Richard III. The name will conjure an image for any reader: Shakespeare's hunchback tyrant who killed his own nephews or a long-denigrated, misunderstood king. This one man's character and actions have divided historians and the controversy has always kept interest in Richard alive. However, curiosity surrounding his life and death has reached unprecedented heights in the aftermath of the discovery of his skeleton under a Leicester car park. The myths that have always swirled around Richard III have risen and multiplied and it is time to set the record straight. John Ashdown-Hill, whose research was instrumental in the discovery of Richard III's remains, explores and unravels the web of myths in this fascinating book.

King for fifty years (1327--77), Edward III changed the face of England.
He ordered his uncle to be beheaded; he usurped his father's throne; he started a war which lasted for more than a hundred years, and taxed his people more than any other previous king. Yet for centuries, Edward III was celebrated as the most brilliant king England had ever had.
In this first full study of the man, Ian Mortimer shows how Edward personally provided the impetus for much of the drama of his reign. Edward overcame the tyranny of his guardians at the age of seventeen and then set about developing a new form of awe-inspiring chivalric kingship. Under him the feudal kingdom of England became a highly organized, sophisticated nation, capable of raising large revenues and, without question, the most important military nation in Europe. Yet under his rule England also experienced its longest period of domestic peace in the Middle Ages, giving rise to a massive increase in the nation's wealth through the wool trade, with huge consequences for society, art and architecture. It is to Edward that England owes its system of parliamentary representation, local justice system and the English language as "the tongue of the nation."
As the King who re-made England and forged a nation out of war, Edward III emerges as the father of the English nation.

An imaginative reassessment of AEthelred "the Unready," one of medieval England's most maligned kings and a major Anglo-Saxon figure The Anglo-Saxon king AEthelred "the Unready" (978-1016) has long been considered to be inscrutable, irrational, and poorly advised. Infamous for his domestic and international failures, AEthelred was unable to fend off successive Viking raids, leading to the notorious St. Brice's Day Massacre in 1002, during which Danes in England were slaughtered on his orders. Though AEthelred's posthumous standing is dominated by his unsuccessful military leadership, his seemingly blind trust in disloyal associates, and his harsh treatment of political opponents, Roach suggests that AEthelred has been wrongly maligned. Drawing on extensive research, Roach argues that AEthelred was driven by pious concerns about sin, society, and the anticipated apocalypse. His strategies, in this light, were to honor God and find redemption. Chronologically charting AEthelred's life, Roach presents a more accessible character than previously available, illuminating his place in England and Europe at the turn of the first millennium.

A personal account of the life and character of Britain's longest-reigning monarch __________ This intimate, personal biography of Queen Elizabeth II tells the story of her remarkable life, reign and times, from a perspective unlike any other. Gyles Brandreth writes the Queen's tale candidly with grace and sensitivity from the view of someone who met her, talked with her and kept a record of those conversations. Brandreth knew the Queen's husband well and knows the new King and Queen Consort. Told with authority, a refreshing dose of humour and moving honesty from a totally unique viewpoint, Elizabeth: An Intimate Portrait is the must-have biography of the longest-serving monarch in English history, of a woman who represented not only her people but stood as an emblem of fortitude and resilience worldwide throughout her long life. Elizabeth II - what was she really like? What made her the person she was? By GYLES BRANDRETH: 'The writer who got closest to the human truth about our long-serving senior royals.' Libby Purves, THE TIMES __________

The untold story behind one of the most sensational chapters in the history of the House of Windsor. Paul Burrell fought to clear his own name. Now he reveals new truths about Princess Diana - and presents for the first time as faithful an account of her thoughts as we can ever hope to read. He was the favourite footman who formed a unique relationship with the Queen. He was the butler who the Princess of Wales called 'my rock' and 'the only man I can trust'. He was accused of theft, then acquitted following the historic intervention of the monarch. He was the Princess' most intimate confidante - and is the only person able to separate the myth from the truth of the Diana years. Now at last Paul Burrell cuts through the gossip and the lies and takes us closer to the complex heart of the Royal family then ever before.

