The Nazi Holocaust is often said to dominate the study of modern Jewish history. Engel demonstrates that, to the contrary, historians of the Jews have often insisted that the Holocaust be sequestered from their field, assigning it instead to historians of Europe, Germany, or the Third Reich. He shows that reasons for this counterintuitive situation lie in the evolution of the Jewish historical profession since the 1920s.
This one-of-a-kind study takes readers on a tour of twentieth-century scholars of the history of European Jewry, and the social and political contexts in which they worked, in order to understand why many have declined to view their subject from the vantage point of Jews' encounter with the Third Reich. Engel argues vehemently against this separation and describes ways in which a few exceptional scholars have used the Holocaust to illuminate key problems in the Jewish past.

Diane Tuckman and Cecile Spiegel fled religious persecution with WWII conflicts at their heels. Separately, from Egypt and from Germany, each leaped continents, cultures, and languages as a refugee before finding a new home in the United States. Hiding in plain sight in France, Cecile eluded capture by the Nazis, but lost many dear to her. Diane came of age there, far from the Mediterranean idyll of her childhood in Egypt. They relied on family, faith, and resilience to overcome the otherness felt by displaced peoples. As they dictated their memoirs to one another, Diane and Cecile discovered the anatomy of their friendship in their parallel odysseys and the optimism of 20th-century American womanhood.

Diane Tuckman and Cecile Spiegel fled religious persecution with WWII conflicts at their heels. Separately, from Egypt and from Germany, each leaped continents, cultures, and languages as a refugee before finding a new home in the United States. Hiding in plain sight in France, Cecile eluded capture by the Nazis, but lost many dear to her. Diane came of age there, far from the Mediterranean idyll of her childhood in Egypt. They relied on family, faith, and resilience to overcome the otherness felt by displaced peoples. As they dictated their memoirs to one another, Diane and Cecile discovered the anatomy of their friendship in their parallel odysseys and the optimism of 20th-century American womanhood.

Under the brutal conditions of the Dachau-Kaufering concentration camp, a handful of young Jews resolved to resist their Nazi oppressors. Their weapons were their words. Beginning with the Soviet occuption of Kovno, the members of Irgun Brith Zion circulated an underground journal, ""Nitzotz"" (""Spark""), in which they debated Zionist politics and laid plans for postwar settlment in Palestine. When the Kovno ghetto was destroyed, several contributors to ""Nitzotz"" were deported to the camps of Dachau. Against all odds, they did not lay down their pens. ""Nitzotz"" is the only known Hebrew-language publication to have appeared consistently throughout the Nazi occupation anywhere in Europe. Its authors believed that their intellectual defiance would insulate them against the dehumanizing cruelty of the concentration camp and equip them to lead the postwar effort for the physical and spiritual regeneration of European Jewry. Laura Weinrib presents this remarkable document to English readers for the first time. Along with a translation of the five remaining Dachau-Kaufering issues, the book includes an extensive critical introduction. ""Nitzotz"" is a testament to the resilience of those struggling for survival.

An exceptional document of an extraordinary life, The Soul of Things is the memoir of Holocaust survivor Eva Fahidi. Since the memoir was first published in Hungarian in 2004 under the title Anima Rerum, Fahidi has become a household name in Hungary and in Germany. Featured in countless interviews and several prize-winning documentary films, at the age of ninety-five she is a frequent speaker at Holocaust commemorations in Hungary, Germany, and elsewhere. The Soul of Things combines a rare depiction of upper-middle-class Jewish life in pre-war Hungary with the chronicle of a woman's deportation and survival in the camps. Fahidi is a gifted writer with a unique voice, full of wisdom, humanity, and flashes of dark humour. With an unsentimental, philosophical perspective, she recounts her journey from the Great Hungarian Plain to the extermination camp of Auschwitz-Birkenau, the forced labour camp of Munchmuhle, and back. The English edition includes a new introduction by historians Eva Kovacs and Judith Szapor, the original prefaces to the Hungarian and German editions, an essay on the Munchmule Camp by Fritz Brinkman-Frisch, and extensive notes providing historical and cultural context for Fahidi's narrative.

