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Books > Language & Literature > Biography & autobiography > Royalty
Wife, widow, mother, survivor, the story of the last queen of Henry
VIII. Catherine Parr was enjoying her freedom after her first two
arranged marriages when she caught the attention of the elderly
Henry VIII. The most reluctant of all Henry's wives, she offered to
become his mistress rather than submit herself to the dangers of
becoming Henry's queen. This only increased Henry's enthusiasm for
the vibrant, intelligent young widow and Catherine was forced to
abandon her handsome lover, Thomas Seymour, for the decrepit king.
She quickly made her role as queen a success, providing Henry VIII
with a domestic tranquillity that he had not known since the early
days of his first marriage. For Henry, Catherine was a satisfactory
choice but he never stopped considering a new marriage, much to
Catherine's terror. Catherine is remembered as the wife who
survived but, without her strength of character it could have been
very different. It was a relief for Catherine when Henry finally
died and she could secretly marry Thomas Seymour. Left with no role
in government affairs in her widowhood, she retired to the country,
spending time at her manors at Chelsea and Sudeley. It was here
that her heart was broken by her discovery of a love affair between
her stepdaughter, the future Elizabeth I, and her husband. She died
in childbirth accusing her husband of plotting her death.
Traditionally portrayed as a matronly and dutiful figure, Elizabeth
Norton's new biography shows another side to Catherine. Her life
was indeed one of duty but, throughout, she attempted to escape her
destiny and find happiness for herself. Ultimately, Catherine was
betrayed and her great love affair with Thomas Seymour turned sour.
The artist and author, Owen Grant Innes, began life in Nova Scotia,
'the most British of the Canadian provinces.' As a young boy in the
1960s, Innes felt an enormous sense of not belonging and found that
through history, culture, and Queen Elizabeth II, he was connected
to a wider world and, in that, found a sense of belonging. This
book is a product of the unique relationship between sovereign and
subject, acting as a 'love letter' to the Queen. Including 24
beautiful artworks dedicated to the Queen's life, from her birth to
coronation, to the recent passing of her husband, Prince Philip.
Alongside each painting is a quotation from Her Majesty or a
reflection from the author. This book is a wonderful ode to the
monarch and a tribute to the impact of her long reign.
This is the story of Queen Caroline's favourite ghostwriter, the
infamous Captain Thomas Ashe, who was also an adventurer and
sometime blackmailer. His unpublished novel, The Claustral Palace:
or Memoirs of The Family, carried out Caroline's threat to 'blow
the roof off the Nunnery', revealing the secret lives and loves of
the daughters of King George III in their unmarried confinement at
Frogmore, the UK marital home of Harry and Meghan (for a short
time). A blackmailing synopsis was circulated to members of the
royal family. It was then stolen by government agents and preserved
by the Treasury Solicitor. James Travers describes for the first
time the significance of this novel, its author, and his
relationship with Caroline, the estranged wife of George IV, and
with the government of Spencer Perceval, whose untimely death the
author predicted. Did Perceval himself blackmail his way to power?
The novel itself is a never-before-seen gothic bodice-ripper about
the royal princesses and their clandestine lovers at Frogmore,
based on Caroline's own confidences gained from Princess Elizabeth.
Later encouraged by shadowy figures allied to the Irish statesman
Daniel O'Connell, Captain Ashe blackmailed and threatened the life
of the Duke of Cumberland and preoccupied the cabinet meetings of
the Duke of Wellington.
A heartwarming and dramatic World War I saga of secrets, love and
the British royal family for readers of Daisy Styles and Maisie
Thomas. 'A heartwarming historical novel' Rosie Goodwin 'A gripping
historical saga' Daisy Styles Roll out the red carpet. The royal
train is due in half an hour and there's not a minute to be wasted.
