Over the last few years, it has been impossible to ignore the steady resurgence of xenophobia. The European migrant crisis and immigration from Central America to the United States have placed Western advocates of globalization on the defensive, and a 'New Xenophobia' seems to have emerged out of nowhere. In this fascinating study, George Makari traces the history of xenophobia from its origins to the present day. Often perceived as an ancient word for a timeless problem, 'xenophobia' was in fact only coined a century ago, tied to heated and formative Western debates over nationalism, globalization, race and immigration. From Richard Wright to Sigmund Freud, Jean-Paul Sartre and Simone de Beauvoir, writers and thinkers have long grappled with this most dangerous of phobias. Drawing on their work, Makari demonstrates how we can better understand the problem that is so crucial to our troubled times.

A black & white publication of rare photographs taken around and during WWII years, previously unseen.

Throughout the coronavirus crisis, the fortnightly columns of Private Eye's Medical Correspondent 'MD', aka NHS doctor Phil Hammond, have been required reading. Astute, compassionate and scientifically literate, 'MD' has guided Eye readers through each stage of the pandemic, from every perspective: global and national; political and personal. In an updated collection of his much-praised columns, and with new wisdom gleaned from charting the failures and triumphs in the continuing battle with the SARS-CoV-2 virus, he sets out what went wrong, what went right - and what needs to happen now as new variants emerge and the UK public looks forward to a long-awaited official government public inquiry.

The debt medicine owes to botany is not commonly appreciated. In the past, medicine relied almost entirely on plants, and even today, many western medicines are plant derived. Despite this, historians have largely neglected the study of domestic medicine, practised by the ordinary person and passed down through generations, in favour of 'official medicine'. The History of Domestic Plant Medicine brings together manuscripts, letters, diaries, personal oral interviews and other primary evidence to produce a detailed picture of the medicinal use of native plants in Britain from 1700 to the present day. Recording for posterity this neglected aspect of our heritage, it is a valuable contribution to the study of the folklore of modern Britain and a fascinating piece of social history.

What was the Scottish Enlightenment? Long since ignored or sidelined, it is now a controversial topic - damned by some as a conservative movement objectively allied to the enemies of enlightenment, placed centre stage by others as the archetype of what is meant by 'Enlightenment'. In this book leading experts reassess the issue by exploring both the eighteenth-century intellectual developments taking place within Scotland and the Scottish contribution to the Enlightenment as a whole. The Scottish experience during this period forms the underlying theme of early chapters, with contributors examining the central philosophy of the 'science of man', the reality of 'applied enlightenment' in Scotland, and the Presbyterian hostility to the spread of 'heretical' ideas. Moving beyond Scotland's borders, contributors in later chapters examine the wider recognition of Scotland's intellectual activity, both within Europe and across the Atlantic. Through a series of case studies authors assess the engagement of European intellectuals with Scottish thinkers, looking at the French interpretation of Adam Smith's notion of sympathy, divergent approaches to the writing of history in Scotland and Germany, and the variety of Neapolitan responses to Scottish thought; the final chapter analyses the links between the 'moderate Enlightenment' in Scotland and America. Through these innovative studies this book provides a rich and nuanced understanding of Enlightenment thought in Scotland and its impact in Europe and North America, highlighting the importance of placing the national context in a transnational perspective.

When war was declared in September 1939, young people around the world were expected to put on a uniform and fight in a conflict not of their making. They may have been dressed in regulation khaki or air force blue, or restricted by rationing, but driven by angst, patriotism and survival, they took every opportunity to express themselves by adapting their clothing. Away from the war their lives were shaped by swing music and its fashions, allowing individualism to flourish despite repression and offering a rebellious reaction to the fearful sound of jackboots marching in unison. It was a time of new identities, factions and hierarchies. From the British Tommies and the American GIs, to the 'Glamour Boys' of the RAF, the 'Spitfire Girls' of the ATA and members of the French Resistance, Kitted Out is a fresh take on the history of the Second World War through a fashionable eye. The poignant and inspiring stories behind the uniforms, styles and self-expression in Britain, the United States, North Africa and occupied Europe will be painfully resonant to a new generation of young people.

