abbey, Canterbury, Durham and Gloucester cathedrals were once monasteries. So too were some of Britain's most evocative and awe-inspiring ruins such as Fountain's Abbey in Yorkshire and Tintern Abbey in Wales. This book tells the story of devotion, work and prayer behind those magnificent edifices.

The ancient Cathedral Church of Saints Peter and Paul with Dyfrig, Teilo and Euddogwy saw its beginnings in the community that formed around the seat of its founding bishops in the middle part of the 6th century. Today, Llandaff Cathedral lies peacefully in a steep hollow, once no doubt sheltered from the view of marauders by land and sea, close to vital river crossings which made it strategically secure during the early period of its development as a Christian community. This guide reveals how successive generations, changes of fortune, accidents, disasters, human courage and determination have all made their mark on this fascinating building, from the 12th to the 21st centuries.

Muthanna, also known as mirror writing, is a compelling style of Islamic calligraphy composed of a source text and its mirror image placed symmetrically on a horizontal or vertical axis. This style elaborates on various scripts such as Kufic, naskh, and muhaqqaq through compositional arrangements, including doubling, superimposing, and stacking. Muthanna is found in diverse media, ranging from architecture, textiles, and tiles to paper, metalwork, and woodwork. Yet despite its centuries-old history and popularity in countries from Iran to Spain, scholarship on the form has remained limited and flawed. Muthanna / Mirror Writing in Islamic Calligraphy provides a comprehensive study of the text and its forms, beginning with an explanation of the visual principles and techniques used in its creation. Author Esra Akın-Kıvanc explores muthanna's relationship to similar forms of writing in Judaic and Christian contexts, as well as the specifically Islamic contexts within which symmetrically mirrored compositions reached full fruition, were assigned new meanings, and transformed into more complex visual forms. Throughout, Akın-Kıvanc imaginatively plays on the implicit relationship between subject and object in muthanna by examining the point of view of the artist, the viewer, and the work of art. In doing so, this study elaborates on the vital links between outward form and inner meaning in Islamic calligraphy.

This first comprehensive overview of the process of commissioning and financing the construction of cathedrals in the Middle Ages reveals a financing system almost as monumental as the cathedrals themselves. Here we follow the historian on a fascinating examination of construction accounts and other sources - extant but never so minutely explored - bringing the bishop and the chapter to account, as it were. The book is divided into two parts. The first gives a broad overview of the resources on which medieval commissioners could draw, including contributions from the bishop, chapter, sovereign, city and, above all, the faithful of the diocese in which the cathedral was erected. The second part is a case study of the financing of construction at Utrecht Cathedral, whose archives are among the best preserved in Europe, followed by a brief discussion of the financing of several other cathedral building projects throughout Europe and of the church of St Peter's in Rome.

The local church is a familiar landmark in every town, city and village. The story of its past is the story of the people for whom, down the centuries, it was the centre of the community. But how many people actually understand the reason for it being built in that particular place, how it was constructed, or why it was decorated in such a style? Discovering this information can sometimes be difficult due to the diversity of local building materials used, and to the renovation and rebuilding of more recent years. But there are always clues, both inside and outside. In this informative guide, Trevor Yorke places the period styles of church fabric and decoration into an easy to read form that is packed with photographs, pictures, and diagrams. His simple but graphic approach will be welcomed by all for whom a visit to a church is also a brief journey through time itself.

In 1975, when political scientist Benedict Anderson reached Wat Phai Rong Wua, a massive temple complex in rural Thailand conceived by Buddhist monk Luang Phor Khom, he felt he had wandered into a demented Disneyland. One of the world's most bizarre tourist attractions, Wat Phai Rong Wua was designed as a cautionary museum of sorts; its gruesome statues depict violent and torturous scenes that showcase what hell may be like. Over the next few decades, Anderson, who is best known for his work, Imagined Communities, found himself transfixed by this unusual amalgamation of objects, returning several times to see attractions like the largest metal-cast Buddha figure in the world and the Palace of a Hundred Spires. The concrete statuaries and perverse art in Luang Phor's personal museum of hell included, \u201cside by side, an upright human skeleton in a glass cabinet and a life-size replica of Michelangelo's gigantic nude David, wearing fashionable red underpants from the top of which poked part of a swollen, un-Florentine penis,\u201d alongside dozens of statues of evildoers being ferociously punished in their afterlife. In The Fate of Rural Hell, Anderson unravels the intrigue of this strange setting, endeavoring to discover what compels so many Thai visitors to travel to this popular spectacle and what order, if any, inspired its creation. At the same time, he notes in Wat Phai Rong Wua the unexpected effects of the gradual advance of capitalism into the far reaches of rural Asia. Both a one-of-a-kind travelogue and a penetrating look at the community that sustains it, The Fate of Rural Hell is sure to intrigue and inspire conversation as much as Wat Phai Rong Wua itself.

