This book of thirteen conversations introduces us to the life of an exceptional person--theatre critic, Germanist, and long-time chair of the Open Lithuania Fund board Irena Veisaite. The dialogue between Lithuanian historian Aurimas Svedas and a woman who reflects deeply on her experiences reveals both one individual's historically dramatic life and the fate of Europe and Lithuania in the twentieth century. Through the complementary lenses of history and memory we confront, with Veisaite, the horrific events of the Holocaust, which brought about the end of the world of Lithuania's Jews. We also meet an array of world-class cultural figures; see fragments of legendary theatre performances; and hear meaningful words that were spoken or heard decades ago. This book's interlocutors do not so much seek to answer the question "What was it like?" but instead repeatedly ask each other: "What, how, and why do we remember? What is the meaning of our experiences? How can history help us to live in the present and create the future? How do we learn to understand and forgive?" A series of Veisaite's texts, statements, and letters, presented at the end of the book suggest further ways of answering these questions.

‘Taylor has done us a great service in making the personal stories of what it was actually like to live through the most crucial year of the twentieth century vivid, compelling and salutary.’ - Roland Philipps, author of A Spy Named Orphan: The Enigma of Donald Maclean

In the autumn of 1938, Europe believed in the promise of peace. Still reeling from the ravages of the Great War, its people were desperate to rebuild their lives in a newly safe and stable era. But only a year later, the fateful decisions of just a few men had again led Europe to war, a war that would have a profound and lasting impact on millions.

Bestselling historian Frederick Taylor focuses on the day-to-day experiences of British and German people trapped in this disastrous chain of events and not, as is so often the case, the elite. Drawn from original sources, their voices, concerns and experiences reveal a marked disconnect between government and people; few ordinary citizens in either country wanted war.

1939: A People’s History is not only a vivid account of that turbulent year but also an interrogation of our capacity to go to war again. In many ways it serves as a warning; an opportunity for us to learn from our history and a reminder that we must never take peace for granted.

Holocaust Perpetrators of the German Police Battalions is the first comprehensive English-language study of the structures and actions of German Police battalions in Poland and Ukraine between 1940 and 1942. Using these case studies, Ian Rich draws attention to the actions and motivations of individual lower-ranking policemen who participated in the mass murder of Jews during the Holocaust. He illuminates their pivotal roles as organizers, educators and role models, and the ways they were able to influence their subordinates to carry out these atrocities. This book transcends anonymous group portraits and provides a micro-historical portrait of individual killers that offers broader insights into the overall actions of the SS and police under Heinrich Himmler. Rich's comprehensive analysis of SS and police personnel records and post-war trial investigations reveals the method by which police battalions were transformed into instruments of mass murder in the occupied east during the Second World War. This book is essential to all students and scholars of Holocaust studies, Jewish studies and the Second World War.

This heart-stopping story of a young girl hiding from the Nazis is based on Clara Kramer's diary from her years surviving in an underground bunker with seventeen other people.

Clara Kramer was a typical Polish Jewish teenager from a small town at the outbreak of the Second World War. When the Germans invaded, Clara's family was taken in by the Becks, a Volksdeutsch (ethnically German) family from their town. Mr. Beck was known to be an alcoholic, a womanizer, and a vocal anti-Semite. His wife had worked as Clara's family's housekeeper. But on hearing that Jewish families were being led into the woods and shot, Beck sheltered the Kramers and two other Jewish families.

In all, eighteen people lived in a bunker dug out of the Becks' basement. Fifteen-year-old Clara kept a diary during the twenty terrifying months she was in hiding, writing down details of their unpredictable life, from the house's catching fire to Beck's affair with Clara's neighbor; the nightly SS drinking sessions in the room above to the small pleasure of a shared Christmas carp.Against all odds, Clara lived to tell her story, and her diary is now part of the permanent collection of the Holocaust Museum in Washington, D.C.

