This book deals with the work of fifteen young Jewish poets who were killed, died of wounds, or were executed in captivity while serving in the Red Army in the Second World War. All were young, all were poets, most were thoroughly assimilated into Soviet society whilst at the same time being rooted in Jewish culture and traditions. Their poetry, written mostly in Russian, Yiddish, and Ukrainian, was coloured by their backgrounds, by the literary and cultural climate that prevailed in the Soviet Union, and was deeply concerned with their expectation of impending death at the hands of the Nazis. The book examines the poets' backgrounds, their lives, their poetry and their deaths. Like the experiences and poetry of the British First World War poets, the lives and poems of these young Jewish poets are extremely interesting and deeply moving.

History Flows through Us introduces a new dialogue between leading historians and psychoanalysts and provides essential insights into the nature of historical trauma. The contributors - German historians, historians of the Holocaust and psychoanalysts of different disciplinary backgrounds - address the synergy between history and psychoanalysis in an engaging and accessible manner. Together they develop a response to German history and the Holocaust that is future-oriented and timely in the presence of today's ethnic hatreds. In the process, they help us to appreciate the emotional and political legacy of history's collective crimes. This book illustrates how history and the psyche shape one another and the degree to which history flows through all of us as human beings. Its innovative cross-disciplinary approach draws on the work of the historian and psychoanalyst Thomas Kohut. The volume includes an extended dialogue with Kohut in which he reflects on the study of German history and the Holocaust at the intersection of history and psychoanalysis. This book demonstrates that the fields of history and psychoanalysis are each concerned with the role of empathy and with the study of memory and narrative. History Flows through Us will appeal to general readers, students and professionals in cultural history, Holocaust and trauma studies, sociology, psychoanalysis, psychotherapy and psychology.

Diane Tuckman and Cecile Spiegel fled religious persecution with WWII conflicts at their heels. Separately, from Egypt and from Germany, each leaped continents, cultures, and languages as a refugee before finding a new home in the United States. Hiding in plain sight in France, Cecile eluded capture by the Nazis, but lost many dear to her. Diane came of age there, far from the Mediterranean idyll of her childhood in Egypt. They relied on family, faith, and resilience to overcome the otherness felt by displaced peoples. As they dictated their memoirs to one another, Diane and Cecile discovered the anatomy of their friendship in their parallel odysseys and the optimism of 20th-century American womanhood.

Explaining Auschwitz and Hiroshima explores the way in which the main combatant societies of the World War II have interpreted and related that experience. Since 1945, debates in Germany about the past that would not fade away have been reasonably well-known.

This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation-the children of survivors-to a contemporary generation of grandchildren of survivors-those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected-essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers-show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.

Although there is an immense amount of literature on the "final solution" - the Nazis' attempt to exterminate European Jews during the Second World War - many critical questions about the Holocaust still remain unaddressed. These collected essays set out to clarify the reasons for the attempted genocide of the Jews, and to provide new answers to this period of history which often seems inexplicable. The book draws on important new evidence, much of it from archives in Eastern Europe which have only recently become accessible. Contributors are among the leading experts in the field. The essays focus on the preconditions and antecedents for the "final solution" and the immediate origins of the decision to murder Europe's Jewish population. They consider, too, the impact of the German invasion of Russia in June 1941 on the evolution of a genocidal policy and the response of the peoples and governments in Germany, occupied Europe, the free world and the Jewish communities under the Nazis and in the West. The results of this study are often controversial, and challenge many accepted views.

Of all the controversies facing historians today, few are more divisive or more important than the question of how the Holocaust was possible. What led thousands of Germans - many of them middle-aged reservists with, apparently, little Nazi zeal - to willingly commit acts of genocide? Was it ideology? Was there something rotten in the German soul? Or was it - as Christopher Browning argues in this highly influential book - more a matter of conformity, a response to intolerable social and psychological pressure? Ordinary Men is a microhistory, the detailed study of a single unit in the Nazi killing machine. Browning evaluates a wide range of evidence to seek to explain the actions of the "ordinary men" who made up reserve Police Battalion 101, taking advantage of the wide range of resources prepared in the early 1960s for a proposed war crimes trial. He concludes that his subjects were not "evil;" rather, their actions are best explained by a desire to be part of a team, not to shirk responsibility that would otherwise fall on the shoulders of comrades, and a willingness to obey authority. Browning's ability to explore the strengths and weaknesses of arguments - both the survivors' and other historians' - is what sets his work apart from other studies that have attempted to get to the root of the motivations for the Holocaust, and it is also what marks Ordinary Men as one of the most important works of its generation.

