Following on from 100 Buildings 100 Years and 100 Houses 100 Years, this book illustrates and describes 100 churches and chapels built in the UK since 1914, charting the development of buildings for worship. In this period concrete and steel gave a new freedom to construction, while new ideas about how congregations could participate in services changed assumptions about traditional layouts, bringing celebrants and people closer together. The century saw dynamic churches in dramatic shapes of all sizes thanks to ambitious engineering, and brilliant colour from new forms of stained glass, murals and sculpture. Architects whose work is included here range from Basil Spence and Edward Maufe, designers of major cathedrals, to the radical Gillespie, Kidd and Coia whose brutalist seminary lies abandoned near Dumbarton. The book provides biographies of major designers; articles on glass, fittings, and on the synagogues, mosques and temples that play an intrinsic and important part in worship in Britain today. Contributors include architectural historians Elain Harwood, Alan Powers and Clare Price. Beautiful photography throughout showcases the very best of British church design, whether it is the minimal symmetry of a timber-framed altar, or light streaming in through a multi-coloured stained glass panel.

From St. Peter's Basilica in Rome to Notre-Dame in Paris, Christian churches represent some of our most significant architectural achievements, designed to evoke wonder and awe. Offering unprecedented access to a collection of revered religious landmarks, photographer Guillaume de Laubier takes readers on a stunning architectural tour. Sacred Spaces showcases breathtaking photographs of extraordinary churches and cathedrals, revealing original, illuminating views of icons, such as la Sagrada Familia in Barcelona, while also shedding light on lesser-known sites, such as Saint Basil's Cathedral in Moscow. Whether Catholic, Protestant, or Orthodox; made of wood, stone, concrete, or glass; Roman, Gothic, Baroque, or modern, the places of worship featured in this richly produced volume present an extraordinary overview of our architectural and cultural history.

The profusion of medieval churches in Norfolk provides not only examples of beautiful church architecture, but also records life in their communities and offers an insight into the history of medieval England. The third revised and enlarged edition of The Guide to Norfolk Churches contains an encyclopaedic glossary and a detailed index, which contrbute to the comprehensive survey provided by this guide. This indespensible guide to the 'living' medieval churches of Norfolk helps the visitor to understand both the general features of churches and the unique aspects of those in different areas. The guide is generously illustrated with photographs, line drawings and a detailed map to aid in locating each church within the county. The expanded reference section is designed to answer a host of questions which may tease the church visitor. For example, what symbols are used to represent particular saints? Why do so many Norfolk churches stand isolated from their villages? And why does the pagan Green Man find a place in our Christian churches? This book provides the answers to these and other questions. Written by enthusiasts for both the churches and the county in which they stand, the great appeal of this guide is that, once the code of church architecture has been broken and the language learned, every church, be it ever so humble, is shown to be unique, with its own story to offer. This guide provides the key. "In this, his revised guide to Norfolk churches, Mr Mortlock has provided us with a fascinating and illuminating description of each and every one he has visited. Armed with this guide the visitor cannot fail to enjoy exploring our lovely churches and having done so, it is my earnest hope that he or she will be inspired to lend their support to these marvellous symbols of our heritage." From the Foreword by the Countess of Leicester

When was the Dome of the Rock built and what meanings was the structure meant to convey to viewers at the time of its construction? These are questions that have preoccupied historians of Islamic art and architecture, and numerous interpretations of the Dome of the Rock have been proposed. This book returns to one of the most important pieces of evidence: the mosaic inscriptions running around the two faces of the octagonal arcade. Detailed examination of the physical characteristics, morphology and content of these inscriptions provides new evidence concerning: the chronology of the planning, construction, and decoration of the building; the iconography of the Dome of the Rock; the evolution of Arabic epigraphy in the early Islamic period; and the public expression of religious concepts under the Umayyad caliphs.

This eclectic selection of papers looks at historic and contemporary issues concerned with the redundancy of churches, and their subsequent reuse and maintenance. When did it come to be thought preferable to reuse the buildings rather than demolish them? What is the role of the Church of England, and how has the law changed over time? How have ideas evolved about the acceptability of different uses - by members of other religions, for commercial purposes, and involving for instance licensed premises and martial arts? And how are heritage bodies entrusted with former churches, such as the Society for the Protection of Ancient Buildings, the Churches Conservation Trust and the Norwich Historic Churches Trust (NHCT), coping with the challenges of maintaining and converting the buildings in an age of austerity? Papers presented at conferences organized by the NHCT and its Friends in 2014 and 2015 are supplemented by four specially written contributions on aspects of the NHCT itself: its history, its guiding principles, the Heavenly Gardens project to enhance churchyards, and the experiences of a tenant. The NHCT is entrusted with the care of 18 of Norwich's redundant medieval churches, and works not only to maintain them but to increase awareness of architectural, historical and other related aspects of our medieval ecclesiastical heritage. All profits from the sale of this book go to support its work.

