Musical Gentrification is an exploration of the role of popular music in processes of socio-cultural inclusion and exclusion in a variety of contexts. Twelve chapters by international scholars reveal how cultural objects of relatively lower status, in this case popular musics, are made objects of acquisition by subjects or institutions of higher social status, thereby playing an important role in social elevation, mobility and distinction. The phenomenon of musical gentrification is approached from a variety of angles: theoretically, methodologically and with reference to a number of key issues in popular music, from class, gender and ethnicity to cultural consumption, activism, hegemony and musical agency. Drawing on a wide range of case studies, empirical examples and ethnographic data, this is a valuable study for scholars and researchers of Music Education, Ethnomusicology, Cultural Studies and Cultural Sociology.

A SUNDAY TIMES, ROUGH TRADE, ROLLING STONE, MOJO AND UNCUT BOOK OF THE YEAR LONGLISTED FOR THE PENDERYN MUSIC BOOK PRIZE New York, 2001. 9/11 plunges the US into a state of war and political volatility-and heralds the rebirth of the city's rock scene. As the old-guard music industry crumbles, a group of iconoclastic bands suddenly become the voice of a generation desperately in need of an anthem. In this fascinating and vibrant oral history, acclaimed journalist Lizzy Goodman charts New York's explosive musical transformation in the early 2000s. Drawing on over 200 original interviews, Goodman follows the meteoric rise of the artists that revolutionised the cultural landscape and made Brooklyn the hipster capital of cool-including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend. Joining the ranks of classics like Please Kill Me, Our Band Could Be Your Life, and Can't Stop Won't Stop, Meet Me in the Bathroom is the definitive account of an iconic era in rock-and-roll.

Think Woodstock and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock--the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident--was already a key location in the '60s rock landscape. Drawing on numerous first-hand interviews with the remaining key players in the scene--and on the period when he lived there himself in the 1990s--Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.

Joe Strummer was one of the twentieth century's iconic rock'n'roll rebels. As frontperson, spokesperson and chief lyricist for The Clash, he played a major role in politicising a generation through some of the most powerful protest songs of the era, songs like 'White Riot', 'English Civil War' and 'London Calling'. At the heart of this protest was the struggle for social justice and equality. The punk rock politics of Joe Strummer examines Strummer's beliefs on a range of issues - including socialism, alienation, exploitation, multiculturalism and humanism - analysing their credibility, influence and impact, and asking where they came from and how they developed over time. Drawing on Strummer's lyrics, various interviews and bootleg recordings, as well as interviews with those he inspired, The punk rock politics of Joe Strummer takes the reader on a journey through the political influences and motivations that defined one of the UK's greatest punk icons. -- .

Independent rock, known as "indie rock" (rock independent of the major label corporations), is music dedicated to the art of rock: it's adventurous, eclectic, defiant, inventive, and restlessly creative. For over 40 years, indie bands have prided themselves on the back-breaking efforts of self-promotion, self-produced albums, homemade album cover art, and even, for the stalwart artist, self-run record labels. Encyclopedia of Indie Rock chronicles the history and development indie rock, providing students, scholars, and music fans with an extensive overview of the musical and cultural phenomenon. Inside this engaging volume readers will find over 150 entries on the singers and songwriters, producers, labels, and icons who have shaped the genre from the humble beginnings of lo-fi homemade records in the 1960s through the history of seasoned veterans who mastered the fine art of staying afloat despite every obstacle that the cutthroat industry threw at them. Among the featured: BLArcade BLFire BLBlack Flag BLDIY (Do It Yourself) BLgrunge BLJesus and Mary Chain BLlo-fi BLMelvins BLPavement BLPerforming Songwriter BLThe Ramones Righteous Babe Records BLriot grrl BLThe Smiths BLSonic Youth BLSST Records BLSub-Pop Records BLSXSW BLWomen in Indie Rock BLFrank Zappa volume also includes a timeline; a resource guide, which includes recommended books and articles, Web sites, and festivals; and indices in both the front and back of the book to make navigation very user-friendly. Necessary and entertaining reading for any indie rock fan who has ever adorned their locker, backpack, or car with a band's logo, Smith captures the history and evolution of the movement in this thorough, illuminatingencyclopedia.

