BM Mdletshe’s fascinating history begins with the growth of his ancestor, Ngomane in the eMdletsheni tribe, under the great Mthethwa dynasty and continued with the honour he had of taking care of Nandi and young Shaka of Senzangakhona in 1787. More than 200 years later, BM Mdletshe was born in KwaCeza (in 1955), and in 2001, he was officially appointed as King Goodwill Zwelithini’s praise singer.

From generation to generation, son to son, this oral history was passed on from Ngomane to Mfusi Mdletshe (his son), to Msushwana Mdletshe (his son), to Calenkomo Mavukefile Mdletshe (his son), to Kudlakudelwa Sombila Mdletshe (his son), and finally to Buzetsheni Mkhohlliseni (BM) Mdletshe (his son) who continues to serve the Zulu Kingdom to this day.

His strong interest in the history of the Zulu nation and culture is the one that passionately led him to become a cultural expert and discover his praise singing talent. Mdletshe has received numerous awards for his tremendous praise songs and rich Zulu cultural knowledge which position him as one of the finest cultural experts in KwaZulu-Natal.

Set like a stronghold south-west of the Caucasus mountains, Armenia is caught between East and West. Briefly a great empire in the first century BCE under King Tigranes the Great, Armenia was later incorporated first by the Sasanian and then the Byzantine Empires. Armenian art, literature, religion and material culture have reinterpreted elements of a wide variety of cultures. Spanning over two and a half millennia, the history of Armenia and the Armenian people is a series of riveting tales, from its first mention under the Achaemenid King Darius I to the independence of the Republic of Armenia from the Soviet Union. With the help of the Bodleian Libraries' magnificent collection of Armenian manuscripts and early printed books, this volume tells the story of the region through the medium of its cultural output. Together with introductions written by experts in their fields, close to one hundred manuscripts, works of art and religious artefacts serve as a guide to Armenian culture and history. Gospel manuscripts splendidly illuminated by Armenian masters feature next to philosophical tractates and merchants' handbooks, affording us an insight into what makes the Armenian people truly unique, especially in the shadow of the genocide that threatened their annihilation a hundred years ago: namely their spirituality, language and perseverance in the face of adversity. VISIT THE EXHIBITION Armenia: Treasures from an Enduring Culture October 2015 - January 2016 Bodleian Library, Oxford

What was happening in Burnley Town Hall when the British National Party was winning and holding seats there? What lay behind the far right's advance, and what effect did it have on local government and wider policy trends? How did mainstream parties respond? This is the inside story of these developments, written by the council worker responsible for promoting good race relations in Burnley during the turbulent years following the 'northern town disturbances' of 2001. The book connects the story of one Lancashire town to contemporary social divisions and political trends across the UK: - The rise of right-wing populism, widespread antipathy to immigration, and a deep distrust of established politicians - The success of Boris Johnson's Conservatives in offering nationalism as an answer to some people's sense of abandonment in deindustrialised areas - Labour's attempts to 'reconnect' and win back support in northern constituencies like Burnley, which voted 67 per cent for Brexit and was one of the 'red wall' seats that Labour lost at the 2019 general election. On Burnley Road is both a remarkable example of granular social history and an urgent contribution to current debates on issues which affect us all. MakinWaite's perspectives on political identities, multiculturalism, and the potential of 'civic mediation' will interest anyone who is looking for effective ways forward to overcome racism and inequality, and to rebuild our democratic culture.

Did you know that Black people from around the world helped Britain fight in the First World War? How heroic were the people who fought? Why did Black people have to keep fighting for equality even after the war? In this young readers' edition of Black Poppies, Stephen Bourne takes us on a hero-filled journey. Explore the many and extraordinary ways in which Black people helped Britain fight the First World War, on the battlefield and at home. After meeting Stephen's Aunty Esther, we hear the story of Walter Tull, who led soldiers in some of history's bloodiest battles and died in the fighting just weeks before the conflict would end. Then there is Alhaji Grunshi, an African who fired the first shot of the whole war. Back at home, Black men and women helped by entertaining the people, making materials like bullets and uniforms, and beginning the long fight for equality and the freedom to celebrate being Black and British with pride.

