A gripping memoir written by a 96-year-old Jewish Holocaust survivor about his escape from Nazi-occupied Poland in the 1930's and his adventures with the French Resistance during World War II In 1937, as the Nazi Party tightened its grip on the city of Danzig (now Gdansk, Poland), Justus Rosenberg's parents made the wrenching decision to send their son to Paris, where he would have the hope of finishing high school and going on to university in safety. He was sixteen years old, and he would not see his family again for sixteen years more. Even after war broke out in 1939, life in France was peaceful for a time-but when the Nazis pushed toward Paris in the spring of 1940, Justus was forced to flee south to Toulouse. There, a chance meeting put Justus in contact with Varian Fry, the American journalist who ran a refugee network that aided several thousand Jews in escaping Nazi Germany and the Holocaust. With his German background, understanding of French cultural, and fluency in several languages, including English, Justus was ideally positioned to thrive in Fry's network, coming to master an underworld of counterfeit documents, whispered passwords, black market currency, opportunistic gangsters, and clandestine mountain passes. Justus would spend the rest of the war working for Fry and later the French Resistance, helping to provide safe passage for many intellectuals and artists on the run from the Nazis, among them Hannah Arendt, Marc Chagall, Andre Breton, and Max Ernst. Along the way, he would have a number of close scrapes of his own: on one occasion, he was rounded up to be sent to a labor camp in Poland, and had to make a daring escape to save his life; on another, he narrowly survived after his jeep hits a landmine. An epic saga of survival, with the soul of a spy thriller, The Art of Resistance is also an uplifting story of personal triumph. (Several years after the war, Justus was finally able to track down his family, who he feared had died at the Nazis' hands.) As Justus writes, "I survived the war through a rare combination of good fortune, resourcefulness, optimism, and, most important, the kindness of many good people."

The remarkable story of how a consul and his allies helped save thousands of Jews from the Holocaust in one of the greatest rescue operations of the twentieth century. In May 1940, desperate Jewish refugees in Kaunas, the capital of Lithuania, faced annihilation in the Holocaust - until an ordinary Dutch man became their saviour. Over a period of ten feverish days, Jan Zwartendijk, the newly appointed Dutch consul, wrote thousands of visas that would ostensibly allow Jews to travel to the Dutch colony of Curacao on the other side of the world. With the help of Chiune Sugihara, the consul for Japan, while taking great personal and professional risks, Zwartendijk enabled up to 10,000 men, women, and children to escape the country on the Trans-Siberian Express, through Soviet Russia to Japan and then on to China, saving them from the Nazis and the concentration camps. Most of the Jews whom Zwartendijk helped escape survived the war, and they and their descendants settled in America, Canada, Australia, and other countries. Zwartendijk and Sugihara were true heroes, and yet they were both shunned by their own countries after the war, and their courageous, unstinting actions have remained relatively unknown. In The Just, renowned Dutch author Jan Brokken wrests this heroic story from oblivion and traces the journeys of a number of the rescued Jews. This epic narrative shows how, even in life-threatening circumstances, some people make the just choice at the right time. It is a lesson in character and courage.

The Holocaust has been the focus of countless films in the United States, Great Britain, and Europe, and its treatment over the years has been the subject of considerable controversy. When finally permitted to portray the atrocities, filmmakers struggled with issues of fidelity to historical fact, depictions of graphic violence, and how to approach the complexities of the human condition on all sides of this horrific event. In Hollywood and the Holocaust, Henry Gonshak explores portrayals of the Holocaust from the World War II era to the present. In chapters devoted to films ranging from The Great Dictator to Inglourious Basterds, this volume looks at how these films have shaped perceptions of the Shoah. The author also questions if Hollywood, given its commercialism, is capable of conveying the Holocaust in ways that do justice to its historical trauma. Through a careful consideration of over twenty-five films across genres-including Life Is Beautiful, Cabaret, The Reader, The Boys from Brazil, and Schindler's List-this book provides an important look at the social, political, and cultural contexts in which these movies were produced. By also engaging with the critical responses to these films and their role in the public's ongoing fascination with the Holocaust, this book suggests that viewers take a closer look at how such films depict this dark period in world history. Hollywood and the Holocaust will be of interest to cultural critics, historians, and anyone interested in the cinema's ability to render these tragic events on screen.