`Essential' Marlon James, Man Booker Prize-Winner 2015 'One of the most important books of 2017' Nikesh Shukla, editor of The Good Immigrant 'A wake-up call to a country in denial' Observer In 2014, award-winning journalist Reni Eddo-Lodge wrote on her blog about her frustration with the way that discussions of race and racism in Britain were being led by those who weren't affected by it. Her words hit a nerve. The post went viral and comments flooded in from others desperate to speak up about their own experiences. Galvanised, she decided to dig into the source of these feelings. Exploring issues from eradicated black history to the inextricable link between class and race, Reni Eddo-Lodge has written a searing, illuminating, absolutely necessary examination of what it is to be a person of colour in Britain today.

Every year, ten men from Ness, at the northern tip of the Isle of Lewis, sail north-east for some forty miles to a remote rock called Sulasgeir. Their mission is to catch and harvest the guga; the almost fully grown gannet chicks nesting on the two hundred foot high cliffs that circle the tiny island, which is barely half a mile long. After spending a fortnight in the arduous conditions that often prevail there, they return home with around two thousand of the birds, pickled and salted and ready for the tables of Nessmen and women both at home and abroad. The Guga Hunters tells the story of the men who voyage to Sulasgeir each year and the district they hail from, bringing out the full colour of their lives, the humour and drama of their exploits. They speak of the laughter that seasons their time together on Sulasgeir, of the risks and dangers they have faced. It also provides a fascinating insight into the social history of Ness, the culture and way-of-life that lies behind the world of the Guga Hunters, the timeless nature of the hunt, and reveals the hunt's connections to the traditions of other North Atlantic countries. Told in his district's poetry and prose, English and - occasionally - Gaelic, Donald S. Murray shows how the spirit of a community is preserved in this most unique of exploits.

This collection brings together primary sources on the British textile industry across the long nineteenth-century, a subject that is both global and multidisciplinary. This set provides an extensive range of resources on the calico printing industry, textile warehousing and shipping, and textile waste and recycling.

As thrilling as it is touching and revealing - this book is an indispensable map to London today. - Ben Judah, Journalist and author of This is London: Life and Death in the World City What makes a Londoner? What is it to be Black, African and British? And how can we understand the many tangled roots of our modern nation without knowing the story of how it came to be? This is a story that begins not with the 'Windrush Generation' of Caribbean immigrants to Britain, but with post-1960s arrivals from African countries like Nigeria, Ghana, Zimbabwe and Somalia. Some came from former British colonies in the wake of newfound independence; others arrived seeking prosperity and an English education for their children. Now, in the 2020s, their descendants have unleashed a tidal wave of creativity and cultural production stretching from Lambeth to Lagos, Islington to the Ivory Coast. Daniel Kaluuya and Skepta; John Boyega and Little Simz; Edward Enninful and Bukayo Saka - everywhere you look, across the fields of sport, business, fashion, the arts and beyond, there are the descendants of Black African families that were governed by many of the same immutable, shared traditions. In this book Jimi Famurewa, a British-Nigerian journalist, journeys into the hidden yet vibrant world of African London. Seeking to understand the ties that bind Black African Londoners together and link them with their home countries, he visits their places of worship, roams around markets and restaurants, attends a traditional Nigerian engagement ceremony, shadows them on their morning journeys to far-flung grammar schools and listens to stories from shopkeepers and activists, artists and politicians. But this isn't just the story of energetic, ambitious Londoners. Jimi also uncovers a darker side, of racial discrimination between White and Black communities and, between Black Africans and Afro-Caribbeans. He investigates the troublesome practice of 'farming' in which young Black Nigerians were sent to live with White British foster parents, examines historic interaction with the police, and reveals the friction between traditional Black African customs and the stresses of modern life in diaspora. This is a vivid new portrait of London, and of modern Britain.

Compelling, moving and unexpected portraits of London's poor from a rising star British historian - the Dickensian city brought to real and vivid life. Until now, our view of bustling late Georgian and Victorian London has been filtered through its great chroniclers, who did not themselves come from poverty - Dickens, Mayhew, Gustave Dore. Their visions were dazzling in their way, censorious, often theatrical. Now, for the first time, this innovative social history brilliantly - and radically - shows us the city's most compelling period (1780-1870) at street level. From beggars and thieves to musicians and missionaries, porters and hawkers to sex workers and street criers, Jensen unites a breadth of original research and first-hand accounts and testimonies to tell their stories in their own words. What emerges is a buzzing, cosmopolitan world of the working classes, diverse in gender, ethnicity, origin, ability and occupation - a world that challenges and fascinates us still.

