Born a German Jew in 1915, Rudy Baum was eighty-six years old when he sealed the garage door of his Dallas home, turned on the car ignition, and tried to end his life. After confronting her father's attempted suicide, Karen Baum Gordon, Rudy's daughter, began a sincere effort to understand the sequence of events that led her father to that dreadful day in 2002. What she found were hidden scars of generational struggles reaching back to the camps and ghettos of the Third Reich. In The Last Letter: A Father's Struggle, a Daughter's Quest, and the Long Shadow of the Holocaust, Gordon explores not only her father's life story, but also the stories and events that shaped the lives of her grandparents-two Holocaust victims that Rudy tried in vain to save in the late 1930s and early years of World War II. This investigation of her family's history is grounded in eighty-eight letters written mostly by Julie Baum, Rudy's mother and Karen's grandmother, to Rudy between November 1936 and October 1941. In five parts, Gordon examines pieces of these well-worn, handwritten letters and other archival documents in order to discover what her family experienced during the Nazi period and the psychological impact that reverberated from it in the generations that followed. Part of the Legacies of War series, The Last Letter is a captivating family memoir that spans events from the 1930s and Hitler's rise to power, through World War II and the Holocaust, to the present-day United States. In recreating the fatal journeys of her grandparents and tracing her father's efforts to save them an ocean away in America, Gordon discovers the forgotten fragments of her family's history and a vivid sense of her own Jewish identity. By inviting readers along on this journey, Gordon manages to honor victim and survivor alike and shows subsequent generations-now many years after the tragic events of World War II-what it means to remember.

2018 Book Prize from the Association for the Advancement of Baltic Studies 2018 Vine Award for Canadian Jewish Literature in Nonfiction from the Koffler Centre of the Arts in Toronto When Julija Sukys was a child, her paternal grandfather, Anthony, rarely smiled, and her grandmother, Ona, spoke only in her native Lithuanian. But they still taught Sukys her family's story: that of a proud people forced from their homeland when the soldiers came. In mid-June 1941 three Red Army soldiers arrested Ona and sent her east to Siberia, where she spent seventeen years working on a collective farm. It was all a mistake, the family maintained. Some seventy years after these events, Sukys sat down to write about her grandparents and their survival of a twenty-five-year forced separation and subsequent reunion. Piecing the story together from letters, oral histories, audio recordings, and KGB documents, her research soon revealed a Holocaust-era secret-a family connection to the killing of seven hundred Jews in a small Lithuanian border town. According to KGB documents, the man in charge when those massacres took place was Anthony, Ona's husband. In Siberian Exile Sukys weaves together the two narratives: the story of Ona, noble exile and innocent victim, and that of Anthony, accused war criminal. She examines the stories that communities tell themselves and considers what happens when the stories we've been told all our lives suddenly and irrevocably change, and how forgiveness operates across generations and the barriers of life and death.

For years, the history of the anti-Nazi resistance in Germany was hidden and distorted by Cold War politics. Providing a much-needed corrective, Red Orchestra presents the dramatic story of a circle of German citizens who opposed Hitler from the start, choosing to stay in Germany to resist Nazism and help its victims. The book shines a light on this critical movement which was made up of academics, theatre people, and factory workers; Protestants, Catholics and Jews; around 150 Germans all told and from all walks of life. Drawing on archives, memoirs, and interviews with survivors, award-winning scholar and journalist Anne Nelson presents a compelling portrait of the men and women involved, and the terrifying day-to-day decisions in their lives, from the Nazi takeover in 1933 to their Gestapo arrest in 1942. Nelson traces the story of the Red Orchestra (Rote Kapelle) resistance movement within the context of German history, showing the stages of the Nazi movement and regime from the 1920s to the end of the Second World War. She also constructs the narrative around the life of Greta Kuckhoff and other female figures whose role in the anti-Nazi resistance fight is too-often unrecognised or under appreciated. This revised edition includes: * A new introduction which explores elements of the Red Orchestra’s experience that resonate with our times, including: the impact of new media technologies; the dangers of political polarization; and the way the judiciary can be shaped to further the ends of autocracy. The introduction will also address the long-standing misconception that the German Resistance only took action when it was clear that Germany was losing the war. * Historiographic updates throughout the book which take account of recent literature and additional archival sources