'With simple means, without any 'title,' this book should in distant times always be in your memory.'An imprisoned bookbinder wrote these words in a small blank book that he had secretly crafted from pilfered materials at the Terezin (Theresienstadt) concentration camp in September 1944. He presented the album to a fellow prisoner, twenty-one-year-old Marianka Zadikow. Over the next several months, as the Nazis pressed forward with mass deportations from Terezin to Auschwitz, Marianka began to collect inscriptions and sketches from her fellow inmates.Marianka Zadikow's album, presented here in a facsimile edition, is a poignant document from the last months of the Holocaust. The words and images inscribed here - by children and grandparents, factory workers and farmhands, professionals and intellectuals, musicians and artists - reflect both joy and trepidation. They include passages of remembered verse, lovingly executed drawings, and hurried farewells on the eve of transport to Auschwitz.Facing-page translations render the book's many languages into English, while historical and biographical notes give details, where known, of the fates of those whose words are recorded here. An introduction by Holocaust scholar Deborah Dwork tells the story of the Terezin camp and how Marianka and her family fared while imprisoned there. The array of voices and the glimpses into individual lives that "The Terezin Album" affords make it an arresting reminder of the sustaining power of care, community, and hope amid darkness.

"Discovering Exile" analyzes American Yiddish culture and its development during the European Holocaust and shows how our understanding of American Jewish culture has been utterly distorted by the omission of this context. It explores responses to some of the most intense cultural controversies of the period, examining texts in various genres written by the most important Yiddish writers and critics and placing them at the center of discussions of literary modernism and cultural modernity. Anglo-Jewish writers of the period provide a counterpoint to and commentary on this Yiddish story. Norich seeks to demythologize Yiddish as "mame-loshn" (mother tongue)--as merely the language of the home and the past--by returning to a time of great, if ironic, vibrancy, when Yiddish writers confronted the very nature of their existence in unprecedented ways. Under increasing pressure of news from the war front and silence from home, these writers re-imagined modernism, the Enlightenment, political engagement, literary conventions, and symbolic language.

Why do we attach so much value to sites of Holocaust memory, if all we ever encounter are fragments of a past that can never be fully comprehended? David Duindam examines how the Hollandsche Schouwburg, a former theater in Amsterdam used for the registration and deportation of nearly 50,000 Jews, fell into disrepair after World War II before it became the first Holocaust memorial museum of the Netherlands. Fragments of the Holocaust: The Amsterdam Hollandsche Schouwburg as a Site of Memory combines a detailed historical study of the postwar period of this site with a critical analysis of its contemporary presentation by placing it within international debates concerning memory, emotionally fraught heritage and museum studies. A case is made for the continued importance of the Hollandsche Schouwburg and other comparable sites, arguing that these will remain important in the future as indexical fragments where new generations can engage with the memory of the Holocaust on a personal and affective level.

Expands the definition of second-generation literature to include texts written from the point of view of the children of Nazi perpetrators. Among historical events of the 20th century, the Holocaust is unrivaled as the subject of both scholarly and literary writing. Literary responses include not only thousands of autobiographical and fictional texts written by survivors, but also, more recently, works by writers who are not survivors but nevertheless feel compelled to write about the Holocaust. Writers from what is known as the second generation have produced texts that express their feeling of being powerfully marked by events of which they have had no direct experience. This book expands the commonly-used definition of second-generation literature, which refers to texts written from the perspective ofthe children of survivors, to include texts written from the point of view of the children of Nazi perpetrators. With its innovative focus on the literary legacy of both groups, it investigates how second-generation writers employsimilar tropes of stigmatization to express their troubled relationships to their parents' histories. Through readings of nine American, German, and French literary texts, Erin McGlothlin demonstrates how an anxiety with signification is manifested in the very structure of second-generation literature, revealing the extent to which the literary texts themselves are marked by the continuing aftershocks of the Holocaust. Erin McGlothlin is Assistant Professor of German at Washington University in St. Louis.

Henry Friedman was robbed of his adolescence by the monstrous evil that annihilated millions of European Jews and changed forever the lives of those who survived. When the Nazis overran their home town near the Polish-Ukrainian border, the Friedman family was saved by Ukrainian Christians who had worked at their farm. Henry, his mother, his younger brother, and a young schoolteacher-who had been hired by his father when Jews were forbidden to attend school-were hidden in a loft over the animal stalls at a neighbor's farm; his father hid in another hayloft half a mile away. When the family was liberated by the Russians after eighteen months in hiding, Henry, at age fifteen, was emaciated and too weak to walk. The Friedmans eventually made their way to a displaced persons camp in Austria where Henry learned quickly to wheel and deal, seducing women of various ages and nationalities and mastering the intricacies of dealing in the black market. In I'm No Hero, he confronts with unblinking honesty the pain, the shame, and the bizarre comedy of his passage to adulthood. The family came to Seattle in 1949, where Henry Friedman has made his home ever since. In 1988 he returned with his wife to Brody and Suchowola, where he succeeded in finding Julia Symchuk, who, as a young girl, had warned his father that the Gestapo was looking for him, and whose family had hidden the Friedmans in their loft. The following year he was able to bring Julia to Seattle for a triumphal visit, where she was honored in many ways, although, as Friedman writes, "in her own country she had never been honored with anything except hard work." Like many other survivors, Henry Friedman has found it difficult to confront his past. Like others, too, he has felt the obligation to bear witness. Now retired, he devotes much of his time to telling his story, which he believes is a message of hope, to thousands of schoolchildren throughout the Pacific Northwest. He has received national recognition for his role in establishing the United States Holocaust Museum in Washington, DC, and as a founder of the Washington State Holocaust Education Resource Center.