Kate Bush is widely respected as one of the most unique solo female performers to have ever emerged in the field of popular music. She has achieved that rare combination of great commercial success and critical acclaim, with "Hounds of Love" considered widely to be her masterpiece. The album regularly features in 'best album' lists, and in the 2004 Observer poll was the highest placed work by a solo female artist. The album allows the author, Ron Moy, the critical opportunity to explore a wide range of issues relating to technology, production, authorship, grain of the voice, iconography, critical and commercial impact, collaboration, gender, sexuality, narrative, and social and cultural context.

The first comprehensive reference work on popular music of the world Contributors are the world's leading popular music scholars Includes extensive bibliographies, discographies, sheet music listings and filmographies This second volume consists of some 460 entries by 130 contributors from around the world. Entries range between 250 and 5000 words, and are arranged in four parts: Part I: Performers and Performing; Part II: Musical Production and Transmission; Part III: Musical Instruments; Part IV: Musical Forms and Practice. Entries include musical examples, bibliographies, discographies and filmographies. An extensive index is also provided. Contents: Preface Part I: Performers and Performing Groups Individuals Performance Techniques Part II: Musical Production and Transmission Personnel Processes: Interpretative/Technological Technologies Part III: Musical Instruments Found Instruments Guitars Keyboard Instruments Mechanical Instruments Percussion Instruments Stringed Instruments Voice Wind Instruments Part IV: Musical Form and Practice Form Harmony Melody Rhythm The Piece Timbre Words, Images and Movement Index

The astonishing run of albums unleashed upon an unsuspecting public within the span of five years created the legend of Alice Cooper that lives on to this day. But we're talking about the original Alice Cooper group here, a band called that with a lead singer also going by that name. In other words, the legend was built by Vincent "Alice Cooper" Furnier, Michael Bruce, Glen Buxton, Dennis Dunaway and "platinum god" Neal Smith. It is all of them working together - along with producer Bob Ezrin - that created the mystique of songs like "I'm Eighteen," "Is It My Body," "Desperado," "Under My Wheels," "Be My Lover," "Elected" and "No More Mr. Nice Guy." And it is all of them working together - along with crack management in Shep Gordon and Joe Greenberg-that created the shock rock buzz that kept the newspapers full of indignation about this band set out to destroy human civilization. Easy Action: The Original Alice Cooper Group tells the story in meticulous chronological detail, from the band's early days in Phoenix as The Spiders, through being broke on the Sunset Strip, followed by a career-reviving relocation to a notorious party house on the outskirts of Pontiac, Michigan. Corroborating the improbable sequence of events is a plethora of stories from the band themselves, who explain how the original Alice Cooper group went from politely ignored pariahs in Los Angeles to international Public Enemies No. 1, 2, 3, 4 and 5. Listen to the guys and their good-natured explanations behind the mayhem, and it soon becomes apparent that the ghoulish makeup around the singer's eyes and the boa constrictor around his neck - not to mention the head-choppings, the hangings and the hard rock - were all served up in good fun. Now it's time for you, dear reader, to join in the fun and see why Alice Cooper was, for a golden moment in time fully 50 years ago now, the most feared and revered act in all of rock 'n' roll.

This text explores the possibility of drawing upon a punk ethos to inspire and invigorate sociology. It uses punk to think creatively about what sociology is and how it might be conducted and aims to fire the sociological imaginations of sociologists at any stage of their careers, from new students to established professors.

Normal 0 MicrosoftInternetExplorer4 st1\: *{behavior: url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name: "Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow: yes; mso-style-parent: "; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom: .0001pt; mso-pagination: widow-orphan; font-size:10.0pt; font-family: "Times New Roman";}

From youth violence, to the impact of high stakes educational testing, to editorial hand wringing over the moral failures of hip-hop culture, young people of color are often portrayed as gang affiliated, "troubled," and ultimately, dangerous. The Hip-Hop Generation Fights Back examines how youth activism has emerged to address the persistent inequalities that affect urban youth of color. Andreana Clay provides a detailed account of the strategies that youth activists use to frame their social justice agendas and organize in their local communities.

Based on two years of fieldwork with youth affiliated with two non-profit organizations in Oakland, California, The Hip-Hop Generation Fights Back shows how youth integrate the history of social movement activism of the 1960s, popular culture strategies like hip-hop and spoken word, as well as their experiences in the contemporary urban landscape, to mobilize their peers. Ultimately, Clay's comparison of the two youth organizations and their participants expands our understandings of youth culture, social movements, popular culture, and race and ethnic relations.

