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Books > Arts & Architecture > Architecture > Religious buildings
The Society of the Faith was founded in 1905 to promote a catholic (and ecumenical) understanding of the Church of England. In 1916, the Society created Faith Craft, a subsidiary company dedicated to the best design in every area of church furnishing. Its products were also meant to be affordable by ordinary parishes - unlike the extravagances of craftsmen like William Burges. Faith Craft used a wide variety of designers in wood, metal, textiles, and stained glass. This work became ubiquitous in the Church of England, but has never before been chronicled. The chapters of this book grew out of a symposium sponsored by the Society of the Faith in 2013, the first ever attempt to study Faith Craft and its works. Beautifully illustrated, this book provides the first scholarly examination of Faith Craft - its work, and also its place.
With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols - they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life - the spiritualism, moralism and the wit - within the carvings still found in churches today.
Norwich is blessed with more surviving medieval churches than any other city north of the Alps. Architect David Luckhurst worked in the city for more than 40 years before turning to painting and drawing in his retirement, and many buildings he designed are to be seen there. This high-quality paperback reproduces his 32 paintings of Norwich's medieval churches (including the lone surviving tower of the bombed St Benedict), with an emphasis on their street setting. Each painting is accompanied by David's handwritten notes on the surrounding buildings and how the church interacts with them. The book is completed by David's hand-drawn map showing the location of each church and his pen drawing of their combined towers.
The rivalry between the brilliant seventeenth-century Italian architects Gianlorenzo Bernini and Francesco Borromini is the stuff of legend. Enormously talented and ambitious artists, they met as contemporaries in the building yards of St. Peter's in Rome, became the greatest architects of their era by designing some of the most beautiful buildings in the world, and ended their lives as bitter enemies. Engrossing and impeccably researched, full of dramatic tension and breathtaking insight, "The Genius in the Design" is the remarkable tale of how two extraordinary visionaries schemed and maneuvered to get the better of each other and, in the process, created the spectacular Roman cityscape of today.
Cathedrals and abbeys are the most beautiful and iconic buildings of the British Isles, and have formed the bedrock of our nation for centuries. This absorbing collection of amazing and extraordinary facts opens the doors of these fascinating structures to reveal their rich historical and architectural heritage. From stories of English Popes, martyred archbishops and renegade bishops to iconoclastic kings, power-hungry nobles and architectural dynasties, as well as the role of the Romans, Anglo-Saxons and Vikings, we explore how the people and religion in Britain have shaped these buildings over the last 2,000 years. Also read about the architectural heritage of British cathedrals, from troublesome spires, stained glass wonders and buy-a-brick campaigns to abbeys in the sea, fortified castle-cathedrals and mass graves. Along with tales of famous memorials and artefacts, fascinating folklore and architectural feats, these intriguing and diverse facts will provide something for every enthusiast to dip into and relish.
The Drosten stone - one of Scotland's premier monuments - came to light during restoration work at St Vigeans church, near Arbroath, in the 1870s. A rare example of Pictish writing, the Drosten stone is just one in an astounding collection of exquisitely preserved Pictish sculptures discovered in and around the church. The carvings on these stones revel in Pictish inventiveness, teeming with lively naturalistic animals and innovative compositions of monsters and people, as well as both Pictish symbols and everyday objects. The sculptures' iconography also draws on a deep knowledge of Christian and classical literature, witness to a highly literate and cosmopolitan society. This definitive study of St Vigeans' Pictish stones, generously illustrated with plates of the full collection, begins in the recent past, when the sculptures began to emerge as a remarkable historic entity. It then explores the history of the sculptures, including an analysis of the carvings, the geology of the stones and attempts to extract meaning and context for this unique stone collection as part of a powerful ecclesiastical landscape.
A series of meditations and prayers focusing on the spiritual history of 22 cathedrals around the UK.
