Mid-20th century sacred architecture in America sought to bridge modernism with religion by abstracting cultural and faith traditions and pushing the envelope in the design of houses of worship. Modern architects embraced the challenges of creating sacred spaces that incorporated liturgical changes, evolving congregations, modern architecture, and innovations in building technology. The book describes the unique context and design aspects of the departure from historicism, and the renewal of heritage and traditions with ground-breaking structural features, deliberate optical effects and modern aesthetics. The contributions, from a pre-eminent group of scholars and practitioners from the US, Australia, and Europe are based on original archival research, historical documents, and field visits to the buildings discussed. Investigating how the authority of the divine was communicated through new forms of architectural design, these examinations map the materiality of liturgical change and communal worship during the mid-20th century.

Evoking the rich beauty of California's mission heritage in lush watercolors and insightful prose, this beautifully illustrated exploration follows the gorgeous path of El Camino Real, stretching from the San Joaquin and Salinas Valleys, through the rugged coastlines of Monterey and San Francisco, and inland to Sonoma. Delving into the enduring architectural, artistic, and cultural history of the Golden State, this study reveals founding hero Father Junipero Serra's pioneering labours, the conquest of the land's agricultural wealth, and California's painful transfers from the Indians to Spain, Mexico, and the United States. Remembering the labors of the early Spanish priests and Native Americans, this treasury of captivating artistry celebrates and preserves the masterworks of the state's founding era.

Bayana in Rajasthan, and its monuments, challenge the perceived but established view of the development of Muslim architecture and urban form in India. At the end of the twelfth century, early conquerors took the mighty Hindu fort, building the first Muslim city below on virgin ground. They later reconfigured the fort and constructed another town within it. These two towns were the centre of an autonomous region during the fifteenth and sixteenth centuries. Going beyond a simple study of the historic, architectural and archaeological remains, this book takes on the wider issues of how far the artistic traditions of Bayana, which developed independently from those of Delhi, later influenced north Indian architecture. It shows how these traditions were the forerunners of the Mughal architectural style, which drew many of its features from innovations developed first in Bayana.

Following Spains democratic transition during the late 1970s, political and business elites strategically exploited Spains rich Islamic heritage in order to further projects of national redefinition, tourist promotion, and urban revitalisation. Large and ornate mosques were built in several Spanish regions, and the State granted Muslim communities an extensive array of rights and privileges that was arguably without parallel in Europe. Toward the onset of the 21st century, however, tensions surrounding Islams growing presence in Spain became increasingly common, especially in the northeastern region of Catalonia. These tensions centered largely around the presence, or proposed establishment, of mosques in Barcelona and its greater metropolitan area. This book examines how Islam went from being an aspect of Spains national heritage to be recovered and commemorated to a pressing social problem to be managed and controlled. It traces the events and developments that gave rise to this transformation, the diverse actors involved in the process, and the manner in which disputes over Muslim incorporation have become entangled with deeply-divisive debates over church-state relations and territorial autonomy. The core of the book centres on the shifting political and social dynamics surrounding the establishment of mosques, and the question of why anti-mosque mobilisations have been more prevalent and intense in Catalonia than other Spanish regions.

`Nonconformist’ has long been used as a description of Protestant Christians in England and Wales who were not part of the Church of England. Among the numerous denominations are the Baptists, Methodists, Quakers and the Salvation Army. By the mid-nineteenth century their chapels and meeting houses, the subject of this brief introduction, outnumbered the buildings of the Church of England’s. While many chapels are now disused or have seen conversion, they remain characteristic and often notable buildings in settlements in all parts of the country.

The art of the Sistine Chapel, decorated by artists who competed with one another and commissioned by popes who were equally competitive, is a complex fabric of thematic, chronological, and artistic references. Four main campaigns were undertaken to decorate the chapel between 1481 and 1541, and with each new addition, fundamental themes found increasingly concrete expression. One theme in particular plays a central role in the chapel: the legitimization of papal authority, as symbolized by two keys-one silver, one gold-to the kingdom of heaven. "The Sistine Chapel: Paradise in Rome" provides a concise, informative account of the decoration of the Sistine Chapel. In unpacking this complex history, Ulrich Pfisterer reveals the remarkable unity of the images in relation to theology, politics, and the intentions of the artists themselves, who included such household names as Botticelli, Michelangelo, and Raphael. Through a study of the main campaigns to adorn the Sistine Chapel, Pfisterer argues that the art transformed the chapel into a pathway to the kingdom of God, legitimising the absolute authority of the popes. First published in German, the prose comes to life in English in the deft hands of translator David Dollenmayer.

Sacred spaces exemplify some of the most exciting and challenging architecture today. Designing Sacred Spaces tells the inside story of seven architecture firms and their approaches to designing churches, mosques, synagogues and temples, monasteries and retreats. Twenty beautifully illustrated case studies located in Asia, Europe, and North America are showcased alongside discussions with the designers into concept and design development, materiality, and spatial analysis. Complementing these are essays on the cultural, historical, and theoretical meaning and importance of sacred spaces. By exploring the way we see religion and how we understand secular and sacred space, Designing Sacred Spaces reveals how we see ourselves and how we see others. A tour-de-force of first-person narratives, research, and illustrations, this book is a vital desk reference.