Seventy years on from the liberation of Auschwitz, the contributions collected in this volume each attempt, in various ways and from various perspectives, to trace the relationship between Nazi-occupied spaces and Holocaust memory, considering the multitude of ways in which the passing of time impacts upon, or shapes, cultural constructions of space. Accordingly, this volume does not consider topographies merely in relation to geographical landscapes but, rather, as markers of allusions and connotations that must be properly eked out. Since space and time are intertwined, if not, in fact, one and the same, an investigation of the spaces - the locations of horror - in relation to the passing of time might provide some manner of comprehension of one of the most troubling moments in human history. It is with this understanding of space, as fluid sites of memory that the contributors of this volume engage: these are the kind of shifting topographies that we are seeking to trace. This book was originally published as a special issue of Holocaust Studies: A Journal of Culture and History.

Features a new section on the institutional settings of German Jewish Studies, a Film Forum on Shahar Rozen's 1998 documentary Liebe Perla, and interviews with Paul Mendes-Flohr and Barbara Honigmann, among other contributions. Nexus is the official publication of the biennial German Jewish Studies Workshop at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing German Jewish Studies forum in North America. Because the locus of scholarship is never incidental, Nexus 6 introduces a new section, "Contexts," to examine, in this case, what it means to pursue German Jewish Studies at a Catholic university, Notre Dame. And because research is never static, it inaugurates a series in which scholars revisit their own prior scholarly publications. Robert Smith launches this initiative by revising his view of Dietrich Bonhoeffer as a source for post-Holocaust Christian-Jewish dialogue. The volume also offers conversations with the legendary Paul Mendes-Flohr on his understanding of the German Jewish "legacy" and with Barbara Honigmann on her distinctive prose style and what it means to her to practice Judaism. The popular Film Forum section returns, this time focusing on Shahar Rozen's 1998 documentary Liebe Perla. Nexus 6 also presents new scholarship on Babi Yar Holocaust memorials, Freud's famous Moses essay, Primo Levi's translation of Kafka, and an introduction to and first English translation of the 18th-century philosopher Salomon Maimon's understudied essay History of His Philosophical Authorship in Dialogues.

Why do we attach so much value to sites of Holocaust memory, if all we ever encounter are fragments of a past that can never be fully comprehended? David Duindam examines how the Hollandsche Schouwburg, a former theater in Amsterdam used for the registration and deportation of nearly 50,000 Jews, fell into disrepair after World War II before it became the first Holocaust memorial museum of the Netherlands. Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory combines a detailed historical study of the postwar period of this site with a critical analysis of its contemporary presentation by placing it within international debates concerning memory, emotionally fraught heritage and museum studies. A case is made for the continued importance of the Hollandsche Schouwburg and other comparable sites, arguing that these will remain important in the future as indexical fragments where new generations can engage with the memory of the Holocaust on a personal and affective level.

Split into three volumes, The Cambridge World History of Genocide offers an analytical survey of genocide across six continents from prehistory to the twenty-first century. Combined, they compare and contrast cases in multiple different cultures and contexts, demonstrating common themes and sharp variations that have developed over time. By examining the long-term and immediate causes of genocide, these essays emphasize that genocidal intent has historically been shaped by structural factors and human decision-making. Featuring over 80 essays from experts across the field, together they cover ancient Carthage, the Holocaust, medieval Crusader massacres, Mongol conquests, the extermination of Indigenous peoples in European settler colonies in the Americas, Africa, and Australia, as well as prehistoric mass graves from the Alps to the Andes, and the Rohingya genocide in Myanmar. A much-needed addition to genocide studies, these volumes reveal how genocide is a world historical phenomenon that has operated under different names and capacities, but possesses similar key characteristics.

Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure?

Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority.

Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.

'Helen Lewis survived the greatest nightmare ever dreamed by man. Her story is appalling, mesmerising, and one reads with increasing gratitude for her clarity, honesty and courage.' Ian McEwan Helen Lewis, a young student of dance in Prague at the outbreak of WW2 was herded, like Madeleine Albright, into the Terezin ghetto, then shipped to Auschwitz, in 1942. Separated from her family, she struggled to survive amidst the carnage of The Final Solution. How she did so, and what she did in order to survive, is a gripping story, told with wit, candour, and controlled anger. Widely praised by many, including Jennifer Johnston, Michael Longley, and the Guardian, and hailed by the Independent for its 'elegiac simplicity and lucidity', A Time to Speak is an elegant memoir of the Holocaust, humbling in its freedom from bitterness, which will leave no reader unmoved.

