This book imagines the ocean as central to understanding the world and its connections in history, literature and the social sciences. Introducing the central conceptual category of ocean as method, it analyzes the histories of movement and traversing across connected spaces of water and land sedimented in literary texts, folklore, local histories, autobiographies, music and performance. It explores the constant flow of people, material and ideologies across the waters and how they make their presence felt in a cosmopolitan thinking of the connections of the world. Going beyond violent histories of slavery and indenture that generate global connections, it tracks the movements of sailors, boatmen, religious teachers, merchants, and adventurers. The essays in this volume summon up this miscegenated history in which land and water are ever linked. A significant rethinking of world history, this volume will be of great interest to scholars and researchers of history, especially connected history and maritime history, literature, and Global South studies.

This book uses 'politics of urban knowledge' as a lens to understand how professionals, administrations, scholars, and social movements have surveyed, evaluated and theorized the city, identified problems, and shaped and legitimized practical interventions in planning and administration. Urbanization has been accompanied, and partly shaped by, the formation of the city as a distinct domain of knowledge. This volume uses 'politics of urban knowledge' as a lens to develop a new perspective on urban history and urban planning history. Through case studies of mainly 19th and 20th century examples, the book demonstrates that urban knowledge is not simply a neutral means to represent cities as pre-existing entities, but rather the outcome of historically contingent processes and practices of urban actors addressing urban issues and the power relations in which they are embedded. It shows how urban knowledge-making has reshaped the categories, rationales, and techniques through which urban spaces were produced, governed and contested, and how the knowledge concerned became performative of newly emerging urban orders. The volume will be of interest to scholars and students in the field of urban history and urban studies, as well as the history of technology, science and knowledge and of science studies.

Although mercers have long been recognised as one of the most influential trades in medieval London, this is the first book to offer a comprehensive and detailed analysis of the trade from the twelfth to the sixteenth century. The variety of mercery goods (linen, silk, worsted and small manufactured items including what is now called haberdashery) gave the mercers of London an edge over all competitors. The sources and production of all these commodities is traced throughout the period covered. It was as the major importers and distributors of linen in England that London mercers were able to take control of the Merchant Adventurers and the export of English cloth to the Low Countries. The development of the Adventurers' Company and its domination by London mercers is described from its first privileges of 1296 to after the fall of Antwerp. This book investigates the earliest itinerant mercers and the artisans who made and sold mercery goods (such as the silkwomen of London, so often mercers' wives), and their origins in counties like Norfolk, the source of linen and worsted. These diverse traders were united by the neighbourhood of the London Mercery on Cheapside and by their need for the privileges of the freedom of London. Extensive use of Netherlandish and French sources puts the London Mercery into the context of European Trade, and literary texts add a more personal image of the merchant and his preoccupation with his social status which rose from that of the despised pedlar to the advisor of princes. After a slow start, the Mercers' Company came to include some of the wealthiest and most powerful men of London and administer a wide range of charitable estates such as that of Richard Whittington. The story of how they survived the vicissitudes inflicted by the wars and religious changes of the sixteenth century concludes this fascinating and wide-ranging study.

As we witness monuments of white Western history fall, many are asking 'How is Shakespeare still relevant?' Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his plinth to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril. Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.

Australia's Jindyworobak Composers examines the music of a historically and artistically significant group of Australian composers active during the later post-colonial period (1930s-c. 1960). These composers sought to establish a uniquely Australian identity through the evocation of the country's landscape and environment, including notably the use of Aboriginal elements or imagery in their music, texts, dramatic scenarios or 'programmes'. Nevertheless, it must be observed that this word was originally adopted as a manifesto for an Australian literary movement, and was, for the most part, only retrospectively applied by commentators (rather than the composers themselves) to art music that was seen to share similar aesthetic aims. Chapter One demonstrates to what extent a meaningful relationship may or may not be discernible between the artistic tenets of Jindyworobak writers and apparently likeminded composers. In doing so, it establishes the context for a full exploration of the music of Australian composers to whom 'Jindyworobak' has come to be popularly applied. The following chapters explore the music of composers writing within the Jindyworobak period itself and, finally, the later twentieth-century afterlife of Jindyworobakism. This will be of particular interest to scholars and researchers of Ethnomusicology, Australian Music and Music History.

