Erik Larson, "New York Times" bestselling author of "Devil in the White City, " delivers a remarkable story set during Hitler's rise to power.
The time is 1933, the place, Berlin, when William E. Dodd becomes America's first ambassador to Hitler's Nazi Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the "New Germany," she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance--and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler's true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Goring and the expectedly charming--yet wholly sinister--Goebbels, "In the Garden of Beasts" lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

September 1939 - Nazi Austria turns on their Jews and the family Wacs flees Vienna, saving their lives. Destination: Shanghai; alien to them-different language, people, culture. Had they not escaped, one week later war broke out, and this family's fate might have been quite different. An Uncommon Journey addresses universal issues-persecution and the will to survive. This unique memoir by a sister and brother ten years apart shares different memories, often of the same events. The truth becomes a mosaic with many facets, creating a moving portrait of a family uprooted.

'The Automaton' is based on a story told to Paolo Ventura as a child. It centres on an elderly, Jewish watchmaker living in the Venice ghetto in 1943, one of the darkest periods of the Nazi occupation and the rule of the fascist regime in Italy. The city where the watchmaker has lived his entire life, now desolate and fearful, is the stage on which the story unfolds. The old man decides to build an automaton (a robot), to keep him company while he awaits the arrival of the fascist police who will deport the last of the remaining Jews from the ghetto. Paolo Ventura is internationally known for the complex creative process he adopts. Having created the narrative script for the book, he then builds elaborate models and miniature figurines in his studio and incorporates them in what appear as almost film sets. These are then photographed and his final artworks are the photographs of these constructed tableaux. 'The Automaton' is a photographic narrative from beginning to end.

On October 16, 1943, the Jews of Rome were targeted for arrest and deportation. The Nazis, the Vatican, and the Jews of Rome examines why-and more importantly how-it could have been avoided, featuring new evidence and insight into the Vatican's involvement. At the time, Rome was within reach of the Allies, but the overwhelming force of the Wehrmacht, Gestapo, and SS in Rome precluded direct confrontation. Moral condemnations would not have worked, nor would direct confrontation by the Italians, Jewish leadership, or even the Vatican. Gallo underscores the necessity of determining what courses of actions most likely would have spared Italian Jews from the gas chambers. Examining the historical context and avoiding normative or counterfactual assertions, this book draws upon archival sources ranging from diaries to intelligence intercepts in English, Italian, and German. With antisemitism on the rise today and the last remaining witnesses passing away, it is essential to understand what happened in 1943. The Nazis, the Vatican, and the Jews of Rome grapples with this particular, awful episode within the larger, horrifying story of the Holocaust. Despite the inadequacy of memory, we must continue to attempt to make sense of the inexplicable.

'He had the dream again last night... He taps the gloves of his unbeaten Polish opponent. There are rumours that the loser will be sent to the gas chamber.' In 1943, the Dutch champion boxer, Leen Sanders, was sent to Auschwitz. His wife and children were put to death while he was sent 'to the left' with the others who were fit enough for labour. Recognised by an SS officer, he was earmarked for a 'privileged' post in the kitchens in exchange for weekly boxing matches for the entertainment of the Nazi guards. From there, he enacted his resistance to their limitless cruelty. With great risk and danger to his own life, Leen stole, concealed and smuggled food and clothing from SS nursing units for years to alleviate the unbearable suffering of the prisoners in need. He also regularly supplied extra food to the Dutch women in Dr. Mengele's experiment, Block 10. To his fellow Jews in the camp, he acted as a rescuer, leader and role model, defending them even on their bitter death march to Dachau towards the end of the war. A story of astonishing resilience and compassion, The Fighter of Auschwitz is a testament to the endurance of humanity in the face of extraordinary evil.

Politics, Violence, Memory highlights important new social scientific research on the Holocaust and initiates the integration of the Holocaust into mainstream social scientific research in a way that will be useful both for social scientists and historians. Until recently social scientists largely ignored the Holocaust despite the centrality of these tragic events to many of their own concepts and theories. In Politics, Violence, Memory the editors bring together contributions to understanding the Holocaust from a variety of disciplines, including political science, sociology, demography, and public health. The chapters examine the sources and measurement of antisemitism; explanations for collaboration, rescue, and survival; competing accounts of neighbor-on-neighbor violence; and the legacies of the Holocaust in contemporary Europe. Politics, Violence, Memory brings new data to bear on these important concerns and shows how older data can be deployed in new ways to understand the "index case" of violence in the modern world. -- Cornell University Press

