This study investigates the function of the radio play as cultural medium of memory, based on the memories of the holocaust found in the radio plays of the GDR. In comparison to the presentation of the holocaust in other media, which has already been explored various times, here for the first time the focus is on the specific aesthetic means of the radio play and the role of radio as political instrument of power in the FRG-GDR conflict. Extracts from the analyzed radio plays are included in the enclosed audio CD.

The representation of the Holocaust in literature and film has confronted lecturers and students with some challenging questions. Does this unique and disturbing subject demand alternative pedagogic strategies? What is the role of ethics in the classroom encounter with the Holocaust? Scholars address these and other questions in this collection.

Hungarian Jewish Women Survivors Remember the Holocaust presents seventeen full life histories recorded from female Holocaust survivors from Hungary. These women, born around 1920, mainly come from traditional communities known for their protection of women. In the Holocaust, they were exposed to extreme conditions and the shattering of their previous lives, literally and symbolically. As survivors, they fared hardships trying to rehabilitate their lives. The book depicts the authentic voices of these women as they bear witness to a dark period in history and in their lives.

This book presents the history of the Jews living in Fascist Italy. Starting with a survey of the political and social situation of Jews, it goes on to describe their progressive disenfranchisement, from the deprivation of rights to the deprivation of life the latter of which occurred especially in collaboration between the Italian Social Republic (Salo) and German authorities, who became a de facto occupying power as of 1943."

Laughter After: Humor and the Holocaust argues that humor performs political, cultural, and social functions in the wake of horror. Co-editors David Slucki, Gabriel N. Finder, and Avinoam Patt have assembled an impressive list of contributors who examine what is at stake in deploying humor in representing the Holocaust. Namely, what are the boundaries? Clearly, there have been comedy and laughter in the decades since. However, the extent to which humor can be ethically deployed in representing and discussing the Holocaust is not as clear. This book comes at an important moment in the trajectory of Holocaust memory. As the generation of survivors continues to dwindle, there is great concern among scholars and community leaders about how memories and lessons of the Holocaust will be passed to future generations. Without survivors to tell their stories, to serve as constant reminders of what they experienced, how will future generations understand and relate to the Shoah? Laughter After is divided into two sections: "Aftermath" and "Breaking Taboos." The contributors to this volume examine case studies from World War II to the present day in considering and reconsidering what role humor can play in the rehabilitation of survivors, of Jews and of the world more broadly. More recently, humor has been used to investigate the role that Holocaust memory plays in contemporary societies, while challenging memorial conventions around the Holocaust and helping shape the way we think about the past. In a world in which Holocaust memory is ubiquitous, even if the Holocaust itself is inadequately understood, it is perhaps not surprising that humor that invokes the Holocaust has become part of the memorial landscape. This book seeks to uncover how and why such humor is deployed, and what the factors are that shape its production and reception. Laughter After will appeal to a number of audiences-from students and scholars of Jewish and Holocaust studies to academics and general readers with an interest in media and performance studies.

"Becoming My Mother's Daughter: A Story of Survival and Renewal" tells the story of three generations of a Jewish Hungarian family whose fate has been inextricably bound up with the turbulent history of Europe, from the First World War through the Holocaust and the communist takeover after World War II, to the family's dramatic escape and emmigration to Canada. The emotional centre and narrative voice of the story belong to Eva, an artist, dreamer, and writer trying to work through her complex and deep relationship with her mother, whose portrait she cannot paint until she completes her journey through memory.

The core of the book is Eva's riveting recollection of the last months of World War II in Budapest, seen through a child's eyes, and is reminiscent in its power of scenes in Joy Kogawa's "Obasan." Exploring the bond between generations of mothers and daughters, the book illustrates the struggle between the need for independence and the search for continuity, the significant impact of childhood on adult life, the reshaping of personality in immigration, the importance of dreams in making us face reality, and the redemptive power of memory. Illustrations by the author throughout the book, some in colour, enhance the story.