Cambridgeshire is a large and diverse county, and this is reflected in its churches. In the south, chalk provided flints for even the grandest of churches. The Fens in the north and east had no building materials of their own, so limestone was transported from further north and may best be seen in those churches that were owned or established by monastic houses. In the former county of Huntingdonshire limestone dominates, and bricks made from the local clays make an early appearance. In this book author John E. Vigar presents a selection of the most interesting churches from across the county, including the former counties of the Isle of Ely, Huntingdonshire and Peterborough, covering every period and type of church, from simple Saxo-Norman churches such as Hauxton, to late medieval churches where money was plentiful such as Whittlesey. Former monastic houses are represented by March and Ramsey, a rare seventeenth-century church at Guyhirn and one of the most important nineteenth-century churches in England at Cambridge All Saints, as well as many other ecclesiastical gems in the county. This fascinating picture of an important part of the history of Cambridgeshire over the centuries will be of interest to all those who live in or are visiting this attractive county in England.

LONDON needed rebuilding after the great fire of 1666. Eighty-eight churches had been destroyed and a grand plan to rebuild them was started by Sir Christopher Wren. In the end, he designed fifty-one new churches and the splendour that is St Paul's Cathedral. Of the fifty-one churches, many have been lost, either to a combination of Victorian indifference, fire, subsidence or German bombs. Twelve Wren City churches survive in their original form, while many of the remaining churches have been rebuilt or substantially altered. Wren left an amazing legacy and John Christopher takes us on a tour of the churches, showing them as built and showing us a comparison scene of today.

The basilica is symbolic of the history of Christianity in Ethiopia. Aizan, the first Christian king of the Aksumite empire was responsible for the creation of the large, five-aisled church of M?ry?m ??yon, sadly destroyed in 1535, and since then many hundreds of basilicas have been built in Ethiopia, many, including the UNESCO World Heritage site of Lalibela, literally 'hewn from the rock'. In this book, architectural historian and architect Mario di Salvo considers the unique architectural features of Ethiopia's basilicas and explains how they developed over time. Featuring almost 200 colour illustrations, this book is an attractive and comprehensive guide to some of Ethiopia's most inspiring religious buildings.

Edinburgh was founded as a Royal Burgh by King David I in the early 12th century though there had been a settlement on what became the castle rock for centuries before that. King David is also thought to be responsible for the city's oldest building, a chapel built in honour of his mother, Queen Margaret, who was later declared a saint. Churches of Edinburgh looks at the city's churches from this earliest surviving example to the award-winning Chapel of Saint Albert the Great opened some 900 years later, telling their stories, discussing their architecture and pointing out their notable features as well as outlining the important part that some of Edinburgh's churches have played in major events in Scottish history such as the Reformation or the National Covenant. The churches featured include, among many others, the ruined 13th century Abbey that was once a meeting place for the Scottish Parliament, the church that retains a seat for Queen Victoria and the one that has its own canal boat. There is also the story of the fifteenth century church that was demolished in 1848 but was later partially rebuilt elsewhere and that of the important artworks that lie hidden beneath the paintwork of another city church. This fascinating picture of an important part of the history of Edinburgh and Scotland over the centuries will be of interest to all those who live in or are visiting Scotland's capital city.

Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

Mosques: the Dome and the Mihrab is a scholarly look into the development of mosque architecture from its conception in Medina with the Prophets Mosque right up until the present day. The study looks in particular into the importance of the dome and the mihrab as well as their symbolism and the significance of the positional relationship between them. The book is a full-colour coffee table sized book, packed with beautiful photographs and architectural drawings that take the reader on a journey through time, revealing the symbolic secrets to some of the worlds most beautiful architectural and religious monuments.