'Manaugh and Twilley shed illuminating light on a phenomenon that seems utterly of the present moment.' Financial Times' Best Books of the Year 'Startlingly timely, authoritatively researched, and electrifyingly written.' Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity Quarantine has shaped our world, yet it remains both feared and misunderstood. It is our most powerful response to uncertainty, but it operates through an assumption of guilt: in quarantine, we are considered infectious until proven safe. An unusually poetic metaphor for moral and mythic ills, quarantine means waiting to see if something hidden inside of us will be revealed. Until Proven Safe tracks the history and future of quarantine around the globe, chasing the story of emergency isolation through time and space - from the crumbling lazarettos of the Mediterranean to the hallways of the CDC, to the corporate giants hoping to disrupt the widespread quarantine imposed by Covid-19 before the next pandemic hits through surveillance and algorithmic prediction. Yet quarantine is more than just a medical tool: Geoff Manaugh and Nicola Twilley drop deep into the Earth to tour a nuclear-waste isolation facility beneath the New Mexican desert, strip down to nothing but protective Tyvek suits to see plants stricken with a disease that threatens the world's wheat supply, and meet NASA's Planetary Protection Officer tasked with saving the Earth from extraterrestrial infections. The result is part travelogue, part intellectual history - a book as compelling as it is definitive, and one that could not be more urgent or timely.

'A bracing account of abuses of power and corruption in the criminal justice system.' The Guardian From the fearless defense attorney and civil rights lawyer who rose to fame with Netflix's The Staircase comes an essential examination of America's corrupt and abusive criminal justice system. In the past thirty years, more than 2,700 innocent American prisoners-their combined jail sentences adding up to almost 25,000 years-have been exonerated and freed. Terrifyingly, this number represents only a small fraction of the number of persons wrongfully convicted each year. As a result, US jails and prisons are packed with men and women who should not be there, but for crooked police, false testimony, shoddy investigators, vindictive judges, bogus expert witnesses or, far too often, the colour of their skin and their economic condition. Renowned criminal defense attorney and civil rights lawyer David Rudolf has spent his career defending the wrongfully accused. In American Injustice, he draws from his years of experience in the American criminal justice system, including some of his biggest cases, to shed light on the immorality and deceit prevalent at all levels of law enforcement, and the tragic consequences of this misconduct. Rudolf takes the reader to crime scenes to reveal how detectives retrieve evidence that supports their accusations and hide that which doesn't; revisits several unsolved murders to detail how and why the true culprits were never prosecuted; explores how unconscious bias frequently leads prosecutors and police to jump to false conclusions; and exposes how poverty and racism fundamentally deform the system-and why some want to keep it that way.

Winner of the Bancroft Prize Winner of the David J. Langum Prize Winner of the OAH Liberty Legacy Foundation Award A New York Times Book Review Editors' Choice "This extraordinary book is a powerful addition to the history of travel segregation...Mia Bay shows that Black mobility has always been a struggle." -Ibram X. Kendi, author of How to Be an Antiracist "In Mia Bay's superb history of mobility and resistance, the question of literal movement becomes a way to understand the civil rights movement writ large." -Jennifer Szalai, New York Times "Traveling Black is well worth the fare. Indeed, it is certain to become the new standard on this important, and too often forgotten, history." -Henry Louis Gates, Jr., author of Stony the Road From Plessy v. Ferguson to #DrivingWhileBlack, African Americans have fought to move freely around the United States. But why this focus on Black mobility? From stagecoaches and trains to buses, cars, and planes, Traveling Black explores when, how, and why racial restrictions took shape in America and brilliantly portrays what it was like to live with them. Mia Bay rescues forgotten stories of passengers who made it home despite being insulted, stranded, re-routed, or ignored. She shows that Black travelers never stopped challenging these humiliations, documenting a sustained fight for redress that falls outside the traditional boundaries of the civil rights movement. A riveting, character-rich account of the rise and fall of racial segregation, it reveals just how central travel restrictions were to the creation of Jim Crow laws-and why free movement has been at the heart of the quest for racial justice ever since.

Leonard Moore has been teaching Black history for twenty-five years, mostly to white people. Drawing on decades of experience in the classroom and on college campuses throughout the South, as well as on his own personal history, Moore illustrates how an understanding of Black history is necessary for everyone. With Teaching Black History to White People, which is "part memoir, part Black history, part pedagogy, and part how-to guide," Moore delivers an accessible and engaging primer on the Black experience in America. He poses provocative questions, such as "Why is the teaching of Black history so controversial?" and "What came first: slavery or racism?" These questions don't have easy answers, and Moore insists that embracing discomfort is necessary for engaging in open and honest conversations about race. Moore includes a syllabus and other tools for actionable steps that white people can take to move beyond performative justice and toward racial reparations, healing, and reconciliation.

Award-winning historian Paula Mitchell Marks reconfirms her status as one of the foremost contemporary chroniclers of the American West with this often appalling, yet always engrossing, account of American Indian cultures under siege from 1607 to the present. In a dazzling synthesis of the latest research with masterful storytelling, Marks portrays the systematic dispossession of America's original inhabitants over centuries of broken promises and bloody persecutions. Well-known events and personalities -- the Battle of Little Big Horn, the Trail of Tears, Geronimo, to name a few -- are juxtaposed with lesser-known but equally pivotal episodes such as the Navajos' Long Walk, the Snake Indian resistance, and more.

