Responding to the increasingly influential role of Hannah Arendt's political philosophy in recent years, Hannah Arendt and the Limits of Total Domination: The Holocaust, Plurality, and Resistance, critically engages with Arendt's understanding of totalitarianism. According to Arendt, the main goal of totalitarianism was total domination; namely, the virtual eradication of human legality, morality, individuality, and plurality. This attempt, in her view, was most fully realized in the concentration camps, which served as the major "laboratories" for the regime. While Arendt focused on the perpetrators' logic and drive, Michal Aharony examines the perspectives and experiences of the victims and their ability to resist such an experiment. The first book-length study to juxtapose Arendt's concept of total domination with actual testimonies of Holocaust survivors, this book calls for methodological pluralism and the integration of the voices and narratives of the actors in the construction of political concepts and theoretical systems. To achieve this, Aharony engages with both well-known and non-canonical intellectuals and writers who survived Auschwitz and Buchenwald concentration camps. Additionally, she analyzes the oral testimonies of survivors who are largely unknown, drawing from interviews conducted in Israel and in the U.S., as well as from videotaped interviews from archives around the world. Revealing various manifestations of unarmed resistance in the camps, this study demonstrates the persistence of morality and free agency even under the most extreme and de-humanizing conditions, while cautiously suggesting that absolute domination is never as absolute as it claims or wishes to be. Scholars of political philosophy, political science, history, and Holocaust studies will find this an original and compelling book.

Witnessing Witnessing focuses critical attention on those who receive the testimony of Holocaust survivors. Questioning the notion that traumatic experience is intrinsically unspeakable and that the Holocaust thus lies in a quasi-sacred realm beyond history, the book asks whether much current theory does not have the effect of silencing the voices of real historical victims. It thereby challenges widely accepted theoretical views about the representation of trauma in general and the Holocaust in particular as set forth by Giorgio Agamben, Cathy Caruth, Berel Lang, and Dori Laub. It also reconsiders, in the work of Theodor Adorno and Emmanuel Levinas, reflections on ethics and aesthetics after Auschwitz as these pertain to the reception of testimony. Referring at length to videotaped testimony and to texts by Charlotte Delbo, Primo Levi, and Jorge Semprun, the book aims to make these voices heard. In doing so, it clarifies the problems that anyone receiving testimony may encounter and emphasizes the degree to which listening to survivors depends on listening to ourselves and to one another. Witnessing Witnessing seeks to show how, in the situation of address in which Holocaust survivors call upon us, we discover our own tacit assumptions about the nature of community and the very manner in which we practice it.

They were outnumbered and underrated. They were fresh from the training fields in America and ordered to fight an enemy that had rewritten the book of war and brutally controlled a continent and the air above it. But the men of the 56th fighter group had courage and, more importantly, they had the P-47 Thunderbolt.

This is the incredible story of the U.S. 56th Fighter Group as told by one of its best pilots, Robert S. Johnson, who would rack up a score of twenty-eight kills against the Luftwaffe and become one of America¹s top aces‹one of a special breed of men who changed the course of history.

One Sunday morning in October, Istvan and his wife Vera start their day as usual. They tidy their house; Vera makes a festive cake to put in the freezer and cuts fresh roses for a vase in the living room. That evening, after nearly fifty years of marriage, they lie down in the bed that they share and take their own lives. Having survived the tumult of twentieth-century Europe and after raising a family together, they could not accept the words 'until death do us part'. Vera and Istvan met at a recital in Budapest in 1940, and from that moment Vera knew that he was the man she would marry. A deep and abiding friendship grew between them. While sifting through the fragments of the family history in an attempt to understand this glamorous and enigmatic couple, their granddaughter Johanna Adorjan imagines their final day. Amid the family stories and portraits by friends, she dares to give voice to their never-mentioned experiences in the Holocaust and their escape from Hungary during the uprising of 1956. An Exclusive Love is both a love story and a journey of self-understanding, beautifully told and shot through with tender humour. It is a history at once personal and universal, a tale of memory, belonging and devotion.