In 1930s and 1940s Vienna, child psychiatrist Hans Asperger sought to define autism as a diagnostic category, treating those children he deemed capable of participating fully in society. Depicted as compassionate and devoted, Asperger was in fact deeply influenced by Nazi psychiatry. Although he offered care to children he deemed promising, he prescribed harsh institutionalisation and even transfer to one of the Reich's killing centres, for children with greater disabilities. With sensitivity and passion, Edith Sheffer reveals the heart-breaking voices and experiences of many of these children, whilst illuminating a Nazi regime obsessed with sorting the population into categories, cataloguing people by race, heredity, politics, religion, sexuality, criminality and biological defects-labels that became the basis of either rehabilitation or persecution and extermination.

In 1939, Helga Weiss was a young Jewish schoolgirl in Prague. Along with some 45,000 Jews living in the city, Helga s family endured the first wave of the Nazi invasion: her father was denied work; she was forbidden from attending regular school. As Helga witnessed the increasing Nazi brutality, she began documenting her experiences in a diary.

In 1941, Helga and her parents were sent to the concentration camp of Terezin. There, Helga continued to write with astonishing insight about her daily life: the squalid living quarters, the cruel rationing of food, and the executions as well as the moments of joy and hope that persisted in even the worst conditions. In 1944, Helga and her family were sent to Auschwitz. Before she left, Helga s uncle, who worked in the Terezin records department, hid her diary and drawings in a brick wall. Miraculously, he was able to reclaim them for her after the war.

Of the 15,000 children brought to Terezin and later deported to Auschwitz, only 100 survived. Helga was one of them. Reconstructed from her original notebooks, the diary is presented here in its entirety. With an introduction by Francine Prose, a revealing interview between translator Neil Bermel and Helga, and the artwork Helga made during her time at Terezin, Helga's Diary stands as a vivid and utterly unique historical document."

A deeply reflective work, written by a number of eminent scholars both Jewish and Christian who represent a variety of disciplines and perspectives, this book explores basic issues in Wiesel's work -the nature of God, madness, silence, horror, and hope. With essays by such authorities among others, as Robert McAfee Brown, Eugene J. Fisher, Hary James Cargas, Eva Fleuschner, and Irving Abrahamson, the bool reflects the inspitation of Wiesel's reconstructed belief in God, humanity, and the future. These eminent theologians, literary scholars, and philosophers show how Wiesel's thinking has changed over the past thirty years, and how it has remained the same.

She found the diary and brought the world a message of love and hope.
It seems as if we are never far from Miep's thoughts....Yours, Anne
For the millions moved by "Anne Frank: The Diary of a Young Girl, " here at last is Miep's own astonishing story. For more than two years, Miep Gies and her husband helped hide the Franks from the Nazis. Like thousands of unsung heroes of the Holocaust, they risked their lives each day to bring food, news, and emotional support to the victims.
From her own remarkable childhood as a World War I refugee to the moment she places a small, red-orange, checkered diary -- Anne's legacy -- in Otto Frank's hands, Miep Gies remembers her days with simple honesty and shattering clarity. Each page rings with courage and heartbreaking beauty.

A magisterial, dramatic account that reshapes the way we think and talk about the greatest crime in history.

Unrivaled in reach and scope, Holocaust illuminates the long march of events, from the Middle Ages to the modern era, which led to this great atrocity. It is a story of all Europe, of Nazis and their allies, the experience of wartime occupation, the suffering and strategies of marked victims, the failure of international rescue, and the success of individual rescuers. It alone in Holocaust literature negotiates the chasm between the two histories, that of the perpetrators and of the victims and their families, shining new light on German actions and Jewish reactions.

