"Revelation and Trinity" provides a guide for the serious study of the systematic theologies of John Calvin and Karl Barth.

The controversial debate between Karl Barth and Emil Brunner drew attention to John Calvin's theology. Each one claims his theology is more faithful to Calvin's theology than the other. In "Revelation and Trinity," author Sang-Hwan Lee analyzes and interprets the theologies of Calvin's 1559 "Institutes" and Barth's "Church Dogmatics" and how they affect Christianity.

Originally a doctoral thesis, Lee's analysis demonstrates their conceptual basis in the revelation of the triune God to which the Bible and the Church attest, and he imparts the implications of this basis. "Revelation and Trinity" highlights the relationship that both Calvin and Barth find between the ontology of the living God in revelation and its noetic and conceptual possibility in faith.

Revitalizing the discussion on the theologies of Calvin and Barth and their relationship, Lee offers a critical assessment of the tenability of the oneness and the threeness of God in their theologies. "Revelation and Trinity" offers old and new insights into their theologies, and examines their relationship with a fresh discussion.

EVANGELISM MANUAL

This manual exemplifies the most effective methods of evangelism. It also provides many strategic plans and guidelines for effective evangelism. All believers, particularly those who aspire to be in leadership or are currently in ministry should own this evangelism manual. This manual is a much-needed resource in the field of evangelistic outreach. It seeks to give practical training and equipping to those who wish to fulfill the call of the Great Commission. The manual is useful for teaching, training, witnessing, follow-up discipleship, launching your own ministry, and even for acquiring personal knowledge of evangelism.

From the earliest centuries of Christianity, the cult of saintly relics has been an important feature of the worship of the Church. This book explores the way in which church architecture has been shaped by holy bones - the physical remains or `relics' of those whom the Church venerated as saints. This is the first complete modern study of this aspect of medieval church architecture in western Europe.

Edition of original letters and other documents sheds light on a major ecclesiastical controversy. In 1881, after decades of mouldering into ruin, the grand fifteenth-century church of Blythburgh, Suffolk, "The Cathedral of the Marshes", was closed as unsafe. The church was saved - but its rescue involved a bitter twenty-five year long dispute between Blythburgh vicars and committees, and William Morris and his Society for the Protection of Ancient Buildings, who feared that the medieval fabric would be over-restored and the character of the building lost forever. This volume presents an edition, with notes and introduction, of original documents from both sides - providing unique insights into a rancorous conflict, with vicars pitted against patrons as well as the Society.The need was local, but the significance national, with elites ranged against another. From a description of the Blythburgh committee headed by a royal princess, to accounts of lavish fund-raising fetes and garden parties, the story is vividly brought to life. Alan Mackley, an honorary research fellow at the University of East Anglia, studied history after a career as a scientist in the oil industry. He has lived in Suffolk for over 35 years.

Considers many facets of the medieval church, dealing with institutions, buildings, personalities and literature. The text explores the origins of the diocese and the parish, the history of the See of Hereford and of York Minster. It discusses the arrival of the archdeacon, the Normans as cathedral builders and the kings of England and Scotland as monastic patrons. The studies of monastic life deal with the European question of monastic vocation and with St Bernard's part in the sensational expansion of the early 12th century. An epilogue takes us to the 14th century, contrasting Chaucer's parson with an actual Norfolk rector.

Love in a marriage is often expected to bear only the sweet fruits. Nevertheless, every married couple can testify that disappointment is unavoidable and bitter. At this point, throwing in the towel seems to be the only solution, but those who have lived to witness victory can tell a different story. This book takes us through a couple whose marriage had hit a hard rock. However, one spouse's commitment to God through pain, temptations, and despair won her husband back and restored their marriage. If you care for your marriage, be daring enough to read this book. Your marriage is not beyond repair, because God is here to turn that bitter experience into something better