The sheets of paper are as brittle as fallen leaves; the faltering handwriting changes from page to page; the words, a faded brown, are almost indecipherable. The page are filled with recipes. Each is a memory, a fantasy, a hope for the future. Written by undernourished and starving women in the Czechoslovakian ghetto/concentration camp of Terezin (also known as Theresienstadt), the recipes give instructions for making beloved dishes in the rich, robust Czech tradition. Sometimes steps or ingredients are missing, the gaps a painful illustration of the condition and situation in which the authors lived. Reprinting the contents of the original hand-sewn copybook, In Memory's Kitchen: A Legacy from the Women of Terezin is a beautiful memorial to the brave women who defied Hitler by preserving a part of their heritage and a part of themselves. Despite the harsh conditions in the Nazis' "model" ghetto - which in reality was a way station to Auschwitz and other death camps - cultural, intellectual, and artistic life did exist within the walls of the ghetto. Like the heart-breaking book ... I never saw another butterfly ... which contains the poetry and drawings of the children of Terezin, the handwritten cookbook is proof that the Nazis could not break the spirit of the Jewish people.

'Football history at its best' SCOTLAND ON SUNDAY 'Hugely moving... a very good book indeed' FOUR FOUR TWO 'Kuper is an original, sophisticated and adventurous writer. The story he has to tell... is fascinating and pressing' SUNDAY TIMES In FOOTBALL AGAINST THE ENEMY Simon Kuper crossed the globe in search of the links between football, politics and culture. In AJAX, THE DUTCH, THE WAR he skilfully pieces together an alternative account of World War II. He looks at the lives of the footballers who played for the Dutch club, the officials and the ordinary fans during this tumultuous period and challenges the accepted notion of the War in occupied Europe. With almost 80 per cent of Amsterdam's Jewish Corner wiped out during the war, the long-held belief that, by and large, half the Dutch population had some kind of link to the Resistance has, of late, come into question. Kuper explores this issue and looks deeper into the role of football across Europe in the years both preceding and following the War. The result is a compelling and controversial account of the War, seen through the lens of football.

Martin Heidegger (1889-1976) is considered one of the most influential philosophers of the twentieth century in spite of his well-known transgressions-his complicity with National Socialism and his inability to show remorse or compassion for its victims. In The Duplicity of Philosophy's Shadow, Elliot R. Wolfson intervenes in a debate that has seen much attention in scholarly and popular media from a unique perspective, as a scholar of Jewish mysticism and philosophy who has been profoundly influenced by Heidegger's work. Wolfson sets out to probe Heidegger's writings to expose what remains unthought. In spite of Heidegger's explicit anti-Semitic statements, Wolfson reveals some crucial aspects of his thinking-including criticism of the biological racism and militant apocalypticism of Nazism-that betray an affinity with dimensions of Jewish thought: the triangulation of the concepts of homeland, language, and peoplehood; Jewish messianism and the notion of historical time as the return of the same that is always different; inclusion, exclusion, and the status of the other; the problem of evil in kabbalistic symbolism. Using Heidegger's own methods, Wolfson reflects on the inextricable link of truth and untruth and investigates the matter of silence and the limits of speech. He challenges the tendency to bifurcate the relationship of the political and the philosophical in Heidegger's thought, but parts company with those who write off Heidegger as a Nazi ideologue. Ultimately, The Duplicity of Philosophy's Shadow argues, the greatness and relevance of Heidegger's work is that he presents us with the opportunity to think the unthinkable as part of our communal destiny as historical beings.

