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Books > History > European history > From 1900 > Second World War
With its unique combination of primary sources and historical narrative, Jewish Responses to Persecution: 1944-1946, provides an important new perspective on Holocaust history. Covering the final year of Nazi destruction and the immediate postwar years, it traces the increasingly urgent Jewish struggle for survival, which included armed resistance and organized escape attempts. Shedding light on the personal and public lives of Jews, this book provides compelling insights into a wide range of Jewish experiences during the Holocaust. Jewish individuals and communities suffered through this devastating period and reflected on the Holocaust differently, depending on their nationality, personal and communal histories and traditions, political beliefs, economic situations, and other life history. The rich spectrum of primary source material collected, including letters, diary entries, photographs, transcripts of speeches and radio addresses, newspaper articles, drawings, and official government and institutional memos and reports, makes this volume an essential research tool and curriculum companion.
Buried by The Times: The Holocaust and America's Most Important Newspaper is an in-depth look at how The New York Times failed in its coverage of the fate of European Jews from 1939-1945. It examines how the decisions that were made at The Times ultimately resulted in the minimizing and misunderstanding of modern history's worst genocide. Laurel Leff, a veteran journalist and professor of journalism, recounts how personal relationships at the newspaper, the assimilationist tendencies of The Times' Jewish owner, and the ethos of mid-century America all led the Times to consistently downplay news of the Holocaust. It recalls how news of Hitler's 'final solution' was hidden from readers and - because of the newspaper's influence on other media - from America at large. Buried by The Times is required reading for anyone interested in America's response to the Holocaust and for anyone curious about how journalists determine what is newsworthy.
Model Nazi tells the story of Arthur Greiser, the man who initiated
the Final Solution in Nazi-occupied Poland. Between 1939 and 1945,
Greiser was the territorial leader of the Warthegau, an area of
western Poland annexed to Nazi Germany. In an effort to make the
Warthegau "German," Greiser introduced numerous cruel policies. He
spearheaded an influx of hundreds of thousands of ethnic Germans.
He segregated Germans from Poles, and introduced wide-ranging
discriminatory measures against the Polish population. He
refashioned the urban and natural landscape to make it "German."
And even more chillingly, the first and longest standing ghetto,
the largest forced labour program, and the first mass gassings of
Jews in Nazi-occupied Europe were all initiated under Greiser's
jurisdiction.
Alan Scott Haft provides the first-hand testimony of his father, Harry Haft, a holocaust victim with a singular story of endurance, desperation, and unrequited love. Harry Haft was a sixteen-year-old Polish Jew when he entered a concentration camp in 1944. Forced to fight other Jews in bare-knuckle bouts for the perverse entertainment of SS officers, Harry quickly learned that his own survival depended on his ability to fight and win. Haft details the inhumanity of the "sport" in which he must perform in brutal contests for the officers. Ultimately escaping the camp, Haft's experience left him an embittered and pugnacious young man. Determined to find freedom, Haft traveled to America and began a career as a professional boxer, quickly finding success using his sharp instincts and fierce confidence. In a historic battle, Haft fights in a match with Rocky Marciano, the future undefeated heavyweight champion of the world. Haft's boxing career takes him into the world of such boxing legends as Rocky Graziano, Roland La Starza, and Artie Levine, and he reveals new details about the rampant corruption at all levels of the sport. In sharp contrast to Elie Wiesel's scholarly, pious protagonist in Night, Harry Haft is an embattled survivor, challenging the reader's capacity to understand suffering and find compassion for an antihero whose will to survive threatens his own humanity. Haft's account, at once dispassionate and deeply absorbing, is an extraordinary story and an invaluable contribution to Holocaust literature.
