This book, first published in 2002, gathers some of America's top subject expert librarians to determine the most influential journals in their respective fields. 32 contributing authors reviewed journals from over twenty countries that have successfully shaped the evolution of their individual specialties worldwide. Their choices reflect the history of each discipline or profession, taking into account rivalries between universities, professional societies, for-profit and not-for-profit publishers, and even nation-states and international ideologies, in each journal's quest for reputational dominance. Each journal was judged using criteria such as longevity of publication, foresight in carving out its niche, ability to attract & sustain professional or academic affiliations, opinion leadership or agenda-setting power, and ongoing criticality to the study or practice of their field. The book presents wholly independent reviewers; none are in the employ of any publisher, but each is fully credentialed and well published, and many are award-winners. The authors guide college and professional school librarians on limited budgets via an exposition of their analytical and critical winnowing process in determining the classic resources for their faculty, students, and working professional clientele.

This volume completes the twelve-volume series The Comedies of Aristophanes, begun in 1980, and is comprised of comprehensive indexes to the preceding eleven volumes. The book is divided into three parts: I. Texts and Passages, II. Persons, and III. General. Alan H Sommerstein is Professor of Greek and Director of the Centre for Ancient Drama and its Reception, University of Nottingham.

Index to The Twickenham Edition of the Poems of Alexander Pope, which has remained the standard edition for more than a generation. This exhaustive index allows easy access to the individual poems and people and places of the period, making this an essential source for anyone studying eighteenth-century literature or eighteenth-century studies.

The November-December 2021 issue Includes 'Scattered Snows, to the North' by Carl Phillips, shortlisted for the Forward Prize Best Single Poem Award 2022 Major spread of poems by Carl Phillips, one of America's leading contemporary poets, essayists and translators Jee Leong Koh's erotic lyrics Poet-editor Rachael Allen in conversation Raymond Williams remembered Francesca Brooks's 'Love Letters of the Hampstead Modernists' New to PN Review this issue: Subha Mukherji, Charlie Louth, Joyelle McSweeney and Michelle Penn and more...

Impressive...a significant contribution to the ecclesiastical history of Exeter and the English thirteenth century. CATHOLIC HISTORICAL REVIEW Third and final volume of early Exeter episcopal register; Introduction in Vol. I. The earliest of the Exeter episcopal registers to survive, Bronescombe's is a general register with a single chronological sequence of letters and memoranda on many aspects of diocesan administration. It also contains copies of charters by, among others, king Henry III and his brother Richard, King of the Romans, in his capacity as Earl of Cornwall. Volume one of this edition (which supersedes the unsatisfactory one of 1889) contains a substantial introduction and a full transcription of the Latin text of folios 2-26, with a modern translation on the facing pages; it will therefore be of value to students of medieval Latin as well as ecclesiastical and legal historians. O.F. ROBINSON is Douglas Professor of Roman Law at the University of Glasgow.

Studies in Medievalism is the only journal entirely devoted to modern re-creations of the middle ages: a field of central importance not only to scholarship but to the whole contemporary cultural world. The middle ages remain a prize to be fought for and a territory to control. From early modern times rulers and politicians have sought to ground their legitimacy in ancient tradition - which they have often invented or rewritten for their own purposes. This issue of Studies in Medievalism presents a number of such cases, ranging from the rewriting of Mozart, and Merovingian history, for the King of Bavaria, to the anglicization of the medieval WelshMabinogion by the wife of an English ironmaster. Other articles consider the involvement of scholarship with national and professional self-definition, whether in Renaissance Holland or Victorian Britain. And who "discovered" America, Christopher Columbus or Leif Ericsson? This is an issue of vital importance to many 19th-century Americans, but one created and determined entirely by scholarship. Simple commercial motives for exploiting the middle ages are also represented, whether straightforward forgery for sale, or the giant modern industry of tourism. Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough. Contributors: SOPHIE VAN ROMBURGH, ROLF H. BREMMER JR, BETSY BOWDEN, WERNER WUNDERLICH, JUDITH JOHNSTON, GERALDINE BARNES, RICHARD UTZ, JOHN BLOCK FRIEDMAN, STEVE WATSON.

National Geographic magazine is probably the most visible and popular expression of geography in the USA. Presenting America's World presents a critical analysis of the world portrayed by National Geographic, from its formative years in the nineteenth century, through to 1945. It situates the National Geographic Society's development within the context of a new American overseas expansionism, interrogates the magazine as America's ubiquitous source of wholesome exotica and erotica, examines the ways in which it framed the world for its millions of readers, and questions its participation in the cultural work of US global hegemony. The book argues that National Geographic successfully employed 'strategies of innocence', a contradictory stance of representation which simultaneously asserts innocence - either the innocence of 'just watching' or the innocence of altruistic behaviour - while naturalizing Western hegemony. Presenting America's World not only considers the world that National Geographic presented to its readers, but also examines the magazine's own institutional world of writers, photographers and editors. Particular attention is paid to Gilbert H. Grosvenor, the magazine's editor for over 50 years, Maynard Owen Williams, a writer and photographer who worked on nearly 100 articles from 1919 to 1960 and Harriet Chalmers Adams, a freelancer, explorer and Pan-American activist who contributed 21 articles.

