This Proceedings Volume provides an overview of current research and development presented at the Total Food 2009 International Conference in Norwich, April 2009. The Total Food series of biennial, international conferences was initiated in 2004 by the Royal Society of Chemistry Food Group and the Institute of Food Research, Norwich. The aim of Total Food is to debate global research and development relevant to exploiting the whole food crop rather than the limited proportion that is consumed at present. The book is multidisciplinary and international in nature, presenting the latest expertise and covers a broad spectrum of R&D which is being brought to bear in the quest for sustainability. Areas covered include the minimisation of waste through water recycling and energy recovery, value added products from plants and food chain wastes, and the exploitation of low value residues for the production of biofuels. Since the Total Food series began, the issue of food security has become prominent. The increasing global population in conjunction with the use of crops for biofuel production mean that the more efficient exploitation of biomass will be required. The Total Food conferences are well placed to provide regular forums to highlight recent developments and to facilitate knowledge transfer between representatives of the agri-food (and increasingly non-food) industries, scientific research community, legal experts on food-related legislation and waste management, and consumer organisations.

In 1850, Charles Dickens founded Household Words, a weekly miscellany intended to instruct and entertain an ever-widening middle-class readership. Published in the decade following the Great Exhibition of 1851, the journal appeared at a key moment in the emergence of commodity culture in Victorian England. Alongside the more well-known fiction that appeared in its pages, Dickens filled Household Words with articles about various commodities-articles that raise wider questions about how far society should go in permitting people to buy and sell goods and services: in other words, how far the laissez-faire market should extend.At the same time, Household Words was itself a commodity. With marketability clearly in view, Dickens required articles for his journal to be 'imaginative, ' employing a style that critics ever since have too readily dismissed as mere mannerism. Locating the journal and its distinctive handling of non-fictional prose in relation to other contemporary periodicals and forms of print culture, this book demonstrates the role that Household Words in particular, and the Victorian press more generally, played in responding to the developing world of commodities and their consumption at mid-century

It is a turbulent time for STM publishing. With moves towards open access to scientific literature, the future of medical journals is uncertain and unpredictable. This is the only book of its kind to address this problematic issue. Richard Smith, a previous editor of the British Medical Journal for twenty five years and one of the most influential people within medical journals and medicine depicts a compelling picture of medical publishing. Drawn from the author's own extensive and unrivalled experience in medical publishing, Smith provides a refreshingly honest analysis of current and future trends in journal publishing including peer review, ethics in medical publishing, the influence of the pharmaceutical industry as well as that of the mass media, and the risk that money can cloud objectivity in publishing. Full of personal anecdotes and amusing tales, this is a book for everyone, from researcher to patient, author to publisher and editor to reader. The controversial and highly topical nature of this book, will make uncomfortable reading for publishers, researchers, funding bodies and pharmaceutical companies alike making this useful resource for anyone with an interest in medicine or medical journals. Topic covered include: Libel and medical journals; Patients and medical journals; Medical journals and the mass media; Medical journals and pharmaceutical companies: uneasy bedfellows; Editorial independence; misconduct; and accountability; Ethical support and accountability for journals; Peer review: a flawed process and Conflicts of interest: how money clouds objectivity. This is a unique offering by the former BMJ editor- challenging, comprehensive and controversial. This must be the most controversial medical book of the 21st Century John Illman, MJA News Lively, full of anecdote and he [Smith] is brutally honest British Journal of Hospital Medicine ************************************************************************************************* Please note that the reference to Arup Banerjee on page 100 of this book should be to Anjan Banerjee. We apologise to Professor Arup Banerjee for this oversight. *************************************************************************************************

St. Nicholas is acknowledged to be the best children's magazine published, particularly during the reign of its founding editor, Mary Mapes Dodge. From 1873 to 1905, Dodge worked to create what she called a ""pleasure ground"" for children - a magazine that would have great impact on several generations of children. The list of authors who wrote for her includes Louisa May Alcott, Frances Hodgson Burnett, Henry Wadsworth Longfellow, Rudyard Kipling, Theodore Roosevelt, and Mark Twain. The quality of the magazine's illustration was equally high. The magazine was also the launching pad for a new generation of authors and artists, such as F. Scott Fitzgerald, E. B. White, Jack London, and Eudora Welty. This anthology of critical writing on St. Nicholas includes the most influential articles already published and newly commissioned essays on a variety of subjects, including the impact of the St. Nicholas league, the utopian thrust of the magazine's fiction, and how Dodge persuaded Kipling to become a children's writer. Essays also analyze Dodge's relationship with her readers, her editorial practice, the illustrations, American family life as seen by young British readers, war and military life, advertising, and the middle class preoccupation with ""change of fortune"" tales. The work places St. Nicholas in American cultural history, and analyzes how it both influenced and was influenced over thirty years. Essential documentary material presently unpublished or inaccessible and illustrations from the magazine are also included.