In the thirteenth century, sculptures of Synagoga and Ecclesia paired female personifications of the Synagogue defeated and the Church triumphant became a favored motif on cathedral facades in France and Germany. Throughout the centuries leading up to this era, the Jews of northern Europe prospered financially and intellectually, a trend that ran counter to the long-standing Christian conception of Jews as relics of the pre-history of the Church. In The Jew, the Cathedral and the Medieval City, Nina Rowe examines the sculptures as defining elements in the urban Jewish-Christian encounter. She locates the roots of the Synagoga-Ecclesia motif in antiquity and explores the theme s public manifestations at the cathedrals of Reims, Bamberg, and Strasbourg, considering each example in relation to local politics and culture. Ultimately, she demonstrates that royal and ecclesiastical policies to restrain the religious, social, and economic lives of Jews in the early thirteenth century found a material analog in lovely renderings of a downtrodden Synagoga, placed in the public arena of the city square."

Between 1650 and 1750, four Catholic churches were the best solar observatories in the world. Built to fix an unquestionable date for Easter, they also housed instruments that threw light on the disputed geometry of the solar system, and so, within sight of the altar, subverted Church doctrine about the order of the universe. A tale of politically canny astronomers and cardinals with a taste for mathematics, The Sun in the Church tells how these observatories came to be, how they worked, and what they accomplished. It describes Galileo's political overreaching, his subsequent trial for heresy, and his slow and steady rehabilitation in the eyes of the Catholic Church. And it offers an enlightening perspective on astronomy, Church history, and religious architecture, as well as an analysis of measurements testing the limits of attainable accuracy, undertaken with rudimentary means and extraordinary zeal. Above all, the book illuminates the niches protected and financed by the Catholic Church in which science and mathematics thrived. Superbly written, The Sun in the Church provides a magnificent corrective to long-standing oversimplified accounts of the hostility between science and religion.

The church of San Marco of Venice has long played a central role in Venetian political, ceremonial, and religious life. Its renowned assemblage of mosaics, sculpture, metalwork, and reliquaries are, in origin, Roman, Byzantine, Venetian, or Venetian imitation of Byzantine designs. In San Marco, Byzantium, and the myths of Venice, the authors assess the significance of the embellishment of the church and its immediate surroundings, especially during the thirteenth and fourteenth centuries, when most of the Byzantine material was acquired, largely from Constantinople.

The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler's companion or a rich source of knowledge for the armchair enthusiast, "The Gothic Enterprise" helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent.
While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, "The Gothic Enterprise" considers the "idea" of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.
Scott's narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn't be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.

Evoking the rich beauty of California's mission heritage in lush watercolors and insightful prose, this beautifully illustrated exploration follows the gorgeous path of El Camino Real, stretching from the San Joaquin and Salinas Valleys, through the rugged coastlines of Monterey and San Francisco, and inland to Sonoma. Delving into the enduring architectural, artistic, and cultural history of the Golden State, this study reveals founding hero Father Junipero Serra's pioneering labours, the conquest of the land's agricultural wealth, and California's painful transfers from the Indians to Spain, Mexico, and the United States. Remembering the labors of the early Spanish priests and Native Americans, this treasury of captivating artistry celebrates and preserves the masterworks of the state's founding era.

Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugene-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew-all the while documenting their work with scientific precision. Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world's most treasured architectural achievements.

First part of 5-part history of the development of Gothic in the churches of the Paris Basin, 1120-1250. The Creation of Gothic Architecture is a five-part illustrated thesaurus of the Early Gothic churches in the limestone region of northern France known as the Paris Basin. It focuses on the transformation from romanesque togothic architecture during the years between 1120 and 1250, and when complete it will provide a comprehensive pictorial history of the 1,420 churches of the Paris Basin. Most of these churches, which represent a vital step in theevolution of western European architecture, are barely known outside the region, and have been little recorded. The completed project will: provide a photographic description of all the more significant churches; analyse stylisticchanges to foliate capitals and vault-erection techniques; establish a foundation for dating the contruction phases of the churches; and, using this chronology, will identify the time and place for each of the creative ideas, inventions and innovations that produced the gothic style, follow their evolution from place to place, and identify the major creators. Dr JOHN JAMES is a world authority on medieval architecture, author of oversixty books and articles.