The shift in temporal modalities of Romantic Theatre was the consequence of internal as well as external developments: internally, the playwright was liberated from the old imperative of "Unity of Time" and the expectation that the events of the play must not exceed the hours of a single day; externally, the new social and cultural conformance to the time-keeping schedules of labour and business that had become more urgent with the industrial revolution. In reviewing the theatre of the Romantic era, this monograph draws attention to the ways in which theatre reflected the pervasive impact of increased temporal urgency in social and cultural behaviour. The contribution this book makes to the study of drama in the early nineteenth century is a renewed emphasis on time as a prominent element in Romantic dramaturgy, and a reappraisal of the extensive experimentation on how time functioned.

Battles were fought in many colonies during the American Revolution, but New Jersey was home to more sustained and intense fighting over a longer period of time. The nine essays in The American Revolution in New Jersey, depict the many challenges New Jersey residents faced at the intersection of the front lines and the home front. Unlike other colonies, New Jersey had significant economic power in part because of its location between the major ports of New York and Philadelphia. New people and new ideas arriving in the colony fostered tensions between Loyalists and Patriots that were at the core of the Revolution. Enlightenment thinking shaped the minds of New Jersey's settlers as they began to question the meaning of freedom in the colony. Yeoman farmers demanded ownership of the land they worked on and members of the growing Quaker denomination decried the evils of slavery and spearheaded the abolitionist movement in the state. When larger portions of New Jersey were occupied by British forces early in the war, the unity of the state was crippled, pitting neighbor against neighbor for seven years. The essays in this collection identify and explore the interconnections between the events on the battlefield and the daily lives of ordinary colonists during the Revolution. Using a wide historical lens, the contributors to The American Revolution in New Jersey capture the decades before and after the conflict as they interpret the causes of the war and the consequences of New Jersey's reaction to the Revolution.

Inspired by a true story, this graphic novel follows a Jewish immigrant’s efforts to help his Japanese neighbors while they're incarcerated during World War II.

An evocative and beautiful graphic novel revealing the truth of one man’s extraordinary efforts, We Are Not Strangers converges two perspectives into a single portrait of a community’s struggle with race, responsibility, and what it truly means to be an American.

Marco Calvo always knew his grandfather, affectionately called Papoo, was a good man. After all, he was named for him. A first-generation Jewish immigrant, Papoo was hardworking, smart, and caring.

When Papoo peacefully passes away, Marco expects the funeral to be simple. But he' caught off guard by something unusual. Among his close family and friends are mourners he doesn’t recognize—Japanese American families—and no one is quite sure who they are or why they are at the service. How did these strangers know his grandfather so well?

Set in the multicultural Central District of Seattle during World War II and inspired by author Josh Tuininga’s family experiences, We Are Not Strangers explores a unique situation of Japanese and Jewish Americans living side by side in a country at war.

Following Papoo’s perspective, we learn of his life as a Sephardic Jewish immigrant and his friendship with Sam Akiyama, a Japanese man whose life is upended by Executive Order 9066, which authorized the incarceration of nearly all Japanese Americans and residents of Japanese ancestry. Determined to keep Sam’s business afloat while he and his family are unjustly imprisoned, he and Papoo create a plan that will change the Akiyama’s lives forever.

Touts is a historical account of the troubled formation of a colonial labor market in the Gulf of Guinea and a major contribution to the historiography of indentured labor, which has relatively few reference points in Africa. The setting is West Africa's largest island, Fernando Po or Bioko in today's Equatorial Guinea, 100 kilometers off the coast of Nigeria. The Spanish ruled this often-ignored island from the mid-nineteenth century until 1968. A booming plantation economy led to the arrival of several hundred thousand West African, principally Nigerian, contract workers on steamships and canoes. In Touts, Enrique Martino traces the confusing transition from slavery to other labor regimes, paying particular attention to the labor brokers and their financial, logistical, and clandestine techniques for bringing workers to the island. Martino combines multi-sited archival research with the concept of touts as "lumpen-brokers" to offer a detailed study of how commercial labor relations could develop, shift and collapse through the recruiters' own techniques, such as large wage advances and elaborate deceptions. The result is a pathbreaking reconnection of labor mobility, contract law, informal credit structures and exchange practices in African history.