The mass murder of the European Jews by Nazi Germany went hand in hand with the destruction of evidence attesting to this genocide. As Holocaust survivor Jules Schelvis puts it, "[v]ery few documents relating to Sobibor and the other death camps" remain. With its rich photographic imagery, the collection featured in From "Euthanasia" to Sobibor: An SS Officer's Photo Collection sheds new light on the Holocaust and other key aspects of Nazi extermination policy. The materials were compiled by Johann Niemann, an SS officer whose earlier participation in the Nazi "euthanasia" murders made him second-in-command at Sobibor and the first to get killed in the prisoner uprising of October 13, 1943. These documents allow crucial insights into the making of mass murderers, the evolution of the "final solution," and its consequences for the victims. As prevalent as the perpetrator perspective is in Niemann's collection, From "Euthanasia" to Sobibor offers a welcome corrective by complementing his images and documents with testimonies of Sobibor survivors, many of which also available in the US Holocaust Memorial Museum (USHMM) archives. With its compilation of unique primary sources and skillful explication, From "Euthanasia" to Sobibor addresses under-researched aspects of Nazi mass violence beyond the Holocaust and offers a rich resource for researching and teaching.

"Discovering Exile" analyzes American Yiddish culture and its development during the European Holocaust and shows how our understanding of American Jewish culture has been utterly distorted by the omission of this context. It explores responses to some of the most intense cultural controversies of the period, examining texts in various genres written by the most important Yiddish writers and critics and placing them at the center of discussions of literary modernism and cultural modernity. Anglo-Jewish writers of the period provide a counterpoint to and commentary on this Yiddish story. Norich seeks to demythologize Yiddish as "mame-loshn" (mother tongue)--as merely the language of the home and the past--by returning to a time of great, if ironic, vibrancy, when Yiddish writers confronted the very nature of their existence in unprecedented ways. Under increasing pressure of news from the war front and silence from home, these writers re-imagined modernism, the Enlightenment, political engagement, literary conventions, and symbolic language.

Hero Martyr Poet
The inspiring story of a remarkable life cut short.

I don t think Hannah wanted to die for the sake of having her memory exalted in history or to prove herself equal to a romantic image she conceived for herself. Her purpose wasn t to die. She died for her life s purpose. U.S. Senator John McCain, in "Why Courage Matters"

Hannah Senesh, poet and Israel s national heroine, has come to be seen as a symbol of Jewish heroism. Safe in Palestine during World War II, she volunteered for a mission to help rescue fellow Jews in her native Hungary. She was captured by the Nazis, endured imprisonment and torture, and was finally executed at the age of twenty-three.

Like Anne Frank, she kept a diary from the time she was thirteen. This new edition brings together not only the widely read and cherished diary, but many of Hannah s poems and letters, memoirs written by Hannah s mother, accounts by parachutists who accompanied Hannah on her fateful mission, and insightful material not previously published in English.

Described by a fellow parachutist as a spiritual girl guided almost by mysticism, Hannah s life has something of value to teach everyone. Now the subject of a feature-length documentary, Blessed Is the Match: The Life and Death of Hannah Senesh, Hannah s words and actions will inspire people from each generation to follow their own inner voices, just as she followed hers.

Although Christianity's precise influence on the Holocaust cannot be determined and the Christian churches did not themselves perpetrate the Final Solution, Robert Michael argues in "Holy Hatred" that the two millennia of Christian ideas and prejudices and their impact on Christians' behavior appear to be the major basis of antisemitism and of the apex of antisemitism, the Holocaust.