Annette Libeskind Berkovits thought her attempt to have her father record his life's story failed. But in 2004, three years after her father's death, she was going through his things and found a box of tapesaseveral years' worthawith his spectacular life, triumphs, and tragedies told one last time in his baritone voice. Nachman Libeskind's remarkable story is an odyssey through crucial events of the twentieth century. With an unshakable will and a few drops of luck, he survives a pre-war Polish prison; witnesses the 1939 Nazi invasion of Lodz and narrowly escapes; is imprisoned in a brutal Soviet gulag where he helps his fellow inmates survive, and upon regaining his freedom treks to the foothills of the Himalayas, where he finds and nearly loses the love of his life. Later, the crushing communist regime and a lingering postwar anti-Semitism in Poland drive Nachman and his young family to Israel, where he faces a new form of discrimination. Then, defiantly, Nachman turns a pocketful of change into a new life in New York City, where a heartbreaking promise leads to his unlikely success as a modernist painter that inspires others to pursue their dreams. With just a box of tapes, Annette Libeskind Berkovits tells more than her father's story: she builds an uncommon family saga and reimagines a turbulent past. In the process she uncovers a stubborn optimism that flourished in the unlikeliest of places.

In this riveting real-life thriller, Philippe Sands offers a unique account of the daily life of senior Nazi SS Brigadeführer Otto Freiherr von Wächter and his wife, Charlotte. Drawing on a remarkable archive of family letters and diaries, he unveils a fascinating insight into life before and during the war, as a fugitive on the run in the Alps and then in Rome, and into the Cold War. Eventually the door is unlocked to a mystery that haunts Wächter's youngest son, who continues to believe his father was a good man - what happened to Otto Wächter while he was preparing to travel to Argentina on the 'ratline', assisted by a Vatican bishop, and what was the explanation for his sudden and unexpected death?

German Jews and Migration to the United States, 1933-1945 is a collection of first-person accounts, many previously unpublished, that document the flight and exile of German Jews from Nazi Germany to the USA,. The authors of the letters and memoirs included in this collection share two important characteristics: They all had close ties to Munich, the Bavarian capital, and they all emigrated to the USA, though sometimes via detours and/or after stays of varying lengths in other places of refuge. Selected to represent a wide range of exile experiences, these testimonies are carefully edited, extensively annotated, and accompanied by biographical introductions to make them accessible to readers, especially those who are new to the subject. These autobiographical sources reveal the often-traumatic experiences and consequences of forced migration, displacement, resettlement, and new beginnings. In addition, this book demonstrates that migration is not only a process by which groups and individuals relocate from one place to another but also a dynamic of transmigration affected by migrant networks and the complex relationships between national policies and the agency of migrants.

Die Studie untersucht fur die Westukraine Gewalttaten von deutscher und ukrainischer Seite anhand der Geschehnisse in mehreren Dutzend Orten. Die umfassende Berucksichtigung der Kontexte des Holocaust, der sowjetischen Verbrechen sowie der ukrainischen Staatsbildung fuhrt zu einem neuen Blick auf die Ereignisse. Kai Struve hat ein Standardwerk vorgelegt, welches in den Kontroversen um NS- und Sowjetverbrechen unverzichtbar sein wird."

During the 1930s many Americans avoided thinking about war erupting in Europe, believing it of little relevance to their own lives. Yet, the Warner Bros. film studio embarked on a virtual crusade to alert Americans to the growing menace of Nazism.

Polish-Jewish immigrants Harry and Jack Warner risked both reputation and fortune to inform the American public of the insidious threat Hitler's regime posed throughout the world. Through a score of films produced during the 1930s and early 1940s-including the pivotal "Sergeant York"-the Warner Bros. studio marshaled its forces to influence the American conscience and push toward intervention in World War II.

Celluloid Soldiers offers a compelling historical look at Warner Bros.'s efforts as the only major studio to promote anti-Nazi activity before the outbreak of the Second World War.

Volume 4 deals with events, legislative and administrative actions of discrimination as well as affairs, scandals and controversies. 207 articles explain the motives, the backdrop and the consequences of the manifestation of hatred against Jews and also examples of prevention and resistance against it. The examples include the 19th century antisemitism congresses, the Protocols of the Elders of Zion, debates on the prohibition of kosher slaughter, the conspiracy of Kremlin doctors, medieval vernacular sermons, the Jenninger case, the Walser-Bubis debate and much more."

In the more than 330 articles in this fifth volume of the Handbook of Anti-Semitism, over 140 authors examine the parties, associations, government authorities, Church associations, non-governmental organizations, informal groups, institutes, and scientific and social societies in whose programs or practices animosity against Jews played a part. Similarly, this volume also contains descriptions of the organizations and collaborative efforts that have sought to combat anti-Semitism.

The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments on about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.