"All the photos of David Bowie you could possibly ever need. The most noteworthy collection of David Bowie images ever accumulated. Whether you want to own the book as a collector's item or display it on your coffee table, this definitive work is a tribute fit for an icon." - Interview magazine David Bowie: Icon gathers the greatest photographs of one of the greatest stars in history, into a single, luxurious volume. The result is the most important anthology of David Bowie images that has ever been compiled. With work by many of the most eminent names in photography, this book showcases a stunning portfolio of imagery, featuring the iconic, the awe inspiring, the candid and the surprising. An astonishing 25 photographers from around the world have contributed to this celebration. Their images are accompanied by personal essays and reflections about working with this astonishing artist. From memories of the earliest days at the Arts Lab in Beckenham to what it was like touring the world with Bowie, each contributor shares their experiences of working with - and knowing - this most extraordinary figure. From portraits and album covers, performances and rehearsals, to rarely seen private moments and candid snapshots, this collection is at once powerful, sentimental and inspiring. The thoughts and reminiscences of the photographers, many sharing their memories for the first time, give us an insight into this artist unlike any other. Photography and text by: Fernando Aceves, Brian Aris, Philippe Auliac, Alec Byrne, Kevin Cummins, Chalkie Davies, Justin de Villeneuve, Vernon Dewhurst, Gavin Evans, Gerald Fearnley, Lynn Goldsmith, Greg Gorman, Andrew Kent, Markus Klinko, Geoff MacCormack, Janet Macoska, Terry O'Neill, Denis O'Regan, Norman Parkinson, Mick Rock, John Scarisbrick, Steve Schapiro, Barry Schultz, Masayoshi Sukita and Ray Stevenson. Features an introduction by Bowie's life-long friend, the artist George Underwood. When David Bowie passed away on 10 January 2016, the world lost a musical hero. But his legacy lives on. While his sound and style evolved throughout his career - from Ziggy to the Thin White Duke - two facts never changed: he was an innovator; and photographers adored him. This book pays homage to this ultimate icon.

'...probably the best book written about grunge' Paul Brannigan, Classic Rock 'Mudhoney are the jewel of Seattle.' Thurston Moore, Sonic Youth If rock fans associate Seattle primarily with Nirvana and Pearl Jam, time has shown that the city's most influential grunge band may well have been Mudhoney. They're still going strong and this is their story. Formed in early 1988 Mudhoney originally comprised Mark Arm, Matt Lukin, Dan Peters and Steve Turner and their debut single, 'Touch Me I'm Sick', was the catalytic force behind Nirvana and Pearl Jam who took grunge global. Mudhoney's would have been another story of half-forgotten pioneers paving the way for others who grabbed the prize... except they not only survived all the classic rock band excesses, but they also kept on producing great music. Bolstered by new member Guy Maddison, they celebrated their quarter-century with a superb 2013 album, Vanishing Point, and showed no signs of slowing down with the release of Digital Garbage in 2018 and Morning In America in 2019. Updated with a new chapter drawing on fresh interviews with the group, this book tells an unconventional tale of rock heroism about a band that missed out on superstardom but kept control of the music and triumphantly outlived their more famous disciples.

In the 1970s, Northern Soul held a pivotal position in British youth culture. Originating in the English North and Midlands in the late-1960s, by the mid-1970s it was attracting thousands of enthusiasts across the country. This book is a social history of Northern Soul, examining the origins and development of this music scene, its clubs, publications and practices. Northern Soul emerged in a period when working class communities were beginning to be transformed by deindustrialisation and the rise of new political movements around the politics of race, gender and locality. Locating Northern Soul in these shifting economic and social contexts of the English North and Midlands in the 1970s, the authors argue that people kept the faith not just with music, but with a culture that was connected to wider aspects of work, home, relationships and social identities. Drawing on an expansive range of sources, including oral histories, magazines and fanzines, diaries and letters, this book offers a detailed and empathetic reading of a working class culture that was created and consumed by thousands of young people in the 1970s. The authors highlight the complex ways in which class, race and gender identities acted as forces for both unity and fragmentation on the dancefloors of iconic clubs such as the Twisted Wheel in Manchester, Blackpool Mecca, the Torch in Stoke-on-Trent, the Catacombs in Wolverhampton and the Casino in Wigan. Marking a significant contribution to the historiography of youth culture, this book is essential reading for those interested in popular music and everyday life in postwar Britain. -- .