This is the story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. Using a wide range of original sources - including private letters, portraits, verse, drama, and state papers - Susan Doran provides a vivid and often dramatic account of political life in Elizabethan England and the queen at its centre, offering a deeper insight into Elizabeth's emotional and political conduct - and challenging many of the popular myths that have grown up around her. It is a story replete with fascinating questions. What was the true nature of Elizabeth's relationship with her father, Henry VIII, especially after his execution of her mother? How close was she to her half-brother Edward VI - and were relations with her half-sister Mary really as poisonous as is popularly assumed? And what of her relationship with her Stewart cousins, most famously with Mary Queen of Scots, executed on Elizabeth's orders in 1587, but also with Mary's son James VI of Scotland, later to succeed Elizabeth as her chosen successor? Elizabeth's relations with her family were crucial, but just as crucial were her relations with her courtiers and her councillors. Here again, the story raises a host of fascinating questions. Was the queen really sexually jealous of her maids of honour? Did physically attractive male favourties dominate her court? What does her long and intimate relationship with the Earl of Leicester reveal about her character, personality, and attitude to marriage? What can the fall of Essex tell us about Elizabeth's political management in the final years of her reign? And what was the true nature of her personal and political relationship with influential and long-serving councillors such as the Cecils and Sir Francis Walsingham? And how did courtiers and councillors deal with their demanding royal mistress?

More than a quarter of a century after it was first published in hardcover comes a never-before-issued trade paperback edition of the classic Nicholas and Alexandra. Featuring a new introduction by its Pulitzer Prize -- winning author, this powerful work sweeps us back to the extraordinary world of Imperial Russia to tell the story of the Romanovs' lives: Nicholas's political naivete, Alexandra's obsession with the corrupt mystic Rasputin, and little Alexis's brave struggle with hemophilia. Against a lavish backdrop of luxury and intrigue, Robert K. Massie unfolds a powerful drama of passion and history -- the story of a doomed empire and the death-marked royals who watched it crumble. . . .

The amazing life of Margaret of York, the woman who tried to overthrow the Tudors. Reared in a dangerous and unpredictable world Margaret of York, sister of Richard III, would become the standard bearer of the House of York and 'the menace of the Tudors'. This alluring and resourceful woman was Henry VII's 'diabolical duchess'. Safe across the Channel in modern-day Belgium and supported by the Emperor she sent Lambert Simnel and Perkin Warbeck with thousands of troops to England to avenge the destruction of her brother and of the House of York. Both rebellions shook the new Tudor dynasty to the core. As the duchess and wife of the wealthiest ruler in Western Europe, Margaret was at the centre of a glittering court and became the patron of William Caxton. It was at her command that he printed the first book in English. Her marriage to Charles, the dour, war-mad Duke of Burgundy, had been the talk of Europe. John Paston, who was among the awestruck guests, reported in the famous Paston Letters that there had been nothing like it since King Arthur's court. Yet within a decade Charles was dead, his corpse frozen on the battlefield and within another decade her own family had been destroyed in England. Childless and in a foreign land Margaret showed the same energetic and cautious spirit as her great-grand-niece Elizabeth I, surviving riots, rebellions and plots. In spite of all her efforts, the Tudors were still on the throne but Margaret, unlike the Yorkist kings, was a great survivor. Includes 47 illustrations.

A DAILY TELEGRAPH AND BBC HISTORY MAGAZINE BOOK OF THE YEAR 2019 'A remarkable book: the dramatic story of a truly extraordinary man ... brilliant' Helen Castor, author of She-Wolves A major new biography of one of the most extraordinary of all rulers, and the father of present-day Europe Charles, King of the Franks, is one of the most remarkable figures ever to rule a European super-state. That is why he is so often called 'Charles the Great': by the French 'Charlemagne', and by the Germans 'Karl der Grosse'. His strength of character was felt to be remarkable from early in his long reign. Warfare and accident, vermin and weather have destroyed much of the evidence for his rule in the twelve centuries since his death, but a remarkable amount still survives. Janet L. Nelson's wonderful new book brings together everything we know about Charlemagne and sifts through the evidence to come as close as we can to understanding the man and his motives. Nelson has an extraordinary knowledge of the sources and much of the book is a sort of detective story, prying into and interpreting fascinating material and often obdurate scraps, from prayerbooks to skeletons, gossip to artwork. Above all, Charles' legacy lies in his deeds and their continuing resonance, as he shaped duchies and counties, rebuilt and founded towns and monasteries, and consciously set himself up not just as King of the Franks, but as the new 'Emperor governing the Roman Empire'. His successors - in some ways to the present day - have struggled to interpret, misinterpret, copy or subvert Charlemagne's legacy. Nelson gets us as close as we can ever hope to come to the real figure, as understood in his own time.