This book describes the vibrant activity of survivors who founded Jewish historical commissions and documentation centers in Europe immediately after the Second World War. In the first postwar decade, these initiatives collected thousands of Nazi documents along with testimonies, memoirs, diaries, songs, poems, and artifacts of Jewish victims. They pioneered in developing a Holocaust historiography that placed the experiences of Jews at the center and used both victim and perpetrator sources to describe the social, economic, and cultural aspects of the everyday life and death of European Jews under the Nazi regime. This book is the first in-depth monograph on these survivor historians and the organizations they created. A comparative analysis, it focuses on France, Poland, Germany, Austria, and Italy, analyzing the motivations and rationales that guided survivors in chronicling the destruction they had witnessed, while also discussing their research techniques, archival collections, and historical publications. It reflects growing attention to survivor testimony and to the active roles of survivors in rebuilding their postwar lives. It also discusses the role of documenting, testifying, and history writing in processes of memory formation, rehabilitation, and coping with trauma. Jockusch finds that despite differences in background and wartime experiences between the predominantly amateur historians who created the commissions, the activists found documenting the Holocaust to be a moral imperative after the war, the obligation of the dead to the living, and a means for the survivors to understand and process their recent trauma and loss. Furthermore, historical documentation was vital in the pursuit of postwar justice and was deemed essential in counteracting efforts on the part of the Nazis to erase their wartime crimes. The survivors who created the historical commissions were the first people to study the development of Nazi policy towards the Jews and also to document Jewish responses to persecution, a topic that was largely ignored by later generations of Holocaust scholars.

Historians long have analyzed the emergence of the "final solution of the Jewish question" primarily on the basis of German documentation, devoting much less attention to wartime Jewish perceptions of the growing threat. Jurgen Matthaus fills this critical gap by showcasing the highly insightful reports compiled during the first half of World War II by two Geneva-based offices: those of Richard Lichtheim representing the Jewish Agency for Palestine and of Gerhart Riegner's World Jewish Congress office. Since the first days of war, Lichtheim's predictions of Jewish dead ran in the millions and increased progressively with the rising tide of Nazi rule over Europe. His and Riegner's perceptions of German anti-Jewish policy resulted from shared goals and personal experiences as well as from their bureaus' range of functions and the massive problems that impacted the gathering and communicating of information on the unfolding Holocaust in German-controlled Europe. Beyond the specifics of the wartime Geneva setting, these sources show how human cognition works in times of extreme crisis and contribute to a better understanding of the potential inherent in Jewish sources for gauging perpetrator actions. The reports and contextual information featured here reflect the first narratives on the Holocaust, their emergence, evolution, and importance for post-war historiography.

The new edition of this market-leading textbook includes a revised introduction and updated chapters with new research and insights. Four new case studies of twenty-first-century genocides bring this horrific history up to the present moment: the genocide perpetrated by the government during Argentina's "Dirty War," the genocide of the Yazidis by the Islamic State of Iraq and Syria (ISIS), genocidal violence against the Rohingya in Myanmar, and China's genocide of the Uyghurs. Powerful survivor testimonies bring the essays to life and help readers grapple with the difficult lessons presented throughout the book.

Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the "sport" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavyweight champion of the world. Haft's boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. In sharp contrast to Elie Wiesel's scholarly, pious protagonist in Night, Harry Haft is an embattled survivor, challenging the reader's capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft's account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.

Survival in Auschwitz: If This Is a Man is a book written by the Italian author, Primo Levi. It describes his experiences in the concentration camp at Auschwitz during the Second World War.

Levi, then a 25-year-old chemist, spent 10 months in Auschwitz before the camp was liberated by the Red Army. Of the 650 Italian Jews in his shipment, Levi was one of only twenty who left the camps alive. The average life expectancy of a new entrant was three months.

This truly amazing story offers a revealing glimpse into the realities of the Holocaust and its effects on our world.

‘Taylor has done us a great service in making the personal stories of what it was actually like to live through the most crucial year of the twentieth century vivid, compelling and salutary.’ - Roland Philipps, author of A Spy Named Orphan: The Enigma of Donald Maclean

In the autumn of 1938, Europe believed in the promise of peace. Still reeling from the ravages of the Great War, its people were desperate to rebuild their lives in a newly safe and stable era. But only a year later, the fateful decisions of just a few men had again led Europe to war, a war that would have a profound and lasting impact on millions.

Bestselling historian Frederick Taylor focuses on the day-to-day experiences of British and German people trapped in this disastrous chain of events and not, as is so often the case, the elite. Drawn from original sources, their voices, concerns and experiences reveal a marked disconnect between government and people; few ordinary citizens in either country wanted war.

1939: A People’s History is not only a vivid account of that turbulent year but also an interrogation of our capacity to go to war again. In many ways it serves as a warning; an opportunity for us to learn from our history and a reminder that we must never take peace for granted.

Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground. Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.