Music catalogers have long considered the Music Cataloging Bulletin an indispensable tool. With this 10-year cumulative index and supplement, catalogers have a convenient, extensive subject index and a practical way to review changes to the classification schedules and subject headings made during the 1990s. This publication comprises the fifth cumulative index and supplement to the Music Cataloging Bulletin (MCB), a monthly publication of the Music Library Association. It covers the information contained in volumes 21-30 (1990-1999) and is in five sections, mirroring the organization of information in the Bulletin. The subject index section expands on the annual indexes to include entries for all names, committees, task forces, and publications, as well as cataloging and MARC tagging changes mentioned in the monthly issues, including the two years where no annual index was issued (1994 and 1999). The index identifies acronyms and abbreviations and places entries in their organizational hierarchy when appropriate. In the section containing the Library of Congress Classification additions and changes, each entry appears in its complete hierarchical context. A separate section covers additions, changes and cancellations to music-related Library of Congress Subject Headings, as reported in these issues of MCB. This section includes cross-references from a cancelled heading to its replacement. Additional sections include a list of all new reference work titles added to the Library of Congress' Music Section during this time period, and a compilation of changes or additions to thematic indexes used in formulating uniform titles for music, as reported by the Library of Congress.

Index to The Twickenham Edition of the Poems of Alexander Pope, which has remained the standard edition for more than a generation. This exhaustive index allows easy access to the individual poems and people and places of the period, making this an essential source for anyone studying eighteenth-century literature or eighteenth-century studies.

The November-December 2021 issue Includes 'Scattered Snows, to the North' by Carl Phillips, shortlisted for the Forward Prize Best Single Poem Award 2022 Major spread of poems by Carl Phillips, one of America's leading contemporary poets, essayists and translators Jee Leong Koh's erotic lyrics Poet-editor Rachael Allen in conversation Raymond Williams remembered Francesca Brooks's 'Love Letters of the Hampstead Modernists' New to PN Review this issue: Subha Mukherji, Charlie Louth, Joyelle McSweeney and Michelle Penn and more...

Consumer magazines aimed at women are as diverse as the market they serve. Some are targeted to particular age groups, while others are marketed to different socioeconomic groups. These magazines are a reflection of the needs and interests of women and the place of women in American society. Changes in these magazines mirror the changing interests of women, the increased purchasing power of women, and the willingness of advertisers and publishers to reach a female audience.

This reference book is a guide to women's consumer magazines published in the United States. Included are profiles of 75 magazines read chiefly by women. Each profile discusses the publication history and social context of the magazine and includes bibliographical references and a summary of publication statistics. Some of the magazines included started in the 19th century and are no longer published. Others have been available for more than a century, while some originated in the last decade. An introductory chapter discusses the history of U.S. consumer women's magazines, and a chronology charts their growth from 1784 to the present.

Macmillan's Magazine has long been recognized as one of the most significant of the many British literary/intellectual periodicals that flourished in the second half of the nineteenth century. Yet the first volume of the Wellesley Index to Victorian Periodicals (1966) pointed out that 'There is no study of Macmillan's Magazine' - and that lack has been only partially remedied in all the decades since. In this work, George Worth addresses five principal questions. Where did Macmillan's come from, and why in 1859? Who or what was the guiding spirit behind the Magazine, especially in its early, formative years? What cluster of ideas gave it such coherence as it manifested during that period? How did it and its parent firm deal with authors and juggle their periodical work and the books they produced for Macmillan and Co.? And what, finally, accounted for the palpable decline in the quality and fiscal health of Macmillan's during the last 25 years of its life and, ultimately, for its death? Worth includes a treasure trove of original material about the Magazine much of it drawn from unpublished manuscripts and other previously untapped primary sources. Macmillan's Magazine, 1859-1907 contributes to the understanding not only of one significant Victorian periodical but also, more generally, of the literary and cultural milieu in which it originated, flourished, declined, and expired.

