While the perception of magic as harmful is age-old, the notion of witches gathering together in large numbers, overtly worshiping demons, and receiving instruction in how to work harmful magic as part of a conspiratorial plot against Christian society was an innovation of the early fifteenth century. The sources collected in this book reveal this concept in its formative stages. The idea that witches were members of organized heretical sects or part of a vast diabolical conspiracy crystalized most clearly in a handful of texts written in the 1430s and clustered geographically around the arc of the western Alps. Michael D. Bailey presents accessible English translations of the five oldest surviving texts describing the witches’ sabbath and of two witch trials from the period. These sources, some of which were previously unavailable in English or available only in incomplete or out-of-date translations, show how perceptions of witchcraft shifted from a general belief in harmful magic practiced by individuals to a conspiratorial and organized threat that led to the witch hunts that shook northern Europe and went on to influence conceptions of diabolical witchcraft for centuries to come. Origins of the Witches’ Sabbath makes freshly available a profoundly important group of texts that are key to understanding the cultural context of this dark chapter in Europe’s history. It will be especially valuable to those studying the history of witchcraft, medieval and early modern legal history, religion and theology, magic, and esotericism.

According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renee Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.

This highly original and engaging book by French historian Robert Muchembled, is a journey through time and space in search of the changing perception and significance of the devil in Western culture.

The author takes the story back to the 13th century, when visual images of Satan first started to appear, and forward to the 20th Century, dealing with, among others, the place of the diabolical in the films of Stanley Kubrick, including "Eyes Wide Shut," The changing figures of Evil over time are shown to correlate with the way in which men conceive of their destinies and the future of their civilisation. Fascination with the diabolical having reached its height in the witch-hunts of the 15th and 16th centuries, by the enlightenment, begins to show signs of decline, a process which has continued up to today. The result of this process, for modern western society, is a subtle metamorphosis of the notion of the devil from fear of Satan, into an internal demon, "the demon within" characterised by a distrust of oneself and ones desires. It is this conception of the diabolical that is visible today in our interest in the supernatural, exorcism, and for example, in the role of the "devlish good" in advertising.

A rich, vivid history of a topic that never ceases to intrigue.

For more than a year, between January 1692 and May 1693, the men and women of Salem Village lived in heightened fear of witches and their master, the Devil. Hundreds were accused of practicing witchcraft. Many suspects languished in jail for months. Nineteen men and women were hanged; one was pressed to death. Neighbors turned against neighbors, children informed on their parents, and ministers denounced members of their congregations. Approaching the subject as a legal and social historian, Peter Charles Hoffer offers a fresh look at the Salem outbreak based on recent studies of panic rumors, teen hysteria, child abuse, and intrafamily relations. He brings to life a set of conversations - in taverns and courtrooms, at home and work - which took place among suspected witches, accusers, witnesses, and spectators. The accusations, denials, and confessions of this legal story eventually resurrect the tangled internal tensions that lay at the bottom of the Salem witch hunts. Hoffer demonstrates that Salem, far from being an isolated community in the wilderness, stood on the leading edge of a sprawling and energetic Atlantic empire. His story begins in the slave markets of West Africa and Barbados and then shifts to Massachusetts, where the English, Africans, and Native Americans lived under increasing pressures from overpopulation, disease, and cultural conflict. In Salem itself, traditional piety and social values appeared endangered as consumerism and secular learning gained ground. Guerrilla warfare between Indians and English settlers - and rumors that the Devil had taken a particular interest in New England - panicked common people and authorities. The stage was set, Hoffer concludes, for the witchcraft hysteria.

For over a decade the cult of La Santa Muerte has grown rapidly in Mexico and the United States. Thousands of people--ranging from drug runners and mothers to cabdrivers, soldiers, police, and prison inmates--invoke the protection of La Santa Muerte. Devotees seek her protection through practicing popular vows, attending public rosaries and masses at street altars, and constructing and maintaining home altars. This book examines La Santa Muerte's role in people's daily lives and explores how popular religious practices of worship and devotion developed around a figure often associated with illicit activities. She represents life with the possibility of respite but without ultimate redemption, and she speaks to the complexities of lives lived at the fringes of violence, insecurity, impunity, and economic hardship. The essays collected here move beyond the visually arresting sight of La Santa Muerte as a tattoo or figurine, suggesting that she represents a major movement in Mexico.