"Larson is a marvelous writer...superb at creating characters with a few short strokes."--"New York Times Book Review"
Erik Larson has been widely acclaimed as a master of narrative non-fiction, and in his new book, the bestselling author of "Devil in the White City" turns his hand to a remarkable story set during Hitler's rise to power.
The time is 1933, the place, Berlin, when William E. Dodd becomes America's first ambassador to Hitler's Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the "New Germany," she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance--and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler's true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Goring and the expectedly charming--yet wholly sinister--Goebbels, "In the Garden of Beasts" lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

Crimes of the Holocaust The Law Confronts Hard Cases Stephan Landsman The problem of prosecuting individuals complicit in the Nazi regime's "Final Solution" is almost insurmountably complex and has produced ever less satisfying results as time has passed. In "Crimes of the Holocaust," Stephan Landsman provides detailed analysis of the International Military Tribunal prosecution at Nuremberg in 1945, the Eichmann trial in Israel in 1961, the 1986 Demanjuk trial in Israel, and the 1990 prosecution of Imre Finta in Canada. Landsman presents each case and elaborates the difficulties inherent in achieving both a fair trial and a measure of justice in the aftermath of heinous crimes. In the face of few historical and legal precedents for such war crime prosecutions, each legal action relies on the framework of its predecessors. However, this only compounds the problematic issues arising from the Nuremberg proceedings. Meticulously combing volumes of testimony and documentary information about each case, Landsman offers judicious and critical assessments of the proceedings. He levels pointed criticism at numerous elements of this relatively recent judicial invention, sparing neither judges nor counsel and remaining keenly aware of the human implications. Deftly weaving legal analysis with cultural context, Landsman offers the first rigorous examination of these problematic proceedings and proposes guideposts for contemporary tribunals. "Crimes of the Holocaust" is an authoritative account of the Gordian knot of genocide prosecution in the world courts, which will persist as a confounding issue as we are faced with a trial of Saddam Hussein. This volume will be compelling reading for legal scholars as well as laypersons interested in these cases and the issues they address. Stephan Landsman is Robert A. Clifford Professor of Tort Law and Social Policy at DePaul University. Pennsylvania Studies in Human Rights 2005 320 pages 6 x 9 ISBN 978-0-8122-3847-1 Cloth $59.95s 39.00 ISBN 978-0-8122-0257-1 Ebook $59.95s 39.00 World Rights Law Short copy: Landsman discusses the difficulties inherent in prosecuting crimes against humanity, from the Eichmann trial to Milosevic.

Why has shame recently displaced guilt as a dominant emotional reference in the West? After the Holocaust, survivors often reported feeling guilty for living when so many others had died, and in the 1960s psychoanalysts and psychiatrists in the United States helped make survivor guilt a defining feature of the "survivor syndrome." Yet the idea of survivor guilt has always caused trouble, largely because it appears to imply that, by unconsciously identifying with the perpetrator, victims psychically collude with power.

In "From Guilt to Shame," Ruth Leys has written the first genealogical-critical study of the vicissitudes of the concept of survivor guilt and the momentous but largely unrecognized significance of guilt's replacement by shame. Ultimately, Leys challenges the theoretical and empirical validity of the shame theory proposed by figures such as Silvan Tomkins, Eve Kosofsky Sedgwick, and Giorgio Agamben, demonstrating that while the notion of survivor guilt has depended on an intentionalist framework, shame theorists share a problematic commitment to interpreting the emotions, including shame, in antiintentionalist and materialist terms.

Throughout the 1930s and early 1940s, approximately ninety thousand German Jews fled their homeland and settled in the United States, prior to that nation closing its borders to Jewish refugees. And even though many of them wanted little to do with Germany, the circumstances of the Second World War and the postwar era meant that engagement of some kind was unavoidable-whether direct or indirect, initiated within the community itself or by political actors and the broader German public. This book carefully traces these entangled histories on both sides of the Atlantic, demonstrating the remarkable extent to which German Jews and their former fellow citizens helped to shape developments from the Allied war effort to the course of West German democratization.