Macmillan's Magazine has long been recognized as one of the most significant of the many British literary/intellectual periodicals that flourished in the second half of the nineteenth century. Yet the first volume of the Wellesley Index to Victorian Periodicals (1966) pointed out that 'There is no study of Macmillan's Magazine' - and that lack has been only partially remedied in all the decades since. In this work, George Worth addresses five principal questions. Where did Macmillan's come from, and why in 1859? Who or what was the guiding spirit behind the Magazine, especially in its early, formative years? What cluster of ideas gave it such coherence as it manifested during that period? How did it and its parent firm deal with authors and juggle their periodical work and the books they produced for Macmillan and Co.? And what, finally, accounted for the palpable decline in the quality and fiscal health of Macmillan's during the last 25 years of its life and, ultimately, for its death? Worth includes a treasure trove of original material about the Magazine much of it drawn from unpublished manuscripts and other previously untapped primary sources. Macmillan's Magazine, 1859-1907 contributes to the understanding not only of one significant Victorian periodical but also, more generally, of the literary and cultural milieu in which it originated, flourished, declined, and expired.

The Grub Street Journal was perhaps the most widely-read weekly journal in England of its period. The first four years are reprinted here, representing the journal in its prime in terms of quality and popularity. This edition is enhanced with a general introduction and comprehensive annotation.

The Viola da Gamba Society Thematic Index of Music for Viols (ed. Gordon Dodd), 1980-92 (and continuing), is composer-based. The present volume initiates a companion project to catalogue manuscripts containing consort music. The editors are all highly experienced in the field and have newly examined all sources. Volume 1 features over 50 MSS whose copyists or owners are known: Bing, Hutton, Jenkins, Le Strange, Lilly, Merro, North. As well as a detailed inventory of every book (with anonymous work identified where possible), the descriptions include information on date, size, binding, paper, rastra, watermarks, collations, scripts, inscriptions and provenance, together with bibliographical references. Brief notes on the owners and copyists are provided. Of particular importance is the inclusion of facsimiles of all hands. Also included is a comprehensive study and illustration of watermarks by Robert Thompson (serving for the whole series). With some printed catalogues such as the British Library and Christ Church, Oxford, now nearly 100 years old, this new and comprehensive study will be an invaluable tool for future research.

The September-October 2021 issue; PN Review has a 'soft relaunch' with a new cover design, new internal design and layout; Dutch supplement: outstanding new writing from Holland; Major essays:; Colm Toibin on Thom Gunn; David Herman on 'The Last Jewish Intellectual' - Edward Said; Gwyneth Lewis on Gillian Clarke's The Gododdin; New to PN Review this issue: Alice Hiller, Theodore Ell, Jane King and Joshua Weiner; and more...

While literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called 'Greater War'. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children's magazines and avant-garde journals in various national and cultural contexts.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

The Onion, with its unique brand of deadpan satirical humor, has become a familiar part of the American scene. The newspaper has a readership of over a million, and it reaches millions more with its spin-off books and The Onion News Network. The Onion has shown us that standard ways of thinking about the news have their grotesque and silly side, and this invites philosophical examination. Twenty-one philosophers were commissioned to figure out just what makes the Onion so truthful and insightful. Are the Onion writers truly cynical, or just cynically faking it? Does the Onion really have a serious point of view on religion? On sex? On politics? Who cares what Area Man thinks? If everyone's so dumb, how come so many Onion readers keep on laughing at how dumb they are?

The September-October 2022 issue. Anthony Vahni Capildeo explores mourning. Stav Poleg travels between languages. Anthony Rudolf evokes being a life model for Paula Rego. Jeffrey Meyers reflects on W.H. Auden. Nicolas Tredell considers computers as poets. New to PN Review this issue: Kyoka Hadano, Fawzia Muradali Kane, Ulrike Almut Sandig and Kudzai Zinyemba. And more...

Renaissance Papers is a collection of the best scholarly essays submitted each year to the Southeastern Renaissance Conference. Organized and sponsored in the early 1950s by Duke University and the universities of South Carolina and North Carolina, the annual meeting is now hosted by various colleges and universities across the southeastern United States. The conference accepts papers on all subjects relating to the Renaissance -- music, art, history, literature, etc. -- from scholars all over North America and Europe. This is the forty-seventh volume of Renaissance Papers. It includes articles on 15th-c. Florentine wedding chests, called cassoni, on Isabella Whitney, on Spenser's 'April' woodcut, on Cervantes' El Trato del Argel, on Thomas Nashe's Christ's Tears over Jerusalem, on the crone as type in English Renaissance drama, on female speech and disempowerment in Marlowe's Tamberlane I, on Shakespeare's Richard II and Marlowe's Edward II, on Chaucer's contribution to The Tempest, and on echoes of Ovid in Donne's elegies. T. H. HOWARD-HILL and PHILIP ROLLINSON are professors of English at the University of South Carolina.