During and in the aftermath of the dark period of the Holocaust, writers across Europe and America sought to express their feelings and experiences through their writings. This book provides a comprehensive account of these writings through essays from expert scholars, covering a wide geographic, linguistic, thematic and generic range of materials. Such an overview is particularly appropriate at a time when the corpus of Holocaust literature has grown to immense proportions and when guidance is needed in determining a canon of essential readings, a context to interpret them, and a paradigm for the evolution of writing on the Holocaust. The expert contributors to this volume, who negotiate the literature in the original languages, provide insight into the influence of national traditions and the importance of language, especially but not exclusively Yiddish and Hebrew, to the literary response arising from the Holocaust.

When the real is so fantastic, what literary effects will succeed in making it credible and help readers to comprehend its human meaning? As recent world developments fully show us, several lessons of the Nazi Holocaust still remain to be learned. To respond meaningfully and ethically to the Holocaust, writers need to incorporate moral and emotional complexity, and one way they have done this is through using the techniques of the fantastic. The authors in this anthology of essays examine the usefulness of fantastic story-telling for exploring relevant philosophical and moral issues about the Holocaust. The present volume is interdisciplinary in scope, including print literature and film, animation, graphic novels, and various other media. The editors have sought essays that, while ranging in theoretical perspectives, engage in dialogue with one another, together producing a comprehensive whole. Examined are writers like JaneYolen and Art Spiegelman and such works as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's imaginative Pan's Labyrinth (2006), and Martin Scorsese's dark thriller Shutter Island (2010).

2015 was the seventieth anniversary of the end of World War Two, and, for Jews, the seventieth anniversary of the end of the worst Jewish catastrophe in diaspora history. After Genocide considers how, more than two generations since the war, the events of the Holocaust continue to haunt Jewish people and the worldwide Jewish population, even where there was no immediate family connection. Drawing from interviews with "ordinary" Jews from across the age spectrum, After Genocide focuses on the complex psychological legacy of the Holocaust. Is it, as many think, a "collective trauma"? How is a community detached in space and time traumatised by an event which neither they nor their immediate ancestors experienced?"Ordinary" Jews' own words bring to life a narrative which looks at how commonly-recognised attributes of trauma - loss, anger, fear, guilt, shame - are integral to Jewish reactions to the Holocaust.

In his most powerful and important book, renowned psychiatrist Robert Jay Lifton presents a brilliant analysis of the crucial role that German doctors played in the Nazi genocide. Now updated with a new preface, The Nazi Doctors remains the definitive work on the Nazi medical atrocities, a chilling expose of the banality of evil at its epitome, and a sobering reminder of the darkest side of human nature.

German Reparations and the Jewish World" has become a standard reference work since it was first published. Based extensively on archival sources, the author examines the difficult debate within the Jewish world whether it was possible to reach a material settlement with Germany so soon after Auschwitz. Concentrating on how the money was spent in rebuilding Jewish life, he also analyzes how the reparations payments transformed the relations bteween Israel and the diaspora, and between different Jewish political and ideological groups. This revised and expanded edition includes material on sensitive relief programmes from archives that have only recently been opened to researchers. In a new, extensive introductory essay the author reexamines the reparations, restitution and indemnification processes from the perspective of 50 years later.

The Holocaust is a pervasive presence in British culture and society. Schools have been legally required to deliver Holocaust education, the government helps to fund student visits to Auschwitz, the Imperial War Museum's permanent Holocaust Exhibition has attracted millions of visitors, and Britain has an annually commemorated Holocaust Memorial Day. What has prompted this development, how has it unfolded, and why has it happened now? How does it relate to Britain's post-war history, its contemporary concerns, and the wider "globalisation" of Holocaust memory? What are the multiple shapes that British Holocaust consciousness assumes and the consequences of their rapid emergence? Why have the so-called "lessons" of the Holocaust enjoyed such popularity in Britain? Through analysis of changing engagements with the Holocaust in political, cultural and memorial landscapes over the past generation, this book addresses these questions, demonstrating the complexities of Holocaust consciousness and reflecting on the contrasting ways that history is used in Britain today.

Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground. Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.

