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Books > History > European history > From 1900 > Second World War
The story of young German Jews who escaped the Nazis, most often without their families, only to return a few years later to war-torn Europe as members of an elite secret U.S. Army unit. The young men who would become known as "The Ritchie Boys" arrived in America as "enemy aliens," and although they were allowed to enlist in the U.S. military, they were distrusted by everyone. So, in effect, they became outsiders all over again. Until one day in 1942, when the Pentagon woke up to the incredible asset they had on their hands. These men knew the language, culture and psychology of the enemy better than any Americans and had the greatest motivation to fight Hitler's anti-Semitic regime. The Pentagon came up with a top-secret plan to harness their expertise by training them in the art of prisoner interrogation. And so off they were sent, back into the belly of the beast, Jews returning to Nazi Germany to occupy the very front lines of battlefields across Europe. Many of them re-entered Europe on D-Day. Their mission, to extract vital intel from freshly-captured POWs about troop movements and command structures and so on, was hugely successful and provided key information that led to victory by the Allied forces. Meanwhile, few of these men knew what had happened to the families they left behind in Germany, families who had sacrificed to send them on to the safety of America. As the intelligence they gathered revealed increasingly horrific details about the Holocaust (most of which was only then beginning to come to light), they came to fear - and, in many cases, discovered - that the worst had befallen their own fathers and mothers and siblings.
Based on research in about fifty archives worldwide, Turkey, the Jews, and the Holocaust analyzes the minority politics of the Turkish republic and the country's ambivalent policies regarding Jewish refugees and Turkish Jews living abroad. Although Turkey stayed neutral during World War II, the country's policies proved crucial not only for the 75,000 Jews who lived in Turkey, but also to the 25,000 Turkish Jews living throughout Europe and the tens of thousands of Jews who desperately sought refuge in Turkey or transit to refuge elsewhere. Contrary to the official Turkish self-portrayal, this comprehensive study by Corry Guttstadt shows that Turkey was far from welcoming toward Jews during the Holocaust era.
First published in 1955, with a revised edition appearing five years later, H. G. Adler's Theresienstadt, 1941-1945 is a foundational work in the field of Holocaust studies. As the first scholarly monograph to describe the particulars of a single camp - the Jewish ghetto in the Czech city of Terezin - it is the single most detailed and comprehensive account of any concentration camp. Adler, a survivor of the camp, divides the book into three sections: a history of the ghetto, a detailed institutional and social analysis of the camp, and an attempt to understand the psychology of the perpetrators and the victims. A collaborative effort between the United States Holocaust Memorial Museum and the Terezin Publishing Project makes this authoritative text on Holocaust history available for the first time in the English language, with a new afterword by the author's son Jeremy Adler.
This is an innovative account of how the concept of comradeship shaped the actions, emotions and ideas of ordinary German soldiers across the two world wars and during the Holocaust. Using individual soldiers' diaries, personal letters and memoirs, Kuhne reveals the ways in which soldiers' longing for community, and the practice of male bonding and togetherness, sustained the Third Reich's pursuit of war and genocide. Comradeship fuelled the soldiers' fighting morale. It also propelled these soldiers forward into war crimes and acts of mass murders. Yet, by practising comradeship, the soldiers could maintain the myth that they were morally sacrosanct. Post-1945, the notion of kameradschaft as the epitome of humane and egalitarian solidarity allowed Hitler's soldiers to join the euphoria for peace and democracy in the Federal Republic, finally shaping popular memories of the war through the end of the twentieth century.
The Holocaust is usually understood as a European story. Yet, this pivotal episode unfolded across North Africa and reverberated through politics, literature, memoir, and memory-Muslim as well as Jewish-in the post-war years. The Holocaust and North Africa offers the first English-language study of the unfolding events in North Africa, pushing at the boundaries of Holocaust Studies and North African Studies, and suggesting, powerfully, that neither is complete without the other. The essays in this volume reconstruct the implementation of race laws and forced labor across the Maghreb during World War II and consider the Holocaust as a North African local affair, which took diverse form from town to town and city to city. They explore how the Holocaust ruptured Muslim-Jewish relations, setting the stage for an entirely new post-war reality. Commentaries by leading scholars of Holocaust history complete the picture, reflecting on why the history of the Holocaust and North Africa has been so widely ignored-and what we have to gain by understanding it in all its nuances. Published in association with the United States Holocaust Memorial Museum.
