Contents: Sutton in the Isle of Ely and its Architectural Context (Richard Fawcett); Medieval Timberwork at Ely (John Fletcher); The Fourteenth-Century Tile Pavements in Prior Crauden's Chapel and in the South Transept (Lawrence Keen); Ely Cathedral: the Fourteenth-Century Work (Nicola Coldstream).

Between the ninth and fourteenth century, hundreds of architecturally exquisite Byzantine churches, many of them adorned with beautiful frescoes, were built in the area now known as the Republic of Macedonia. The condition of these buildings has been of ongoing concern because of deterioration and destruction from forces both human and natural, including devastating earthquakes.
This book summarizes the results of a four-year study to develop and test seismic retrofitting techniques for the repair and strengthening of those ancient Byzantine churches still in existence. The volume considers the conservation of historic buildings in seismic zones; surveys the condition of fifty existing Byzantine churches in Macedonia; and details the design, construction, and seismic testing of a half-scale model church. The volume also includes representative experimental and technical data.

Following Spains democratic transition during the late 1970s, political and business elites strategically exploited Spains rich Islamic heritage in order to further projects of national redefinition, tourist promotion, and urban revitalization. Large and ornate mosques were built in several Spanish regions, and the State granted Muslim communities an extensive array of rights and privileges that was arguably without parallel in Europe. Toward the onset of the 21st century, however, tensions surrounding Islams growing presence in Spain became increasingly common, especially in the northeastern region of Catalonia. These tensions centered largely around the presence, or proposed establishment, of mosques in Barcelona and its greater metropolitan area. This book examines how Islam went from being an aspect of Spains national heritage to be recovered and commemorated to a pressing social problem to be managed and controlled. It traces the events and developments that gave rise to this transformation, the diverse actors involved in the process, and the manner in which disputes over Muslim incorporation have become entangled with deeply-divisive debates over churchstate relations and territorial autonomy. The core of Rebuilding Islam in Contemporary Spain centers on the shifting political and social dynamics surrounding the establishment of mosques, and the question of why anti-mosque mobilizations have been more prevalent and intense in Catalonia than other Spanish regions.

Following on from 100 Buildings 100 Years and 100 Houses 100 Years, this book illustrates and describes 100 churches and chapels built in the UK since 1914, charting the development of buildings for worship. In this period concrete and steel gave a new freedom to construction, while new ideas about how congregations could participate in services changed assumptions about traditional layouts, bringing celebrants and people closer together. The century saw dynamic churches in dramatic shapes of all sizes thanks to ambitious engineering, and brilliant colour from new forms of stained glass, murals and sculpture. Architects whose work is included here range from Basil Spence and Edward Maufe, designers of major cathedrals, to the radical Gillespie, Kidd and Coia whose brutalist seminary lies abandoned near Dumbarton. The book provides biographies of major designers; articles on glass, fittings, and on the synagogues, mosques and temples that play an intrinsic and important part in worship in Britain today. Contributors include architectural historians Elain Harwood, Alan Powers and Clare Price. Beautiful photography throughout showcases the very best of British church design, whether it is the minimal symmetry of a timber-framed altar, or light streaming in through a multi-coloured stained glass panel.

For more than 1500 years, from the Indian subcontinent to the islands of the Indonesian archipelago, the temple has embodied and symbolized the Hindu worldview at its deepest level and inspired the greatest architectural and artistic achievements in Hindu Asia. In "The Hindu Temple," considered the standard introduction to the subject, George Michell explains the cultural, religious, and architectural significance of the temple. He illustrates his points with a profusion of photographs, building plans, and drawings of architectural details, making the book a useful guide for travelers to Asia as well as an illuminating text for students of architecture, religion, and Asian civilizations.
Michell's discussion of the meaning and forms of the temple in Hindu society encompasses the awe-inspiring rock-cut temples at Ellora and Elephanta, the soaring superstructures and extraordinary sexual exhibitionism of the sculptures at Khajuraho, and the colossal mortuary temple of Angkor Vat, as well as the tiny iconic shrines that many Hindus wear around their necks and the simple shrines found under trees or near ponds.

St Peter's Basilica in Rome is arguably the most important church in Western Christendom, and is among the most significant buildings anywhere in the world. However, the church that is visible today is a youthful upstart, only four hundred years old compared to the twelve-hundred-year-old church whose site it occupies. A very small proportion of the original is now extant, entirely covered over by the new basilica, but enough survives to make reconstruction of the first St Peter's possible and much new evidence has been uncovered in the past thirty years. This is the first full study of the older church, from its late antique construction to Renaissance destruction, in its historical context. An international team of historians, art historians, archaeologists and liturgists explores aspects of the basilica's history, from its physical fabric to the activities that took place within its walls and its relationship with the city of Rome.