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

Advertisers in the nineteenth and early twentieth century pushed the boundaries of printing, manipulated language, inspired a new form of art and exploited many formats, including calendars, bookmarks and games. This collection of essays examines the extent to which these standalone advertisements - which have survived by chance and are now divorced from their original purpose - provide information not just on the sometimes bizarre products being sold, but also on class, gender, Britishness, war, fashion and shopping. Starting with the genesis of an advertisement through the creation of text, image, print and format, the authors go on to examine the changing profile of the consumer, notably the rise of the middle classes, and the way in which manufacturers and retailers identified and targeted their markets. Finally, they look at advertisements as documents that both reveal and conceal details about society, politics and local history. Copiously illustrated from the world-renowned John Johnson Collection of Printed Ephemera and featuring work by influential illustrators John Hassall and Dudley Hardy, this attractive book invites us to consider both the intended and unintended messages of the advertisements of the past.

This book critically examines different aspects of scientific and technological development in Ancient India. It studies the special contribution of the history of science in our scientific understanding and its relationship with the philosophy and sociology of science. The volume: Discusses diverse and wide-ranging themes including Tibetan Buddhist tradition of neuro-biology; Sheds light on the unique developments within iron technology and urbanization in ancient Odisha; Studies the trajectory of proto-historic astronomy in India and the science of monsoon in early India; Evaluates the legacy of Aryabhata based on his major works related to astronomy and mathematics through a multidimensional perspective; Analyses the traditional knowledge of medicine in early India, the golden age of surgery with reference to the ancient Greek and Arabic systems of medicine, and the Buddhist influence on the science of medicine in Tibet. This book will be an essential read for scholars and researchers of ancient history, Indian history, history of science, history of technology, science and technology studies, and South Asian studies.

A completely new look at plants - not only in food, drink and commerce, and how they have created civilisation, trade and empires, but also in love, in war, in crime, in horror and delight, in music, poetry and prose, and on the screen. Not just another gardening or plant book, this is a complete picture of how plants affect people, for better or worse, now, in the past and in the future with illuminating and startling facts about their ubiquitous presence in human affairs - through life, death, illness, happiness, murder, despair, desperation, love, hate, loss, and far more. From Presidents to pop stars, from scientists to slavers, royals to religious leaders, chefs to charlatans, pioneers to politicians, artists to actors, Plants & Us is a unique overview of plants, wild and cultivated, their vital importance and the threats they face. Above all, how they affect all our lives in stories that will often surprise the reader.

No, they weren't 'just friends'! Queer women have been written out of history since, well, forever. 'But historians famously care about women!', said no one. From Anne Bonny and Mary Read who sailed the seas together disguised as pirates, to US football captain Megan Rapinoe declaring 'You can't win a championship without gays on your team', via countless literary salons and tuxedos, A Short History of Queer Women sets the record straight on women who have loved other women through the ages. Who says lesbians can't be funny?

This volume explores the panic that is a central affective register of our current international order. Fears of Somali pirates, "Gypsy" kidnappers, African warlords, Ebola, "Mexican meth," pimps, coyotes, gangs, climate refugees and more, structure the dark side of a metropolitan unconscious. These are terrors over things that (might) cross borders, threatening the sanctity of territoriality and capital. Inspired by scholarship challenging panics around human and sex trafficking, the contributors to this volume develop the umbrella category of the global moral panic. Embracing the challenge of grasping a phenomenon not previously regarded as cohering, they consider panics provoked by travel, passage, transgression; panics over bodies that move. Like panics over trafficking, the episodes narrated here ride and feed a field of common sense regarding crime, rights, and state power. Their logics of victims and villains nourish notions of the centrality of punishment, drawing from and feeding taxonomies of gender, race, and nation, solidifying the order craved by capital. They spotlight the coloniality of power, the ongoing salience of empire, the savior logics of rescue, and the profound sexism organizing hierarchies of bodies and places. Panic, this volume diagnoses, is a crucial, undertheorized facet of contemporary local-global relations.

Read the Sunday Times bestseller that reveals the Earth’s awesome impact on the shape of human civilisations.

‘Stands comparison with Sapiens… Thrilling’ Sunday Times

Human evolution in East Africa was driven by geological forces. Ancient Greece developed democracy because of its mountainous terrain. Voting behaviour in the United States today follows the bed of an ancient sea.

Professor Lewis Dartnell takes us on an astonishing journey into our planet’s past to tell the ultimate origin story. Blending science and history, Origins reveals the Earth’s awesome impact on the shape of human civilisations – and helps us to see the challenges and opportunities of the future.