The haunted history of England's churches and chapels is brought vividly to life in this comprehensive and beautifully illustrated modern guide. Here you will encounter the compelling world of the unseen linked with a thousand years of worship - including the Tudor phantom of Rycote, the lonely monk of Minsden Chapel and the black-magic ghosts of Clophill, to name but a few. From the authors of The Borley Rectory Companion comes this astonishing book, which covers seventy-five of the most notorious and lesser known of our haunted ecclesiastical buildings. Combining a wealth of historical and paranormal information with stunning original and atmospheric photographs, this volume is perfect for researchers and armchair ghost hunters alike. Paranormal historian Paul Adams and writer and photographer Eddie Brazil join Peter Underwood, the UK's most experienced ghost hunter and respected author of over fifty books on the supernatural, in another literary partnership that will chill all but the sturdiest of hearts.

The Dome of the Rock was built in 692 C.E. under the patronage of the Umayyad caliph Abd al-Malik ibn Marwan. It enshrines the Sacred Rock, literally the irregular highest tip of Mount Moriah, one of the several ridges around which the city of Jerusalem began to develop as early as five thousand years ago. The structure commemorates the Prophet Muhammad's (ca. 570-632) celebrated Night Journey from Mecca to Jerusalem and his Ascension through the heavens to visit God, as told in the Koran and the Traditions. As such, the mosque has reflected and represented Islam during most of its history, but it is also associated with sacred events in the lives of Christ, the Virgin, and Christian saints as well as with a host of Jewish prophets, traditions, and memories. Today the Dome of the Rock is used primarily for women's congregational prayer, private prayer, and religious instruction, and as a place of pilgrimage for people of all faiths. This volume is the most detailed and complete visual documentation published to date of this profound monument. Stunning color photography explores the exterior and luxurious interior, illuminated by delicate light from stained glass windows and decorated with veined marble, mosaics, oriental carpets, and porphyry columns. The introduction, by one of today's most esteemed Islamic scholars, explores the history, art, architecture, and cultural and religious significance of the building. The book also includes transcriptions of the earliest-known Koranic script, inscribed on the building's octagonal arcades, historical travelers' accounts of the Dome, maps and drawings, a bibliography and glossary, and an index.

Cairo's Islamic monuments are part of an uninterrupted tradition that spans over a thousand years of building activity. No other Islamic city can equal Cairo's spectacular heritage, nor trace its historical and architectural development with such clarity. The discovery of this historic core, first visually by nineteenth-century western artists then intellectually by twentieth-century Islamic art specialists, now awaits the delight of the general visitor. This new, fully revised edition of a popular and handy guide continues to walk the visitor around two hundred of the city's most interesting Islamic monuments. It also keeps pace with recent restoration initiatives and newly opened monuments.

The Pinecone is set in the village of Wreay, near Carlisle, where a masterpiece in Victorian architecture stands - the strangest and most magical church in England. This vivid, original book tells the story of its builder, Sarah Losh, strong-willed and passionate, an architect and an intellectual who dumbfounded critics with her genius and originality. Born into an old Cumbrian family, heiress to an industrial fortune, Sarah combined a zest for progress with a love of the past. The church is Losh's masterpiece, richly decorated with symbolic carvings there are images of ammonites, scarabs and poppies, and everywhere there are pinecones, her signature in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life and death and rebirth. The Pinecone is also the story of Sarah's radical family, friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggle of the weavers, the coming of the railways, the findings of geology and the fate of a young northern soldier in the Afghan war. Above all, though, it is about the joy of making and the skill of local, unsung craftsmen. Award-winning Jenny Uglow (author of The Lunar Men, Nature's Engraver and In These Times) crafts this moving story of a beautiful and ornate church, a pioneering and imaginative woman, and the changing life of a small northern village in the face of the Industrial Revolution.

Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugene-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew-all the while documenting their work with scientific precision. Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world's most treasured architectural achievements.

The images in this volume are the result of the photo shoot carried out in the Sistine Chapel between December 2015 and January 2016. New technologies have made it possible to achieve spectacular results, ensuring a more faithful and accurate reproduction of the Sistine masterpieces. The use of innovative Gigapixel technology has allowed achievements in life-size reproductions of the frescoes and an until now unpublished reading of the entire decoration of the Sistine, restoring its clarity and original colour. Text in English and Italian.

The religious buildings of the Jewish community in Britain have never been explored in print. Lavishly illustrated with previously unpublished images and photographs taken specially by English Heritage, this book traces the architecture of the synagogue in Britain and Ireland from its discreet Georgian- and Regency-era beginnings to the golden age of the grand "cathedral synagogues" of the High Victorian period. Sharman Kadish sheds light on obscure and sometimes underappreciated architects who designed synagogues for all types of worshipers--from Orthodox and Reform congregations to Yiddish-speaking immigrants in the 1900s. She examines the relationship between architectural style and minority identity in British society and looks at design issues in the contemporary synagogue. Published for the Paul Mellon Centre for Studies in British Art

A guide to Britain's churches, which talks about the richness and diversity of over 1500 years of Christian heritage. It also explains the importance of place in the siting of a church, the architectural styles, the layout of the interior in relation to religious practice, the purpose and meaning of stained glass and wall paintings, and more.

