Dissent was founded in 1954 by intellectuals angered by the rightward drift of the country but uneasy with the dogmatism they saw on the American left, and it has provoked debates about political ideas and about American and global issues ever since.
This provocative book--a collection of articles published in Dissent over the past fifty years--presents essays from each decade of Dissent's life that reveal how the magazine viewed that era, along with a new foreword to each section written by a contemporary Dissenter that provides perspective on the period.
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"I find these essays impressive not only in their quality but also in their surprising relevance to political life today."--Robert Dahl, author of "How Democratic Is the American Constitution?

This volume completes the twelve-volume series The Comedies of Aristophanes, begun in 1980, and is comprised of comprehensive indexes to the preceding eleven volumes. The book is divided into three parts: I. Texts and Passages, II. Persons, and III. General. Alan H Sommerstein is Professor of Greek and Director of the Centre for Ancient Drama and its Reception, University of Nottingham.

Since the time of Columbus, explorers dreamed of a water passage across the North American continent. President Thomas Jefferson shared this dream. He conceived the Corps of Discovery to travel up the Missouri River to the Rocky Mountains and westward along possible river routes to the Pacific Ocean. Meriwether Lewis and William Clark led this expedition of 1804-6. Along the way they filled hundreds of notebook pages with observations of the geography, Indian tribes, and natural history of the trans-Mississippi West.

In April 1805 Lewis and Clark and their party set out from Fort Mandan following the Missouri River westward. This volume recounts their travels through country never before explored by white people. With new personnel, including the Shoshone Indian woman Sacagawea, her husband Toussaint Charbonneau, and their baby, nicknamed Pomp, the party spent the rest of the spring and early summer toiling up the Missouri. Along the way they portaged the difficult Great Falls, encountered grizzly bears, cataloged new species of plants and animals, and mapped rivers and streams.

Since the time of Columbus, explorers dreamed of a water passage across the North American continent. President Thomas Jefferson shared this dream. He conceived the Corps of Discovery to travel up the Missouri River to the Rocky Mountains and westward along possible river routes to the Pacific Ocean. Meriwether Lewis and William Clark led this expedition of 1804-6. Along the way they filled hundreds of notebook pages with observations of the geography, Indian tribes, and natural history of the trans-Mississippi West.

This volume consists of journals, primarily by Clark, that cover the expedition's route up the Missouri River to Fort Mandan in present-day North Dakota and its frigid winter encampment there. It describes the party's encounters with and observations of area Indian tribes. Lewis and Clark collected critical information about traveling westward from Native Americans during this winter. This volume also includes miscellaneous material from the Corps of Discovery's first year.

Since the time of Columbus, explorers dreamed of a water passage across the North American continent. President Thomas Jefferson shared this dream. He conceived the Corps of Discovery to travel up the Missouri River to the Rocky Mountains and westward along possible river routes to the Pacific Ocean. Meriwether Lewis and William Clark led this expedition of 1804-6. Along the way they filled hundreds of notebook pages with observations of the geography, Indian tribes, and natural history of the trans-Mississippi West.

This last volume recounts the expedition's experiences as they continued their journey homeward from present-day Idaho and the party divided for separate exploration. Lewis probed the northern extent of the Louisiana Purchase on the Marias River, while Clark traveled southeast toward the Yellowstone to explore the river and make contact with local Indians. Lewis's party suffered from bad luck: they encountered grizzlies, horse thieves, and the expedition's only violent encounter with Native inhabitants, the Piegan Blackfeet. Lewis was also wounded in a hunting accident. The two parties eventually reunited below the mouth of the Yellowstone and arrived back in St. Louis to a triumphal welcome in September 1806.