This compelling and candid memoir by Mindy Weisel, an internationally acclaimed artist and author, traces her search to find beauty in her life, which began as a child born in the Bergen-Belsen Displaced Person's Camp to parents who had survived the Auschwitz concentration camp. This is not her parents' story, rather, it is a courageous and honest portrait of her struggle to understand the black hole she was born into. Her successful journey in becoming an artist with her own voice, and an unshakable will to live with beauty, is most inspiring. By weaving an eloquent tapestry of her art, narrative, poetry and journals, Ms. Weisel offers moving insights into her life and work, especially her deep-seated conviction that beauty and love can overcome tragedy. AFTER: The Obligation of Beauty immerses the reader in Mindy's astonishing body of paintings and glass works that explore the subtleties of color as a means in expressing emotion. The "second generation," as her generation of survivors' children are referred to, were faced not only with the tragedy their parents had endured but also with their own feelings of guilt and despair. The process of creating art not only became an antidote to the pain and suffering she witnessed and felt, but it also became an "obligation" for finding joy and love in the face of pain. Each chapter of AFTER is accompanied by paintings relating to different periods of Mindy Weisel's life - a life filled with accomplishment, meaning, love and fulfillment, personally and professionally.

Emil Fackenheim was the last in a long line of Jewish philosophers to emerge from Germany, the modern center of Western philosophy, following Moses Mendelssohn, Leo Baeck, and Martin Buber. In this revealing book, David Patterson explores Fackenheim's rigorous pursuit of a philosophical response to the tragedy of the Holocaust. Fackenheim's writing sheds light on the tensions between Jewish thinking and German philosophy, illustrating how elements of the latter were used by the Nazis to justify Jewish annihilation. In addition, he emphasizes the important implications of defining Jewish philosophy as its own entity, separate from the tenets of the Jewish cultural tradition.

Many stories of courage have been told about the sacrifices made by individuals and families during World War 2 -- this is one to stir the emotions of all who read it.

Based on years of archival research, 'The Doctors of the Warsaw Ghetto' is the most detailed study ever undertaken into the fate of more than 800 Jewish doctors who devoted themselves, in many cases until the day they died, to the care of the sick and the dying in the Ghetto. The functioning of the Ghetto hospitals, clinics and laboratories is explained in fascinating detail. Readers will learn about the ground-breaking research undertaken in the Ghetto as well as about the underground medical university that prepared hundreds of students for a career in medicine; a career that, in most cases, was to be cut brutally short within weeks of them completing their first year of studies.

Martin Heidegger (1889-1976) is considered one of the most influential philosophers of the twentieth century in spite of his well-known transgressions-his complicity with National Socialism and his inability to show remorse or compassion for its victims. In The Duplicity of Philosophy's Shadow, Elliot R. Wolfson intervenes in a debate that has seen much attention in scholarly and popular media from a unique perspective, as a scholar of Jewish mysticism and philosophy who has been profoundly influenced by Heidegger's work. Wolfson sets out to probe Heidegger's writings to expose what remains unthought. In spite of Heidegger's explicit anti-Semitic statements, Wolfson reveals some crucial aspects of his thinking-including criticism of the biological racism and militant apocalypticism of Nazism-that betray an affinity with dimensions of Jewish thought: the triangulation of the concepts of homeland, language, and peoplehood; Jewish messianism and the notion of historical time as the return of the same that is always different; inclusion, exclusion, and the status of the other; the problem of evil in kabbalistic symbolism. Using Heidegger's own methods, Wolfson reflects on the inextricable link of truth and untruth and investigates the matter of silence and the limits of speech. He challenges the tendency to bifurcate the relationship of the political and the philosophical in Heidegger's thought, but parts company with those who write off Heidegger as a Nazi ideologue. Ultimately, The Duplicity of Philosophy's Shadow argues, the greatness and relevance of Heidegger's work is that he presents us with the opportunity to think the unthinkable as part of our communal destiny as historical beings.