Dirk Ligter is na bewering in 1860 op ’n plaas in die Tankwa-Karoo gebore. Hy het die naam “die Robin Hood van die Tankwa” gekry omdat hy dikwels by boere wat glo nie hulle werkers goed behandel het nie, skaap gesteel en geslag het om vir die betrokke boer se werkers te gee en vir homself ook ’n gedeelte te hou.

Sy vuurtjie het gereeld hoog in ’n berghang gebrand, waar hy vleis gaargemaak en oornag het, maar hy is nooit deur die polisie daar vasgetrek nie.

Die verhale oor hierdie legendariese skaapslagter met sy blikkitaar het danksy Boerneef en die toegewyde navorsing van Joe Dauth bewaar gebly.

Some Americans cling desperately to the myth that we are living in a post-racial society, that the election of the first black president spelled the doom of racism. In fact, racist thought is alive and well in America--more sophisticated and more insidious than ever. And as award-winning historian Ibram X. Kendi argues in Stamped from the Beginning, if we have any hope of grappling with this stark reality, we must first understand how racist ideas were developed, disseminated, and enshrined in American society. In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-black racist ideas and their staggering power over the course of American history. Stamped from the Beginning uses the life stories of five major American intellectuals to offer a window into the contentious debates between assimilationists and segregationists and between racists and antiracists. From Puritan minister Cotton Mather to Thomas Jefferson, from fiery abolitionist William Lloyd Garrison to brilliant scholar W.E.B. Du Bois to legendary anti-prison activist Angela Davis, Kendi shows how and why some of our leading pro-slavery and pro-civil rights thinkers have challenged or helped cement racist ideas in America. Contrary to popular conceptions, racist ideas did not arise from ignorance or hatred. Instead, they were devised and honed by some of the most brilliant minds of each era. These intellectuals used their brilliance to justify and rationalize deeply entrenched discriminatory policies and the nation's racial disparities in everything from wealth to health. And while racist ideas are easily produced and easily consumed, they can also be discredited. In shedding much-needed light on the murky history of racist ideas, Stamped from the Beginning offers us the tools we need to expose them--and in the process, gives us reason to hope.

'This forensic study of the Renaissance banking dynasty conjures up a world of art, literature, philosophy - and brutality' Telegraph 'Likely to become the standard work of reference on the members of the family that dominated Florence' TLS 'A lucid and beautifully illustrated family history' The Times Wealthy bankers, wise politicians, patrons of the arts, glittering dukes... so runs the traditional telling of the story of the Medici, the family that ruled Florence for two hundred years and inspired the birth of the Italian Renaissance. In this definitive account of their rise and fall, Mary Hollingsworth argues that the idea that the Medici were wise rulers and enlightened fathers of the Renaissance is a fiction. In truth, she says, the Medici were as devious and immoral as the Borgias - tyrants loathed in the city they illegally made their own and which they beggared in their lust for power.

"The story told by Edward Flannery...calls not only for reform but for profound and meaningful repentance." -David W. Tracy "A major contribution to Jewish-Christian relations." -Marc Tanenbaum "It will bring the Catholic community an entirely new development in their thinking about the people of the Jewish faith." -Robert F. Drinan "It comes from the heart of an honest priest who is deeply moved by the poisonous horror of anti-Semitism, and who appeals to his people to remember that...it is a denial of Christian faith, a failure of Christian hope, and a malady of Christian love." -Abram Sachar "A definitive work." -Benjamin Epstein This revised and updated edition of THE ANGUISH OF THE JEWS - a classic history of anti-Semitism written by a Roman Catholic priest and now with a foreword by Philip Cunningham is as relevant today as when it was first published in 1964. Hailed by Jews and Christians alike as a groundbreaking book that did much to expose the reality of historical anti-Semitism in the United States and around the world, it includes material covering the last two decades; it considers developments in the Middle East, and it explores the impact that Judaic studies have had on Christian thought.

This is a profoundly original and entertaining history of France, from the first century bc to the present day, based on countless new discoveries and thirty years of exploring France on foot, by bicycle and in the library. Beginning with the Roman army's first recorded encounter with the Gauls and ending with the gilet jaunes protests in the era of Emmanuel Macron, each chapter is an adventure in its own right. Along the way, readers will find the usual faces, events and themes of French history - Louis XIV, the French Revolution, the French Resistance, the Tour de France - but all presented in a shining new light. Graham Robb's France: An Adventure History does not offer a standard dry list of facts and dates, but a panorama of France, teeming with characters, full of stories, journeys and coincidences, giving readers a thrilling sense of discovery and enlightenment. It is a vivid, living history of one of the world's most fascinating nations by a ceaselessly entertaining writer in complete command of subject and style.