Harnessing the Holocaust presents the compelling story of how the Nazi genocide of the Jews became an almost daily source of controversy in French politics. Joan Wolf argues that from the Six-Day War through the trial of Maurice Papon in 1997-98, the Holocaust developed from a Jewish trauma into a metaphor for oppression and a symbol of victimization on a wide scale. Using scholarship from a range of disciplines, Harnessing the Holocaust argues that the roots of Holocaust politics reside in the unresolved dilemmas of Jewish emancipation and the tensions inherent in the revolutionary notion of universalism. Ultimately, the book suggests, the Holocaust became a screen for debates about what it means to be French.

Gila Flam offers a penetrating insider's look at a musical culture previously unexplored---the song repertoire created and performed in the Lodz ghetto of Poland. Drawing on interviews with survivors and on library and archival materials, the author illustrates the general themes of the Lodz repertoire and explores the nature of Holocaust song. Most of the songs are presented here for the first time. "An extremely accurate and valuable work. There is nothing like it in either the extensive holocaust literature or the ethnomusicology literature." -- Mark Slobin, author of Chosen Voices: The Story of the American Cantorate

How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust. In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it. In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly. Young examines the works of a number of vanguard artists in America and Europe-including Art Spiegelman, Shimon Attie, David Levinthal, and Rachel Whiteread-all born after the Holocaust but indelibly shaped by its memory as passed down through memoirs, film, photographs, and museums. In the context of the moral and aesthetic questions raised by these avant-garde projects, Young offers fascinating insights into the controversy surrounding Berlin's newly opened Jewish museum, designed by Daniel Libeskind, as well as Germany's soon-to-be-built national Holocaust memorial, designed by Peter Eisenman. Illustrated with striking images in color and black-and-white, At Memory's Edge is the first book in any language to chronicle these projects and to show how we remember the Holocaust in the after-images of its history.

Of the many medical specializations to transform themselves during the rise of National Socialism, anatomy has received relatively little attention from historians. While politics and racial laws drove many anatomists from the profession, most who remained joined the Nazi party, and some helped to develop the scientific basis for its racialist dogma. As historian and anatomist Sabine Hildebrandt reveals, however, their complicity with the Nazi state went beyond the merely ideological. They progressed through gradual stages of ethical transgression, turning increasingly to victims of the regime for body procurement, as the traditional model of working with bodies of the deceased gave way, in some cases, to a new paradigm of experimentation with the "future dead."

The new edition of this market-leading textbook includes a revised introduction and updated chapters with new research and insights. Four new case studies of twenty-first-century genocides bring this horrific history up to the present moment: the genocide perpetrated by the government during Argentina's "Dirty War," the genocide of the Yazidis by the Islamic State of Iraq and Syria (ISIS), genocidal violence against the Rohingya in Myanmar, and China's genocide of the Uyghurs. Powerful survivor testimonies bring the essays to life and help readers grapple with the difficult lessons presented throughout the book.

Published in Poland after World War II, this collection of concentration camp stories shows atrocious crimes becoming an unremarkable part of a daily routine. Prisoners eat, work, sleep, and fall in love a few yards from where other prisoners are systematically slaughtered. The will to survive overrides compassion, and the line between the normal and the abnormal wavers, then vanishes. Borowski, a concentration camp victim himself, understood what human beings will do to endure the unendurable. Together, these stories constitute not only a masterpiece of Polish - and world - literature but stand as cruel testimony to the level of inhumanity of which man is capable.

Inspired by a true story, "My Mother's Secret" is a captivating and ultimately uplifting tale intertwining the lives of two Jewish families in hiding from the Nazis, a fleeing German soldier, and the mother and daughter who team up to save them all.
Franciszka and her daughter, Helena, are simple, ordinary people...until 1939, when the Nazis invade their homeland. Providing shelter to Jews in Nazi-occupied Poland is a death sentence, but Franciszka and Helena do exactly that. In their tiny home in Sokal, they hide a Jewish family in a loft above their pigsty, a Jewish doctor with his wife and son in a makeshift cellar under the kitchen, and a defecting German soldier in the attic--each party completely unknown to the others. For everyone to survive, Franciszka will have to outsmart her neighbors and the German commander.
Told simply and succinctly from four different perspectives--all under one roof--"My Mother's Secret" is a testament to the kindness, courage, and generosity of ordinary people who chose to be extraordinary.