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Books > Humanities > History > History of specific subjects > Social & cultural history
The night represents almost universally a special, liminal or "out
of the ordinary" temporal zone with its own meanings, possibilities
and dangers, and political, cultural, religious and social
implications. Only in the modern era was the night systematically
"colonised" and nocturnal activity "normalised," in terms of
(industrial) labour and production processes. Although the
globalised 24/7 economy is usually seen as the outcome of
capitalist modernisation, development and expansion starting in the
late nineteenth century, other consecutive and more recent
political and economic systems adopted perpetual production systems
as well, extending work into the night and forcing workers to work
the "night shift," normalising it as part of an alternative
non-capitalist modernity. This volume draws attention to the
extended work hours and night shift work, which have remained
underexplored in the history of labour and the social science
literature. By describing and comparing various political and
economic "regimes," it argues that, from the viewpoint of global
labour history, night labour and the spread of 24/7 production and
services should not be seen, only and exclusively, as an
epiphenomenon of capitalist production, but rather as one of the
outcomes of industrial modernity.
"An exciting and engrossing book with stories that are worth
telling. This work will engage fans of Charlie O. Finley and the
Oakland Athletics, along with anyone captivated by baseball
history." -- Library Journal, starred review The Oakland A's of the
early 1970s: Never before had an entire organization so
collectively traumatized baseball's establishment with its
outlandish behavior and business decisions. The high drama that
played out on the field--five straight division titles and three
straight championships--was exceeded only by the drama in the
clubhouse and front office. Under the visionary leadership of owner
Charles O. Finley, the team assembled such luminary figures as
Reggie Jackson, Catfish Hunter, Rollie Fingers, and Vida Blue, and
with garish uniforms and revolutionary facial hair, knocked
baseball into the modern age. Finley's insatiable need for
control--he was his own general manager and dictated everything
from the ballpark organist's playlist to the menu for the media
lounge--made him ill-suited for the advent of free agency. Within
two years, his dynasty was lost. A sprawling, brawling history of
one of the game's most unforgettable teams, Dynastic, Bombastic,
Fantastic is a paean to the sport's most turbulent, magical team,
during one of major league baseball's most turbulent, magical
times.
'Ackroyd makes history accessible to the layman' - Ian Thomson,
Independent Innovation brings Peter Ackroyd's History of England to
a triumphant close. In it, Ackroyd takes readers from the end of
the Boer War and the accession of Edward VII to the end of the
twentieth century, when his great-granddaughter Elizabeth II had
been on the throne for almost five decades. A century of enormous
change, encompassing two world wars, four monarchs (Edward VII,
George V, George VI and the Queen), the decline of the aristocracy
and the rise of the Labour Party, women's suffrage, the birth of
the NHS, the march of suburbia and the clearance of the slums. It
was a period that saw the work of the Bloomsbury Group and T. S.
Eliot, of Kingsley Amis and Philip Larkin, of the end of the
post-war slump to the technicolour explosion of the 1960s, to free
love and punk rock and from Thatcher to Blair. A vividly readable,
richly peopled tour de force, it is Peter Ackroyd writing at his
considerable best.
A Best Book of 2021 by NPR and Esquire From Kliph Nesteroff, "the
human encyclopedia of comedy" (VICE), comes the important and
underappreciated story of Native Americans and comedy.It was one of
the most reliable jokes in Charlie Hill's stand-up routine: "My
people are from Wisconsin. We used to be from New York. We had a
little real estate problem." In We Had a Little Real Estate
Problem, acclaimed comedy historian Kliph Nesteroff focuses on one
of comedy's most significant and little-known stories: how, despite
having been denied representation in the entertainment industry,
Native Americans have influenced and advanced the art form. The
account begins in the late 1880s, when Native Americans were forced
to tour in wild west shows as an alternative to prison. (One modern
comedian said it was as "if a Guantanamo detainee suddenly had to
appear on X-Factor.") This is followed by a detailed look at the
life and work of seminal figures such as Cherokee humorist Will
Rogers and Hill, who in the 1970s was the first Native American
comedian to appear The Tonight Show. Also profiled are several
contemporary comedians, including Jonny Roberts, a social worker
from the Red Lake Nation who drives five hours to the closest
comedy club to pursue his stand-up dreams; Kiowa-Apache comic
Adrianne Chalepah, who formed the touring group the Native Ladies
of Comedy; and the 1491s, a sketch troupe whose satire is smashing
stereotypes to critical acclaim. As Ryan Red Corn, the Osage member
of the 1491s, says: "The American narrative dictates that Indians
are supposed to be sad. It's not really true and it's not
indicative of the community experience itself...Laughter and joy is
very much a part of Native culture." Featuring dozens of original
interviews and the exhaustive research that is Nesteroff's
trademark, We Had a Little Real Estate Problem is a powerful
tribute to a neglected legacy.
Bulelwa Mabasa was born into a ‘matchbox’ family home in Meadowlands, Soweto, at the height of apartheid. In My Land Obsession, she shares her colourful Christian upbringing, framed by the lived experiences of her grandparents, who endured land dispossession in the form of the Group Areas Act and the migrant labour system.
Bulelwa’s world was irrevocably altered when she encountered the disparities of life in a white-dominated school. Her ongoing interest in land justice informed her choice to study law at Wits, with the land question becoming central in her postgraduate studies. When Bulelwa joined the practice of law in the early 2000s as an attorney, she felt a strong need to build on her curiosity around land reform, moving on to
form and lead a practice centred on land reform at Werksmans Attorneys. She describes the role played by her mentors and the professional and personal challenges she faced.
My Land Obsession sets out notable legal cases Bulelwa has led and lessons that may be drawn from them, as well as detailing her contributions to national policy on land reform and her views on how the land question must be inhabited and owned by all South Africans.
Engaging with the work of contemporary African and Chinese artists while analysing broader material production, the essays in this volume are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture.
With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. Chinese and African encounters through the lens of the visual arts and material culture, however, is a neglected field.
Visualising China in Southern Africa is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture.
Richly illustrated, the collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. Some of the artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.
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Krynki In Ruins
(Hardcover)
A Soifer; Translated by Beate Schutzmann-Krebs; Cover design or artwork by Nina Schwartz
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R1,190
R975
Discovery Miles 9 750
Save R215 (18%)
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Ships in 10 - 15 working days
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Issues and Challenges of the American Rural South provides students
with carefully selected readings that help them understand the
unique social problems faced by inhabitants of the southern region
of the United States. Part I of the text features readings related
to poverty issues in the South and their impact on marginalized
individuals and groups. Part II examines health disparities and
inequalities, including challenges faced by HIV-positive African
Americans; education, self-rated health status, food insecurity,
and depression among single mothers; and smoking behavior and
cessation among rural and urban residents. Parts III and IV explore
the long-lasting impact of Hurricane Katrina and subsequent
community development efforts. Part V addresses education issues
including essential competencies and skills, post-university income
attainment, and agriculturally related jobs. The second edition
features nine new readings about the causes of enduring poverty in
Alabama, food insecurity, smoking cessation and behaviors, local
economic development efforts, rural community development, and
mental health for those living with HIV/AIDS. Issues and Challenges
of the American Rural South is well suited for upper-division and
graduate-level courses in rural sociology, race relations, and
social problems and issues.
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