In the winter of 1972, the first issue of Ms. magazine hit the newsstands. For some activists in the women's movement, the birth of this new publication heralded feminism's coming of age; for others, it signaled the capitulation of the women's movement to crass commercialism. But whatever its critical reception, Ms. quickly gained national success, selling out its first issue in only eight days and becoming a popular icon of the women's movement almost immediately. Amy Erdman Farrell traces the history of Ms. from its pathbreaking origins in 1972 to its final commercial issue in 1989. Drawing on interviews with former editors, archival materials, and the text of Ms. itself, she examines the magazine's efforts to forge an oppositional politics within the context of commercial culture. While its status as a feminist and mass media magazine gave Ms. the power to move in circles unavailable to smaller, more radical feminist periodicals, it also created competing and conflicting pressures, says Farrell. She examines the complicated decisions made by the Ms. staff as they negotiated the multiple--frequently incompatible--demands of advertisers, readers, and the various and changing constituencies of the feminist movement. An engrossing and objective account, Yours in Sisterhood illuminates the significant yet difficult connections between commercial culture and social movements. It reveals a complex, often contradictory magazine that was a major force in the contemporary feminist movement. |Traces the history of Ms. magazine through its final commercial issue in 1989, with particular focus on the tensions between its feminist stance and commercial culture.

Beginning with Genesis and moving verse by verse through the entire Hebrew Bible, Putnam indexes the citations found in each major reference grammar to provide a wonderful time-saving tool for exegetes. Works indexed: Bauer & Leander, Historische Grammatik der hebraischen Sprache des Alten Testamentes; Beer, ed. by Meyer, Hebraische Grammatik; Bergstrasser, Hebraische Grammatik; Brockelmann, Hebraische Syntax; Davidson, Hebrew Syntax; Gibson, Davidson's Introductory Hebrew Grammar: Syntax; Kautzsch, ed. Cowley, Gesenius' Hebrew Grammar; Jenni, Lehrbuch der hebraischen Sprache des Alten Testaments; Jouon, translated and edited by Muraoka, Grammar of Biblical Hebrew; Richter, Grundlagen einer althebraischen Grammatik; Rosenthal, Grammar of Biblical Aramaic; Schneider, Grammatik des biblischen Hebraisch: Lehrbuch; Waltke & O'Connor, Introduction to Biblical Hebrew Syntax; Williams, Hebrew Syntax: An Outline.

Covering the decades from the 1830s through the end of the century, as well as the eastern, southern, and western regions of the United States, these essays, by a diverse group of scholars, examine a variety of periodicals from the well-known Atlantic Monthly to small papers such as The National Era. They illustrate how literary analysis can be enriched by consideration of social history, publishing contexts, the literary marketplace, and the relationships between authors and editors.

"Little Magazines - American Writers 32 " was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

This book provides a convenient starting point for information about over 13,500 composers living today, deceased since 1950, or born since 1900, regardless of date of death. The new Volume III indexes 98 reference works in numerous languages (almost all of them published since the appearance of Volume II).

The Believer, a five-time National Magazine Award finalist, is a bimonthly literature, arts, and culture magazine. In each issue, readers will find journalism and essays that are frequently very long, book reviews that are not necessarily timely, and interviews that are intimate, frank, and also very long. There are intricate illustrations by Tony Millionaire and a rotating cast of guest artists, poems, and regular columns by Nick Hornby and Daniel Handler. The annual Music Issue features Karen Tongson on her namesake, Karen Carpenter, and how the particular whiteness of the Carpenters' sound took off in the Philippines; Michael Snyder on a territory in northeast India in which contemporary Christian gospel is effecting near-total cultural assimilation; Phillip Pantuso on Guyanese songbird smugglers; Stephanie Elizondo Griest on dancers who place art above everything else in their lives; and Sandi Rankaduwa on the evolution of female emcees. There will also be (among other things) a special section on unreliable songwriters; a visual examination of Italo Disco's map to humanity's apotheosis via glitter and robot sex; and interviews with Enya, the LA Phil's Deborah Borda, punk bassist Mike Watt, rapper and producer Lil B, and legendary rock muse Bebe Buell.