This engaging study introduces the reader to one of the greatest achievements of Western art: the climactic phase of Gothic architecture in the first half of the thirteenth century. Through a comparative analysis of the cathedrals of Chartres, Reims, and Amiens, the author illuminates the technical, theological, artistic, and social factors that formed the High Gothic synthesis. Drawing on a lifetime of scholarship, he successively characterizes the different parts of the Gothic cathedral and describes the human context of the three great buildings.

For more than 1500 years, from the Indian subcontinent to the islands of the Indonesian archipelago, the temple has embodied and symbolized the Hindu worldview at its deepest level and inspired the greatest architectural and artistic achievements in Hindu Asia. In "The Hindu Temple," considered the standard introduction to the subject, George Michell explains the cultural, religious, and architectural significance of the temple. He illustrates his points with a profusion of photographs, building plans, and drawings of architectural details, making the book a useful guide for travelers to Asia as well as an illuminating text for students of architecture, religion, and Asian civilizations.
Michell's discussion of the meaning and forms of the temple in Hindu society encompasses the awe-inspiring rock-cut temples at Ellora and Elephanta, the soaring superstructures and extraordinary sexual exhibitionism of the sculptures at Khajuraho, and the colossal mortuary temple of Angkor Vat, as well as the tiny iconic shrines that many Hindus wear around their necks and the simple shrines found under trees or near ponds.

Whereas twelfth-century pilgrims flocked to the church of St-Lazare in Autun to visit the relics of its patron saint, present-day pilgrims journey there to admire its superb sculpture, said to have been created by the artist Gislebertus whose name is inscribed above one of the church doors. These two cults, of sculptor and of saint, form points of departure and arrival for Linda Seidel's study.
"Legends in Limestone" reveals how "Gislebertus, sculptor" was discovered and subsequently sanctified over the course of the last century. Seidel makes a compelling case for the identification of the name with an ancestor of the local ducal family, invoked for his role in the acquisition of the precious relics. With the aid of evidence drawn from the richly carved decoration of the building, she demonstrates how medieval visitors would have read a different holy narrative in the church fabric, one that constructed before their eyes an account of their patron saint's life.
"Legends in Limestone, " an absorbing study of one of France's most revered medieval monuments, provides fresh insights into modern and medieval interpretive practices.

This anthology collects, substaniates, and demonstrates the importance of the religious imagination within Western modern and contemporary architecture.

The essays written expressly for the anthology take a critical look at the relationship between religion and architecture in the twentieth century, as well as giving a brief look at the pre-history of the modern movement and its relationship to religion and architecture. These are grounded by and help to explicate the reprinted essays that are culled from the last one hundred years.

This is an important introduction to the religious imagination in architectural thought of the last one hundred years, and to the interdisciplinary discourse that examines how different disciplines express abstract concepts such as faith, spirit, God and knowledge. It makes essential reading for any architect, aspiring or practising, delving deeper into the meaning of architectural practice.

Muthanna, also known as mirror writing, is a compelling style of Islamic calligraphy composed of a source text and its mirror image placed symmetrically on a horizontal or vertical axis. This style elaborates on various scripts such as Kufic, naskh, and muhaqqaq through compositional arrangements, including doubling, superimposing, and stacking. Muthanna is found in diverse media, ranging from architecture, textiles, and tiles to paper, metalwork, and woodwork. Yet despite its centuries-old history and popularity in countries from Iran to Spain, scholarship on the form has remained limited and flawed. Muthanna / Mirror Writing in Islamic Calligraphy provides a comprehensive study of the text and its forms, beginning with an explanation of the visual principles and techniques used in its creation. Author Esra Akin-Kivanc explores muthanna's relationship to similar forms of writing in Judaic and Christian contexts, as well as the specifically Islamic contexts within which symmetrically mirrored compositions reached full fruition, were assigned new meanings, and transformed into more complex visual forms. Throughout, Akin-Kivanc imaginatively plays on the implicit relationship between subject and object in muthanna by examining the point of view of the artist, the viewer, and the work of art. In doing so, this study elaborates on the vital links between outward form and inner meaning in Islamic calligraphy.

This text explores three of Bernini's baroque chapels to show how Bernini achieved his effects. Careri examines the ways in which the artist integrated the disparate forms of architecture, painting and sculpture into a coherant space for devotion, and then shows how this accomplishment was understood by religious practitioners. In the Fonseca Chapel, the Albertoni Chapel and the church of Saint Andrea al Quirinale, all in Rome, Careri identifies three types of ensemble and links each to a particular spiritual journey. Using contemporary theories in anthropology, film and reception aesthetics, he shows how Bernini's formal mechanisms established an emotional dynamic between the beholder and a specific arrangement of forms.