While imprisoned in a Nazi concentration camp, Simon Wiesenthal was taken one day from his work detail to the bedside of a dying member of the SS. Haunted by the crimes in which he had participated, the soldier wanted to confess to--and obtain absolution from--a Jew. Faced with the choice between compassion and justice, silence and truth, Wiesenthal said nothing. But even years after the way had ended, he wondered: Had he done the right thing? What would you have done in his place?
Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans – many of them middle-aged reservists with, apparently, little Nazi zeal – to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it – as Christopher Browning argues in this highly influential book – more a matter of conformity, a response to intolerable social and psychological pressure? Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority. Browning's ability to explore the strengths and weaknesses of arguments – both the survivors' and other historians' – is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.
In this pioneering biography of a frontline Holocaust perpetrator, Alex J. Kay uncovers the life of SS Lieutenant Colonel Alfred Filbert, responsible as the first head of SS-Einsatzkommando 9, a mobile killing squad, for the murder of more than 18,000 Soviet Jews - men, women and children - on the Eastern Front. He reveals how Filbert, following the political imprisonment of his older brother, set out to prove his own ideological allegiance by displaying particular radicalism in implementing the orders issued by Hitler, Himmler and Heydrich. He also examines Filbert's post-war experiences, first in hiding and then being captured, tried and sentenced to life imprisonment. Released early, Filbert went on to feature in a controversial film in the lead role of an SS mass murderer. The book provides compelling new insights into the mindset and motivations of the men, like Filbert, who rose through the ranks of the Nazi regime.
In this pioneering biography of a frontline Holocaust perpetrator, Alex J. Kay uncovers the life of SS Lieutenant Colonel Alfred Filbert, responsible as the first head of SS-Einsatzkommando 9, a mobile killing squad, for the murder of more than 18,000 Soviet Jews - men, women and children - on the Eastern Front. He reveals how Filbert, following the political imprisonment of his older brother, set out to prove his own ideological allegiance by displaying particular radicalism in implementing the orders issued by Hitler, Himmler and Heydrich. He also examines Filbert's post-war experiences, first in hiding and then being captured, tried and sentenced to life imprisonment. Released early, Filbert went on to feature in a controversial film in the lead role of an SS mass murderer. The book provides compelling new insights into the mindset and motivations of the men, like Filbert, who rose through the ranks of the Nazi regime.
Based on original sources, this important book on the Holocaust explores regional variations in civilians' attitudes and behavior toward the Jewish population in Romania and the occupied Soviet Union. Gentiles' willingness to assist Jews was greater in lands that had been under Soviet administration during the inter-war period, while gentiles' willingness to harm Jews occurred more in lands that had been under Romanian administration during the same period. While acknowledging the disasters of Communist rule in the 1920s and 1930s, this work shows the effectiveness of Soviet nationalities policy in the official suppression of antisemitism. This book offers a corrective to the widespread consensus that homogenizes gentile responses throughout Eastern Europe, instead demonstrating that what states did in the interwar period mattered; relations between social groups were not fixed and destined to repeat themselves, but rather fluid and susceptible to change over time.
This major reinterpretation of the Holocaust surveys the destruction of the European Jews within the broader context of Nazi violence against other victim groups. Christian Gerlach offers a unique social history of mass violence which reveals why particular groups were persecuted and what it was that connected the fate of these groups and the policies against them. He explores the diverse ideological, political and economic motivations which lay behind the murder of the Jews and charts the changing dynamics of persecution during the course of the war. The book brings together both German actions and those of non-German states and societies, shedding new light on the different groups and vested interests involved and their role in the persecution of non-Jews as well. Ranging across continental Europe, it reveals that popular notions of race were often more important in shaping persecution than scientific racism or Nazi dogma.
This major reinterpretation of the Holocaust surveys the destruction of the European Jews within the broader context of Nazi violence against other victim groups. Christian Gerlach offers a unique social history of mass violence which reveals why particular groups were persecuted and what it was that connected the fate of these groups and the policies against them. He explores the diverse ideological, political and economic motivations which lay behind the murder of the Jews and charts the changing dynamics of persecution during the course of the war. The book brings together both German actions and those of non-German states and societies, shedding new light on the different groups and vested interests involved and their role in the persecution of non-Jews as well. Ranging across continental Europe, it reveals that popular notions of race were often more important in shaping persecution than scientific racism or Nazi dogma.