Edward the Elder succeeded his father Alfred the Great to the kingdom of Wessex, but was largely overlooked by his contemporaries (at least in terms of the historical record) and to a greater or lesser extent by later historians. He is the forgotten son of Alfred. Edward deserves to be recognised for his contribution to Anglo-Saxon history and a new assessment of his reign is overdue. He proved equal to the task of cementing and extending the advances made by his father, and paved the way for the eventual unification of the Anglo-Saxon kingdoms and the nation-state of England. The course of English medieval history after his death was a direct outcome of military successes during his reign. Edward was a ruthlessly efficient military strategist and commander, a strong and stable ruler and administrator, and the most powerful figure during the early decades of the tenth century. He and his famous sister AEthelflaed constructed fortresses to guard against Viking attacks and Edward conquered the southern Danelaw. He should be acknowledged as a great Anglo-Saxon king in his own right, and is entitled to stand comparison with every English monarch in the millennium that has passed since his reign.

The artist and author, Owen Grant Innes, began life in Nova Scotia, 'the most British of the Canadian provinces.' As a young boy in the 1960s, Innes felt an enormous sense of not belonging and found that through history, culture, and Queen Elizabeth II, he was connected to a wider world and, in that, found a sense of belonging. This book is a product of the unique relationship between sovereign and subject, acting as a 'love letter' to the Queen. Including 24 beautiful artworks dedicated to the Queen's life, from her birth to coronation, to the recent passing of her husband, Prince Philip. Alongside each painting is a quotation from Her Majesty or a reflection from the author. This book is a wonderful ode to the monarch and a tribute to the impact of her long reign.

This is the story of Queen Caroline's favourite ghostwriter, the infamous Captain Thomas Ashe, who was also an adventurer and sometime blackmailer. His unpublished novel, The Claustral Palace: or Memoirs of The Family, carried out Caroline's threat to 'blow the roof off the Nunnery', revealing the secret lives and loves of the daughters of King George III in their unmarried confinement at Frogmore, the UK marital home of Harry and Meghan (for a short time). A blackmailing synopsis was circulated to members of the royal family. It was then stolen by government agents and preserved by the Treasury Solicitor. James Travers describes for the first time the significance of this novel, its author, and his relationship with Caroline, the estranged wife of George IV, and with the government of Spencer Perceval, whose untimely death the author predicted. Did Perceval himself blackmail his way to power? The novel itself is a never-before-seen gothic bodice-ripper about the royal princesses and their clandestine lovers at Frogmore, based on Caroline's own confidences gained from Princess Elizabeth. Later encouraged by shadowy figures allied to the Irish statesman Daniel O'Connell, Captain Ashe blackmailed and threatened the life of the Duke of Cumberland and preoccupied the cabinet meetings of the Duke of Wellington.

Catherine of Aragon is an elusive subject. Despite her status as a Spanish infanta, Princess of Wales, and Queen of England, few of her personal letters have survived, and she is obscured in the contemporary royal histories. In this evocative biography, Theresa Earenfight presents an intimate and engaging portrait of Catherine told through the objects that she left behind. A pair of shoes, a painting, a rosary, a fur-trimmed baby blanket-each of these things took meaning from the ways Catherine experienced and perceived them. Through an examination of the inventories listing the few possessions Catherine owned at her death, Earenfight follows the arc of Catherine's life: first as a coddled child in Castile, then as a young adult alone in England after the death of her first husband, a devoted wife and doting mother, a patron of the arts and of universities, and, finally, a dear friend to the women and men who stood by her after Henry VIII set her aside in favor of another woman. Based on traces and fragments, these portraits of Catherine are interpretations of a life lived five centuries ago. Earenfight creates a compelling picture of a multifaceted, intelligent woman and a queen of England. Engagingly written, this cultural and emotional biography of Catherine brings us closer to understanding her life from her own perspective.

In the long run, we're all dead. But for some of the most influential figures in history, death marked the start of a new adventure. The famous deceased have been stolen, burned, sold, pickled, frozen, stuffed, impersonated and even filed away in a lawyer's office. Their fingers, teeth, toes, arms, legs, skulls, hearts, lungs and nether regions have embarked on voyages that criss-cross the globe and stretch the imagination. Counterfeiters tried to steal Lincoln's corpse. Einstein's brain went on a cross-country road trip. And after Lord Horatio Nelson perished at Trafalgar, his sailors submerged him in brandy - which they drank. From Mozart to Hitler, Rest in Pieces connects the lives of the famous dead to the hilarious and horrifying adventures of their corpses and traces the evolution of cultural attitudes towards death.