It's 1915 and the country is at war. In the small Norfolk village
of Wolferton, uncertainty plagues the daily lives of sisters Ada,
Jessie and Beatrice Saward, as their men are dispatched to the
frontlines of Gallipoli. Harry, their father, is the station master
at the local stop for the royal Sandringham Estate. With members of
the royal family and their aristocratic guests passing through the
station on their way to the palace, the Sawards' unique position
gives them unrivalled access to the monarchy. But when the Sawards'
estranged and impoverished cousin Maria shows up out of the blue,
everything the sisters thought they knew about their family is
thrown into doubt. The Royal Station Master's Daughters is the
first book in a brand-new World War I saga series, inspired by the
Saward family, who ran the station at Wolferton in the late
nineteenth and early twentieth centuries. Through this
history-making family we get a glimpse into all walks of life -
from glittering royalty to the humblest of servants. Don't miss the
second book in the series, The Royal Station Master's Daughters at
War, coming in 2022. Pre-order now. 'Anyone who reads romantic
fiction in a historical setting should love [The Royal Station
Master's Daughters] but for anyone who knows Sandringham it really
does evoke something of the place and life on the estate' Neil
Storey, WWI historian
'Your Majesty may find it extraordinary that I should answer with a
shipment of fruit your letter of 6 August, in which you inform me
that you are sending the plan for a treaty, and that of the 8
September, in which you are so good as to share with me equally
important intelligence. Things big and small often come from the
same source: my watermelons derive from the same principles as our
planned alliance...' (To Frederick the Great) Catherine the Great's
letters present a vivid picture of Russia in a momentous age. They
also offer a unique account of her personal development and
intimate life, her strategic acumen as a diplomat and military
commander, and her political skills at the Russian court and in
handling foreign monarchs. Born a German princess, Catherine
married into the Russian royal family and came to the throne after
a coup. As absolute ruler for 34 years she presided over the
expansion of the Russian empire, legislated actively to reform the
country in keeping with the principles of the Enlightenment,
actively promoted the arts and sciences, and in her correspondence
engaged with the most renowned minds in Europe, among them Diderot
and Voltaire. Her letters are her literary masterpiece, written to
a wide circle of associates and friends, not least her most
celebrated lover and ally, Potemkin. Combining her wit, charm, and
quick eye for detail, they entertain and tell the griping story of
a self-made woman and legendary ruler. This edition of the letters
offers a taste of Catherine's entire writing career, with
biographies of Catherine's addressees, a thorough overview of her
reign and an analysis of Catherine's literary skill as a
letter-writer. Organized chronologically and thematically into six
periods, each section also features an introduction to the
domestic, personal and foreign policy contexts out of which her
letters emerge.
In Shah of Shahs Kapuscinski brings a mythographer's perspective
and a novelist's virtuosity to bear on the overthrow of the last
Shah of Iran, one of the most infamous of the United States'
client-dictators, who resolved to transform his country into "a
second America in a generation," only to be toppled virtually
overnight. From his vantage point at the break-up of the old
regime, Kapuscinski gives us a compelling history of conspiracy,
repression, fanatacism, and revolution.Translated from the Polish
by William R. Brand and Katarzyna Mroczkowska-Brand.
Perhaps the most influential sovereign England has ever known, Queen Elizabeth I remained an extremely private person throughout her reign, keeping her own counsel and sharing secrets with no one--not even her closest, most trusted advisers. Now, in this brilliantly researched, fascinating new book, acclaimed biographer Alison Weir shares provocative new interpretations and fresh insights on this enigmatic figure.
Against a lavish backdrop of pageantry and passion, intrigue and war, Weir dispels the myths surrounding Elizabeth I and examines the contradictions of her character. Elizabeth I loved the Earl of Leicester, but did she conspire to murder his wife? She called herself the Virgin Queen, but how chaste was she through dozens of liaisons? She never married--was her choice to remain single tied to the chilling fate of her mother, Anne Boleyn? An enthralling epic that is also an amazingly intimate portrait, The Life of Elizabeth I is a mesmerizing, stunning reading experience.