The Viola da Gamba Society Thematic Index of Music for Viols (ed. Gordon Dodd), 1980-92 (and continuing), is composer-based. The present volume initiates a companion project to catalogue manuscripts containing consort music. The editors are all highly experienced in the field and have newly examined all sources. Volume 1 features over 50 MSS whose copyists or owners are known: Bing, Hutton, Jenkins, Le Strange, Lilly, Merro, North. As well as a detailed inventory of every book (with anonymous work identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands. Also included is a comprehensive study and illustration of watermarks by Robert Thompson (serving for the whole series). With some printed catalogues such as the British Library and Christ Church, Oxford, now nearly 100 years old, this new and comprehensive study will be an invaluable tool for future research.

The September-October 2022 issue. Anthony Vahni Capildeo explores mourning. Stav Poleg travels between languages. Anthony Rudolf evokes being a life model for Paula Rego. Jeffrey Meyers reflects on W.H. Auden. Nicolas Tredell considers computers as poets. New to PN Review this issue: Kyoka Hadano, Fawzia Muradali Kane, Ulrike Almut Sandig and Kudzai Zinyemba. And more...

The September-October 2021 issue; PN Review has a 'soft relaunch' with a new cover design, new internal design and layout; Dutch supplement: outstanding new writing from Holland; Major essays:; Colm Toibin on Thom Gunn; David Herman on 'The Last Jewish Intellectual' - Edward Said; Gwyneth Lewis on Gillian Clarke's The Gododdin; New to PN Review this issue: Alice Hiller, Theodore Ell, Jane King and Joshua Weiner; and more...

While literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called 'Greater War'. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children's magazines and avant-garde journals in various national and cultural contexts.

Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. Organized and sponsored in the early 1950s by Duke University and the universities of South Carolina and North Carolina, the annual meeting is now hosted by various colleges and universities across the southeastern United States. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and Europe. This is the forty-seventh volume of Renaissance Papers. It includes articles on 15th-c. Florentine wedding chests, called cassoni, on Isabella Whitney, on Spenser's 'April' woodcut, on Cervantes' El Trato del Argel, on Thomas Nashe's Christ's Tears over Jerusalem, on the crone as type in English Renaissance drama, on female speech and disempowerment in Marlowe's Tamberlane I, on Shakespeare's Richard II and Marlowe's Edward II, on Chaucer's contribution to The Tempest, and on echoes of Ovid in Donne's elegies. T. H. HOWARD-HILL and PHILIP ROLLINSON are professors of English at the University of South Carolina.

Originally published in 1992 Medical Journals and Medical Knowledge examines both broad developments in print and media and the practice of particular journals such as the British Medical Journal. The book is the first study to address these questions and to examine the impact of regular news on the making of the medical community. The book considers the rise of the medical press, and looks at how it recorded and described principal developments and so promoted medical science and enhanced medical consciousness. This book was a seminal work when first published and was one of the first to consider the importance of the roots of medical journalism, editorial practices and the ways in which the medical journalism altered the world of medicine.

This is a study of more than 50 glossy publications for women in the United States today, including the beauty and fashion titles, the service and home magazines, those aimed at minority readership, new female workers, and women with special-interests and spending power. The analysis focuses on the strategies by which the commercial structure shapes the cultural content, the magazines' repetitive attempts to secure a consensus about the feminine that is grounded in consumerism and the contradictory semiotic structures at work within and between purchased advertisements, covert advertisements and editorial features.

In their first century of uninterrupted publication, newspapers reached an all-embracing readership: male and female, noble and artisan, in both town and country. Such was its impact that this seemingly ephemeral product became a collector's object. In Reading newspapers Uriel Heyd examines this vibrant new print medium and investigates its political, social and cultural implications. Adopting a comparative approach, the author traces the culture of newspaper reading in Britain and America. Previously unexplored sources such as newspaper indexes and introductions, plays, auction catalogues and a unique newspaper collection assembled and annotated by a Bostonian shopkeeper, provide invaluable access to perceptions of the press, reading practices, and the ever-changing experience of consumers. While newspapers supplied news of immediacy and relevance, their effect transcended the here and now, influencing readers' perceptions of the age in which they lived and helping to shape historical memory. But the newly found power of this media also gave rise to a certain fear of its ability to exploit or manipulate public opinion. Perceived as vehicles of enlightenment, but also viewed with suspicion, the legacy of eighteenth-century newspapers is still felt today.