"Examines the causes of the Holocaust and the people involved." Told with scrupulous attention to detail and accuracy, this text provides important background information on Jewish life in Europe, the functions of the hierarchy within the Nazi government, and the psychological foundations of prejudice. Unlike other texts on the subject, "A History of the Holocaust "gives students an idea of just who the victims of the Holocaust were. In fact, the author tells this story from a unique point-of-view, having experienced Nazi Germany as a child. Learning GoalsUpon completing this book readers will be able to:
A rich and accessible introduction to the role of the German railway system in the Holocaust, a topic that remains understudied even today. Renowned Holocaust scholar Raul Hilberg considered the German railway system that delivered European Jews to ghettos and death camps in Eastern Europe to be not only an essential component of the "machinery of destruction" but also emblematic of the amoral bureaucracy that helped to implement the Jewish genocide. German Railroads, Jewish Souls centers around Hilberg's seminal essay of the same name, a landmark study of German railways in the Nazi era long unavailable in English. Supplemented with additional writings from Hilberg, primary source materials, and historical commentary from leading scholars Christopher Browning and Peter Hayes. "This important book unites three prominent scholars tackling crucial questions about German railways and the Holocaust. Two essays from the late, renowned Raul Hilberg investigate their overlooked role in the extermination of the European Jews. They provide groundbreaking investigations into the German railway as the prototype of a bureaucracy and challenge its supposed banality. While Christopher Browning eloquently situates Hilberg's essays within the historical literature, Peter Hayes makes a detailed critique of the common but false belief that the deportation and annihilation of the Jews were more of a priority for the Nazis than the war effort. This question, arising from Hilberg's essays, demonstrates the continued significance of his work today."-Wolf Gruner, author, The Holocaust in Bohemia and Moravia: Czech Initiatives, German Policies, Jewish Responses Published in Association with the United States Holocaust Memorial Museum.
In summer 1941 Erwin Rommel was Hitler's favourite general: he had driven the British out of Libya and stood poised to invade Egypt. He seemed unbeatable. So the British decided to have him killed. The British opened their counter-attack with a series of special forces raids, including the first ever operation by the newly formed SAS. Rommel was one of the targets. Michael Asher reveals how poor planning and incompetence in high places led to disaster in the desert-- and how fantastic bravery and brilliant improvisation enabled a handful of the Commandos to escape. Classic real life adventure, written by best-selling desert expert and novelist Michael Asher.
William I. Brustein provides a systematic comparative and empirical examination of anti-Semitism in Europe before the Holocaust. Brustein studies the evolution of the four principal roots of anti-Semitism--religious, racial, economic, and political--and demonstrates how these roots became ignited in the decades before the Holocaust. The book explains the epidemic rise of modern anti-Semitism, societal differences in anti-Semitism, and how anti-Semitism varies from other forms of prejudice. The book draws upon an extensive body of data from Europe's leading newspapers and the American Jewish Year Book.
William I. Brustein provides a systematic comparative and empirical examination of anti-Semitism in Europe before the Holocaust. Brustein studies the evolution of the four principal roots of anti-Semitism--religious, racial, economic, and political--and demonstrates how these roots became ignited in the decades before the Holocaust. The book explains the epidemic rise of modern anti-Semitism, societal differences in anti-Semitism, and how anti-Semitism varies from other forms of prejudice. The book draws upon an extensive body of data from Europe's leading newspapers and the American Jewish Year Book.
This book explores the roots of goodness and evil by gathering together the knowledge gained in a lifelong study of harmful or altruistic behavior. Ervin Staub has studied what leads children and adults to help others in need and how caring, helping, and altruism develop in children; bullying and youth violence and their prevention; the roots of genocide, mass killing, and other harmful behavior between groups of people; the prevention of violence; healing victimized groups and reconciliation between groups. He presents a broad panorama of the roots of violence and caring and how we create societies and a world that is caring, peaceful, and harmonious.
Collection of essays exploring the controversies surrounding images of the Holocaust. Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atrocities. Later visualrepresentations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust. David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.
The first in a collaborative venture with the DAILY TELEGRAPH in the UK and Borders in the USA, this lavishly illustrated history of the Second World War includes over 100 specially commissioned maps and over 300 photographs. John Ray's narrative incorporates the latest academic research while remaining very accessible. This is the clearest, most understandable account of history's greatest conflict.