Based on extensive interviews with mostly former cult members, this book chronicles the history of the Church of God of Union Assembly from its beginning around World War I up to recent times. Founded by a charismatic, unlettered leader, C. T. Pratt, who forcefully broke away from the Holiness COG organization, the church eventually found its home base in Dalton, Georgia. It grew steadily at first and then more rapidly as the great Depression ravaged workers in the mostly rural area of north Georgia. The group set up communal living practices and spread branches of the church across the country, recruiting among the most displaced with a message of social uplift and anti-capitalism, even as its religious practices became increasingly authoritarian and exploitative. If C. T. Pratt exhibited some characteristics of a violent cult leader, his son, who took over the church as his father suffered from ill-health, took these tendencies to a new level that eventually caught the attention of secular authorities. His son, in turn, was even worse--and placed the church on the path to financial ruin. Amazingly, the church survived its three authoritarian leaders and still exists

For over a decade the cult of La Santa Muerte has grown rapidly in Mexico and the United States. Thousands of people--ranging from drug runners and mothers to cabdrivers, soldiers, police, and prison inmates--invoke the protection of La Santa Muerte. Devotees seek her protection through practicing popular vows, attending public rosaries and masses at street altars, and constructing and maintaining home altars. This book examines La Santa Muerte's role in people's daily lives and explores how popular religious practices of worship and devotion developed around a figure often associated with illicit activities. She represents life with the possibility of respite but without ultimate redemption, and she speaks to the complexities of lives lived at the fringes of violence, insecurity, impunity, and economic hardship. The essays collected here move beyond the visually arresting sight of La Santa Muerte as a tattoo or figurine, suggesting that she represents a major movement in Mexico.

Children of Lucifer explores the historical origins of Satanism, the "anti-religion" that adopts Satan, the Judeo-Christian representative of evil, as an object of veneration. Ruben van Luijk traces its development from a concept invented by the Christian church to demonize its internal and external competitors, to a positive (anti-)religious identity embraced to varying degrees by groups in the modern West. Van Luijk offers a comprehensive intellectual history of this long and unpredictable trajectory; a story that involves Romantic poets, radical anarchists, eccentric esotericists, Decadent writers, and schismatic exorcists, among others, culminating in the establishment of the Church of Satan by carnival entertainer Anton Szandor LaVey. Yet, he argues, this story is more than just a collection of colorful characters and unlikely historical episodes. The emergence of new attitudes towards Satan proves to be intimately linked to the Western Revolution-the ideological struggle for emancipation that transformed the West and is epitomized by the American and French Revolutions. It is also closely connected to secularization, that other exceptional historical process during which western culture spontaneously renounced its traditional gods in order to enter into a self-imposed state of religious indecision. Children of Lucifer, thus, makes the case that the emergence of Satanism presents a shadow history of the evolution of modern civilization as we know it.

When over 900 followers of the Peoples Temple religious group committed suicide in 1978, they left a legacy of suspicion and fear. Most accounts of this mass suicide describe the members as brainwashed dupes and overlook the Christian and socialist ideals that originally inspired Peoples Temple members. Hearing the Voices of Jonestown restores the individual voices that have been erased so that we can better understand what was created - and destroyed - at Jonestown, and why. Piecing together information from interviews with former group members, archival research, and diaries and letters of those who died there, Maaga describes the women leaders as educated political activists who were passionately committed to achieving social justice through communal life. The book analyzes the historical and sociological factors that, Maaga finds, contributed to the mass suicide, such as growing criticism from the larger community and the influx of an upper-class, educated leadership that eventually became more concerned with the symbolic effects of the organization than with the daily lives of its members. Hearing the Voices of Jonestown puts human faces on the events at Jonestown, confronting theoretical religious questions, such as how worthy utopian ideals come to meet such tragic and misguided ends.

This highly original, engaging book is a journey through time and space in search of the changing perception and significance of the devil in western culture. Written by French historian Robert Muchembled, the book begins with the thirteenth century, when visual images of Satan began to appear, and looks forward to the twentieth century, dealing with the films of Stanley Kubrick, including "Eyes Wide Shut. The book reveals that changing figures of evil correlate over time with the ways in which conceive of their destinies and the future of their civilization. Fascination with the diabolical having reached its height in the witch hunts of the fifteenth and sixteenth centuries, it began to show signs of decline by the Enlightenment, a process that has continued up to today. The result of this process, for modern western society, is a subtle metamorphosis of the notion of the devil from fear of Satan into an eternal demon, "the demon within" characterized by distrust of oneself and one's desires. This conception of the diabolical is visible today in our interest in the supernatural and exorcism. "A History of the Devil is a rich, vivid account of a topic that never ceases to intrigue.

Exorcism is more widespread in contemporary England than perhaps at any other time in history. The Anglican Church is by no means the main provider of this ritual, which predominantly takes place in independent churches. However, every one of the Church of England dioceses in the country now designates at least one member of its clergy to advise on casting out demons. Such `deliverance ministry' is in theory made available to all those parishioners who desire it. Yet, as Francis Young reveals, present-day exorcism in Anglicanism is an unlikely historical anomaly. It sprang into existence in the 1970s within a church that earlier on had spent whole centuries condemning the expulsion of evil spirits as either Catholic superstition or evangelical excess. This book for the first time tells the full story of the Anglican Church's approach to demonology and the exorcist's ritual since the Reformation in the sixteenth century. The author explains how and why how such a remarkable transformation in the Church's attitude to the rite of exorcism took place, while also setting his subject against the canvas of the wider history of ideas.