The end of the Second World War in Europe gave way to a gigantic refugee crisis. Thoroughly prepared by Allied military planners, the swift repatriation of millions of former forced laborers, concentration camp inmates and prisoners of war nearly brought this dramatic episode top a close. Yet in September 1945, the number of displaced persons placed under the guardianship of Allied armies and relief agencies in occupied Germany amounted to 1.5 million. A costly burden for the occupying powers, the Jewish, Polish, Ukrainian, Yugoslav and Baltic DPs unwilling to return to their countries of origin presented a complex international problem. Massed in refugee camps stretched from Northern Germany to Sicily, the DPs had become long-term asylum seekers. Based on the records of the International Refugee Organization, this book describes how the European DP crisis impinged on the shape of the postwar order. The DP question directly affected the outbreak of the Cold War; the transformation of the "West" into a new geopolitical entity; the conduct of political purges and retribution; the ideology and methods of modern humanitarian interventions; the appearance of international agencies and non-governmental organizations; the emergence of an international human rights system; the organization of migration movements and the redistribution of "surplus populations"; the advent of Jewish nationhood; and postwar categorizations of political and humanitarian refugees.

This is the catalogue of the first-ever travelling exhibition about the Auschwitz concentration camp, where 1.1 million people - mostly Jews, but also non-Jewish Poles, Roma, and others - lost their lives.More than 280 objects and images from the exhibition are illustrated herein. Drawn from the Auschwitz-Birkenau State Museum and other collections around the world, they range from the intimate (such as victims' family snapshots and personal belongings) to the immense (an actual surviving barrack from the Auschwitz III-Monowitz satellite camp); all are eloquent in their testimony. An authoritative yet accessible text weaves the stories behind these artefacts into an encompassing history of Auschwitz - from a Polish town at the crossroads of Europe, to the dark center of the Holocaust, to a powerful site of remembrance. Auschwitz: Not long ago. Not far away. is an essential volume for everyone who is interested in history and its lessons.

Since the end of World War II, the ongoing efforts aimed at criminal prosecution, restitution, and other forms of justice in the wake of the Holocaust have constituted one of the most significant episodes in the history of human rights and international law. As such, they have attracted sustained attention from historians and legal scholars. This edited collection substantially enlarges the topical and disciplinary scope of this burgeoning field, exploring such varied subjects as literary analysis of Hannah Arendt's work, the restitution case for Gustav Klimt's Beethoven Frieze, and the ritualistic aspects of criminal trials.

Originally published in 1969, this book discusses the many factors which atomised German society from 1870 onwards and thus assisted Nazi evil, and it shows that Hitler and Nazism were mere phenomena of a mass age. The author wrote with the twin qualifications as historian and survivor of the camps. To have lived through it and then dissect it as a scholar is an astonishing achievement and it is this achievement that this book records.

The Holocaust: The Basics is a concise introduction to the study of this seismic event in mid twentieth-century human history. The book takes an original approach as both a narrative and thematic introduction to the topic, and provides a core foundation for readers embarking upon their own study. It examines a range of perspectives and subjects surrounding the Holocaust, including: the perpetrators of the Holocaust the victims resistance to the Holocaust liberation legacies and survivors' memories of the Holocaust. Suppported by a chronology, glossary, questions for discussion, and boxed case studies that focus the reader's thoughts and develop their appreciation of the subjects considered more broadly, The Holocaust: The Basics is the ideal introduction to this controversial and widely debated topic for both students and the more general reader.

The history of the Holocaust keeps being written and rewritten in ever greater detail, but almost always by Jews. Wolgang Benz's book makes an important contribution by bringing the German perspective to this horrific event. A masterpiece of compression, the books covers all the major topics and issues, from the Wannsee Conference of January 20, 1942, to stripping Jews of their civil rights, from the establishment of ghettos to the creation of killing centers and the development of an efficient system for extermination. The book also includes a chapter on "The Other Genocide: The Persecution of the Sinti and Roma," detailing the crusade against the Gypsies.

From the Foreword by Arthur Hertzberg:

Benz's account is the necessary 'first course' for anyone who wants to know about the Holocaust and to think further about its meaning for humanity. It is of particular importance that the historian who has written this book is a German. This account is trustworthy because its author combines within himself the rare authority of someone who belongs to the past of his nation. He has both understood and transcended its history in this century. The subject of the book, the Holocaust, is somber beyond words, but this account in Benz's words is a cause for hope.