The Mosque in Mecca, arranged around the central Ka’ba, is the holiest site in Islam. Mecca is the birthplace of the Prophet Mohammed. The Ka’ba was constructed on a site of a temple from a pre-Islamic period. The city of Mecca has grown over the centuries like its counterpart, Madinah, where the Prophet died in the seventh century. Mecca now accommodates as many as tens of thousands of pilgrims in a single day. The site is the point of pilgrimage to which pilgrims travel from across the world in the annual Hajj, a key point in Islamic spiritual life. The Ka’ba is a symbol of unity, a structure of the greatest geometrical simplicity containing a single door. It is, however, considered to be feminine in gender and is draped in a covering of black cloth known as Al Astar to protect its modesty. This cloth, woven with gold, is replaced every year with a special ceremony. On this one day, the Ka’ba is left exposed and unveiled. Adel Alquraishi, a Saudi photographer from Riyadh, had established his reputation with the authorities of the Great Mosque in Mecca with his work on the Guardians of the Mosque in Madinah, published in 2020 as The Guardians. In parallel with that great book, the authorities of the Great Mosque in Mecca have enabled Adel Alquraishi to photograph the Ka’ba, the epicentre of Islam, in its undraped state.

The Safavid period represents an immensely rich chapter in the history of Iranian architecture. In this discussion of Safavid architecture in the context of its political, social and religious milieu, Kishwar Rizvi gives special consideration to the shrine of Shaykh Safi, built in AD 1334, as an important template for an emergent Safavid taste. Of both regal and religious significance, the shrine's direct relationship to imperial power is unique in Islamic architecture and provides valuable information about the methods of architectural benefaction prevalent in early modern Iran. Rizvi examines the ways in which the transition from a devotional aesthetic to an imperial one represented the young dynasty's imperial aspirations, and affected a wide range of public buildings from mosques to palaces during the early Safavid period and beyond.

Orkney's Italian Chapel was built by Italian POWs held on the island during the Second World War. In the sixty-five years since it was built it has become an enduring symbol of peace and hope around the world. The story of who built the chapel and how it came into existence and survived against all the odds is both fascinating and inspiring. Author Philip Paris's extensive research into the creation of the Italian Chapel has uncovered many new facts, and this comprehensive new book is the definitive account of the chapel and those who built it. It is a book that has waited to be written for sixty-five years.

Read the Jewish Idea Daily's review here. In 1789, when George Washington was elected the first president of the United States, laymen from all six Jewish congregations in the new nation sent him congratulatory letters. He replied to all six. Thus, after more than a century of Jewish life in colonial America the small communities of Jews present at the birth of the nation proudly announced their religious institutions to the country and were recognized by its new leader. By this time, the synagogue had become the most significant institution of American Jewish life, a dominance that was not challenged until the twentieth century, when other institutions such as Jewish community centers or Jewish philanthropic organizations claimed to be the hearts of their Jewish communities. Concise yet comprehensive, The Synagogue in America is the first history of this all-important structure, illuminating its changing role within the American Jewish community over the course of three centuries. From Atlanta and Des Moines to Los Angeles and New Orleans, Marc Lee Raphael moves beyond the New York metropolitan area to examine Orthodox, Reform, Conservative, and Reconstuctionist synagogue life everywhere. Using the records of approximately 125 Jewish congregations, he traces the emergence of the synagogue in the United States from its first instances in the colonial period, when each of the half dozen initial Jewish communities had just one synagogue each, to its proliferation as the nation and the American Jewish community grew and diversified. Encompassing architecture, forms of worship, rabbinic life, fundraising, creative liturgies, and feminism, The Synagogue in America is the go-to history for understanding the synagogue's significance in American Jewish life.

This is the first detailed study of Scottish post-Reformation church interiors for fifty years. This study follows on from Yate's standard work "Buildings, Faith and Worship: The Liturgical Arrangement of Anglican Churches 1600-1900" (OUP 1991, revised edition 2000) and "Liturgical Space" in Western Europe since the Reformation (Ashgate, 2008) to provide the first detailed study of Scottish post-Reformation church interiors for fifty years.In the intervening period many of the buildings described by George Hay have been demolished, converted to non-ecclesiastical use or liturgically reordered. However, this study goes further to include many surviving examples not noted by Hay, and extends his work further into the nineteenth century, with a detailed study of buildings up to 1860, and with a more general consideration of later nineteenth and early twentieth century church architecture in Scotland. The detailed study of developments in Scotland, especially those in the Presbyterian churches, are set in the context of comparative developments in other parts of Britain and Europe, especially those in the Reformed churches of the Netherlands and Switzerland to create a groundbreaking new study by an established author.