This is a study of how the Jewish community of Breslau-the third largest and one of the most affluent in Germany-coped with Nazi persecution. Ascher has included the experiences of his immediate family, although the book is based mainly on archival sources, numerous personal reminiscences, as well as publications by the Jewish community in the 1930s. It is the first comprehensive study of a local Jewish community in Germany under Nazi rule. Until the very end, the Breslau Jews maintained a stance of defiance and sought to persevere as a cohesive group with its own institutions. They categorically denied the Nazi claim that they were not genuine Germans, but at the same time they also refused to abandon their Jewish heritage. They created a new school for the children evicted from public schools, established a variety of new cultural institutions, placed new emphasis on religious observance, maintained the Jewish hospital against all odds, and, perhaps most remarkably, increased the range of welfare services, which were desperately needed as more and more of their number lost their livelihood. In short, the Jews of Breslau refused to abandon either their institutions or the values that they had nurtured for decades. In the end, it was of no avail as the Nazis used their overwhelming power to liquidate the community by force.

The theological problems facing those trying to respond to the Holocaust remain monumental. Both Jewish and Christian post-Auschwitz religious thought must grapple with profound questions, from how God allowed it to happen to the nature of evil.

The Impact of the Holocaust on Jewish Theology brings together a distinguished international array of senior scholars--many of whose work is available here in English for the first time--to consider key topics from the meaning of divine providence to questions of redemption to the link between the Holocaust and the creation of the State of Israel. Together, they push our thinking further about how our belief in God has changed in the wake of the Holocaust.

Contributors: Yosef Achituv, Yehoyada Amir, Ester Farbstein, Gershon Greenberg, Warren Zev Harvey, Tova Ilan, Shmuel Jakobovits, Dan Michman, David Novak, Shalom Ratzabi, Michael Rosenak, Shalom Rosenberg, Eliezer Schweid, and Joseph A. Turner.

Auschwitz-Birkenau is the site of the largest mass murder in human history. Yet its story is not fully known. In "Auschwitz," Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the first time. Their testimonies provide a portrait of the inner workings of the camp in unrivalled detail--from the techniques of mass murder, to the politics and gossip mill that turned between guards and prisoners, to the on-camp brothel in which the lines between those guards and prisoners became surprisingly blurred.
Rees examines the strategic decisions that led the Nazi leadership to prescribe Auschwitz as its primary site for the extinction of Europe's Jews--their "Final Solution." He concludes that many of the horrors that were perpetrated in Auschwitz were driven not just by ideological inevitability but as a "practical" response to a war in the East that had begun to go wrong for Germany. A terrible immoral pragmatism characterizes many of the decisions that determined what happened at Auschwitz. Thus the story of the camp becomes a morality tale, too, in which evil is shown to proceed in a series of deft, almost noiseless incremental steps until it produces the overwhelming horror of the industrial scale slaughter that was inflicted in the gas chambers of Auschwitz.

A New Translation From The French By Marion Wiesel

Born in Sighet, Transylvania, Elie Wiesel was a teenager when he and his family were taken from their home in 1944 and deported to the Auschwitz concentration camp, and then to Buchenwald. "Night "is the terrifying record of Elie Wiesel's memories of the death of his family, the death of his own innocence, and his despair as a deeply observant Jew confronting the absolute evil of man. This new translation by his wife and most frequent translator, Marion Wiesel, corrects important details and presents the most accurate rendering in English of Elie Wiesel's seminal work.

The incorporation of German territories east of the Oder and Western Neisse rivers into Poland in 1945 was linked with the difficult process of an almost total exchange of population and involved the taking over of a region in which the Second World War had effected an enormous level of destruction. The contemporary term 'Polish Wild West' not only alluded to the reigning atmosphere of chaos and 'survival of the fittest' in the Polish-German borderland but was also associated with a new kind of freedom and the opportunity to start everything anew. The arrival in this region of Polish settlers from different parts of Poland led to Poles, Germans and Soviet soldiers temporarily coming into contact with one another. Living together in this war-damaged space was far from easy. On the basis of ego-documents, the author recreates the beginnings of the shaping of this new society, one affected by a repressive political system, internal conflicts and human tragedy. In distancing oneself from the until-recently dominant narratives concerning expellees in Germany or pioneers of the 'Recovered Territories' in Poland, Beata Halicka tells the story of the disintegration of a previous cultural landscape and the establishment of one which was new, in a colourful and vivid manner and encompassing different points of view.