The Nazi Holocaust is one of the most momentous events in human history. Yet, it remains on many levels a baffling and unfathomable mystery. By shunning simplistic 'explanations' Ronnie Landau has set out, in a clear, thought-provoking and enlightened fashion, to mediate betweeen this vast, often unapproachable subject and the reader who wrestles with its meaning. Locating the Holocaust within a number of different contexts - Jewish history, German history, genocide in the modern age, the larger story of human bigotry and the triumph of ideology over conscience - Landau penetrates to the very heart of its moral and historical significance. Deeply concerned lest the Holocaust, as a 'unique' phenomenon, be cordoned off from the rest of human history and ghettoized within the highly charged realm of 'Jewish experience', he is at pains to show that transmitting understanding of the Holocaust is about connecting with all humanity.Intended both for the general reader and for students and academics (especially in history, psychology, literature and the humanities), this work is an important breakthrough in the struggle to perpetuate the memory of a tragedy which the world is all too ready to forget.
This book tells the story of Krystyna Bierzynska, an acculturated Polish Jew, from her birth in Warsaw in 1928 up to the war's end in May 1945, when she was reunited with her brother, Dolek, an officer in the Polish II Corps. Bierzynska not only survived the Holocaust due in large part to the extraordinary efforts of her parents, blood relatives, and surrogate Christian family, but also served as a 16-year-old orderly in the 1944 Warsaw Uprising. Hers is a Warsaw story, a biography that demonstrates how, in urban interwar Poland, the lives of liberal educated Catholics and acculturated, unconverted Jews significantly overlapped. Co-creating the culture and developing the economy and industries of independent Poland, acculturated Jews at last dared to believe that they qualified as Polish citizens and patriots. Bierzynska's story details her experience of two very different Warsaws: a cosmopolitan oasis of high culture, modern amenities, and tolerance, and an occupied capital intoxicated and united by conspiracy, where the residents joined together to overthrow a common enemy.
.,."Two major sections deal with the Resistance and with concentration camp life; a shorter final section concerns re-entry into normal life by the survivors...." Library Journal
A story of survival, of love between mother and son and of enduring hope in the face of unspeakable hardship. An important read. The Boy Who Didn't Want to Die describes an extraordinary journey, made by Peter, a boy of five, through war-torn Europe in 1944 and 1945. Peter and his parents set out from a small Hungarian town, travelling through Austria and then Germany together. Along the way, unforgettable images of adventure flash one after another: sleeping in a tent and then under the sky, discovering a disused brick factory, catching butterflies in the meadows - and as Peter realises that this adventure is really a nightmare - watching bombs falling from the blue sky outside Vienna, learning maths from his mother in Belsen. All this is drawn against a background of terror, starvation, infection and, inevitably, death, before Peter and his mother can return home. Professor Peter Lantos is a Fellow of the Academy of Medical Sciences and in his previous life was an internationally renowned clinical neuroscientist. His memoir, Parallel Lines (Arcadia Books, 2006) was translated into Hungarian, German and Italian. Closed Horizon (Arcadia, 2012) was his first novel. Peter was awarded the British Empire Medal in 2020 for 'services to Holocaust education and awareness'. He is one of the last of the generation of survivors and this - his first book for children - will serve as a testimony to his experience. Peter lives in London.
This is the first musicological study entirely devoted to a comprehensive analysis of musical Holocaust representations in the Western art music tradition. Through a series of chronological case studies grounded in primary source analysis, Amy Lynn Wlodarski analyses the compositional processes and conceptual frameworks that provide key pieces with their unique representational structures and critical receptions. The study examines works composed in a variety of musical languages - from Arnold Schoenberg's dodecaphonic A Survivor from Warsaw to Steve Reich's minimalist Different Trains - and situates them within interdisciplinary discussions about the aesthetics and ethics of artistic witness. At the heart of this book are important questions about how music interacts with language and history; memory and trauma; and politics and mourning. Wlodarski's detailed musical and cultural analyses provide new models for the assessment of the genre, illustrating the benefits and consequences of musical Holocaust representation in the second half of the twentieth century.
The Polish Underground and the Jews, 1939-1945 examines one of the central problems in the history of Polish-Jewish relations: the attitude and the behavior of the Polish Underground - the resistance organization loyal to the Polish government-in-exile - toward the Jews during World War II. Using a variety of archival documents, testimonies, and memoirs, Zimmerman offers a careful, dispassionate narrative, arguing that the reaction of the Polish Underground to the catastrophe that befell European Jewry was immensely varied, ranging from aggressive aid to acts of murder. By analyzing the military, civilian, and political wings of the Polish Underground and offering portraits of the organization's main leaders, this book is the first full-length scholarly monograph in any language to provide a thorough examination of the Polish Underground's attitude and behavior towards the Jews during the entire period of World War II.