The ancient churches and cathedrals of England's towns and countryside are among the glories of our national heritage. Yet how were our ancestors able to construct these often substantial edifices without the benefit of modern techniques? How did the medieval masons plan, design and oversee their construction? What methods of construction were used by the medieval carpenters to realise the magnificent roofs and ceilings we see today? In this unique guide, Geoffrey R. Sharpe brings forty years experience of caring for historic buildings to show us how, from the original planning and preparation to the final construction and decoration. In a final chapter the author shows the reader how to assess the history and development of a church from the constructional and architectural clues contained within its features. The result is a work that adds a whole new dimension to our understanding of English church building and architecture.

"The wonderful cathedral of Notre-Dame de Paris, one of the greatest achievements of European civilization, was on fire. The sight dazed and disturbed us profoundly. I was on the edge of tears. Something priceless was dying in front of our eyes. The feeling was bewildering, as if the earth was shaking." -Ken Follett "[A] treasure of a book." -The New Yorker In this short, spellbinding book, international bestselling author Ken Follett describes the emotions that gripped him when he learned about the fire that threatened to destroy one of the greatest cathedrals in the world-the Notre-Dame de Paris. Follett then tells the story of the cathedral, from its construction to the role it has played across time and history, and he reveals the influence that the Notre-Dame had upon cathedrals around the world and on the writing of one of Follett's most famous and beloved novels, The Pillars of the Earth. Ken Follett will donate his proceeds from this book to the charity La Fondation du Patrimoine.

This is the first book-length study of the emergence of Medina, in modern Saudi Arabia, as a widely venerated sacred space and holy city over the course of the first three Islamic centuries (the seventh to ninth centuries CE). This was a dynamic period that witnessed the evolution of many Islamic political, religious and legal doctrines, and the book situates Medina's emerging sanctity within the appropriate historical contexts. The book focuses on the roles played by the Prophet Mu ammad, by the Umayyad and early Abbasid caliphs and by Muslim legal scholars. It shows that Medina's emergence as a holy city, alongside Mecca and Jerusalem, as well as the development of many of the doctrines associated with its sanctity, was the result of gradual and contested processes and was intimately linked with important contemporary developments concerning the legitimation of political, religious and legal authority in the Islamic world."

This book presents the first overview of Muslim architecture in Britain, from the earliest examples in the late 19th century, to mosques being built today. Key architectural stages are identified and explained alongside the social history of Muslim settlement and growth. The analysis focuses on the way in which the mosque as a new cultural and architectural form has benefitted into the existing urban fabric of Britain’s towns and cities, and how this new building type has then impacted its urban landscape, socially, culturally and architecturally. The British Mosque is an architectural as well as a social history, and describes the evolution of Britain’s Muslim communities through the buildings they have built. By presenting this architectural narrative for the first time, the book opens up a new field of British Islamic Architecture. The architectural story charts a course from the earliest mosques formed through the conversion of houses, to other large scale conversions through to purpose built mosques and with these the emergence of an Islamic architectural expression in Britain. As the mosque is not solely considered in terms of its architectural style, but also from its social history and cultural meaning, this book provides an observation into the character of British Muslim life and practice and how these have been embodied through its buildings. The future of Islamic architecture in Britain is also considered, and how this will be affected by the growing cultural and social diversification of Britain’s Muslim communities.

As China struggled to redefine itself at the turn of the twentieth century, nationalism, religion, and material culture intertwined in revealing ways. This phenomenon is evident in the twin biographies of North China's leading Catholic bishop of the time, Alphonse Favier (1837-1905), and the Beitang cathedral, epicenter of the Roman Catholic mission in China through incarnations that began in 1701. After its relocation and reconstruction under Favier's supervision, the cathedral-and Favier-miraculously survived a two-month siege in 1900 during the Boxer Rebellion. Featuring a French Gothic Revival design augmented by Chinese dragon-shaped gargoyles, marble balustrades in the style of Daoist and Buddhist temples, and other Chinese aesthetic flourishes, Beitang remains an icon of Sino-Western interaction. Anthony Clark draws on archival materials from the Vatican and collections in France, Italy, China, Poland, and the United States to trace the prominent role of French architecture in introducing Western culture and Catholicism to China. A principal device was the aesthetic imagined by the Gothic Revival movement of the eighteenth and nineteenth centuries, the premier example of this in China being the Beitang cathedral. Bishop Favier's biography is a lens through which to examine Western missionaries' role in colonial endeavors and their complex relationship with the Chinese communities in which they lived and worked.