The German invasion of the Soviet Union during the Second World War was central to Nazi plans for territorial expansion and genocidal demographic revolution. To create 'living space', Nazi Germany pursued two policies. The first was the systematic murder of millions of Jews, Slavs, Roma, and other groups that the Nazis found undesirable on racial, religious, ethnic, ideological, hereditary, or behavioral grounds. It also pursued a parallel, albeit smaller, program to mobilize supposedly Germanic residents of Eastern Europe and the Soviet Union - so-called Volksdeutsche or ethnic Germans - as the vanguard of German expansion. This study recovers the intersection of these two projects in Transnistria, a portion of southern Ukraine that, because of its numerous Volksdeutsche communities, became an epicenter of both Nazi Volksdeutsche policy and the Holocaust in conquered Soviet territory, ultimately asking why local residents, whom German authorities identified as Volksdeutsche, participated in the Holocaust with apparent enthusiasm.

Syndrome K is the story of how 80 per cent of Italy's Jews escaped the Holocaust, with the help of their fellow countrymen, the Allies and even some Germans. From claiming sanctuary in the Vatican to pitched battles by partisans, and even inventing a highly contagious 'Jewish disease', it was an ingenious, covert and complicated effort - and one that saved the lives of thousands of people. Drawing on original archive material from Italy, Germany, the Vatican City, Switzerland, the UK and US, acclaimed historian Christian Jennings tells the whole story in English for the first time.

From Left to Right: Lucy S. Dawidowicz, the New York Intellectuals, and the Politics of Jewish History is the first comprehensive biography of Dawidowicz (1915-1990), a pioneer historian in the field that is now called Holocaust studies. Dawidowicz was a household name in the postwar years, not only because of her scholarship but also due to her political views. Dawidowicz, like many other New York intellectuals, was a youthful communist, became an FDR democrat midcentury, and later championed neoconservatism. Nancy Sinkoff argues that Dawidowicz's rightward shift emerged out of living in prewar Poland, watching the Holocaust unfold from New York City, and working with displaced persons in postwar Germany. Based on over forty-five archival collections, From Left to Right chronicles Dawidowicz's life as a window into the major events and issues of twentieth-century Jewish life. From Left to Right is structured in four parts. Part 1 tells the story of Dawidowicz's childhood, adolescence, and college years when she was an immigrant daughter living in New York City. Part 2 narrates Dawidowicz's formative European years in Poland, New York City (when she was enclosed in the European-like world of the New York YIVO), and Germany. Part 3 tells how Dawidowicz became an American while Polish Jewish civilization was still inscribed in her heart and also explores when and how Dawidowicz became the voice of East European Jewry for the American Jewish public. Part 4 exposes the fissure between Dawidowicz's European-inflected diaspora nationalist modern Jewish identity and the shifting definition of American liberalism from the late 1960s forward, which also saw the emergence of neoconservatism. The book includes an interpretation of her memoir From that Place and Time, as well as an appendix of thirty-one previously unpublished letters that illustrate the broad reach of her work and person. Dawidowicz's right-wing politics, sex, and unabashed commitment to Jewish particularism in an East European Jewish key have resulted in scholarly neglect. Therefore, this book is strongly recommended for scholars and general readers interested in Jewish and women's studies.

This is the first work in any language that offers both an overarching exploration of the flight and evacuation of Soviet Jews viewed at the macro level, and a personal history of one Soviet Jewish family. It is also the first study to examine Jewish life in the Northern Caucasus, a Soviet region that history scholars have rarely addressed. Drawing on a collection of family letters, Kiril Feferman provides a history of the Ginsburgs as they debate whether to evacuate their home of Rostov-on-Don in southern Russia and are eventually swept away by the Soviet-German War, the German invasion of Soviet Russia, and the Holocaust. The book makes a significant contribution to the history of the Holocaust and Second World War in the Soviet Union, presenting one Soviet region as an illustration of wartime social and media politics.

eBook available with sample pages: 0203214803

Since ancient times, music has demonstrated the incomparable ability to touch and resonate with the human spirit as a tool for communication, emotional expression, and as a medium of cultural identity. During World War II, Nazi leadership recognized the power of music and chose to harness it with malevolence, using its power to push their own agenda and systematically stripping it away from the Jewish people and other populations they sought to disempower. But music also emerged as a counterpoint to this hate, withstanding Nazi attempts to exploit or silence it. Artistic expression triumphed under oppressive regimes elsewhere as well, including the horrific siege of Leningrad and in Japanese internment camps in the Pacific. The oppressed stubbornly clung to music, wherever and however they could, to preserve their culture, to uplift the human spirit and to triumph over oppression, even amid incredible tragedy and suffering. This volume draws together the musical connections and individual stories from this tragic time through scholarly literature, diaries, letters, memoirs, compositions, and art pieces. Collectively, they bear witness to the power of music and offer a reminder to humanity of the imperative each faces to not only remember, but to prevent another such cataclysm.