Lilo was a child during the Holocaust. Now that the older generation of Holocaust survivors, such as her parents, have mostly passed on, she and others like her are the "last survivors of the Holocaust" -- the final witnesses to the horrors that Hitler perpetrated on the Jewish people. After Lilo attended a workshop given by Hana Greenfield, noted author, lecturer, and Holocaust child survivor, where she spoke about the importance of child survivors sharing their experiences of the Holocaust, Lilo began compiling her history and experiences. She started speaking to schools and groups, and received more and more requests to share her story, presented here in a special volume illustrated by Lilo herself. Through narrative, poems and illustrations, this book shares the voice of a childhood lived in the shadow of the ultimate darkness.

Contrary to the common notion that news regarding the genocide was unavailable or unreliable, news from Europe was often communicated to North American Poles through the Polish-language press. This work engages with the origins of this debate and demonstrates that the Polish-language press covered seminal issues during the inter-war years, the war, and the Holocaust extensively on their front and main story pages, and were extremely responsive, professional, and vocal in their journalism. From Polish-Jewish relations, to the cause of the Second World War and subsequently the development of genocide-related policy, North American Poles, had a different perspective from mainstream society on the "causes and effects" of what was happening. New research for this book examines attitudes toward Jews prior to and during the Holocaust, and how information on such attitudes was disseminated. It utilizes original research from selected Polish newspapers, predominantly the Republika-Gornik, as well as survivor testimony from 1926-1945.

May God Avenge Their Blood: a Holocaust Memoir Triptych presents three memoirs by the Yiddish writer Rachmil Bryks (1912-1974). In "Those Who Didn't Survive," Bryks portrays inter-war life in his shtetl Skarzysko-Kamienna, Poland with great flair and rich anthropological detail, rendering a haunting collective portrait of an annihilated community. "The Fugitives" vividly charts the confusion and terror of the early days of World War II in the industrial city of Lodz and elsewhere. In the final memoir, "From Agony to Life," Bryks tells of his imprisonment in Auschwitz and other camps. Taken together, the triptych takes the reader on a wide-ranging journey from Hasidic life before the Holocaust to the chaos of the early days of war and then to the horrors of Nazi captivity. This translation by Yermiyahu Ahron Taub brings the extraordinary memoirs of an important Yiddish writer to English-language readers for the first time.

On a quiet winter night in 1944, as part of their support of the Third Reich's pogrom of European Jews, French authorities arrested Ida Grinspan, a young Jewish girl hiding in a neighbor's home in Nazi-occupied France. Of the many lessons she would learn after her arrest and the subsequent year and a half in Auschwitz, the most notorious concentration camp of the Holocaust, the first was that ""barbarity enters on tiptoes . . . [even] in a hamlet where everything seemed to promise the peaceful slumber of places forgotten by history."" Translated by Charles B. Potter, You've Got to Tell Them is the result of a friendship that formed in 1988, when Grinspan returned to visit Auschwitz for the first time since 1945 and where she met Bertrand Poirot-Delpeche, a distinguished writer for the Paris newspaper Le Monde. Sometimes speaking alone, sometimes speaking in close alternation, Grinspan and Poirot-Delpeche simultaneously narrate the story of her survival and the decades that followed, including how she began lecturing in schools and guiding groups that visited the death camps. Replete with pedagogical resources including a discussion of how and why the Holocaust should be taught, a timeline, and suggestions for further reading, Potter's expert translation of You've Got to Tell Them showcases a clear and moving narrative of a young French girl overcoming one of the darkest periods in her life and in European history.