People are drawn to the harbours and boats of Scotland whether they have a seafaring background or not. Why do boats take on different shapes as you follow the complex shorelines of islands and mainland? And why do the sails they carry appear to be so many shapes and sizes? Then there are rowing craft or power-driven vessels which can also be considered 'classics', whether they were built for work or leisure. As he traces the iconic forms of a selection of the boats of Scotland, Ian Stephen outlines the purposes of craft, past and present, to help gain a true understanding of this vital part of our culture. Sea conditions likely to be met and coastal geography are other factors behind the designs of a wide variety of craft. Stories go with boats. The vessels are not seen as bare artefacts without their own soul but more like living things.

Originally published in 1964, this book tells the history of the British cinematograph industry for the first time. It describes moments of splendid triumph and others of shattering failure. The mood switches from reckless optimism to demoralising pessimism, from years in which British films won the highest international awards to those when they were dismissed with scorn. It recalls a score of productions still ranked among the world's best, and the stars whose reputation was established in them. Attention is focused on the directors, those who kept to the fore during two and three decades and those with only one major success to their name. Behind them the men are identified who strove, often to their considerable financial loss, to gain a worthy place for British films in the world's markets.

This anthology reproduces six plays based on stories of King Arthur from a variety of periods. Originally published in 1991, it offers a comprehensive discussion of Arthurian Drama in introduction and also provides an appendix listing printed scripts in English that address Arthurian legend.

Answers the questions: what is the background to issues in external and internal politics? What is the Turks' opinion on European and Turkish identity? On Cyprus? On the role of the generals? Why do human rights problems linger on? What is behind the Kurdish question? Is Turkey religiously split? What are the pros and cons of Turkish association with the EU?

Through a series of original interviews, specially commissioned photography and fascinating archive material, England Our England tells the personal stories of the black and Asian pioneers who crossed the waters to make Britain their home. Rich portraits and moving personal accounts show how they dealt bravely with the shock of rejection and cold weather, the difficulties of finding work and making connections with the British, but also how their achievements ultimately transcended both their own expectations and those of the country in which they came to live, creating the multicultural society that we know today and a rich legacy for future generations. The book includes interviews with Russell Henderson, co-founder of the Notting Hill Carnival, Yvonne Bailey-Smith, mother of novelist Zadie Smith, playwright Mustapha Matura, film director Horace Ove and Deloris Smith, mother of singer Beverley Knight.

In this book Anthony O'Hear examines the reasons that are given for religious faith. His approach is firmly within the classical tradition of natural theology, but an underlying theme is the differences between the personal Creator of the Bible or the Koran and a God conceived of as the indeterminate ground of everything determinate. Drawing on several religious traditions and on the resources of contemporary philosophy, specific chapters analyse the nature of religious faith and of religious experience. They examine connections between religion and morality, and religion and human knowledge - the cosmological, teleological and ontological arguments, process thought, and the problem that evil presents for religion. The final chapter returns to the inherently dogmatic nature of religious faith and concludes that rational people should look beyond religion for the fulfilment of their spiritual needs.

This study eschews the uncritical acceptance of secondary sources that has characterized studies in this field, going back to and reinterpreting previously neglected primary sources, thereby enabling it to chart linkages between the European and Asian trades that have been regarded as parallel but unrelated (or at best competing) activities. In so doing, the work sheds new light on this crucial period.

This book chronicles 300 years of women's education during this time. Barabara Whitehead examines this history from a feminist perspective, pointing to the subversive actions of the women of this period that led to the formation of academia as we know it.

The Children's Troupes and the Transformation of English Theater 1509-1608 uncovers the role of the children's companies in transforming perceptions of authorship and publishing, performance, playing spaces, patronage, actor training, and gender politics in the sixteenth century. Jeanne McCarthy challenges entrenched narratives about popular playing in an era of revolutionary changes, revealing the importance of the children's company tradition's connection with many early plays, as well as to the spread of literacy, classicism, and literate ideals of drama, plot, textual fidelity, characterization, and acting in a still largely oral popular culture. By addressing developments from the hyper-literate school tradition, and integrating discussion of the children's troupes into the critical conversation around popular playing practices, McCarthy offers a nuanced account of the play-centered, literary performance tradition that came to define professional theater in this period. Highlighting the significant role of the children's company tradition in sixteenth-century performance culture, this volume offers a bold new narrative of the emergence of the London theater.