This edited collection explores the axis where monstrosity and borderlands meet to reflect the tensions, apprehensions, and excitement over the radical changes of the early modern era. The book investigates the monstrous as it acts in liminal spaces in the Renaissance and the era of Enlightenment. Zones of interaction include chronological change - from the early New World encounters through the seventeenth century - and cultural and scientific changes, in the margins between national boundaries, and also cultural and intellectual boundaries.

Originally published in 1987, this book compares and contrasts the characters and careers of two great protagonists in the English Civil War and its aftermath. The book shows how Charles I and Oliver Cromwell were confronted with the same problems and therefore, to a surprisingly large extent, were obliged to deal with them in much the same kind of way. The book re-examines their military methods, their approaches to religion, their diplomatic manoeuvres, their domestic policies and the manner in which they handled their parliaments. Above all, it considers how their vastly different personalities determined their actions. Finally it debates how far a revolution, of which Cromwell was the instrument and Charles the victim, can be said to have taken place in the mid-seventeenth century or whether what occurred was simply a political rebellion sparked off by religious passion.

Brings together a group of scholars from a diverse range of disciplines, connecting the subject of loneliness to history, literature and art Contributes to a growing interest in the history of emotions and the role of loneliness in past and present Takes an experiential, as well as institutional, approach to loneliness

This book seeks, for the first time, to examine the demography and the social and economic conditions in the Yerevan Province during the first decade of the twentieth century, before the great changes that occurred during World War I and the seven decades of Soviet rule. Unlike in Tiflis and Baku, the Armenian inhabitants of the Yerevan Province were overwhelmingly peasants. They did not play a major role in the political, intellectual or economic life of the South Caucasus. The aim of the book is to prove conclusively that the Armenians of the Yerevan Province not only benefited from living under the umbrella of imperial security, but, as junior and senior officials, they also acquired important administrative and professional skills. The social and economic changes of the last decade of Russian rule enabled the local Armenians to advance and, following the collapse of the Russian Empire, to occupy posts previously held by Russians. Thus, despite the absence of their most talented individuals and the lack of experienced political leaders, as well as the loss of half their territory to Turkish attacks in 1918, the local Armenian administration, in the face of terrible conditions and great odds, provided the foundation which allowed the Armenian Republic to maintain its independence until December of 1920. In fact, some of the survivors would assist in the modernization and nation building of Soviet Armenia. Providing a detailed overview of the history of the Yerevan Province in the late imperial age, this book will be a valuable resource for students and scholars interested in the History of Armenia, the Russian Empire and the Caucasus.

Research into public health policies and expert instruction has been oriented traditionally in the national context. There is a rich historiography that analyses the development of health policies and systems in various European and American countries during the first decades of the twentieth century. What is often ignored, however, is the study of the great many connections and circulations of knowledge, people, technologies, artefacts and practices during that period between countries. This book redresses that balance.

The third volume in Marina Amaral and Dan Jones's bestselling Histories in Colour series.

A Woman's World explores the many roles – domestic, social, cultural and professional – played by women across the world from 1850–1960, before second-wave feminism took hold. Using Marina's colorized images and Dan Jones's words, this survey shines a light on the varied pursuits of women both celebrated and ordinary, whether in the home or the science lab, protesting on the streets or performing on stage, fighting in the trenches or exploring the wild.

Each chapter is introduced by a woman who works in that field, offering insights into their job and experiences. The book includes photographs of Queen Victoria, Edith Cavell, Josephine Baker, Mildred Burke, Eva Peron, Eleanor Roosevelt, Virginia Woolf, Clara Schumann, Martha Gellhorn, Simone de Beauvoir, Agatha Christie, Frida Kahlo, Emmeline Pankhurst, Harriet Tubman, Florence Nightingale, Hattie McDaniel and Gertrude Bell; as well as revolutionaries from China to Cuba, Geishas in Japan, protestors on the Salt March, teachers and pilots, nurses and soldiers.

This vivid and unique history brings to life and full color the female experience in a century of extraordinary change.

American roots music, also known as Americana music, can be challenging to categorize, spanning the genres of jazz, bluegrass, country, blues, rock and roll, and an assortment of variations in between. In The Downhome Sound, Mandi Bates Bailey explores the messages, artists, community, and appeal of this seemingly disparate musical collective. To understand the art form's intended meanings and typical audiences, she analyzes lyrics and interviews Americana artists, journalists, and festival organizers to uncover a desire for inclusion and diversity. Bailey also conducts an experiment to assess listener reception relative to more commercial forms of music. The result is an in-depth study of the political and cultural influence of Americana and its implications for social justice.