Indelible Shadows investigates questions raised by films about the Holocaust. How does one make a movie that is both morally just and marketable? Film scholar Annette Insdorf provides sensitive readings of individual films and analyzes theoretical issues such as the "truth claims" of the cinematic medium. The third edition of Indelible Shadows includes five new chapters that cover recent trends, as well as rediscoveries of motion pictures made during and just after World War II. It addresses the treatment of rescuers, as in Schindler's List; the controversial use of humor, as in Life is Beautiful; the distorted image of survivors, and the growing genre of documentaries that return to the scene of the crime or rescue. The annotated filmography offers capsule summaries and information about another hundred Holocaust films from around the world, making this edition the most comprehensive and up to date discussion of films about the Holocaust, and an invaluable resource for film programmers and educators. Annette Insdorf is Director of Undergraduate Film Studies at Columbia University, and a Professor in the Graduate Film Division of the School of the Arts. She is the author of Double Lives, Second Chances: The Cinema of Krzysztof Kielowski (Hyperion, 1999) and Francois Truffaut (Cambridge, 1995). She served as a jury member at the Berlin Film Festival and the Locarno Film Festival, and is the panel moderator at the Telluride Film Festival. Insdorf co-hosts (with Roger Ebert) Cannes Film Festival coverage for BRAVo/IFC.
In a remarkable deed of original scholarly research and detailed detective work, Anne Weise recreates sketches of a lost life - of one of the millions of forgotten souls whose lives came to a violent end in the Holocaust. Her focus is Alfred Bergel (1902-1944), an artist and teacher from Vienna who was a close associate of Karl Koenig - the founder of the Camphill Movement for people with special needs - who wrote of Bergel in his youthful diaries as his best friend 'Fredi'. After the annexation of Austria, Alfred Bergel found himself unable to escape the horror of the National Socialist regime. Subsequently, in 1942 he was deported to the Theresienstadt camp. Imprisoned there, he produced numerous artistic works of the inmates of the ghetto and taught drawing, art history and art appreciation - sometimes in collaboration with the Bauhaus artist Friedl Dicker-Brandeis. During this period, he was also forced by the Nazis to produce forgeries of classic art works. One of the central figures of cultural life in the Theresienstadt ghetto, Bergel was eventually transported to the Auschwitz concentration camp in 1944 where, tragically, he was murdered. His name and his work are largely forgotten today, even amongst Holocaust researchers, but Weise succeeds in honouring the life of the Jewish artist by lovingly piecing together his biography, based on numerous personal testimonies by friends and contemporaries and supplemented with documents and many dozens of photos and colour reproductions of Bergel's artistic works. This invaluable recreation of a life provides insight not only into the desperate plight of a single individual, but also illustrates the human will and determination to survive in the context of one of the darkest periods of recent history.
The 250,000 survivors of the Holocaust who converged on the American Zone of Occupied Germany from 1945-1948 rose to brief prominence in the immediate post-war years. They envisaged themselves as the living bridge between destruction and rebirth, the last remnants of a world destroyed and the active agents of its return to life. Much of what has been written to date looks at the Surviving Remnant through the eyes of others and thus has often failed to disclose the tragic complexity of their inner lives together with their remarkable political achievements. Zeev W. Mankowitz concentrates on this community of survivors, its people, movements, ideas, institutions and self-understanding, how it grappled with the unbearable weight of the past, the strains of the present and the challenge of the future. These ordinary people lived through experiences that beggar description. In most cases they had lost everyone and everything and were now condemned to a protracted and debilitating stay amidst grim conditions in the land of their oppressors. Yet, they got on with their lives, they married, had children and worked for a better tomorrow. By and large, they did not surrender to the deformities of suffering and somehow managed to preserve their humanity intact. This is the story Mankowitz tells in Life between Memory and Hope. Over the last two decades Dr. Zeev Mankowitz has divided his time between Holocaust research and the training of educational leaders. His celebrated lectures on Issues in the Study of the Holocaust at the Rothberg International School at the Hebrew University of Jerusalem has drawn thousands of students from all over the world. In his latest project he is seeking to understand the relationship between history and memory and its implications for educational practice. This is his first book.