Concern about the 'decline of community', and the theme of 'community spirit', are internationally widespread in the modern world. The English past has featured many representations of declining community, expressed by those who lamented its loss in quite different periods and in diverse genres. This book analyses how community spirit and the passing of community have been described in the past - whether for good or ill - with an eye to modern issues, such as the so-called 'loneliness epidemic' or the social consequences of alternative structures of community. It does this through examination of authors such as Thomas Hardy, James Wentworth Day, Adrian Bell and H.E. Bates, by appraising detective fiction writers, analysing parish magazines, considering the letter writing of the parish poor in the 18th and 19th centuries, and through the depictions of realist landscape painters such as George Morland. K. D. M. Snell addresses modern social concerns, showing how many current preoccupations had earlier precedents. In presenting past representations of declining communities, and the way these affected individuals of very different political persuasions, the book draws out lessons and examples from the past about what community has meant hitherto, setting into context modern predicaments and judgements about 'spirits of community' today.

While in the last twenty years perceptions of Europe have been subjected to detailed historical scrutiny, American images of the Old World have been almost wantonly neglected. As a response to this scholarly desideratum, this pioneering study analyzes neoconservative images of Europe since the 1970s on the basis of an extensive collection of sources. With fresh insight into the evolution of American images of Europe as well as into the history of U.S. neoconservatism, the book appeals to readers familiar and new to the subject matters alike. The study explores how, beginning in the early 1970s, ideas of the United States as an anti-Europe have permeated neoconservative writing and shaped their self-images and political agitation. The choice of periodization and investigated personnel enables the author to refute popular claims that widespread Euro-critical sentiment in the United Studies during the early 21st century - considerably ignited by neoconservatives - was a distinct post-Cold War phenomenon. Instead, the analysis reveals that the fiery rhetoric in the context of the Iraq War debates was merely the climax of a decade-old development.

'This book deserves a place in your bookcase next to Harari's Sapiens. It's every bit as fascinating and is surely destined to be just as successful' Julian Norton An addictively free-ranging survey of the massive impact that the domesticated ungulates of the genus Ovis have had on human history. From the plains of ancient Mesopotamia to the rolling hills of medieval England to the vast sheep farms of modern-day Australia, sheep have been central to the human story. Starting with our Neolithic ancestors' first forays into sheep-rearing nearly 10,000 years ago, these remarkable animals have fed us, clothed us, changed our diet and languages, helped us to win wars, decorated our homes, and financed the conquest of large swathes of the earth. Enormous fortunes and new, society-changing industries have been made from the fleeces of sheep, and cities shaped by shepherds' markets and meat trading. Sally Coulthard weaves the rich and fascinating story of sheep into a vivid and colourful tapestry, thickly threaded with engaging anecdotes and remarkable ovine facts, whose multiple strands reflect the deep penetration of these woolly animals into every aspect of human society and culture. REVIEWS: 'Sally Coulthard's story of how sheep shaped the human story is full of rich pickings ... She weaves together a detailed story that is full of fascinating social history' Independent 'I absolutely LOVE this ... It's a perfect light-hearted informative history' Philippa Sandall 'This is such a great book: I would recommend it to anyone who has an interest in history or sheep - or simply a passion for reading captivating and high-quality prose. It's extremely well researched and written in a very engaging style. It trumped my Clive James memoir, which I put to one side. I read A Short History of the World According to Sheep within two days. (And that's impressive for me. It usually takes me weeks to finish a book.) You'd never imagine the role sheep have played across the centuries: from the egregious rampaging of Genghis Khan to the success of the Medici dynasty during the Renaissance to the Scottish Highland Clearances of the eighteenth century. The trade in their wool has financed wars; lanolin from their fleeces has fuelled the huge industry in beauty products, and ovine intestines even had a hand in controlling both birth rates and the spread of syphilis. And that's before we get onto jumpers. Or cheese...' Julian Norton, the Yorkshire Vet