Britain's tiny Jewish community (about 263,000 people) is the oldest non-Christian minority in the country. In 1656 Jews returned to England after an absence of nearly 400 years and the Jewish community has enjoyed a history of continuous settlement in England since 1656, a record unmatched anywhere else in Europe. Jewish Heritage in Britain and Ireland celebrates in full colour the undiscovered heritage of Anglo-Jewry. First published in 2006, it remains the only comprehensive guide to historic synagogues and sites in the British Isles, based on an authoritative survey carried out with the support of English Heritage and the Heritage Lottery Fund. The guide is simple to use, covering more than 300 sites, organised on a region-by-region basis. Each section highlights major Jewish landmarks, ranging from Britain's oldest synagogue, Bevis Marks Synagogue in the City of London, through the Georgian gems of the West Country to the splendid High Victorian "cathedral synagogues" of Birmingham, Brighton, Liverpool and Glasgow. Relics of Anglo-Jewry's medieval past are explored in York, Lincoln and Norwich, and venerable burial grounds with Hebrew inscriptions are found in the unlikeliest of places. Curious oddities are not to be missed, including a 19th-century private penthouse synagogue in Brighton and an Egyptian-style Mikveh [ritual bath] in Canterbury. The new edition has been completely revised and features many new images including, for the first time, of sites in Wales, Scotland, Ireland, the Channel Islands and the Isle of Man. The easy-to-follow heritage trails around former Jewish quarters in the major cities have been updated and full postcodes are now given for SatNav users.

Cathedrals are awe-inspiring buildings. Most are grand medieval structures, while others appear simple and unpretentious - yet all were designed to reflect the glory of God and have a profound impact on us. As trailblazers of architectural development, each cathedral has distinct individual features - such as the powerful Norman Romanesque west towers of Durham, the unique octagonal tower at Ely, and the daring late Gothic finery and spaciousness at Gloucester. In this lavishly illustrated guide to cathedrals from Bangor to York, with profiles of Roman Catholic and Scottish cathedrals, David Pepin outlines the evolution of architectural style, each building's key features, and the ongoing story of daily worship, wide-ranging ministry, conservation, the new work of craftspeople, and the increasing numbers of pilgrims and visitors.

What happens when a monotheistic, foreign religion needs a space in which to worship in China, a civilisation with a building tradition that has been largely unchanged for several millennia? The story of this extraordinary convergence begins in the 7th century and continues under the Chinese rule of Song and Ming, and the non-Chinese rule of the Mongols and Manchus, each with a different political and religious agenda. The author shows that mosques, and ultimately Islam, have survived in China because the Chinese architectural system, though often unchanging, is adaptable: it can accommodate the religious requirements of Buddhism, Daoism, Confucianism, and Islam.

Never before available in paperback, J. M. C. Toynbee's study is the most comprehensive book on Roman burial practices. Ranging throughout the Roman world from Rome to Pompeii, Britain to Jerusalem--Toynbee's book examines funeral practices from a wide variety of perspectives. First, Toynbee examines Roman beliefs about death and the afterlife, revealing that few Romans believed in the Elysian Fields of poetic invention. She then describes the rituals associated with burial and mourning: commemorative meals at the gravesite were common, with some tombs having built-in kitchens and rooms where family could stay overnight. Toynbee also includes descriptions of the layout and finances of cemeteries, the tomb types of both the rich and poor, and the types of grave markers and monuments as well as tomb furnishings.

After World War II, America's religious denominations spent billions on church architecture as they spread into the suburbs. In this richly illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result is a fascinating new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Soevik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion-its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change. While many scholars have characterized these congregations as "country club" churches, The Suburban Church argues that most were earnest, well-intentioned religious communities caught between the desire to serve God and the demands of a suburban milieu in which serving middle-class families required most of their material and spiritual resources.

The Nasrid builders of the Alhambra - the best-preserved medieval Muslim palatial city - were so exacting that some of their work could not be fully explained until the invention of fractal geometry. Their design principles have been obscured, however, by the loss of all archival material. This book resolves that impasse by investigating the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials. This reframing enables the reconstruction of the underlying, integrated aesthetic, focusing on the harmonious interrelationship between diverse artistic media --architecture, poetry and textiles -- in the experience of the beholder, resulting in a new understanding of the Alhambra.

This book examines the role of Muslim communities in the emergence of connections and mobilities across the Indian Ocean World from a longue durée perspective. Spanning the 7th century through the medieval period until the present day, this book aims to move beyond the usual focus on geographical sub-regions to highlight different aspects of interconnectivity in relation to Islam. Analysing textual and material evidence, contributors examine identities and diasporas, manuscripts and literature, as well as vernacular and religious architecture. It aims to explore networks and circulations of peoples, ideas and ideologies, as well as art, culture, religion and heritage. It focuses on global interactions as well as local agencies in context.

This book is a revised edition of a classic work of scholarship, with new Foreword, Appendix, and updated Index and bibliography. Dr Yates discusses the liturgical arrangement of Anglican churches in the period between the Reformation and the Oxford Movement, challenging many widely held assumptions and prejudices.