What value do we place on our cultural heritage, and to what extent should we preserve historic and culturally important sites and artefacts from the ravages of weather, pollution, development and use by the general public? This innovative book attempts to answer these important questions by exploring how non-market valuation techniques - used extensively in environmental economics - can be applied to cultural heritage.The book includes twelve comprehensive case studies that estimate public values for a diverse set of cultural goods, including English cathedrals, Bulgarian monasteries, rock paintings in Canada, statues in the US, and a medieval city in Africa. The authors demonstrate the potential utility of these techniques, and highlight the important social values that cultural heritage can generate. Given limited resources, such studies can help set priorities and aid the decision making process in terms of their preservation, restoration and use. The authors conclude by reviewing the majority of cultural valuation studies done to date, and draw some general conclusions about the results achieved and the potential benefits, as well as the limitations, of valuing these types of goods. This highly original book will be of great use and interest to academics in the fields of environmental, resource, and cultural economics, as well as NGOs and policymakers involved in cultural heritage at the national, international and global level.
This is a true story of a little girl, Sibu, who was totally consumed by the beauty and the silence of the world of the unseen; nothing of this material world seemed to make sense to her. She kept secrets about her life and her spiritual relationship with God. She explored the spiritual world through dreams and visions, and that was her way of communicating with God. Her spiritual exploration denied her of her childhood and other life experiences that most children of her age had. Sibu spent most of her time in isolation communicating with her imaginary friend God . This book reveals how children can keep secrets about their lives, their personal and spiritual relationship with God. As she develops into a young woman, she gets married, and her life changes dramatically. She becomes trapped by the luxuries of the material world, and completely forgets about her imaginary friend. After some time, God seizes all the beauties and luxuries which separated Sibu from Him. Her whole luxurious life turns into a nightmare. Finally, Sibu repents and accepts God s calling. [email protected]
Has your church or ministry ever considered a building or expansion program? Have you ever stepped out in faith only to get bogged down in details? Is your master plan little more than a "pretty picture" to present to your congregation? In Master Planning: More than Pretty Pictures, author Timothy L. Cool provides a comprehensive primer to lead you through the myriad details, processes, steps, and decisions that must be considered as part of a church building project. With more than twenty-three years of experience working with churches, ministers, and their leadership, Cool addresses the issues churches must confront and the questions that must be answered at every critical step of the master planning process and facilities expansion project. It includes helpful information about topics such as land and site selection, zoning, funding and financing, the architectural review process, construction, and post-construction. Providing realistic and practical applications, Master Planning: More than Pretty Pictures communicates the importance of creating a master plan the right way. Crafted correctly, a solid master plan can bring unity, a renewed sense of purpose, and financial stability to the church.
The social sciences have mostly ignored the role of physical buildings in shaping the social fabric of communities and groups. Although the emerging field of the sociology of architecture has started to pay attention to physical structures, Brenneman and Miller are the first to combine the light of sociological theory and the empirical method in order to understand the impact of physical structures on religious groups that build, transform, and maintain them. Religious buildings not only reflect the groups that build them or use them; these physical structures actually shape and change those who gather and worship there. Religious buildings are all around us. From Wall Street to Main Street, from sublime and historic cathedrals to humble converted storefronts, these buildings shape the global religious landscape, "building faith" among those who worship in them while providing a testament to the shape and duration of the faith of those who built them and those who maintain them. Building Faith explores the social impact of religious buildings in places as diverse as a Chicago suburb and a Guatemalan indigenous Mayan village, all the while asking the questions, "How does space shape community?" and "How do communities shape the spaces that speak for them?"
"Faith it All" is a guide to help individuals as they go through the storms of life such as, the death of a loved one, diagnosed with cancer, divorced, receiving a pink slip, teenage daughter becomes pregnant, home foreclosure, and much more. The reader will learn how to cope with storms, the reason for storms, and a step by step approach on ways to cope during the stormy season.