This volume aims to provide an interdisciplinary examination of various facets of being alone in Greco-Roman antiquity. Its focus is on solitude, social isolation and misanthropy, and the differing perceptions and experiences of and varying meanings and connotations attributed to them in the ancient world. Individual chapters examine a range of ancient contexts in which problems of solitude, loneliness, isolation and seclusion arose and were discussed, and in doing so shed light on some of humankind's fundamental needs, fears and values.

The defeat of George Armstrong Custer and the Seventh Cavalry at the Battle of the Little Bighorn was big news in 1876. Newspaper coverage of the battle initiated hot debates about whether the U.S. government should change its policy toward American Indians and who was to blame for the army's loss--the latter, an argument that ignites passion to this day. In "Shooting Arrows and Slinging Mud, "James E. Mueller draws on exhaustive research of period newspapers to explore press coverage of the famous battle. As he analyzes a wide range of accounts--some grim, some circumspect, some even laced with humor--Mueller offers a unique take on the dramatic events that so shook the American public.
Among the many myths surrounding the Little Bighorn is that journalists of that time were incompetent hacks who, in response to the stunning news of Custer's defeat, called for bloodthirsty revenge against the Indians and portrayed the "boy general" as a glamorous hero who had suffered a martyr's death. Mueller argues otherwise, explaining that the journalists of 1876 were not uniformly biased against the Indians, and they did a credible job of describing the battle. They reported facts as they knew them, wrote thoughtful editorials, and asked important questions.
Although not without their biases, journalists reporting on the Battle of the Little Bighorn cannot be credited--or faulted--for creating the legend of Custer's Last Stand. Indeed, as Mueller reveals, after the initial burst of attention, these journalists quickly moved on to other stories of their day. It would be art and popular culture--biographies, paintings, Wild West shows, novels, and movies--that would forever embed the Last Stand in the American psyche.

Women Activists between War and Peace employs a comparative approach in exploring women's political and social activism across the European continent in the years that followed the First World War. It brings together leading scholars in the field to discuss the contribution of women's movements in, and individual female activists from, Austria, Bulgaria, Finland, France, Germany, Great Britain, Hungary, Russia and the United States. The book contains an introduction that helpfully outlines key concepts and broader, European-wide issues and concerns, such as peace, democracy and the role of the national and international in constructing the new, post-war political order. It then proceeds to examine the nature of women's activism through the prism of five pivotal topics: * Suffrage and nationalism * Pacifism and internationalism * Revolution and socialism * Journalism and print media * War and the body A timeline and illustrations are also included in the book, along with a useful guide to further reading. This is a vitally important text for all students of women's history, twentieth-century Europe and the legacy of the First World War.

Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations. Despite problems providing youth with consumer goods, leaders of Soviet bloc states fostered a socialist alternative to the modernity the capitalist West promised. Underground rock musicians thus shared assumptions about culture that Communist leaders had instilled. Still, competing with influences from the capitalist West had its limits. State-sponsored rock festivals and rock bands encouraged a spirit of rebellion among young people. Official perceptions of what constituted culture limited options for accommodating rock and pop music and Western youth cultures. Youth countercultures that originated in the capitalist West, like hippies and punks, challenged the legitimacy of Communist youth organizations and their sponsors. Government media and police organs wound up creating oppositional identities among youth gangs. Failing to provide enough Western cultural goods to provincial cities helped fuel resentment over the Soviet Union's capital, Moscow, and encourage support for breakaway nationalist movements that led to the Soviet Union's collapse in 1991. Despite the Cold War, in both the Soviet bloc and in the capitalist West, political elites responded to perceived threats posed by youth cultures and music in similar manners. Young people participated in a global youth culture while expressing their own local views of the world.