Examining the concept of 'Temple' throughout Scripture, HEAVEN ON EARTH explores one of the most interesting, but least appreciated themes in biblical theology. Far from being a building used simply for religious activities, the Temple in biblical literature embodies a rich variety of theological ideas. At the heart of these is the interface provided between a holy God and sinful people. An understanding of the role of the Temple (and its predecessor, the Tabernacle) in biblical history provides a remarkable insight into the redemptive purposes of God. From the Garden of Eden in Genesis to the new creation in Revelation, biblical literature abounds with references and allusions to the Temple, all of which underline its significance as an institution and concept. HEAVEN ON EARTH brings evangelical biblical scholars and theologians together to offer a fresh approach to this often neglected area. The biblical essays cover Old Testament, inter-testamental and New Testament material. From Paternoster Press.

Retracing the contours of a bitter controversy over the meaning of sacred architecture that flared up among some of the leading lights of the Carolingian renaissance, Samuel Collins explores how ninth-century authors articulated the relationship of form to function and ideal to reality in the ecclesiastical architecture of the Carolingian empire. This debate involved many of the major figures of the era, and at its core questioned what it meant for any given place or building to be thought of as specially holy. Many of the signature moments of the Carolingian Renaissance, in church reform, law, and political theory, depended on rival and bitterly controversial definitions of sacred architecture in the material world.

When Seon (Zen) Buddhism was first introduced to Korea around Korea's late Silla and early Goryeo eras, the function of the "beopdang" (Dharma hall) was transfused to the lecture hall found in ancient Buddhist temples, establishing a pivotal area within the temple compound called the "upper monastic area." By exploring the structural formation and dissolution of the upper monastic area, the author shows how Korea established its own distinctive Seon temples, unlike those of China and Japan, in the course of assimilating a newly-introduced foreign culture as its own. To accomplish this, the author analyzed the inscriptions on stone monuments which recorded the lives of eminent monks and also numerous excavated temple ruins. These analyses give us a new perspective on the evolution of the upper monastic area, which had the beopdang as its center, at a time when early Seon temples were being established under very adverse and unstable circumstances. The exploration of the spatial organization and layout of Korean Seon temple architecture has illuminated the continuity between Korean Buddhist temples of both the ancient and medieval eras.

Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. There are few experiences more uplifting and humbling than standing in the nave of a cathedral, and no one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. Britain is the top foreign tourist destination for Americans, with 3 million visiting each year, and historic buildings are the top visitor sites. Canterbury Cathedral alone receives over 40,000 visitors each year from the United States and, together with Durham, is a World Heritage Site. In this truly breathtaking book, award-winning Magnum photographer, Peter Marlow, has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east window, these remarkable images bring into sharp relief the full splendour of the buildings. Marlow first took up photography as a student, after visiting an exhibition of the photographs of Walker Evans at the Museum of Modern Art in New York. The impetus to begin photographing cathedrals came from a commission in 2007 from the Royal Mail for photographs of the interiors or six cathedrals, for use on a set of commemorative stamps. Once the commission was complete, Marlow was inspired to continue the project in his own time. Approaching the Dean and Chapter of each cathedral, he gained permission to enter each building in the early hours of the morning and to turn off all artificial lights. Marlow adopted a kind of ritual, waking as early as 3.00 am to drive to the location and begin working from 6.00 am. In this window of opportunity, he watched the cathedral interior emerge from the darkness and come to life. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches, preparatory shots and technical notes; an introduction by curator Martin Barnes on the tradition of church photography, especially the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall.

The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.