No other book in any language has so embraced this multifaceted story. Holocaust uniquely makes use of oral histories recorded by the authors over fifteen years across Europe and the United States, as well as never-before-analyzed archival documents, letters, and diaries; it contains in addition seventy-five illustrations and sixteen original maps, each accompanied by an extended caption. This book is an original analysis of a defining event. 14 maps, 75 illustrations . A Publishers Weekly Best Book of 2002.

"[A] scholarly miracle....a sophisticated and gripping contribution to Holocaust education."—Rabbi Irving Greenburg, President, Jewish Life Network; Chairman, United States Holocaust Memorial Council 2000-2002

"[A]n elegantly written, thoroughly researched and compelling narrative...certain to be a standard work in the field of Holocaust studies."—Dr. William L. Shulman, President, Association of Holocaust Organizations

"[T]he focus is on the fate of named individuals on almost every page. That creates the unusual passion and strength of this remarkable book."—Rabbi Herbert A. Friedman

"A rare achievement that will take its place among the best histories of the destruction of European Jews."—Michael R. Marrus, Professor of Holocaust Studies and Dean of the School of Graduate Studies at the University of Toronto

"An elegantly written, thoroughly researched, and compelling narrative that is certain to be a standard work in the field of Holocaust studies."—Dr. William L. Shulman, president, Association of Holocaust Organizations

"A signal contribution to the vast literature on the history of the Holocaust.... a volume from which general readers and scholars can both benefit."—Douglas Greenberg, President and Chief Executive Officer, Survivors of the Shoah Visual History Foundation

"[A] 'must read' for anyone interested in understanding the true history of this extremely tragic time."—Roman Kent, Chairman, American Gathering/Federation of Jewish Holocaust Survivors

"The reader looking for a clear and readable account of how Hitler and the Nazis came to conceive and carry out their diabolical project need look no further than this book."—Boston Globe

"Holocaust is a superb work."—The Forward

"A monumental, sobering attempt to make sense of collective insanity."—Kirkus Reviews starred review

"Through it all, the faces of the victims, and their persecutors, are clearly visible, making the reader aware of the human dimension of the Shoah and providing what Holocaust studies desperately needs: a single volume suitable for a wide audience."—Library Journal starred review

"A distinctive blend of moral intensity, attention to detail and multifaceted breadth."—Los Angeles Times

This book-which is based on vast archival research and on a variety of primary sources-has filled a gap in Italy's historiography on Fascism, and in European and world history about concentration camps in our contemporary world. It provides, for the first time, a survey of the different types of internment practiced by Fascist Italy during the war and a historical map of its concentration camps. Published in Italian (I campi del duce, Turin: Einaudi, 2004), in Croatian (Mussolinijevi Logori, Zagreb: Golden Marketing - Tehnicka knjiga, 2007), in Slovenian (Fasisticna taborisca, Ljublana: Publicisticno drustvo ZAK, 2011), and now in English, Mussolini's Camps is both an excellent product of academic research and a narrative easily accessible to readers who are not professional historians. It undermines the myth that concentration camps were established in Italy only after the creation of the Republic of Salo and the Nazi occupation of Italy's northern regions in 1943, and questions the persistent and traditional image of Italians as brava gente (good people), showing how Fascism made extensive use of the camps (even in the occupied territories) as an instrument of coercion and political control.

The Holocaust Short Story is the only book devoted entirely to representations of the Holocaust in the short story genre. The book highlights how the explosiveness of the moment captured in each short story is more immediate and more intense, and therefore recreates horrifying emotional reactions for the reader. The main themes confronted in the book deal with the collapse of human relationships, the collapse of the home, and the dying of time in the monotony and angst of surrounding death chambers. The book thoroughly introduces the genres of both the short story and Holocaust writing, explaining the key features and theories in the area. Each chapter then looks at the stories in detail, including work by Ida Fink, Tadeusz Borowski, Rokhl Korn, Frume Halpern, and Cynthia Ozick. This book is essential reading for anyone working on Holocaust literature, trauma studies, Jewish studies, Jewish literature, and the short story genre.

