This book, first published in 1944, is a comprehensive survey of post-revolutionary Russian literature up to the early 1940s. A huge range of writers are examined, and the analysis is made in the knowledge of the sometimes considerable pressure brought by the Government on writers in Soviet Russia. Links are made by the author between the writers being assessed, as well as to the Russian writers that had come before them. As a wide-ranging analysis of Soviet literature, this book has rarely been bettered.

"I will always be somebody." This assertion, a startling one from a nineteenth-century woman, drove the life of Dr. Mary Edwards Walker, the only American woman ever to receive the Medal of Honor. President Andrew Johnson issued the award in 1865 in recognition of the incomparable medical service Walker rendered during the Civil War. Yet few people today know anything about the woman so well-known--even notorious--in her own lifetime. Theresa Kaminski shares a different way of looking at the Civil War, through the eyes of a woman confident she could make a contribution equal to that of any man. She takes readers into the political cauldron of the nation's capital in wartime, where Walker was a familiar if notorious figure. Mary Walker's relentless pursuit of gender and racial equality is key to understanding her commitment to a Union victory in the Civil War. Her role in the women's suffrage movement became controversial and the US Army stripped Walker of her medal, only to have the medal reinstated posthumously in 1977.

A different take on a popular topic, this book uncovers the exciting history of the jewels and jewellery worn and used by the later medieval and Tudor Queens of England from Margaret of Anjou to Katherine Parr. Enabling general readers to see how jewellery was used by Queens to assert their power and influence in their husband's courts. Dr Tallis is an experienced writer of non-fiction to a public audience; this book is accessibly written for an educated popular audience and undergraduate students. Explores the lives of ten queen consorts across 100 years, providing students and general readers alike with a long duree view into Queenship, women's history and material culture.

- Fills a clear gap in the market as there are no other recent textbooks for an undergraduate audience on this topic. - Includes content on Aboriginal history / does not exclude pre-settlement histories, which competitor texts have rarely attempted to include. - Climate change as well as Australian national identity and nationalism are hot topics in academic and public debate. - Editors and chapter authors are respected scholars who have published extensively in their fields.

WINNER OF THE 2020 CONNECTICUT BOOK AWARD FOR NONFICTION AND NAMED ONE OF THE BEST BOOKS FOR BOOK CLUBS IN 2021 BY BOOKBROWSE "Perkins' richly detailed narrative is a reminder that gender equity has never come easily, but instead if borne from the exertions of those who precede us."-Nathalia Holt, New York Times bestselling author of Rise of the Rocket Girls If Yale was going to keep its standing as one of the top two or three colleges in the nation, the availability of women was an amenity it could no longer do without. In the winter of 1969, from big cities to small towns, young women across the country sent in applications to Yale University for the first time. The Ivy League institution dedicated to graduating "one thousand male leaders" each year had finally decided to open its doors to the nation's top female students. The landmark decision was a huge step forward for women's equality in education. Or was it? The experience the first undergraduate women found when they stepped onto Yale's imposing campus was not the same one their male peers enjoyed. Isolated from one another, singled out as oddities and sexual objects, and barred from many of the privileges an elite education was supposed to offer, many of the first girls found themselves immersed in an overwhelmingly male culture they were unprepared to face. Yale Needs Women is the story of how these young women fought against the backward-leaning traditions of a centuries-old institution and created the opportunities that would carry them into the future. Anne Gardiner Perkins's unflinching account of a group of young women striving for change is an inspiring story of strength, resilience, and courage that continues to resonate today. "Yes, Yale needed women, but it didn't really want them... Anne Gardiner Perkins tells how these young women met the challenge with courage and tenacity and forever changed Yale and its chauvinistic motto of graduating 1,000 male leaders every year."-Lynn Povich, author of The Good Girls Revolt

The Utopians is the remarkable story of six experimental communities – Santiniketan-Sriniketan in India, Dartington Hall in England, Atarashiki-mura in Japan, the Institute for the Harmonious Development of Man in France, the Bruderhof in Germany and Trabuco College in America – that sprang up in the aftermath of the First World War.

Each was led by charismatic figures who dreamed of a new way of living. Rabindranath Tagore, Dorothy and Leonard Elmhirst, Mushanokoji Saneatsu, G. I. Gurdjieff, Eberhard and Emmy Arnold and Gerald Heard all struggled to turn ambitious ideals into reality. They – and their fellow communards – left their jobs, their homes and their social circles. They faced mockery and persecution, penury, hunger and discomfort, and their own doubts about whether their efforts to change society would ever make a difference.