Given their geographical separation from Europe, ethno-religious and cultural diversity, and subordinate status within the Nazi racial hierarchy, Middle Eastern societies were both hospitable as well as hostile to National Socialist ideology during the 1930s and 1940s. By focusing on Arab and Turkish reactions to German anti-Semitism and the persecution and mass-murder of European Jews during this period, this expansive collection surveys the institutional and popular reception of Nazism in the Middle East and North Africa. It provides nuanced and scholarly yet accessible case studies of the ways in which nationalism, Islam, anti-Semitism, and colonialism intertwined, all while sensitive to the region's political, cultural, and religious complexities.

The remarkable story of how a consul and his allies helped save thousands of Jews from the Holocaust in one of the greatest rescue operations of the twentieth century. In May 1940, desperate Jewish refugees in Kaunas, the capital of Lithuania, faced annihilation in the Holocaust - until an ordinary Dutch man became their saviour. Over a period of ten feverish days, Jan Zwartendijk, the newly appointed Dutch consul, wrote thousands of visas that would ostensibly allow Jews to travel to the Dutch colony of Curacao on the other side of the world. With the help of Chiune Sugihara, the consul for Japan, while taking great personal and professional risks, Zwartendijk enabled up to 10,000 men, women, and children to escape the country on the Trans-Siberian Express, through Soviet Russia to Japan and then on to China, saving them from the Nazis and the concentration camps. Most of the Jews whom Zwartendijk helped escape survived the war, and they and their descendants settled in America, Canada, Australia, and other countries. Zwartendijk and Sugihara were true heroes, and yet they were both shunned by their own countries after the war, and their courageous, unstinting actions have remained relatively unknown. In The Just, renowned Dutch author Jan Brokken wrests this heroic story from oblivion and traces the journeys of a number of the rescued Jews. This epic narrative shows how, even in life-threatening circumstances, some people make the just choice at the right time. It is a lesson in character and courage.

'An extraordinary book . . . vivid and heart-breaking' The Jewish Chronicle Through the discovery of a precious friendship album which belonged to 12-year-old Alie, a Jewish schoolgirl in Amsterdam, Claudia Carli has traced and preserved the lives of an entire class of girls, most of whom did not survive the War. Alie and her friends are brought touchingly and vividly to life, along with their writings, in this extraordinary book. Their everyday hopes, pleasures and longings are offset by the constant fear of a knock on the door, a missing friend from class, a family member taken away. Alie and her mother were to die in Sobibor in 1943. Alie's sister Gretha survived Auschwitz and kept her promise to her sister to preserve the friendship album so long as she hoped to live. This book will sit alongside Anne Frank's diary and The Cutout Girl as a unique window into occupied Amsterdam and the girls who will now never be forgotten.

On a November evening in 1989, Laura Levitt was raped in her own bed. Her landlord heard the assault taking place and called 911, but the police arrived too late to apprehend Laura's attacker. When they left, investigators took items with them-a pair of sweatpants, the bedclothes-and a rape exam was performed at the hospital. However, this evidence was never processed. Decades later, Laura returns to these objects, viewing them not as clues that will lead to the identification of her assailant but rather as a means of engaging traumatic legacies writ large. The Objects That Remain is equal parts personal memoir and fascinating examination of the ways in which the material remains of violent crimes inform our experience of, and thinking about, trauma and loss. Considering artifacts in the United States Holocaust Memorial Museum and evidence in police storage facilities across the country, Laura's story moves between intimate trauma, the story of an unsolved rape, and genocide. Throughout, she asks what it might mean to do justice to these violent pasts outside the juridical system or through historical empiricism, which are the dominant ways in which we think about evidence from violent crimes and other highly traumatic events. Over the course of her investigation, the author reveals how these objects that remain and the stories that surround them enable forms of intimacy. In this way, she models for us a different kind of reckoning, where justice is an animating process of telling and holding.