Enter into "The Hiding Place" to relive Corrie ten Boom's heart-pounding account as a leader in the Dutch Underground during World War II. In this latest release from Focus on the Family's Radio Theatre, you'll find tragedy, perseverance, and the reality of God's amazing love. With a cast of internationally acclaimed actors, cinema-quality sound effects, and full orchestration, you'll experience this classic, real-life story like never before.

Bonhoeffer's New Beginning investigates the ethics of making new beginnings after devastating moral rupture. The work argues that new beginnings must be made in order to sustain the fundamental convictions that it is good to exist and that life in the world with others should be loved without exclusion. Bonhoeffer's ethics of new beginning is set in conversation with the thought of four moral philosophers, Friedrich Nietzsche, Hannah Arendt, Jonathan Glover, and Jonathan Lear. DeCort argues that Bonhoeffer's ethics of new beginning opens and energizes a more promising, world-affirming moral vision with radical hope for new beginnings vis-a-vis the perceived absence of God in the face of devastation.

This book of thirteen conversations introduces us to the life of an exceptional person--theatre critic, Germanist, and long-time chair of the Open Lithuania Fund board Irena Veisaite. The dialogue between Lithuanian historian Aurimas Svedas and a woman who reflects deeply on her experiences reveals both one individual's historically dramatic life and the fate of Europe and Lithuania in the twentieth century. Through the complementary lenses of history and memory we confront, with Veisaite, the horrific events of the Holocaust, which brought about the end of the world of Lithuania's Jews. We also meet an array of world-class cultural figures; see fragments of legendary theatre performances; and hear meaningful words that were spoken or heard decades ago. This book's interlocutors do not so much seek to answer the question "What was it like?" but instead repeatedly ask each other: "What, how, and why do we remember? What is the meaning of our experiences? How can history help us to live in the present and create the future? How do we learn to understand and forgive?" A series of Veisaite's texts, statements, and letters, presented at the end of the book suggest further ways of answering these questions.

Adolf Eichmann was the operational manager of the genocide that dispatched six million European Jews to the gas chambers. Escaping US custody in 1946, he hid in various locations in Germany before absconding in 1950 via a 'ratline' escape route to Argentina, where he lived, undisturbed, for the next decade. On 11 May 1960 he was captured in an operation of breathtaking skill and daring by a team of Mossad agents in a Buenos Aires suburb. Smuggled out of Argentina to Israel, Eichmann was indicted there on charges of crimes against humanity, and hanged on 1 June 1962. Part history, part detective story, part international thriller, Hunting Eichmann brings the story of the fifteen-year search for Eichmann more thrillingly, more accurately, more completely to life than ever before. Superbly researched and relentlessly paced, Hunting Eichmann brings us closer to understanding the architect of the Holocaust than ever before - a man whose terrifying ordinariness came to embody the 'banality of evil'.

The Holocaust/Genocide Template in Eastern Europe discusses the "memory wars" in the course of the post-Communist re-narration of history since 1989 and the current authoritarian backlash. The book focuses specifically on how "mnemonic warriors" employ the "Holocaust template" and the concept of genocide in tendentious ways to justify radical policies and externalize the culpability for their international isolation and worsening social and economic circumstances domestically. The chapters analyze three dimensions: 1) the competing narratives of the "universalization of the Holocaust" as the negative icon of our era, on the one hand, and the "double genocide" paradigm, on the other, which focuses on "our own" national suffering under - allegedly "equally" evil - Nazism and Communism; 2) the juxtaposition of post-Communist Eastern Europe and Russia, reflected primarily in the struggle of the Baltic states and Ukraine to challenge Russian propaganda, a struggle that runs the risk of employing similarly distorting and propagandistic tropes; and 3) the post-Yugoslav rhetoric portraying one's own group as "the new Jews" and one's opponents in the wars of the 1990s as (akin to) "Nazis". Surveying major battle sites in this "memory war": memorial museums, monuments, film and the war over definitions and terminology in relevant public discourse, The Holocaust/Genocide Template in Eastern Europe will be of great interest to scholars of genocide, the Holocaust, historical memory and revisionism, and Eastern European Politics. This book was originally published as a special issue of the Journal of Genocide Research.