The Onion, with its unique brand of deadpan satirical humor, has become a familiar part of the American scene. The newspaper has a readership of over a million, and it reaches millions more with its spin-off books and The Onion News Network. The Onion has shown us that standard ways of thinking about the news have their grotesque and silly side, and this invites philosophical examination. Twenty-one philosophers were commissioned to figure out just what makes the Onion so truthful and insightful. Are the Onion writers truly cynical, or just cynically faking it? Does the Onion really have a serious point of view on religion? On sex? On politics? Who cares what Area Man thinks? If everyone's so dumb, how come so many Onion readers keep on laughing at how dumb they are?

Impressive...a significant contribution to the ecclesiastical history of Exeter and the English thirteenth century. CATHOLIC HISTORICAL REVIEW Third and final volume of early Exeter episcopal register; Introduction in Vol. I. The earliest of the Exeter episcopal registers to survive, Bronescombe's is a general register with a single chronological sequence of letters and memoranda on many aspects of diocesan administration. It also contains copies of charters by, among others, king Henry III and his brother Richard, King of the Romans, in his capacity as Earl of Cornwall. Volume one of this edition (which supersedes the unsatisfactory one of 1889) contains a substantial introduction and a full transcription of the Latin text of folios 2-26, with a modern translation on the facing pages; it will therefore be of value to students of medieval Latin as well as ecclesiastical and legal historians. O.F. ROBINSON is Douglas Professor of Roman Law at the University of Glasgow.

A listing of periodicals, serials, and continuation publications subscribed to by four leading American educational institutions, arranged in thirty-one classified subjects, elaborately indexed and provided with cross-references.

The March-April 2022 issue; Major interview with American poet Carl Philips; Nuash Sabah, editor of Poetry Birmingham, in conversation; Frederic Raphael writes to Wittgenstein; Isobel Williams adds to her Shibari Catullus; John Clegg discovers Mrs Bleaney; New to PN Review this issue: Wendelin Wai C. Law, Alex Macdonald, Nuash Sabah and Colin Bramwell; and more...

The January-February 2022 issue. Major essay by Alberto Manguel on translating Dante. Sasha Dugdale's radical new translation of Osip Mandelstam, with an important commentary by Andrew Kahn. Jenny Lewis on translating from languages one does not know first hand. Frederic Raphael pens one of his Last Post letters to Vladimir Nabokov (Mes hommages, cher Volodya, si j'ose dire. Frederic.). New to PN Review this issue: Romulo Bustos Aguirre, Armando Uribe, Kerrin P. Sharpe and Amy Crutchfield. And more...

If you like to tweak, disassemble, recreate, and invent cool new uses for technology, you'll love MAKE, our project-based quarterly for the inquisitive do-it-yourselfer.
Volume 11: Includes a special "DIY Wheels" section, with plans for making a mobile drive-in movie theater, a cool chopper out of an old bicycle, and a pedal powered iPod charger. We'll also show you how to make a remote control bird feeder to take amazing photos of birds, a vintage-style remote control race car out of sheet-metal, and a vacuum-former that lets you create molded 3D parts out of plastic. These articles are just the tip of the iceberg in this project-packed volume of MAKE.

The Glasgow Edition of the Works and Correspondence of Adam Smith represents the first comprehensive Smith index ever published. For over fifteen years, Liberty Fund has made paperback editions of these classics accessible to a wider audience than ever before. Now, with the publication of a new comprehensive Index to the Works of Adam Smith, students and researchers in all fields have a single, unified source for locating Adam Smith's many contributions to such diverse fields as economics, morality, philosophy, and law. This easy-to-use index helps students, readers, and researchers to trace their topics of interest through all of Adam Smith's work.

Oxford Studies in Ancient Philosophy is a volume of original articles on all aspects of ancient philosophy. The articles may be of substantial length, and include critical notices of major books. OSAP is now published twice yearly, in both hardback and paperback.
"The serial Oxford Studies in Ancient Philosophy (OSAP) is fairly regarded as the leading venue for publication in ancient philosophy. It is where one looks to find the state-of-the-art. That the serial, which presents itself more as an anthology than as a journal, has traditionally allowed space for lengthier studies, has tended only to add to its prestige; it is as if OSAP thus declares that, since it allows as much space as the merits of the subject require, it can be more entirely devoted to the best and most serious scholarship." --Michael Pakaluk, Bryn Mawr Classical Review