Hans Urs von Balthasar, one of the preeminent theologians of Roman Catholic theology in the modern-era, constructed a theological world suffused by the literary, a vision carried across over 16 volumes of his magnum opus. A Generous Symphony offers a balanced appraisal of Balthasar's literary achievement and explicates Balthasar's literary criticism as a distinctive theology of revelation, which offers possibilities for understanding how divine presence may be manifested outside the canonical boundaries of Christian tradition. The structure of A Generous Symphony is a chronological presentation of the Balthasarian canon of imaginative literature, which allows readers to see how social and historical interests guide Balthasar's readings in the pre-Christian, medieval, and modern eras. Balthasar's deep investment in the uniqueness of Christian revelation is underlined, while, at the same time, his aesthetic sympathies cause him to invest literature with 'quasi-sacramental' status.

Catholicism is generally over-institutionalized and over-centralized in comparison to other religions. However, it finds itself in an increasingly interrelated and globalized world and is therefore immersed in a great plurality of social realities. The Changing Faces of Catholicism assembles an international cast of contributors to explore the consequent decline of powerful Catholic organisations as well as to address the responses and resistance efforts that specific countries have taken to counteract the secularization crisis in both Europe and the Americas. It reveals some of the strategies of the Catholic Church as a whole, and of the Vatican centre in particular, to address problems of the global era through the dissemination of spiritually progressive writing, World Youth Days, and the transformation of Catholic education to become a forum for intercultural and interreligious dialogue. The volume also reflects on the adaptation of Catholic institutions and missions as sponsored by religious communities and monastic orders.