In the fourth volume of his widely acclaimed History of American Magazines (volumes two and three of which received the Pulitzer Prize), Frank Mott carries his story into the first years of our century. By means of analysis and of lively quotation from the magazines themselves, the author shows the changes in the social, political, and economic life of the times in America, the movements in ideas and taste, and the developments of popular interests. This is the period when the Saturday Evening Post, the Ladies Home Journal, Collier's, Cosmopolitan, and National Geographic came into prominence, and their development-in terms of management, policies, personalities-is treated in full by Mott. More than thirty other magazines are surveyed in separate chapters, and hundreds of others are given shorter treatment. The first few chapters are devoted to a consideration of the outstanding elements in the over-all development of American magazines, such as advertising and illustrations. One of the most important aspects of this two-decade period was the advent of the highly successful ten-cent illustrated monthly in the middle nineties. This interfered with the calm and stately progress of such older thirty-five cent magazines as The Century, Harper's, and The Atlantic. Ensuing chapters deal with magazines in the special fields, and in each case the periodicals themselves are integrated with the background movements. Thus, in addition to magazines mentioned above, Mott is concerned with periodicals about literature, the graphic arts, foreign interests, drama, music, education, religion, philosophy, science, medicine, engineering, construction, transportation, agriculture, law, banking, advertising, women's activities, sports, humor, and hobbies.

The Believer's mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought whether that means literature, painting, wrestling, philosophy, or cooking in an attractive vehicle that's free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Karolina Waclawiak. Each issue includes the popular columns "Stuff I've Been Reading," by Nick Hornby and "What the Swedes Read" (a look at Nobel Prize-winners), by Daniel HandlerThe Summer Issue features new work by Nell Zink, Alvaro Enrigue, and Gary Greenberg; interviews with Robert Coover, Amber Tamblyn, and the New York Public Library's Paul Holdengraber; and new poetry by Rae Armantrout. Also in these pages, and among many other delights, you'll find a special section on the theme of wildlife, essays on the man after whom Jim Jones patterned himself and what it's like to be named after a sibling who died before you were born, examinations of the work of the artists Ray Johnson and Jimmy Robert, and the editors' short lists for the eleventh annual Believer Book Award and the fifth annual Believer Poetry Award.Table of Contents:Pockets of Resistance Catherine FoulkrodHow to Send Things to Germany Nell ZinkThe Divine Inspiration of Jim Jones Adam Morris"Abstract Expressionism": a new poem Andrew NurkinThe Confidence Man Gary Greenberg"Shooting Possums from the Back Porch of Roger's Bar": a new poem Michael McGriffWhat's in a Necronym? Jeannie VanascoA Common Language Kristina ShevoryDescending Night Elisabeth Donnelly(Untitled) Mary Mann"Comics" edited by Alvin BuenaventuraEl Vocho: A Familiar Subject Alvaro EnrigueWhat the Swedes Read Daniel HandlerThe Eleventh Annual Believer Book Award: Short ListRobert Coover interviewed by Aaron Shulman"Canary": a new poem Rae ArmantroutSchema: Top 100 US Drug Brand Names Shoshana AkabasThe Fifth Annual Believer Poetry Award: Short ListPaul Holdengraber interviewed by Lane KoivuJimmy Robert interviewed by Jude StewartSymposium: A discussion on (mostly) books as they relate to the theme of wildlife.Tim Sheedy on the orangutan, Donna Kozloskie on the rising floodwaters, Megan Pugh on a poetic doomsday prophecy, Monica Westin on vegetal being, and Bijan Stephen on spillover.Elizabeth LeCompte interviewed by Hillar LiitojaAmber Tamblyn interviewed by Rachel MatlowCharles Yu interviewed by Lev Grossman

The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.

The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.

"The "Hollywood Quarterly was so far ahead of its time it seems eclectic even today. Contributors to the journal routinely ranged from those who actually made movies (producer Samuel Goldwyn, animator Chuck Jones, and legendary costume designer Edith Head) to those in academia who were at the time only beginning to comprehend the significance of cinema to 20th-century culture (theorist Theodor Adorno and a who's who of early film studies: Siegfried Kracauer, Lewis Jacobs, and Georges Sadoul). This anthology offers invaluable insight into the early history of film scholarship, education, and perhaps most importantly, industry relations at a most crucial time in motion picture history."--Jon Lewis, author of "Hollywood v Hard Core: How the Struggle over Censorship Saved the Modern Film Industry

"The "Hollywood Quarterly has a legendary status among film and media historians. It was an important journal in postwar America for its trenchant analysis of forms of communication and new media (radio, television, as well as cinema). An illustrious array of writers contributed and gave it a visibility and importance beyond typical scholarly journals. The anthology includes major figures in the history of film study and also well-known practitioners of the art of cinema."--Dana Polan, author of "Pulp Fiction (BFI Modern Classics)

"The "Hollywood Quarterly occupies a crucially important place in the history of American film criticism. It stands at the juncture between, on the one hand, an artisanal and (in the best sense) amateur scholarship, and on the other hand, a fully emergent academicism. More than any other journal in this country, it initiates the formal, scholarly study of the cinemaas both an industrial institution and an art form."--James Naremore, author of "More Than Night: Film Noir in its Contexts

The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.