For several years chapels have been at the heart of Black Country life. A follow-up to "Black Country Chapels", this illustrated book provides an account not only of the buildings themselves, but also of the active social life that surrounded them. It is useful to those born and brought up in the Black Country.

Orkney's Italian Chapel was built by Italian POWs held on the island during the Second World War. In the sixty-five years since it was built it has become an enduring symbol of peace and hope around the world. The story of who built the chapel and how it came into existence and survived against all the odds is both fascinating and inspiring. Author Philip Paris's extensive research into the creation of the Italian Chapel has uncovered many new facts, and this comprehensive new book is the definitive account of the chapel and those who built it. It is a book that has waited to be written for sixty-five years.

Bar Locks and Early Church Security in the British Isles examines the evidence for the measures taken to make church buildings secure or defensible from their earliest times until the later medieval period. In particular it examines the phenomenon of 'bar locks' which the author identifies in many different contexts throughout England, Wales, Scotland and Ireland. Bar locks take various forms and can be made of different materials, but they all provide a means of locking a door by placing a bar behind it from the inside which is then secured onto the door frame or housings on adjacent walls. The most dramatic examples are provided by thick wooden bars slotted into recesses incorporated in the adjacent door jambs. The volume describes and lists all the examples identified by the author and also publishes his photographs of the evidence for the first time. The recognition of the role of bar locks in securing churches led the author to consider further measures which may have been introduced to enhance church security; these measures could Have had major implications for structural change and design in the buildings. These supplementary protective requirements and methods for achieving them are many and various and are also considered in the volume.

This latest book by Tarquin Blake documents eighty abandoned Church of Ireland churches, preserving a record of fragile religious ruins. Their history, dating back to early Christianity in Ireland, paints a stark portrait of a Protestant aristocracy and a Catholic majority. Under the 1801 Act of Union, the Church of Ireland was united with the Church of England. Following this about GBP1 million (100 million in today's money) was spent building over 700 Protestant churches. The Church of Ireland was the Established Church and Protestantism the official religion. Most Irish resented the Church of Ireland, a minority church controlled by Englishmen, unsympathetic and friends of the landlords. As Protestant congregations declined in the nineteenth and twentieth centuries an attempt was made to keep churches open by uniting parishes. Eventually non-existent congregations forced closure of many churches. Valuables were removed, churches deconsecrated and abandoned. Blake's haunting images of crumbling ruins and history of the churches tell another fascinating story of troubled times.

Modernity and religion are not mutually exclusive. Setting German and Irish church, synagogue and mosque architecture side by side over the last century highlights the place for the celebration of the new within faiths whose appeal lies in part in the stability of belief they offer across time. Inspired by radically modern German churches of the 1920s and 1930s, this volume offers new insights into designers of all three types of sacred buildings, working at home and abroad. It offers new scholarship on the unknown phenomenon of mid-century ecclesiastical architecture in sub-Saharan Africa by Irish designers; a critical appraisal of the overlooked Frank Lloyd Wright-trained Andrew Devane and an analysis of accommodating difficult pasts and challenging futures with contemporary synagogue and mosque architecture in Germany. With a focus on influence and processes, alongside conservationists and historians, it features critical insights by the designers of some of the most celebrated contemporary sacred buildings, including Niall McLaughlin who writes on his multiple award-winning Bishop Edward King Chapel and Amandus Sattler, architect of the innovative Herz-Jesu-Kirche, Munich.

Every great church makes a statement, and it is seldom simply theological. An offering of thanks to a beloved minister, a monument to a powerful ruler, a colonialist vaunt - a church is never really just a church. Ornate or spartan, immense or intimate, from the Middle East and across Europe, from Alaska to Argentina, Asia to Africa, the construction of churches has given the world some of its most beautiful buildings - its most splendid interiors, its most atmospheric spaces, an inspiration not just to Christians but to humankind. Including Catholic, Anglican, Orthodox, Coptic, Lutheran, Baptist, Calvinist, Pentecostal and Mormon places of worship, Amazing Churches of the World features early basilicas and magnificent medieval cathedrals, mud-hut churches and soaring 21st century edifices. In exploring these sacred places, Michael Kerrigan reveals not just the different approaches to faith across continents and over centuries, but gives us a glimpse into a wider history of the world touched by Christianity. Illustrated with more than 190 photographs, Amazing Churches of the World includes more than 150 chapels, basilicas and cathedrals dating from the Middle Ages to the present day.

The ancient Cathedral Church of Saints Peter and Paul with Dyfrig, Teilo and Euddogwy saw its beginnings in the community that formed around the seat of its founding bishops in the middle part of the 6th century. Today, Llandaff Cathedral lies peacefully in a steep hollow, once no doubt sheltered from the view of marauders by land and sea, close to vital river crossings which made it strategically secure during the early period of its development as a Christian community. This guide reveals how successive generations, changes of fortune, accidents, disasters, human courage and determination have all made their mark on this fascinating building, from the 12th to the 21st centuries.

Monson's Church Notes, covering 227 parishes, were compiled before the 19th century spirit of renovation in Lincolnshire. Hence their value, for much of what he records disappeared during the passion for renovation.