Catherine of Aragon is an elusive subject. Despite her status as a
Spanish infanta, Princess of Wales, and Queen of England, few of
her personal letters have survived, and she is obscured in the
contemporary royal histories. In this evocative biography, Theresa
Earenfight presents an intimate and engaging portrait of Catherine
told through the objects that she left behind. A pair of shoes, a
painting, a rosary, a fur-trimmed baby blanket-each of these things
took meaning from the ways Catherine experienced and perceived
them. Through an examination of the inventories listing the few
possessions Catherine owned at her death, Earenfight follows the
arc of Catherine's life: first as a coddled child in Castile, then
as a young adult alone in England after the death of her first
husband, a devoted wife and doting mother, a patron of the arts and
of universities, and, finally, a dear friend to the women and men
who stood by her after Henry VIII set her aside in favor of another
woman. Based on traces and fragments, these portraits of Catherine
are interpretations of a life lived five centuries ago. Earenfight
creates a compelling picture of a multifaceted, intelligent woman
and a queen of England. Engagingly written, this cultural and
emotional biography of Catherine brings us closer to understanding
her life from her own perspective.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "THE NEW YORK TIMES BOOK
REVIEW "AND "THE BOSTON GLOBE"
This richly entertaining biography chronicles the eventful life of
Queen Victoria's firstborn son, the quintessential black sheep of
Buckingham Palace, who matured into as wise and effective a monarch
as Britain has ever seen. Granted unprecedented access to the royal
archives, noted scholar Jane Ridley draws on numerous primary
sources to paint a vivid portrait of the man and the age to which
he gave his name.
Born Prince Albert Edward, and known to familiars as "Bertie," the
future King Edward VII had a well-earned reputation for debauchery.
A notorious gambler, glutton, and womanizer, he preferred the
company of wastrels and courtesans to the dreary life of the
Victorian court. His own mother considered him a lazy halfwit,
temperamentally unfit to succeed her. When he ascended to the
throne in 1901, at age fifty-nine, expectations were low. Yet by
the time he died nine years later, he had proven himself a deft
diplomat, hardworking head of state, and the architect of Britain's
modern constitutional monarchy.
Jane Ridley's colorful biography rescues the man once derided as
"Edward the Caresser" from the clutches of his historical
detractors. Excerpts from letters and diaries shed new light on
Bertie's long power struggle with Queen Victoria, illuminating one
of the most emotionally fraught mother-son relationships in
history. Considerable attention is paid to King Edward's campaign
of personal diplomacy abroad and his valiant efforts to reform the
political system at home. Separating truth from legend, Ridley also
explores Bertie's relationships with the women in his life. Their
ranks comprised his wife, the stunning Danish princess Alexandra,
along with some of the great beauties of the era: the actress
Lillie Langtry, longtime "royal mistress" Alice Keppel (the
great-grandmother of Camilla Parker Bowles), and Lady Randolph
Churchill, mother of Winston.
Edward VII waited nearly six decades for his chance to rule, then
did so with considerable panache and aplomb. A magnificent life of
an unexpectedly impressive king, "The Heir Apparent" documents the
remarkable transformation of a man--and a monarchy--at the dawn of
a new century.
Praise for" The Heir Apparent"
"If "The Heir Apparent"] isn't "the "definitive life story of this
fascinating figure of British history, then nothing ever will
be."--"The Christian Science Monitor
"
""The Heir Apparent" is smart, it's fascinating, it's sometimes
funny, it's well-documented and it reads like a novel, with Bertie
so vivid he nearly leaps from the page, cigars and
all."--Minneapolis "Star Tribune"
" "
"I closed "The Heir Apparent" with admiration and a kind of wry
exhilaration."--"The Wall Street Journal"
"Ridley is a serious scholar and historian, who keeps Bertie's
flaws and virtues in a fine balance."--"The Boston Globe"
"Brilliantly entertaining . . . a landmark royal biography."--"The
Sunday Telegraph"
"Superb."--"The New York Times Book Review"
"From the Hardcover edition."
Anna was the 'last woman standing' of Henry VIII's wives - and the
only one buried in Westminster Abbey. How did she manage it? Anna,
Duchess of Cleves: The King's 'Beloved Sister' looks at Anna from a
new perspective, as a woman from the Holy Roman Empire and not as a
woman living almost by accident in England. Starting with what
Anna's life as a child and young woman was like, the author
describes the climate of the Cleves court, and the achievements of
Anna's siblings. It looks at the political issues on the Continent
that transformed Anna's native land of Cleves - notably the court
of Anna's brother-in-law, and its influence on Lutheranism - and
Anna's blighted marriage. Finally, Heather Darsie explores ways in
which Anna influenced her step-daughters Elizabeth and Mary, and
the evidence of their good relationships with her. Was the Duchess
Anna in fact a political refugee, supported by Henry VIII? Was she
a role model for Elizabeth I? Why was the marriage doomed from the
outset? By returning to the primary sources and visiting archives
and museums all over Europe (the author is fluent in German, and
proficient in French and Spanish) a very different figure emerges
to the 'Flanders Mare'.
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