Bohemia and Moravia, today part of the Czech Republic, was the first territory with a majority of non-German speakers occupied by Hitler's Third Reich on the eve of the World War II. Tens of thousands of Jewish inhabitants in the so called Protectorate of Bohemia and Moravia soon felt the tragic consequences of Nazi racial politics. Not all Czechs, however, remained passive bystanders during the genocide. After the destruction of Czechoslovakia in 1938-39, Slovakia became a formally independent but fully subordinate satellite of Germany. Despite the fact it was not occupied until 1944, Slovakia paid Germany to deport its own Jewish citizens to extermination camps. About 270,000 out of the 360,000 Czech and Slovak casualties of World War II were victims of the Holocaust. Despite these statistics, the Holocaust vanished almost entirely from post-war Czechoslovak, and later Czech and Slovak, historical cultures. The communist dictatorship carried the main responsibility for this disappearance, yet the situation has not changed much since the fall of the communist regime. The main questions of this study are how and why the Holocaust was excluded from the Czech and Slovak history.

You've seen them as background "extras" in motion pictures with Holocaust themes. One was a guard who escorted Meryl Streep across the grim landscape of Auschwitz in Sophie's Choice (1982). In the dark comedy Seven Beauties (1976), a hapless Italian POW finds himself having to patronize an exceedingly large version of one. In The Boys from Brazil (1978), Nazi hunter Sir Lawrence Olivier interviews the aging prison inmate who is attempting to broker a deal through him. In Playing for Time, Triumph of the Spirit, and Schindler's List, similar representations appear. These are the female SS guards, and even ardent students of the Holocaust know little about these feminine shadows of camp terror. In truth, the so-called "SS Women" served in guard capacities in the camps, but their official status in the SS was strictly that of auxiliaries. The female guards were never truly considered members of the "sacred corps" of Hitler's elite guard: they were never actual SS members. All this notwithstanding, the overwhelming majority of these women inflicted tremendous pain and suffering on the thousands of unfortunate, helpless victims, who came under their power. The rank-and-file female guards were frequently singled out in postwar trials as being worse than the male tormentors. Indeed, as the world witnessed photographic evidence of well-fed, usually hefty female guards throwing emaciated corpses in the the mass graves of Bergen-Belsen, the scope and extent of these culprits' participation in the Nazi orgy of death became clearer. Sadly, with the passage of time, the world has largely forgotten these female oppressors. The Camp Women is the first complete resource volume dedicated to the SS-Aufseherinnen - the female guards of the camps. Although no directory, database, or index on the subject has ever existed, Daniel Patrick Brown has taken the bank records of the concentration camp designated for women, RavensbrA"ck, to begin to catalog all of these overseers who can be documented. Furtherm with added data from the German Federal Archives in Berlin, the Polish State Museum in Oswiecim (Auschwitz), and the Central Office (for prosecution of Nazi war crimes) in Ludwigsburg, essential material on these women has finally been synthetized into this valuable tool for subsequent research on the female guards. In addition, the role of the girl's youth organization in developing future overseers, and the eventual recruitment, training, and employment of these women is likewise examined. Because of their participation in the slaughter in the camps, a number of female overseers were tried, convicted, and executed following the war. This aspect of their organization's brief history is also analyzed. Finally, a section of photographs and maps will provide the reader with some heretofore unseen data. Professor Brown's timely work fills a void in the terrible annals of the Nazism: at last, the women guards and their crimes are subject to public scrutiny.

Volumes one and two of the Pulitzer Prize-winning tale of a mouse's experiences in Nazi-occupied Europe and in German concentration camps are housed in a sturdy box. Reprint.

In recent news coverage of the dramatic political events in Eastern Europe, Gypsies have been a favourite sidebar topic. Some of the stories have been truly horrifying, others are written condescendingly and to amuse; but what has become clear is how little we really know about this people. In a concerted effort to uncover the modern history of the Rom in Eastern Europe, the authors examine the Gypsy experience in Albania, Czechoslovakia, Hungary, Romania and Yugoslavia, with special attention to the Nazi Holocaust as well as to the record of the forced settlement and education programmes instituted by communist regimes.

In recent news coverage of the dramatic political events in Eastern Europe, Gypsies have been a favourite sidebar topic. Some of the stories have been truly horrifying, others are written condescendingly and to amuse; but what has become clear is how little we really know about this people. In a concerted effort to uncover the modern history of the Rom in Eastern Europe, the authors examine the Gypsy experience in Albania, Czechoslovakia, Hungary, Romania and Yugoslavia, with special attention to the Nazi Holocaust as well as to the record of the forced settlement and education programmes instituted by communist regimes.