Anna Neima’s absorbing and vivid account of these collectives, from creation to collapse, reveals them to be full of eccentric characters, outlandish lifestyles and unchecked idealism. They were dramatic, fractious places where high ideals collided with the need to feed the chickens, clean the toilets, bring up squabbling children and grow the grain for the daily bread.

These communities were small in scale and dismissed in their time. Yet, a century later, their influence still resonates in realms as disparate as progressive education, environmentalism, medical research and mindfulness training. They provided, and continue to provide, a rich store of inspiration for those who aspire to improve the world. Without them, the post-war world would have been a poorer place.

Understanding how Covid-19 started is more important than we know for the future of humankind. Determining whether the virus came from nature or from a lab will help us to safeguard against the next pandemic. This disease will forever punctuate modern history. It has led to the deaths of millions, sickened hundreds of millions and affected the lives of almost every person on the planet. We now know that Covid is here to stay. Genetic engineering expert Dr Alina Chan and renowned science writer Matt Ridley examine the origins of SARS-CoV-2, the virus responsible for Covid-19, using their formidable skills to scrutinise arguments and rigorously analyse the sprawling data. Viral is a fascinating account that takes in pangolins, horseshoe bats, internet sleuths and misleading scientific papers. It details the evidence and investigates hypotheses for the virus origin, chief among them a potential laboratory leak or a natural spillover. Science has made great strides over the last decades. Chan and Ridley give an insight into the proliferating pathogen research and virus hunting around the world. Whatever the source of the virus, the world needs to adopt new policies and strategies to prevent or mitigate future outbreaks. Set in the caves and mineshafts, food markets and wildlife smugglers' stores, laboratories and databases of China and elsewhere, Viral is a page-turner that reads like a detective novel and goes deeper into the deepest mystery of the day than any other work. This is the book on the search for the origin of Covid-19.

For a zitty face. Take urine eight days old and heat it over the fire; wash your face with it morning and night. In late medieval England, ordinary people, apothecaries and physicians gathered up practical medical tips for everyday use. While some were sensible herbal cures, many were weird and wonderful. This book selects some of the most revolting or remarkable remedies from medieval manuscripts in the Bodleian Library in Oxford. There are embarrassing ailments and painful procedures, icky ingredients and bizarre beliefs. The would-be doctors seem oblivious to pain, and any animal, vegetable or mineral, let alone bodily fluid, can be ground up, smeared on or inserted for medical benefit. Similar ingredients are used in 'recipes' for how to make yourself invisible, how to make a woman love you, how to stop dogs from barking at you and how to make freckles disappear. Written in the down-to-earth speech of the time, these remedies often blur the distinction between medicine and magic. They also give a humorous insight into the strange ideas, ingenuity and bravery of men and women in the Middle Ages, and a glimpse of the often gruesome history of medicine through time. The remedies have been collected and transcribed from fifteenth-century manuscripts by students at the University of Oxford. Modern English translations, for easier reading, are given alongside the original Middle English.

Now in its third edition, Food in World History explores culinary cultures and food politics throughout the world, from ancient times to the present day, with expanded discussions of industrialization, indigeneity, colonialism, gender, environment, and food and power. It examines the long history of globalization of foods as well as the political, social, and environmental implications of our changing relationship with food, showing how hunger and taste have been driving forces in human history. Including numerous case studies from diverse societies and periods, such as Maya and Inka cuisines and peasant agriculture in the early modern era, Food in World History explores such questions as: What social factors have historically influenced culinary globalization? How did early modern plantations establish patterns for modern industrial food production? How will the climate crisis affect food production and culinary cultures? Did Italian and Chinese migrant cooks sacrifice authenticity to gain social acceptance in the Americas? Have genetically modified foods fulfilled the promises made by proponents? With the inclusion of more global examples, this comprehensive survey is an ideal resource for all students who study food history or food studies.

For fifty years, Britain made the best toy cars in the world, expertly shrinking every kind of reallife vehicle and producing them in their countless, die-cast millions. Dinky Toys were the 1930s pioneers, then in the 1950s came the pocket-money Matchbox series, followed by Corgi Toys bristling with ingenious features and movie stardust. But who were the driving forces behind this phenomenon? And how did they keep putting the latest, most exciting cars into the palm of your hand year after year? In this illustrated and expanded edition of Britain's Toy Car Wars, Giles Chapman reveals the extraordinary battle to dominate Britain's toy car industry, and the dramas and disasters that finally saw the tiny wheels come off ...