Originally published in 1992 Medical Journals and Medical Knowledge examines both broad developments in print and media and the practice of particular journals such as the British Medical Journal. The book is the first study to address these questions and to examine the impact of regular news on the making of the medical community. The book considers the rise of the medical press, and looks at how it recorded and described principal developments and so promoted medical science and enhanced medical consciousness. This book was a seminal work when first published and was one of the first to consider the importance of the roots of medical journalism, editorial practices and the ways in which the medical journalism altered the world of medicine.

This is a study of more than 50 glossy publications for women in the United States today, including the beauty and fashion titles, the service and home magazines, those aimed at minority readership, new female workers, and women with special-interests and spending power. The analysis focuses on the strategies by which the commercial structure shapes the cultural content, the magazines' repetitive attempts to secure a consensus about the feminine that is grounded in consumerism and the contradictory semiotic structures at work within and between purchased advertisements, covert advertisements and editorial features.

A listing of periodicals, serials, and continuation publications subscribed to by four leading American educational institutions, arranged in thirty-one classified subjects, elaborately indexed and provided with cross-references.

The March-April 2022 issue; Major interview with American poet Carl Philips; Nuash Sabah, editor of Poetry Birmingham, in conversation; Frederic Raphael writes to Wittgenstein; Isobel Williams adds to her Shibari Catullus; John Clegg discovers Mrs Bleaney; New to PN Review this issue: Wendelin Wai C. Law, Alex Macdonald, Nuash Sabah and Colin Bramwell; and more...

The January-February 2022 issue. Major essay by Alberto Manguel on translating Dante. Sasha Dugdale's radical new translation of Osip Mandelstam, with an important commentary by Andrew Kahn. Jenny Lewis on translating from languages one does not know first hand. Frederic Raphael pens one of his Last Post letters to Vladimir Nabokov (Mes hommages, cher Volodya, si j'ose dire. Frederic.). New to PN Review this issue: Romulo Bustos Aguirre, Armando Uribe, Kerrin P. Sharpe and Amy Crutchfield. And more...

If you like to tweak, disassemble, recreate, and invent cool new uses for technology, you'll love MAKE, our project-based quarterly for the inquisitive do-it-yourselfer.
Volume 11: Includes a special "DIY Wheels" section, with plans for making a mobile drive-in movie theater, a cool chopper out of an old bicycle, and a pedal powered iPod charger. We'll also show you how to make a remote control bird feeder to take amazing photos of birds, a vintage-style remote control race car out of sheet-metal, and a vacuum-former that lets you create molded 3D parts out of plastic. These articles are just the tip of the iceberg in this project-packed volume of MAKE.

Oxford Studies in Ancient Philosophy is a volume of original articles on all aspects of ancient philosophy. The articles may be of substantial length, and include critical notices of major books. OSAP is now published twice yearly, in both hardback and paperback.
"The serial Oxford Studies in Ancient Philosophy (OSAP) is fairly regarded as the leading venue for publication in ancient philosophy. It is where one looks to find the state-of-the-art. That the serial, which presents itself more as an anthology than as a journal, has traditionally allowed space for lengthier studies, has tended only to add to its prestige; it is as if OSAP thus declares that, since it allows as much space as the merits of the subject require, it can be more entirely devoted to the best and most serious scholarship." --Michael Pakaluk, Bryn Mawr Classical Review

If you like to tweak, disassemble, recreate, and invent cool new uses for technology, you'll love "MAKE", our project-based quarterly for the inquisitive do-it-yourselfer. "MAKE Volume 13" is our special Magic issue, loaded with enough tricks to keep your friends and family entertained and mystified for months. Telekinetic pens! Levitating heads! Ghostly blocks! These are just a few of the many terrific magi tricks you'll find in this issue of "MAKE". And as always, you'll find dozens of other projects, ideas, tips, and tricks for doing everything from growing giant vegetables to finding lost screws.

Volume 21 of Theatre Symposium presents essays that explore the intricate and vital relationships between theatre, religion, and ritual.
Whether or not theatre arose from ritual and/or religion, from prehistory to the present there have been clear and vital connections among the three. "Ritual, Religion, and Theatre," volume 21 of the annual journal "Theatre Symposium," presents a series of essays that explore the intricate and vital relationships that exist, historically and today, between these various modes of expression and performance.
The essays in this volume discuss the stage presence of the spiritual meme; ritual performance and spirituality in "The Living Theatre"; theatricality, themes, and theology in James Weldon Johnson's "God's Trombones"; Jordan Harrison's "Act a Lady" and the ritual of queerness; "Gerpla" and national identity in Iceland; confession in "Hamlet" and "Measure for Measure"; Christian liturgical drama; Muslim theatre and performance; cave rituals and the Brain's Theatre; and other, more general issues.
Edited by E. Bert Wallace, this latest publication by the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory.
CONTRIBUTORS
Cohen Ambrose / David Callaghan / Gregory S. Carr
Matt DiCintio / William Doan / Tom F. Driver / Steve Earnest
Jennifer Flaherty / Charles A. Gillespie / Thomas L. King
Justin Kosec / Mark Pizzato / Kate Stratton