A glorious illustrated history of sixteen of the world's greatest cathedrals, interwoven with the extraordinary stories of the people who built them. 'An impeccable guide to the golden age of ecclesiastical architecture' The Times 'Vivid, colourful and absorbing' Dan Jones 'An epic ode to some of our most beautiful and beloved buildings' Helen Carr The emergence of the Gothic in twelfth-century France, an architectural style characterized by pointed arches, rib vaults, flying buttresses, large windows and elaborate tracery, triggered an explosion of cathedral-building across western Europe. It is this remarkable flowering of ecclesiastical architecture that forms the central core of Emma Wells's authoritative but accessible study of the golden age of the cathedral. Prefacing her account with the construction in the sixth century of the Hagia Sophia, the remarkable Christian cathedral of the eastern Roman empire, she goes on to chart the construction of a glittering sequence of iconic structures, including Saint-Denis, Notre-Dame, Canterbury, Chartres, Salisbury, York Minster and Florence's Duomo. More than architectural biographies, these are human stories of triumph and tragedy that take the reader from the chaotic atmosphere of the mason's yard to the cloisters of power. Together, they reveal how 1000 years of cathedral-building shaped modern Europe, and influenced art, culture and society around the world.
Britain is a treasure trove of medieval architecture. Almost every village and town in the land has a church that was built during the period, whose history is legible - to those who know how to look - in every arch, capital, roof vault, and detail of window tracery. By learning how to identify the stylistic phases that resulted from shifts in architectural fashion, it is possible to date each part of a church to within a decade or two; this book introduces all the key features of each succeeding style, from Anglo-Saxon and Norman through to the three great gothic styles, Early English, Decorated and Perpendicular. It will be indispensable to anyone who enjoys exploring medieval churches, and who wants to understand and appreciate their beauty more deeply.
An introduction to the medieval cathedral, those churches that are regarded as the greatest achievements of medieval architecture. Details their social history, who built them, how they were built, and why. Forty photos and maps help to guide the reader through a narrated tour of these awe-inspiring churches. When we think of cathedrals, we usually envision the great Gothic Buildings of 12th- and 13th-century Europe. But other than being a large church, a cathedral is neither a specific building type nor specifically medieval. What a makes a large church a cathedral is the presence of a single item of furniture: the chair (in Latin: cathedra) or throne that is the symbol of the ecclesiastical and spiritual authority of a bishop. This book is an introduction to the medieval cathedral, those churches that are usually regarded as among the greatest achievements of medieval architecture. While cathedrals were often the most prominent urban structure in many European cities, their construction was never a civic responsibility, but remained the responsibility of the clergy in charge of the day to day activities and services. Beginning with an overview of the social history of cathedrals, Clark examines such topics as patrons, builders and artists, and planning and construction; and provides an in-depth examination of the French Cathedral at Reims—a seminal building with significant technological advances, important sculptural programs, a surviving bishop's palace, and other structures. The volume concludes with a series of illustrations, a selection of original texts, and a selected bibliography for further study. A full index is also provided.
"Revelation and Trinity" provides a guide for the serious study of the systematic theologies of John Calvin and Karl Barth. The controversial debate between Karl Barth and Emil Brunner drew attention to John Calvin's theology. Each one claims his theology is more faithful to Calvin's theology than the other. In "Revelation and Trinity," author Sang-Hwan Lee analyzes and interprets the theologies of Calvin's 1559 "Institutes" and Barth's "Church Dogmatics" and how they affect Christianity. Originally a doctoral thesis, Lee's analysis demonstrates their conceptual basis in the revelation of the triune God to which the Bible and the Church attest, and he imparts the implications of this basis. "Revelation and Trinity" highlights the relationship that both Calvin and Barth find between the ontology of the living God in revelation and its noetic and conceptual possibility in faith. Revitalizing the discussion on the theologies of Calvin and Barth and their relationship, Lee offers a critical assessment of the tenability of the oneness and the threeness of God in their theologies. "Revelation and Trinity" offers old and new insights into their theologies, and examines their relationship with a fresh discussion. |
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