Listen to Psychedelic Rock! contains more than 50 entries covering the people, records, places, and events that shaped one of the most exciting and influential periods in popular music. This addition to the Exploring a Music Genre series concentrates solely on psychedelic rock music. Listen to Psychedelic Rock! Exploring a Musical Genre covers over fifty topics, arranged alphabetically, that are central to learning about psychedelic music and will enable readers to understand the breadth and ongoing influence of psychedelia through to the present day. The title contains biographical sketches on selected artists, "song-by-song" descriptions of many albums, and short, informative essays on participants who were influential in the original psychedelic movement. A background section introduces the genre and a legacy section shows how psychedelic music has cemented its place in the world, while another section shows the tremendous impact the music has had on popular culture. Information on record labels and year-of-release dates for all musical entries make it easy for any reader to navigate this title - a must-have for high school and college readers as well as for music scholars and fans of the genre. Provides readers with a thorough overview of artists and albums whose works came to define psychedelic music Addresses the differences between psychedelia in England and in the United States Discusses the intellectual and literary influence on psychedelia in England Provides easy reference to more than fifty individual topics through A-Z organization Contextualizes the music in American history

This detailed exploration looks at the musical works of recording artist Billy Joel and his impact on popular culture. Billy Joel skyrocketed to popularity in 1977 with his fifth album, The Stranger, and he has been a major American artist ever since. His songs are timeless and appreciated by generations of fans. The Words and Music of Billy Joel examines this influential musician's songs in detail, exploring the meaning of the lyrics and placing Joel's artistry in a regional and cultural context. Covering work that ranges from Joel's recordings with the Lost Souls to his classical compositions, the book focuses on the dozen studio albums of popular music released between 1971 and 1993. A bibliographic essay is included, as are both a discography and a filmography. There is also a special focus on the interpretation of Joel's songs by other recording artists. Photographs A discography of Joel's recordings including albums and singles A selected discography of cover versions of Joel's songs by other recording artists A filmography A bibliography of significant books and articles about Billy Joel and his work A bibliographic essay

Discover everything you need to know about the world's hottest young pop star in Olivia Rodrigo - The Ultimate Fan Book. Since releasing her debut single 'Drivers Licence' in January 2021, Olivia Rodrigo has rocketed to the top of charts around the world, and quickly become not only one of the most exciting young singer-songwriters of the moment, but one of the biggest stars in the world today. In Olivia Rodrigo - The Ultimate Fan Book, you'll discover how this former Disney starlet has found such amazing success with her catchy songs, striking fashion choices and incredible charm. Through lively text and dozens of gorgeous photographs, this Fan Book follows the rise and rise of Olivia, from High School Musical to her acclaimed album Sour, and highlights how she's only just getting started. Filled with quotes from Olivia and her closest collaborators, discussing fame, fashion, fans and more, as well as tons of stunning snaps from the red carpet to stadium stages, Olivia Rodrigo - The Ultimate Fan Book takes you onstage, in the studio and behind the scenes with one of the brightest stars on the planet.

"Ed's photos take us behind the scenes and in the middle of the action. I always felt like I was being transported to the location of the shot, and was experiencing it all first hand. The Stooges Funhouse sessions are my favorite rock photos of all time. I wanted to be those guys. Those images have stayed with me my entire life and continue to inspire me to this day !!!!!" - John Varvatos In May 1970, The Stooges were in the middle of recording their celebrated album, Fun House at Elektra Records Recording Studio in Los Angeles. That same month, they appeared at the Whisky a Go-Go on Sunset Boulevard for two incredible nights. Ed Caraeff, a new rock photographer who had burst onto the scene three years prior with his now-iconic image of Jimi Hendrix burning his guitar onstage at Monterey, happened to be in that crowd, and took a plethora of wonderful pictures. Only a few stills from that phenomenal gig were ever reproduced. Most famously, one was used on the cover of Fun House. The rest were filed away. Until now. Ed Caraeff's coverage of this monumental moment is reprinted here for the first time in book form. He not only captures the energy, madness and raw power of Iggy Pop's performance, but also the preceding minutes before the band stepped onto stage and made history. Along with images and contact sheets, original interviews shed new light on that unforgettable night. Interviewed by pop-culture historian Jennifer Otter Bickerdike, names include Jac Holzman, Head of Elektra Records during the recording of Fun House; Mikael Maglieri, son of Mario Maglieri, owner of the Whisky a Go-Go when The Stooges played in 1970; Danny Fields, a DJ/publicist credited for signing MC5 and The Stooges; and Jeff Gold, music historian and noted Iggy Pop biographer. A tribute to the band that rocked the world, Iggy & The Stooges: One Night at the Whisky, 1970 will revolutionise your view of music.