The University Archives was established in 1634. Based in the Bodleian Library, it is the institutional archive of Oxford University, holding records which span just over 800 years, documenting the University's activities and decisions throughout that time. Fifty-two documents and objects from the University Archives are showcased here, telling a wide range of intriguing stories about the University. Arranged chronologically, they deal with the University's relations with governments and monarchs; the effects of war; teaching and student behaviour; the University's buildings and institutions; widening access to university education; and the impact it has had on the city of Oxford and its people. Also documented here are fascinating insights into the University's erstwhile police force, a hidden time capsule, brewing licences, brawls and illicit steeplechasing. The items - all illustrated - also often unlock human stories to which we can relate today, opening a window on the individuals (from University, city, or even further afield) whose lives the University has touched, including people who would perhaps not be expected to feature in a history of Oxford University, but whose stories are preserved forever in its magnificent archives.

The 1820 Scottish Rising has been increasingly studied in recent decades. This collection of essays looks especially at local players on the ground across multiple regional centres in the west of Scotland, as well as the wider political circumstances within government and civil society that provide the rising's context. It examines insurrectionist preparation by radicals, the progress of the events of 1820, contemporary accounts and legacy memorialisation of 1820, including newspaper and literary testimony, and the monumental 'afterlife' of the rising. As well as the famous march of radicals led by John Baird and Andrew Hardie, so often seen as the centre of the 1820 'moment', this volume casts light on other, more neglected insurrectionary activity within the rising and a wide set of cultural circumstances that make 1820 more complex than many would like to believe. 1820: Scottish Rebellion demonstrates that the legacy of 1820 may be approached in numerous ways that cross disciplinary boundaries and cause us to question conventional historical interpretations.

In the seventeenth century, even the most elaborate and fashionable gardens had areas set aside for growing herbs, fruit, vegetables and flowers for domestic use, while those of more modest establishments were vital to the survival of the household. This was also a period of exciting introductions of plants from overseas. Using manuscript household manuals, recipe books and printed herbals, this book takes the reader on a tour of the productive garden and of the various parts of the house - kitchens and service rooms, living rooms and bedrooms - to show how these plants were used for cooking and brewing, medicines and cosmetics, in the making and care of clothes, and finally to keep rooms fresh, fragrant and decorated. Recipes used by seventeenth-century households for preparations such as flower syrups, snail water and wormwood ale are also included. A brief herbal gives descriptions of plants that are familiar today, others not so well known, such as the herbs used for dyeing and brewing, and those that held a particular cultural importance in the seventeenth century. Featuring exquisite coloured illustrations from John Gerard's herbal of 1597 as well as prints, archival material and manuscripts, this book provides an intriguing and original focus on the domestic history of Stuart England.

A ROUGH TRADE, THE TIMES, CLASH BOOK OF THE YEAR The dramatic story of Solange: a musician and artist whose unconventional journey to international success was far more important than her family name. 'Why Solange Matters is a significant and sober treatise on popular music . . . This book is more than necessary.' THURSTON MOORE 'The author's prose sparkles . . . This is a book about what freedom could look like for Black women.' CALEB AZUMAH NELSON, OBSERVER 'Invigorating . . . much more than a dry thesis and at times something nearer to personal reverie.' IAN PENMAN, LONDON REVIEW OF BOOKS 'A love letter to quirkly black creatives . . . [Phillips'] vibrant writing reminds us how Solange lit "the flame of creativity" within many Black women.' gal-dem Growing up in the shadow of her superstar sister, Beyonce, and defying an industry that attempted to bend her to its rigid image of a Black woman, Solange Knowles has become a pivotal musician and artist in her own right. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of Solange, a beloved voice of the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange's progress through an inflexible industry, charting the artist's development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. With this record and, then, When I Get Home (2019), Phillips describes how Solange has embraced activism, anger, Black womanhood and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the subject in the pantheon of world-changing twenty-first-century musicians, it introduces its writer as an important new voice. MUSIC MATTERS: SHORT BOOKS ABOUT THE ARTISTS WE LOVE - Why Solange Matters by Stephanie Phillips - Why Marianne Faithfull Matters by Tanya Pearson - Why Karen Carpenter Matters by Karen Tongson

Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day. This book explores the fascinating tug-and-pull between the European classical, folk and social dance imports and America's indigenous dance forms as they met and collided on the popular musical theatre stage. The historical background influenced a specific musical theatre movement vocabulary and a unique choreographic approach that is recognizable today as Broadway style dancing. Throughout the book, a cultural context is woven into the history to reveal how the competing values within American culture, and its attempts as a nation to define and redefine itself, played out through developments in dance on the musical theatre stage. This book is central to the conversation on how dance influences and reflects society, and will be of interest to students and scholars of Musical Theatre, Theatre Studies, Dance and Cultural History.