Witchcraft is a subject that fascinates us all, and everyone knows what a witch is - or do they? From childhood most of us develop a sense of the mysterious, malign person, usually an old woman. Historically, too, we recognize witch-hunting as a feature of pre-modern societies. But why do witches still feature so heavily in our cultures and consciousness? From Halloween to superstitions, and literary references such as Faust and even Harry Potter, witches still feature heavily in our society. In this Very Short Introduction Malcolm Gaskill challenges all of this, and argues that what we think we know is, in fact, wrong. Taking a historical perspective from the ancient world to contemporary paganism, Gaskill reveals how witchcraft has meant different things to different people and that in every age it has raised questions about the distinction between fantasy and reality, faith and proof. Telling stories, delving into court records, and challenging myths, Gaskill examines the witch-hunts of the sixteenth and seventeenth centuries, and explores the reinvention of witchcraft - as history, religion, fiction, and metaphor. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

While Africa and Madagascar seem like strange and faraway places, the world in which we now live has become much smaller than many of us could ever have imagined. Moreover, even our neighbors visit the local fortuneteller, read the horoscope page in the newspaper, and attend s ances that seek to reach departed friends, lovers, and family members. Consequently, as we begin a journey into faraway places, we may soon find they are not as far away as we may have expected.

from Chapter 3

I Am Not Afraid is Rev. Dr. Robert Bennett's fascinating first-hand account of the spiritual warfare found within the Lutheran Church of Madagascar. Is spiritual warfare something new to the Church? Bennett reviews what the Bible, Church Fathers, and contemporary Lutheran leaders have to say.

Part One includes recent conversations dealing with spiritual warfare, an introduction into the Malagasy Lutheran Church, and the traditional Malagasy worldview. These are the stories of those who have been rescued from the darkness of sin and brought into the light of the Gospel.

Part Two looks to the Bible and the Church for explanation and historical perspective on the spiritual warfare found in the Malagasy Lutheran Church. Is it something only found in the time of Jesus and the apostles? What has the Church said in the past about such activities? Bennett explores the views of Martin Luther and other Lutheran leaders, and finally provides some helpful contemporary material and resources for dealing with spiritual warfare in today's context.

Includes a glossary of key terms, transcripts of personal interviews, bibliography, Scripture index, and subject index.

'One of the most remarkable works of academic investigation I have ever had in my hands;it is not too much to say that Professor Cohn has revolutionized the study of the subject... it is a brilliant book.' Bernard Levin, THE OBSERVER In this pioneering book Norman Cohn traces popular beliefs about witches to their origins, and shows how the great witch-hunt erupted, when thousands of innocent people were tortured and burned alive. 'It is no exaggeration to describe EUROPE'S INNER DREAMS as the most important book yet written on European witchcraft.' Max Marwick, SOCIOLOGY This is a book of real stature which I hope will have wide impact. Only if we begin to understand the horrifying recesses of the human imagination can we prevent the recurrence of those dreadful, irrational persecutions which have so disfigured human history.' Anthony Storr

Women known as "shriekers" howled, screamed, convulsed, and tore their clothes. Believed to be possessed by devils, these central figures in a cultural drama known as klikushestvo stirred various reactions among those who encountered them. While sympathetic monks and peasants tended to shelter the shriekers, others analyzed, diagnosed, and objectified them. The Russian Orthodox Church played an important role, for, while moving toward a scientific explanation for the behavior of these women, it was reluctant to abandon the ideas of possession and miraculous exorcism. Possessed is the first book to examine the phenomenon of demon possession in Russia. Drawing upon a wide range of sources-religious, psychiatric, ethnographic, and literary-Worobec looks at klikushestvo over a broad span of time but focuses mainly on the nineteenth and early twentieth centuries, when all of Russian society felt the pressure of modernization. Worobec's definitive study is as much an account of perceptions of the klikushi as an analysis of the women themselves, for, even as modern rationalism began to affect religious belief in Russia, explanations of the shriekers continued to differ widely. Examining various cultural constructions, Worobec shows how these interpretations were rooted in theology, village life and politics, and gender relationships. Engaging broad issues in Russian history, women's history, and popular religious culture, Possessed will interest readers across several disciplines. Its insights into the cultural phenomenon of possession among Russian peasant women carry rich implications for understanding the ways in which a complex society treated women believed to be out of control.