Since the time of Columbus, explorers dreamed of a water passage across the North American continent. President Thomas Jefferson shared this dream. He conceived the Corps of Discovery to travel up the Missouri River to the Rocky Mountains and westward along possible river routes to the Pacific Ocean. Meriwether Lewis and William Clark led this expedition of 1804-6. Along the way they filled hundreds of notebook pages with observations of the geography, Indian tribes, and natural history of the trans-Mississippi West.

This set of the celebrated Nebraska edition features the seven core volumes--those written by Lewis and Clark--and incorporates a wide range of new scholarship dealing with all aspects of the expedition, including geography, Indian languages, plants, and animals, in order to recreate the expedition within its historical context.

The "Believer"'s mission is to introduce readers to the best and most interesting work in the world of art, culture, and thought--whether that means literature, painting, wrestling, philosophy, or cooking--in an attractive vehicle that's free from the bugbears of condescension, mustiness, and jargony obfuscation. Its content (including essays, interviews, comics, poetry, and reviews) offers fresh perspectives from editors Heidi Julavits, Vendela Vida, and Andrew Leland. Each issue includes the popular columns "Stuff I've Been Reading," by Nick Hornby; "What the Swedes Read" (a look at Nobel Prize-winners), by Daniel Handler; and "Real Life Rock Top 10," by Greil Marcus. The July/August Music Issue includes a free CD of new music curated for the magazine, the March/April Film Issue includes a free DVD of otherwise unreleased films, and the November/December Art Issue includes a free, always-changing bonus item.
The "Believer" is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. We will focus on writers and books we like. We will give people and books the benefit of the doubt. The working title of this magazine was "The Optimist." --The Editors

"The Believer" is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the "Believer" gives people and books the benefit of the doubt (the working title of this magazine was the "Optimist").
On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group's gorgeous "Roland Enviro 100 Natural" recycled acid-free heavy stock paper warms your heart.

"The Believer" is a monthly magazine where length is no object. It features long articles, interviews, and book reviews, as well as poems, comics, and a two-page vertically-oriented Schema spread, more or less unreproduceable on the web. The common thread in all these facets is that the "Believer" gives people and books the benefit of the doubt (the working title of this magazine was the "Optimist").
On each issue, Charles Burns's beautiful illustrations adorn the cover; our regular raft of writers, artists, and photographers fill the pages; and the feel of the Westcan Printing Group's gorgeous "Roland Enviro 100 Natural" recycled acid-free heavy stock paper warms your heart.

A reissue of a cult design book about Nova, the groundbreaking British magazine of the 60s and 70s. A reissue of a cult design book, Nova 1965-1975 celebrates one of the most influential magazines in history. Known as 'the thinking woman's magazine' Nova was a British publication that set itself apart from its contemporaries by creating a magazine that was not just about fashion but was also politically, socially and sexually aware. The magazine covered issues that were controversial at the time, such as abortion, lesbianism and The Pill, and featured writers such as Susan Sontag, Christopher Booker and Germaine Greer.The book is compiled by David Hillman and Harri Pecconotti, who worked as Deputy Editor and Art Director on the magazine. The design and layout of the magazine were as groundbreaking as the content, and borrowed ideas from the psychedelic subculture and underground press of the day. Nova was one of the first magazines to include black models in their photoshoots, and regular photographers for the magazine included Helmut Newton and Don McCullin.The book selects the very best covers and articles from the magazine's decade long output and looks at them in detail, featuring many of the iconic magazine covers.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.

The Believer is a monthly magazine where length is no object. There are book reviews that are not necessarily timely, and that are very often long. There are also interviews that are very long. Focusing on writers and books they like, The Believer gives people and books the benefit of the doubt. The working title of this magazine was The Optimist.