Is inclusiveness in the commons and sustainability a paradox? Late medieval and Early Modern rural societies encountered challenges because of growing population pressure, urbanisation and commercialisation. While some regions went along this path and commercialised and intensified production, others sailed a different course, maintaining communal property and managing resources via common pool resource institutions. To prevent overexploitation and free riding, it was generally believed that strong formalised institutions, strict access regimes and restricted use rights were essential. By looking at the late medieval Campine area, a sandy, infertile and fragile region, dominated by communal property and located at the core of the densely populated and commercialised Low Countries, it has become clear that sustainability, economic success and inclusiveness can be compatible. Because of a balanced distribution of power between smallholders and elites, strong property claims, a predominance of long-term agricultural strategies and the vitality of informal institutions and conflict resolution mechanisms, the Campine peasant communities were able to avert ecological distress while maintaining a positive economic climate.

The Color Pynk is a passionate exploration of Black femme poetics of survival. Sidelined by liberal feminists and invisible to mainstream civil rights movements, Black femmes spent the Trump years doing what they so often do best: creating politically engaged art, entertainment, and ideas. In the first full-length study of Black queer, cis-, and trans-femininity, Omise'eke Natasha Tinsley argues that this creative work offers a distinctive challenge to power structures that limit how we color, gender, and explore freedom. Tinsley engages 2017-2020 Black femme cultural production that colorfully and provocatively imagines freedom in the stark white face of its impossibility. Looking to the music of Janelle Monae and Kelsey Lu, Janet Mock's writing for the television show Pose, the fashion of Indya Moore and (F)empower, and the films of Tourmaline and Juliana Huxtable, as well as poetry and novels, The Color Pynk conceptualizes Black femme as a set of consciously, continually rescripted cultural and aesthetic practices that disrupts conventional meanings of race, gender, and sexuality. There is an exuberant defiance in queer Black femininity, Tinsley finds-so that Black femmes continue to love themselves wildly in a world that resists their joy.

Messengers of Empire: Print and Revolution in the Atlantic World examines how news and information moved across the Atlantic world during the Age of Sail. It provides a ground-breaking look at how the French Revolutionary Wars impacted the development of communication channels, such as the creation of regular postal services in the Caribbean and increased reliance on local printers to produce print matter faster and more effectively. With the onset of war between the British Empire and French overseas empire, improved communications became a critical factor for military success, prompting developments on both sides. This included the surge in Caribbean printing operations, as well as the copper plating of packet boats to decrease the time it took for mail to cross the Atlantic Ocean in either direction. This book provides a unique inter-imperial comparison, revealing key differences and similarities between Britain and France in terms of how information circulation was crucial to the operation of empire. It consults a range of archival sources that have rarely, if ever, been used before, including correspondence dispatches, newspapers, almanacs, public notices, and even documents detailing secret society meetings. In doing so, this book reveals how imperial communication networks functioned at the ground level, as well as who were the gatekeepers of information in areas far removed from the metropoles.

Frederick Douglass spent four months in Ireland at the end of 1845 that proved to be, in his own words, 'transformative'. He reported that for the first time in his life he felt like a man, and not a chattel. Whilst in residence, he became a spokesperson for the abolition movement, but by the time he left the country in early January 1846, he believed that the cause of the slave was the cause of the oppressed everywhere. This book adds new insight into Frederick Douglass and his time in Ireland. Contemporary newspaper accounts of the lectures that Douglass gave during his tour of Ireland (in Dublin, Wexford, Waterford, Cork, Limerick, and Belfast) have been located and transcribed. The speeches are annotated and accompanied by letters written by Douglass during his stay. In this way, for the first time, we hear Douglass in his own words. This unique approach allows us to follow the journey of the young man who, while in Ireland, discovered his own voice.

This book, first published in 1977, looks at the two peasant revolts that occurred in 1549, in the troubled period following the death of Henry VIII. The uprisings reveal a harsh background of economic and social injustice, intensified at the time by inflation. Peasants in North Devon rose against the imposition of the English Prayer Book, and with the local authorities paralysed and the government wavering between conciliation and repression, a general rebellion broke out. Reinforced by Cornishmen, rallying to the defence of their national identity, the peasants assembled a formidable army and laid siege to Exeter itself. Only after three major battles was the revolt suppressed. The Norfolk peasants rose against agrarian abuses, routing a small royal force and occupying Norwich. Ably led by Robert Kett, they expelled the gentry and governed the county on a programme of social justice until they were crushed by the forces released by the collapse of the other risings. These revolts display the deep-seated resentments and injustices felt by the peasantry of the sixteenth century.