The Belated Witness stakes out an original place within the field of recent work on the theory and practice of literary writing after the Holocaust. Drawing in productive and unsettling ways from converging work in history, philosophy, psychoanalysis, and literature, the book asks how the events of the Holocaust force us to alter traditional conceptions about human experience, as well as the way we can now talk and write about such experiences. Rather than providing a mere account of an outside or inside reality, literature after the Holocaust sets itself a more radical task: it testifies to unspeakable experiences in a specific mode of address, a call or summons to another in whose sole power resides the possibility of a future response to such testimonies of world-historical trauma.

The Belated Witness stakes out an original place within the field of recent work on the theory and practice of literary writing after the Holocaust. Drawing in productive and unsettling ways from converging work in history, philosophy, psychoanalysis, and literature, the book asks how the events of the Holocaust force us to alter traditional conceptions about human experience, as well as the way we can now talk and write about such experiences. Rather than providing a mere account of an outside or inside reality, literature after the Holocaust sets itself a more radical task: it testifies to unspeakable experiences in a specific mode of address, a call or summons to another in whose sole power resides the possibility of a future response to such testimonies of world-historical trauma.

On October 14, 1943, Aleksandr "Sasha" Pechersky led a mass escape of inmates from Sobibor, a Nazi death camp in Poland. Despite leading the only successful prisoner revolt at a World War II death camp, Pechersky never received the public recognition he deserved in his home country of Russia. This story of a forgotten hero reveals the tremendous difference in memorial cultures between societies in the West and societies in the former Communist world. Pechersky, along with other Russian and Jewish inmates who had been prisoners of the Nazis, was considered suspect by the Russian government simply because he had been imprisoned. In this volume, Selma Leydesdorff describes the official silence in the Eastern Bloc about Pechersky's role in the Sobibor escape and how an effort was made to recognize his actions. The narrative is based on eyewitness accounts from people in Pechersky's life and a discussion of the mechanism of memory, mixing written sources with varied recollections and assessing the collisions of collective memory held by the East and the West. Specifically, this book critiques the ideological refusal of many societies to acknowledge the suffering of Jews at Sobibor. Offering fascinating insights into a crucial period of history, emphasizing that Jews were not passive in the face of German violence, and exploring the history of the Jews who fell victim to Stalinism after surviving Nazism, this is valuable reading for students and scholars of the Holocaust and the position of Jews under Communism.

First ever volume on Holocaust in Thessaloniki in English, utilizing new sources and interpretation schemes Thessaloniki was for centuries one of the most prominent Jewish communities in the world, which lost more than 90% of its population during the Holocaust Book will be a great contribution to the local efforts underway to reconcile Thessaloniki with its Jewish past and honor the victims of the Holocaust An ambitious Holocaust Memorial Museum, with the backing of several governments and institutions, is schedule to open in the city by 2021.

Questions shape the Holocaust's legacy. 'What happened to ethics during the Holocaust? What should ethics be, and what can it do after the Holocaust?' loom large among them. Absent the overriding or moral sensibilities, if not the collapse or collaboration of ethical traditions, the Holocaust could not have happened. Its devastation may have deepened conviction that there is a crucial difference between right and wrong; its destruction may have renewed awareness about the importance of ethical standards and conduct. But Birkenau, the main killing center at Auschwitz, also continues to cast a disturbing shadow over basic beliefs concerning right and wrong, human rights, and the hope that human beings will learn from the past. This book explores those realities and the issues they contain. It does so not to discourage but to encourage, not to deepen darkness and despair but to face those realities honestly and in a way that can make post-Holocaust ethics more credible and realistic. The book's thesis is that nothing human, natural or divine guarantees respect for the ethical values and commitments that are most needed in contemporary human existence, but nothing is more important than our commitment to defend them, for they remain as fundamental as they are fragile, as precious as they are endangered.