The new edition of this market-leading textbook includes a revised introduction and updated chapters with new research and insights. Four new case studies of twenty-first-century genocides bring this horrific history up to the present moment: the genocide perpetrated by the government during Argentina's "Dirty War," the genocide of the Yazidis by the Islamic State of Iraq and Syria (ISIS), genocidal violence against the Rohingya in Myanmar, and China's genocide of the Uyghurs. Powerful survivor testimonies bring the essays to life and help readers grapple with the difficult lessons presented throughout the book.

Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, 'One Family's Shoah' suggests a new way of writing cultural history.

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially - the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.

How do the spaces of the past stay with us through representations-whether literary or photographic? How has the Holocaust registered in our increasingly globally connected consciousness? What does it mean that this European event is often used as an interpretive or representational touchstone for genocides and traumas globally? In this interdisciplinary study, Kaplan asks and attempts to answer these questions by looking at historically and geographically diverse spaces, photographs, and texts concerned with the physical and/or mental landscape of the Holocaust and its transformations from the postwar period to the early twenty-first century. Examining the intersections of landscape, postmemory, and trauma, Kaplan's text offers a significant contribution to our understanding of the spatial, visual, and literary reach of the Holocaust.

On the 2nd of August 1947 a young man gets off a train in a small Swedish town. He has survived the Lodz ghetto, Auschwitz, and the harrowing slave camps and transports during the final months of Nazi Germany. Now he has to learn to live with his memories. In this intelligent and deeply moving book, Goeran Rosenberg returns to his own childhood in order to tell his father's story. It is also the story of the chasm that soon opens between the world of the child, suffused with the optimism, progress and collective oblivion of post-war Sweden, and the world of the father, haunted by the long shadows of the past.

From one of Germany's leading young historians, the first comprehensive biography of Eva Braun, Hitler's devoted mistress, finally wife, and the hidden First Lady of the Third Reich.
In this groundbreaking biography of Eva Braun, German historian Heike Gortemaker reveals Hitler's mistress as more than just a vapid blonde whose concerns never extended beyond her vanity table. Twenty-three years his junior, Braun first met Hitler when she took a position as an assistant to his personal photographer. Capricious, but uncompromising and fiercely loyal--she married Hitler two days before committing suicide with him in Berlin in 1945--her identity was kept secret by the Third Reich until the final days of the war. Through exhaustive research, newly discovered documentation, and anecdotal accounts, Gortemaker turns preconceptions about Eva Braun and Hitler on their head, and builds a portrait of the little-known Hitler far from the public eye.

Model Nazi tells the story of Arthur Greiser, the man who initiated the Final Solution in Nazi-occupied Poland. Between 1939 and 1945, Greiser was the territorial leader of the Warthegau, an area of western Poland annexed to Nazi Germany. In an effort to make the Warthegau 'German,' Greiser introduced numerous cruel policies. He spearheaded an influx of hundreds of thousands of ethnic Germans. He segregated Germans from Poles, and introduced wide-ranging discriminatory measures against the Polish population. He refashioned the urban and natural landscape to make it 'German.' And even more chillingly, the first and longest standing ghetto, the largest forced labour program, and the first mass gassings of Jews in Nazi-occupied Europe were all initiated under Greiser's jurisdiction. Who was the man behind these dreadful policies? Catherine Epstein gives us a compelling biographical portrait of Greiser the man: his birth in the German-Polish borderlands, his rise to Nazi prominence in Danzig, his actions as party leader in the Warthegau, and his trial and execution in postwar Poland. Drawing on a remarkable array of German and Polish sources, she shows how nationalist obsessions, political jealousies, and personal insecurities shaped the policies of a man who held remarkable power in his Nazi fiefdom. Throughout, Epstein confronts a burning question of our age: why do individuals imagine genocide and ethnic cleansing to be solutions to political problems?

Of the 400,000 German-speaking Jews that escaped the Third Reich, about 16,000 ended up in Shanghai, China. This groundbreaking volume gathers 20 years of interviews with over 100 former Shanghai refugees. It offers a moving collective portrait of courage, culture shock, persistence, and enduring hope in the face of unimaginable hardships.