An exploration of the development of Holocaust research in Israel, this book ranges from the consolidation of Holocaust research as an academic subject in the late 1940s to the establishment of Yad Vashem and beyond. Research on the story of historiography is often a work on books, on the "final products" that fill academic bookshelves yet, in Israeli Holocaust Research, Boaz Cohen illustrates that the evolution of holocaust research in Israel has a more human element to it. Drawing on knowledge gained through seven years of work in ten major archives in Israel, the author reveals a previously unseen picture of the development of Israeli Holocaust research "from below," and of the social and cultural forces influencing its character. In doing so, a new facet to the picture emerges, of the story beyond the archive and the people who see Holocaust research as their mission and responsibility. This book will be a fascinating addition to the study of Holocaust research and will be of particular interest to students of history, historiography and Jewish studies

"Testimony" examines the nature and function of testimony, witnessing and memory, both in their general relation to the acts of writing and of reading, and in their particular relation to the Holocaust. This book takes in the texts of Dostoevsky, Freud, Mallarme, Camus and de Man, videotaped testimonial life accounts of Holocaust survivors and also the film "Shoah" by Claude Lanzmann. "Testimony" defines the uniquely devastating aspect of the Holocaust as a radical crisis of witnessing an "unprecendented historical occurrence of ...an event eliminating its own witness". Drawing on their personal experience of receiving survivors' accounts, Felman and Laub present the first "theory of testimony": a radically new conception of the relationship between art and culture and the witnessing of historical events. This book should be of interest to undergraduates and academics of literary criticism, literary theory, film theory, psychoanalysis and modern history.

Born in 1904, Brandt played a major role in the first mass killing programme of the Third Reich, the so called 'euthanasia' programme. As Reich Commissioner for Health and Sanitation, Karl Brandt became the highest medical authority in the Nazi regime; he initiated experiments on concentration camps inmates and was eventually put in charge of biological and chemical warfare. How was it that a rational, highly cultured, literate, young professional could come to be responsible for mass murder and criminal human experiments on a previously unimaginable scale? In this riveting biography, Ulf Schmidt explores in detail that Brandt belonged to a generation of a young 'expert elite', who in the 1930s and 1940s were willing, and empowered, to support and conceive an oppressive, militarist, and racist government policy, and ultimately turn its exterminatory potential into reality. Through a critical biography of Brandt, Schmidt re-evaluates the system of communication at the centre of Hitler's regime. The book extends our understanding of the culture of detachment between a regime that was geared towards total destruction, and a government that was almost totally removed from its people.

A prominent Viennese psychiatrist before the war, Viktor Frankl was uniquely able to observe the way that both he and others in Auschwitz coped (or didn't) with the experience. He noticed that it was the men who comforted others and who gave away their last piece of bread who survived the longest - and who offered proof that everything can be taken away from us except the ability to choose our attitude in any given set of circumstances. The sort of person the concentration camp prisoner became was the result of an inner decision and not of camp influences alone. Only those who allowed their inner hold on their moral and spiritual selves to subside eventually fell victim to the camp's degenerating influence - while those who made a victory of those experiences turned them into an inner triumph. Frankl came to believe man's deepest desire is to search for meaning and purpose. This outstanding work offers us all a way to transcend suffering and find significance in the art of living.

Jewish armed resistance during the Holocaust has been amply documented, debunking the stereotypical view of the Jews as passive victims of Hitler and the Nazis. The stories of the revolts in a number of ghettos and camps have been told and retold. Jewish participation in partisan activities has been fully recorded. There is another form of resistance, spiritual in nature, which has yet to be fully documented. Spiritual resistance was expressed on an organized communal level, maintained to thwart the Nazi intention of dehumanizing their Jewish victims. The victims responded by initiating religious, educational, and cultural activities in an organized manner. These activities were both open and clandestine. In addition, many individuals expressed themselves through their writings. To Live with Hope, To Die with Dignity, based principally on materials created and activities conducted in the ghettos of Warsaw, Vilna, Lodz, Kovno, during the Holocaust, concerns itself with this particular aspect of the Holocaust tragedy.

Given their geographical separation from Europe, ethno-religious and cultural diversity, and subordinate status within the Nazi racial hierarchy, Middle Eastern societies were both hospitable as well as hostile to National Socialist ideology during the 1930s and 1940s. By focusing on Arab and Turkish reactions to German anti-Semitism and the persecution and mass-murder of European Jews during this period, this expansive collection surveys the institutional and popular reception of Nazism in the Middle East and North Africa. It provides nuanced and scholarly yet accessible case studies of the ways in which nationalism, Islam, anti-Semitism, and colonialism intertwined, all while sensitive to the region's political, cultural, and religious complexities.

The Nazi conscience is not an oxymoron. In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders. Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk. From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust. The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.