Auschwitz and Birkenau were separate from each other,by about a 45 minute walk. Auschwitz was adapted to hold political prisoners in 1940 and evolved into a killing machine in 1941. Later that year a new site called Birkenau was found to extend the Auschwitz complex. Here a vast complex of buildings were constructed to hold initially Russian POWs and later Jews as a labour pool for the surrounding industries including IG Farben. Following the January 1943 Wannsee Conference, Birkenau evolved into a murder factory using makeshift houses which were adapted to kill Jews and Russian POWs. Later due to sheer volume Birkenau evolved into a mass killing machine using gas chambers and crematoria, while Auschwitz, which still held prisoners, became the administrative centre. The images show first Auschwitz main camp and then Birkenau and are carefully chosen to illustrate specific areas, like the Women's Camp, Gypsy Camp, SS quarters, Commandant's House, railway disembarkation, the 'sauna', disinfection area and the Crematoria. Maps covering Auschwitz and Birkenau explain the layout. This book is shocking proof of the scale of the Holocaust.
The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 to the modern day. The book weaves together a vast body of scholarship to bring students of the Holocaust a balanced overview of this complex and often controversial topic. It demonstrates that the United States' response to Nazism, the refugee crisis it provoked, the Holocaust, and its aftermath were-and remain to this day-intricately linked to the shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg guides us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses how the Holocaust, like American Jewry itself, moved from the margins to the center of American awareness. This book considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this detailed survey.
The Sonderkommando of Auschwitz-Birkenau consisted primarily of Jewish prisoners forced by the Germans to facilitate the mass extermination. Though never involved in the killing itself, they were compelled to be "members of staff" of the Nazi death-factory. This book, translated for the first time into English from its original Hebrew, consists of interviews with the very few surviving men who witnessed at first hand the unparalleled horror of the Auschwitz-Birkenau death camp. Some of these men had never spoken of their experiences before. Over a period of years, Gideon Greif interviewed intensively all Sonderkommando survivors living in Israel. They describe not only the details of the German-Nazi killing program but also the moral and human challenges they faced. The book provides direct testimony about the "Final Solution of the Jewish Problem," but it is also a unique document on the boundless cruelty and deceit practiced by the Germans. It documents the helplessness and powerlessness of the one-and-a-half million people, 90 percent of them Jews, who were brutally murdered in the gas chambers of Auschwitz-Birkenau.
Holocaust Memory in the Digital Age explores the nexus of new media and memory practices, raising questions about how advances in digital technologies continue to influence the nature of Holocaust memorialization. Through an in-depth study of the largest and most widely available collection of videotaped interviews with survivors and other witnesses to the Holocaust, the University of Southern California Shoah Foundation's Visual History Archive, Jeffrey Shandler weighs the possibilities and challenges brought about by digital forms of public memory. The Visual History Archive's holdings are extensive-over 100,000 hours of video, including interviews with over 50,000 individuals-and came about at a time of heightened anxiety about the imminent passing of the generation of Holocaust survivors and other eyewitnesses. Now, the Shoah Foundation's investment in new digital media is instrumental to its commitment to remembering the Holocaust both as a subject of historical importance in its own right and as a paradigmatic moral exhortation against intolerance. Shandler not only considers the Archive as a whole, but also looks closely at individual survivors' stories, focusing on narrative, language, and spectacle to understand how Holocaust remembrance is mediated.
'The Automaton' is based on a story told to Paolo Ventura as a child. It centres on an elderly, Jewish watchmaker living in the Venice ghetto in 1943, one of the darkest periods of the Nazi occupation and the rule of the fascist regime in Italy. The city where the watchmaker has lived his entire life, now desolate and fearful, is the stage on which the story unfolds. The old man decides to build an automaton (a robot), to keep him company while he awaits the arrival of the fascist police who will deport the last of the remaining Jews from the ghetto. Paolo Ventura is internationally known for the complex creative process he adopts. Having created the narrative script for the book, he then builds elaborate models and miniature figurines in his studio and incorporates them in what appear as almost film sets. These are then photographed and his final artworks are the photographs of these constructed tableaux. 'The Automaton' is a photographic narrative from beginning to end. |
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