Computer: A History of the Information Machine traces the history of the computer and its unlimited, information-processing potential. Comprehensive and accessibly written, this fully updated fourth edition adds new chapters on the globalization of information technology, the rise of social media, fake news, and the gig economy, and the regulatory frameworks being put in place to tame the ubiquitous computer. Computer is an insightful look at the pace of technological advancement and the seamless way computers are integrated into the modern world. The authors examine the history of the computer including the first steps taken by Charles Babbage in the nineteenth century, and how wartime needs and the development of electronics led to the giant ENIAC, the first electronic computer. For a generation IBM dominated the computer industry. In the 1980s, the desktop PC liberated people from room-sized, mainframe computers. Next, laptops and smartphones made computers available to half of the world's population, leading to the rise of Google and Facebook, and powerful apps that changed the way we work, consume, learn, and socialize. The volume is an essential resource for scholars and those studying computer history, technology history, and information and society, as well as a range of courses in the fields of computer science, communications, sociology, and management.

This informative title gives readers a glimpse into life as an American Indian during the 1800s. Readers will learn about tribes like the Cherokee, Lakota, Seminole, Creek, Choktaw, and Nez Perce, as well as famous Indian chiefs like Sitting Bull. Stunning facts, supportive text, and an array of colorful images will engage and introduce children to treaties made between white settlers and such events as the Indian Removal Act.

An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they-not merely the clergy-affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.

Winner of the Ralph J. Gleason Music Book Award, Rock & Roll Hall of Fame Winner of the American Book Award, Before Columbus Foundation Winner of the PEN Oakland-Josephine Miles Award Winner of the MAAH Stone Book Award A Pitchfork Best Music Book of the Year A Rolling Stone Best Music Book of the Year A Boston Globe Summer Read "Brooks traces all kinds of lines...inviting voices to talk to one another, seeing what different perspectives can offer, opening up new ways of looking and listening." -New York Times "A wide-ranging study of Black female artists, from elders like Bessie Smith and Ethel Waters to Beyonce and Janelle Monae...Connecting the sonic worlds of Black female mythmakers and truth-tellers." -Rolling Stone "A gloriously polyphonic book." -Margo Jefferson, author of Negroland How is it possible that iconic artists like Aretha Franklin and Beyonce can be both at the center and on the fringe of the culture industry? Daphne Brooks explores more than a century of music archives to bring to life the critics, collectors, and listeners who have shaped our perceptions of Black women both on stage and in the recording studio. Liner Notes for the Revolution offers a startling new perspective, informed by the overlooked contributions of other Black women artists. We discover Zora Neale Hurston as a sound archivist and performer, Lorraine Hansberry as a queer feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism in this long overdue celebration of Black women musicians as radical intellectuals.

Movable books are an innovative area of children's publishing. Commonly equated with spectacular pop-ups, movable books have a little-known history as interactive, narrative media. Since they are hybrid artifacts consisting of words, images and movable components, they cross the borders between story, toy, and game. Interactive Books is a historical and comparative study of early movable books in relation to the children who engage with them. Jacqueline Reid-Walsh focuses on the period movable books became connected with children from the mid-17th to the early-19th centuries. In particular, she examines turn-up books, paper doll books, and related hybrid experiments like toy theaters and paignion (or domestic play set) produced between 1650 and 1830. Despite being popular in their own time, these artifacts are little known today. This study draws attention to a gap in our knowledge of children's print culture by showing how these artifacts are important in their own right. Reid-Walsh combines archival research with children's literature studies, book history, and juvenilia studies. By examining commercially produced and homemade examples, she explores the interrelations among children, interactive media, and historical participatory culture. By drawing on both Enlightenment thinkers and contemporary digital media theorists Interactive Books enables us to think critically about children's media texts paper and digital, past and present.