Features a new section on the institutional settings of German Jewish Studies, a Film Forum on Shahar Rozen's 1998 documentary Liebe Perla, and interviews with Paul Mendes-Flohr and Barbara Honigmann, among other contributions. Nexus is the official publication of the biennial German Jewish Studies Workshop at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing German Jewish Studies forum in North America. Because the locus of scholarship is never incidental, Nexus 6 introduces a new section, "Contexts," to examine, in this case, what it means to pursue German Jewish Studies at a Catholic university, Notre Dame. And because research is never static, it inaugurates a series in which scholars revisit their own prior scholarly publications. Robert Smith launches this initiative by revising his view of Dietrich Bonhoeffer as a source for post-Holocaust Christian-Jewish dialogue. The volume also offers conversations with the legendary Paul Mendes-Flohr on his understanding of the German Jewish "legacy" and with Barbara Honigmann on her distinctive prose style and what it means to her to practice Judaism. The popular Film Forum section returns, this time focusing on Shahar Rozen's 1998 documentary Liebe Perla. Nexus 6 also presents new scholarship on Babi Yar Holocaust memorials, Freud's famous Moses essay, Primo Levi's translation of Kafka, and an introduction to and first English translation of the 18th-century philosopher Salomon Maimon's understudied essay History of His Philosophical Authorship in Dialogues.

Beginning in 1950, the state of Israel prosecuted and jailed dozens of Holocaust survivors who had served as camp kapos or ghetto police under the Nazis. At last comes the first full account of the kapo trials, based on records newly declassified after forty years. In December 1945, a Polish-born commuter on a Tel Aviv bus recognized a fellow rider as the former head of a town council the Nazis had established to manage the Jews. When he denounced the man as a collaborator, the rider leapt off the bus, pursued by passengers intent on beating him to death. Five years later, to address ongoing tensions within Holocaust survivor communities, the State of Israel instituted the criminal prosecution of Jews who had served as ghetto administrators or kapos in concentration camps. Dan Porat brings to light more than three dozen little-known trials, held over the following two decades, of survivors charged with Nazi collaboration. Scouring police investigation files and trial records, he found accounts of Jewish policemen and camp functionaries who harassed, beat, robbed, and even murdered their brethren. But as the trials exposed the tragic experiences of the kapos, over time the courts and the public shifted from seeing them as evil collaborators to victims themselves, and the fervor to prosecute them abated. Porat shows how these trials changed Israel's understanding of the Holocaust and explores how the suppression of the trial records-long classified by the state-affected history and memory. Sensitive to the devastating options confronting those who chose to collaborate, yet rigorous in its analysis, Bitter Reckoning invites us to rethink our ideas of complicity and justice and to consider what it means to be a victim in extraordinary circumstances.

‘Taylor has done us a great service in making the personal stories of what it was actually like to live through the most crucial year of the twentieth century vivid, compelling and salutary.’ - Roland Philipps, author of A Spy Named Orphan: The Enigma of Donald Maclean

In the autumn of 1938, Europe believed in the promise of peace. Still reeling from the ravages of the Great War, its people were desperate to rebuild their lives in a newly safe and stable era. But only a year later, the fateful decisions of just a few men had again led Europe to war, a war that would have a profound and lasting impact on millions.