This book launches a proposal: to fill some empirical and theoretical gaps that presently exists in populism studies by looking at the potential nexus between populist phenomena and popular culture. It provides a detailed account of the multiple mechanisms linking the production of pop music (as a form of popular culture) to the rise and reproduction of populism. The authors use a case study of Italy to interrogate these mechanisms because of its long-lasting populist phenomena and the contextual importance of pop music. The book's mixed-methods strategy assesses three different aspects of the potential relationship between pop music and populist politics: the cultural opportunity structure generated and reproduced by the production of music, the strategies political actors use to exploit music for political purposes, and, crucially, the ways fans and ordinary citizens understand the relationship between pop music and politics, and subsequent debates and identities. Moving from the case study, the book in its last chapter offers a more general understanding of the associations between pop music and populism.

Kylie Minogue's self-titled debut album produced hits, controversy and a perfect mainstream storm. The then soap and children's television star 'crossed over' to music with hit writer/producers SAW - and the shamelessly commercial approach of all involved saw the 'real' music industry get its back up. This book interrogates the way that commercial pop albums are remembered in both the popular music press and in academic research. Is there a way of dealing with 'mainstream' pop without denigrating the music and (just as importantly) without validating it according to the terms of a 'high art' canon? This text sheds light on the way that notions of 'mainstream' and 'other' play out in a local context-specifically, Australia and New Zealand music on a global stage.

Elliott Smith was one of the most gifted songwriters of the nineties, adored by worshipful fans for his subtly melancholic words and melodies. The sadness had its sources in the life. There was trauma from an early age, years of drug abuse and a chronic sense of disconnection that sometimes seemed almost self-engineered. Smith died violently in Los Angeles in 2003, under what some believe to be questionable circumstances, of a single fatal stab wound to the chest. By this time fame had found him, and record buyers who shared the listening experience felt he spoke directly to them from beyond: lonely, lovelorn, frustrated, fighting until he could fight no more. And yet, although his achingly intimate lyrics carried the weight of truth, Smith remained unknowable. In Torment Saint, William Todd Schultz gives us the first proper biography of the rock star, a decade after his death, imbued with affection, authority, sensitivity and long-awaited clarity. Torment Saint draws on Schultz's careful, deeply knowledgeable readings and insights, as well as on more than 150 hours of interviews with close friends, lovers, bandmates, peers, managers, label owners, and recording engineers and producers. This book unravels the remaining mysteries of Smith's life and his shocking, too-early end. It will be an indispensable examination of his life and legacy, both for Smith's legions of fans as well as readers still discovering his songbook.

This is the first extensive scholarly study of drone metal music and its religious associations, drawing on five years of ethnographic participant observation from more than 300 performances and 74 interviews, plus surveys, analyses of sound recordings, artwork, and extensive online discourse about music. Owen Coggins shows that while many drone metal listeners identify as non-religious, their ways of engaging with and talking about drone metal are richly informed by mysticism, ritual and religion. He explores why language relating to mysticism and spiritual experience is so prevalent in drone metal culture and in discussion of musical experiences and practices of the genre. The author develops the work of Michel de Certeau to provide an empirically grounded theory of mysticism in popular culture. He argues that the marginality of the genre culture, together with the extremely abstract sound produces a focus on the listeners' engagement with sound, and that this in turn creates a space for the open-ended exploration of religiosity in extreme states of bodily consciousness.

The German edition of the AK Press book "Philosophy of Punk: More Than Noise!," Additions include a preface by Joachim of OX fanzine.

This is the first book to give an inside look at the thriving subculture as an important present day movement and a way of life. Covering such topics as skinheads, fanzines, anarchism, homosexuality, and, of course, punk rock! Includes over 70 photos and graphics.