"Arrows in the Dark "recounts and analyzes the many efforts of aid and rescue made by the Jewish community of Palestine--the Yishuv--to provide assistance to European Jews facing annihilation by the Nazis. Tuvia Friling provides a detailed account of the activities carried out at the behest of David Ben-Gurion and the Yishuv leadership, from daring attempts to extract Jews from Nazi-occupied territory, to proposals for direct negotiations with the Nazis. Through its rich array of detail and primary documentation, this book shows the wide scope and complexity of Yishuv activity at this time, refuting the idea that Ben-Gurion and the Yishuv ignored the plight of European Jews during the Holocaust.
Although Hitler's extermination of the Jews was well under way by the end of 1941, it was at the Wannsee Conference of January 1942 that Reinhard Heydrich officially announced the Nazi party's pursuit of the infamous "final solution." This conference was held at a luxurious villa known as the Wannsee House, and both the house and the conference have a complicated and fascinating history, which unfolded as economic and political events drew together wealthy German businessmen and powerful political figures in sometimes surprising ways. This book traces that history from 1914-the year that saw the foundations laid for both the house and the Holocaust-to the present. Appendices provide a wealth of historical documents including the Reich's rules "defining" Jews, letters from Reich Security Service officials providing early documentary evidence of the Holocaust, and a transcript of Adolf Eichmann's 1961 court testimony regarding the Wannsee Conference.
The representation of the Holocaust in literature and film has confronted lecturers and students with some challenging questions. Does this unique and disturbing subject demand alternative pedagogic strategies? What is the role of ethics in the classroom encounter with the Holocaust? Scholars address these and other questions in this collection.
This volume collects original essays on Hungarian-German playwright and screenwriter George Tabori (1914-2007) and his remarkable contributions to the stage. Tabori, a Jewish refugee and a truly transnational author, was best known for his work in New York theater that irreverently explored the Jewish experience, particularly the Holocaust. Although his illustrious career spanned a century, two continents, several languages, and a variety of literary genres, Tabori's work has received scant attention in American letters, in spite of its significance for U.S. theater and Holocaust studies. Until Tabori, most dramas about the Holocaust were either rooted in American domestic realism, striving to create a strong empathetic connection between the audience and Holocaust victims, or featured an unembellished documentary style. Tabori staked out a third position, beyond realism and documentation. The volume brings together the voices of international scholars to provide a comprehensive introduction to Tabori's theater as well as in-depth analyses of his work, discussing all of his major plays. Individual essays address Tabori's postdramatic theater in relation to sacrificial ritual, performance studies, and post-humanist approaches to the contemporary stage, as well as performance aspects of his productions, questions of ethics and aesthetics raised by his theater, and his plays' relation to Holocaust representation in popular culture.
This volume presents a wide-ranging selection of Jewish theological responses to the Holocaust. It will be the most complete anthology of its sort, bringing together for the first time: (1) a large sample of ultra-orthodox writings, translated from the Hebrew and Yiddish; (2) a substantial selection of essays by Israeli authors, also translated from the Hebrew; (3) a broad sampling of works written in English by American and European authors. These diverse selections represent virtually every significant theological position that has been articulated by a Jewish thinker in response to the Holocaust. Included are rarely studied responses that were written while the Holocaust was happening.
This is the catalogue of the first-ever travelling exhibition about the Auschwitz concentration camp, where 1.1 million people - mostly Jews, but also non-Jewish Poles, Roma, and others - lost their lives.More than 280 objects and images from the exhibition are illustrated herein. Drawn from the Auschwitz-Birkenau State Museum and other collections around the world, they range from the intimate (such as victims' family snapshots and personal belongings) to the immense (an actual surviving barrack from the Auschwitz III-Monowitz satellite camp); all are eloquent in their testimony. An authoritative yet accessible text weaves the stories behind these artefacts into an encompassing history of Auschwitz - from a Polish town at the crossroads of Europe, to the dark center of the Holocaust, to a powerful site of remembrance. Auschwitz: Not long ago. Not far away. is an essential volume for everyone who is interested in history and its lessons.
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