In the aftermath of the deliberate destruction of cultural heritage pursued by Islamist groups like ISIS, many observers have erroneously come to associate Islamic doctrine and practice with such acts. This book explores the diverse ways Muslims have engaged with the material legacies of ancient and pre-Islamic societies, as well as how Islam's own heritage has been framed and experienced over time. This is a new collection of articles previously available in issues of the International Journal of Islamic Architecture. The tragically familiar spectacles of cultural heritage destruction performed by the Islamic State group (ISIS) in Syria and Iraq are frequently presented as barbaric, baffling, and far outside the bounds of what are imagined to be normative, 'civilized' uses of the past. Often superficially explained as an attempt to stamp out idolatry or as a fundamentalist desire to revive and enforce a return to a purified monotheism, analysis of these spectacles of heritage violence posits two things: that there is, fact, an 'Islamic' manner of imagining the past - its architectural manifestations, its traces and localities - and that actions carried out at these localities, whether constructive or destructive, have moral or ethical consequences for Muslims and non-Muslims alike. In this reading, the iconoclastic actions of ISIS and similar groups, for example the Taliban or the Wahhabi monarchy in Saudi Arabia, are represented as one, albeit extreme, manifestation of an assumedly pervasive and historically on-going Islamic antipathy toward images and pre-contemporary holy localities in particular, and, more broadly, toward the idea of heritage and the uses to which it has been put by modern nationalism. But long before the emergence of ISIS and other so-called Islamist iconoclasts, and perhaps as early as the rise of Islam itself, Muslims imagined Islamic and pre-Islamic antiquity and its localities in myriad ways: as sites of memory, spaces of healing, or places imbued with didactic, historical, and moral power. Ancient statuary were deployed as talismans, paintings were interpreted to foretell and reify the coming of Islam, and temples of ancient gods and churches devoted to holy saints were converted into mosques in ways that preserved their original meaning and, sometimes, even their architectural ornament and fabric. Often, such localities were valued simply as places that elicited a sense of awe and wonder, or of reflection on the present relevance of history and the greatness of past empires, a theme so prevalent it created distinct genres of Arabic and Persian literature (aja'ib, fada'il). Sites like Ctesiphon, the ancient capital of the Zoroastrian Sasanians, or the Temple Mount, where the Jewish temple had stood, were embraced by early companions of the Prophet Muhammad and incorporated into Islamic notions of the self. Furthermore, various Islamic interpretive communities as well as Jews and Christians often shared holy places and had similar haptic, sensorial, and ritual connections that enabled them to imagine place in similar ways. These engagements were often more dynamic and purposeful than conventional scholarly notions of 'influence' and 'transmission' can account for. And yet, Muslims also sometimes destroyed ancient places or powerfully reimagined them to serve their own purposes, as for example in the aftermath of the Crusader presence in the Holy Land or in the destruction, reuse and rebuilding of ancient Buddhist and Hindu sites in the Eastern Islamic lands and South Asia. This volume presents thirteen essays by leading scholars that address the issue of Islamic interest in the material past of the ancient and Islamic world, with essays examining attitudes about antiquarianism in the Islamic world from medieval times to the present. Main readership will be among scholars, graduate and undergraduate students, researchers, educators and academic libraries working or studying in the fields of the ancient world, antiquities, heritage and the Islamic world.

Temples for a Modern God is one of the first major studies of American religious architecture in the postwar period, and it reveals the diverse and complicated set of issues that emerged just as one of the nation's biggest building booms unfolded. Jay Price tells the story of how a movement consisting of denominational architectural bureaus, freelance consultants, architects, professional and religious organizations, religious building journals, professional conferences, artistic studios, and specialized businesses came to have a profound influence on the nature of sacred space. Debates over architectural style coincided with equally significant changes in worship practice. Meanwhile, suburbanization and the baby boom required a new type of worship facility, one that had to attract members and serve a social role as much as honor the Divine. Price uses religious architecture to explore how Mainline Protestantism, Catholicism, Judaism, and other traditions moved beyond their ethnic, regional, and cultural enclaves to create a built environment that was simultaneously intertwined with technology and social change, yet rooted in a fluid and shifting sense of tradition. Price argues that these structures, as often mocked as loved, were physical embodiments of a significant, if underappreciated, era in American religious history.