Bestselling historian Frederick Taylor focuses on the day-to-day experiences of British and German people trapped in this disastrous chain of events and not, as is so often the case, the elite. Drawn from original sources, their voices, concerns and experiences reveal a marked disconnect between government and people; few ordinary citizens in either country wanted war.

1939: A People’s History is not only a vivid account of that turbulent year but also an interrogation of our capacity to go to war again. In many ways it serves as a warning; an opportunity for us to learn from our history and a reminder that we must never take peace for granted.

Final Solution is an intelligent and thought-provoking short history of the Holocaust, by historian David Cesarani. Not only does David Cesarani draw together and engage with the latest scholarly research, making extensive use of previously untapped resources such as diaries and letters from within the ghettos and camps (many of them in Polish or Yiddish and therefore previously largely inaccessible to Anglo-American scholars) but by adopting a rigorously Judeocentric approach the whole narrative of the march to genocide and its aftermath, the book presents a subtly different timeline which casts afresh the horror of the period and engenders a significant re-evaluation of the how and why. Eschewing some of the more fevered theses about the guilt of the perpetrators (and indeed recasting how wide that net should be spread), David Cesarani's measured and skilful negotiation of a crowded field is, as a result, all the more devastating.

Holocaust Perpetrators of the German Police Battalions is the first comprehensive English-language study of the structures and actions of German Police battalions in Poland and Ukraine between 1940 and 1942. Using these case studies, Ian Rich draws attention to the actions and motivations of individual lower-ranking policemen who participated in the mass murder of Jews during the Holocaust. He illuminates their pivotal roles as organizers, educators and role models, and the ways they were able to influence their subordinates to carry out these atrocities. This book transcends anonymous group portraits and provides a micro-historical portrait of individual killers that offers broader insights into the overall actions of the SS and police under Heinrich Himmler. Rich's comprehensive analysis of SS and police personnel records and post-war trial investigations reveals the method by which police battalions were transformed into instruments of mass murder in the occupied east during the Second World War. This book is essential to all students and scholars of Holocaust studies, Jewish studies and the Second World War.

This heart-stopping story of a young girl hiding from the Nazis is based on Clara Kramer's diary from her years surviving in an underground bunker with seventeen other people.

Clara Kramer was a typical Polish Jewish teenager from a small town at the outbreak of the Second World War. When the Germans invaded, Clara's family was taken in by the Becks, a Volksdeutsch (ethnically German) family from their town. Mr. Beck was known to be an alcoholic, a womanizer, and a vocal anti-Semite. His wife had worked as Clara's family's housekeeper. But on hearing that Jewish families were being led into the woods and shot, Beck sheltered the Kramers and two other Jewish families.

In all, eighteen people lived in a bunker dug out of the Becks' basement. Fifteen-year-old Clara kept a diary during the twenty terrifying months she was in hiding, writing down details of their unpredictable life, from the house's catching fire to Beck's affair with Clara's neighbor; the nightly SS drinking sessions in the room above to the small pleasure of a shared Christmas carp.Against all odds, Clara lived to tell her story, and her diary is now part of the permanent collection of the Holocaust Museum in Washington, D.C.

Seventy years on from the liberation of Auschwitz, the contributions collected in this volume each attempt, in various ways and from various perspectives, to trace the relationship between Nazi-occupied spaces and Holocaust memory, considering the multitude of ways in which the passing of time impacts upon, or shapes, cultural constructions of space. Accordingly, this volume does not consider topographies merely in relation to geographical landscapes but, rather, as markers of allusions and connotations that must be properly eked out. Since space and time are intertwined, if not, in fact, one and the same, an investigation of the spaces - the locations of horror - in relation to the passing of time might provide some manner of comprehension of one of the most troubling moments in human history. It is with this understanding of space, as fluid sites of memory that the contributors of this volume engage: these are the kind of shifting topographies that we are seeking to trace. This book was originally published as a special issue of Holocaust Studies: A Journal of Culture and History.