"British artist Nicholas Hawksmoor (approx. 1661-1736) is recognized as one of the major contributors to the traditions of British and European architectural culture. Nevertheless, there is insufficient visual documentation and analysis of his work. Nicholas Hawksmoor: Seven Churches for London reconsiders his archtiecture in relation to urbanism. The publication focuses on a series of important London churches the architect designed during the early part of the eighteenth century. The key distinguishing features of these churches are their spires, each designed with different qualities and motifs. While Hawksmoor was inspired by the ancient history of architecture, his work was considered radical and contemporary in its day.
Photographer Helene Binet was specially commissioned to document the various aspects of the seven remaining London churches. Her immaculate black and white photographs demonstrate the beauty of Hawksmoor's architecture with special attention to the variety of scales, sites, interiors, textures, and materials. "

Originally published in 1911, this book presents a guide to the architecture and history of All Saints Church in Horseheath, South Cambridgeshire. Chapters cover 'The Structure', 'Church Furniture', 'The Monuments', 'The Advowson', 'The Valuation', 'The Rectors' and 'The Charities'. Illustrative figures are included. This book will be of value to anyone with an interest in church architecture, local history and the history of Christianity.

This text explores three of Bernini's baroque chapels to show how Bernini achieved his effects. Careri examines the ways in which the artist integrated the disparate forms of architecture, painting and sculpture into a coherant space for devotion, and then shows how this accomplishment was understood by religious practitioners. In the Fonseca Chapel, the Albertoni Chapel and the church of Saint Andrea al Quirinale, all in Rome, Careri identifies three types of ensemble and links each to a particular spiritual journey. Using contemporary theories in anthropology, film and reception aesthetics, he shows how Bernini's formal mechanisms established an emotional dynamic between the beholder and a specific arrangement of forms.

A fully illustrated, comprehensive record of London's medieval Charterhouse, from its foundation in the 14th century to the present day, presented by the Survey of London team. It includes original research, new photography, and previously unpublished inventories. Published for the Paul Mellon Centre for Studies in British Art

The first version of this three-volume work was published in 1829 as a question-and-answer book of 80 pages. The eleventh, and definitive, 1882 edition of this hugely popular, highly illustrated work, reissued here, was published at the urging of Sir George Gilbert Scott, and consists of two volumes on Gothic ecclesiastical architecture and a 'companion' volume on church vestments. Matthew Holbeche Bloxam (1805-88), a solicitor by profession, was an enthusiastic architectural historian with a passion for churches. In the preface, as well as explaining his reasons for another edition, Bloxam records his concern that some features he had recorded fifty years earlier no longer exist: 'In the so-called restorations of ancient churches, not a few historical features ... have been ruthlessly, and in many cases needlessly, swept away.' Volume 2 discusses the internal layout of churches before the Reformation, and the monastic tradition.

The first version of this three-volume work was published in 1829 as a question-and-answer book of 80 pages. The eleventh, and definitive, 1882 edition of this hugely popular, highly illustrated work, reissued here, was published at the urging of Sir George Gilbert Scott, and consists of two volumes on Gothic ecclesiastical architecture and a 'companion' volume on church vestments. Matthew Holbeche Bloxam (1805-88), a solicitor by profession, was an enthusiastic architectural historian with a passion for churches. In the preface, as well as explaining his reasons for another edition, Bloxam records his concern that some features he had recorded fifty years earlier no longer exist: 'In the so-called restorations of ancient churches, not a few historical features ... have been ruthlessly, and in many cases needlessly, swept away.' Volume 1 surveys the rise, flowering, and decline of English Gothic architecture.

The first version of this three-volume work was published in 1829 as a question-and-answer book of 80 pages. The eleventh, and definitive, 1882 edition of this hugely popular, highly illustrated work, reissued here, was published at the urging of Sir George Gilbert Scott, and consists of two volumes on Gothic ecclesiastical architecture and a 'companion' volume on church vestments. Matthew Holbeche Bloxam (1805-88), a solicitor by profession, was an enthusiastic architectural historian with a passion for churches. In the preface, as well as explaining his reasons for another edition, Bloxam records his concern that some features he had recorded fifty years earlier no longer exist: 'In the so-called restorations of ancient churches, not a few historical features ... have been ruthlessly, and in many cases needlessly, swept away.' Volume 3 discusses vestments, post-Reformation changes to church interiors, and funerary monuments.

Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In this magisterial chronicle, Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time. Murray tells the cathedral's story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space. A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral's eight hundredth anniversary. Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.

In Touching the Passion - Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ's suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer's absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.

The Tempietto, the embodiment of the Renaissance mastery of classical architecture and its Christian reinvention, was also the pre-eminent commission of the Catholic kings, Ferdinand of Aragon and Isabel of Castile, in papal Rome. This groundbreaking book situates Bramante's time-honored memorial dedicated to Saint Peter and the origins of the Roman Catholic Church at the center of a coordinated program of the arts exalting Spain's leadership in the quest for Christian hegemony. The innovations in form and iconography that made the Tempietto an authoritative model for Western architecture were fortified in legacy monuments created by the popes in Rome and the kings in Spain from the later Renaissance to the present day. New photographs expressly taken for this study capture comprehensive views and focused details of this exemplar of Renaissance art and statecraft.