Hurled words. Thrown objects. Dodged burgers. A burger was thrown at Travis Alabanza on Waterloo Bridge in 2016. From this experience they have created a poetic, passionate performance piece based around the 'burger': the texture, and taste of being trans. Their experiences include verbal abuse, ostracisation and being thrown out of a Top Shop changing room. The piece also explores the black trans experience.

First published in 1853, 12 Years a Slave is the riveting true story of a free black American who was sold into slavery, remaining there for a dozen years until he finally escaped. This powerfully written memoir details the horrors of slave markets, the inhumanity practiced on southern plantations, and the nobility of a man who persevered in some of the worst of conditions, a man who never ceased to hope that he would find freedom and see his beloved family again. This edition has been slightly edited--for spelling and punctuation only--for easier reading by a modern audience. It also includes two helpful appendixes not found in the original book. Now a major motion picture

Scottish Gaelic in Twelve Weeks has been written both as a self-tuition course for beginners and also for use within the classroom. You may want to learn Gaelic because of a general interest in Celtic or Scottish history and culture, or because it was the everyday language of your ancestors. The cynical observer may wonder if the exercise is worthwhile, when only 1.5 per cent of Scotland's population speak the language. However, Gaelic is far from dead; in some parts of the Highlands and Western Isles it is the everyday language and it represents an important part of the United Kingdom's cultural mix. There are Gaelic-learning classes in almost every area of Scotland. Each lesson in the book contains some essential points of grammar explained and illustrated, exercises, a list of new vocabulary (with a guide to pronunciation, using the International Phonetics Alphabet), and an item of conversation. This new edition includes an audio download link.

Explore the history of filmmaking in this detailed work from a new talent. Going back as far as prehistoric times, where cavemen played with light and shadow, through to the first cinemas and the creation of special effects, Boardman guides the reader on an epic filmmaking journey that covers cameras, directors, and stars through the ages. The book also speculates on the future of film, taking into account the popularity of the internet and streaming devices.

During the apartheid years in South Africa, hostels and compounds were built to house migrant labourers. One such hostel compound was Lwandle, some 40 kilometres outside Cape Town. Literally translated from isiXhosa as `the sea', Lwandle was built in sight of the Atlantic Ocean. Conceptualised as a temporary labour camp, it was laid out by town planners and engineers in the form of diagonal, parallel blocks of barracks around a central open space. The lives of the labourers who lived there were regulated and policed through apartheid legislation around population influx control, the pass system and the policy of Coloured Labour Preference. In the 1990s, as part of the post-apartheid `Hostels to Homes' scheme, such hostels were reconfigured and refurbished into homes for family accommodation. A steering committee in Lwandle decided to preserve one dormitory, block 6, hostel 33, as a museum. Officially opened in May 2000, the primary purpose of the Lwandle Migrant Labour Museum was to serve as a reminder of the system of migrant labour, single-sex hostels and the control of workers through that infamous identity document - the pass book. This book explores the museum's makings, the creation of histories through the oral and the visual and the rehabilitation of structures for the museum, ending with the celebration - and discomfort - of the museum's tenth birthday in 2010. Richly illustrated throughout, the book includes two full colour visual essays by photographers Paul Grendon and Thulani Nxumalo, taken while working with the museum on projects of restoration and collection.

The defeat of Apartheid and triumph of non-racial democracy in South Africa was not the work of just a few individuals. Ultimately, it came about through the actions – large and small – of many principled, courageous people from all walks of life and backgrounds.

Some of these activists achieved enduring fame and recognition and their names today loom large in the annals of the anti-apartheid struggle. Others were engaged in a range of practical, hands-on activities outside of the public eye. These were the loyal foot soldiers of the liberation Struggle, the unsung workers at the coal face who, largely behind the scenes, made a difference on the ground and helped to bring about meaningful change.

Even though Apartheid was aimed at entrenching white power and privilege, a number of whites rejected that system and instead joined their fellow South Africans in opposing it. Of these, a noteworthy proportion came from the Jewish community.

Mensches in the Trenches tells the hitherto unrecorded stories of some of these activists and the essential, if seldom publicised role that they and others like them played in bringing freedom and justice to their country.

"Compact and insightful. "--New York Times Book Review "Jack Larkin has retrieved the irretrievable; the intimate facts of everyday life that defined what people were really like."--American Heritage

'Effervescent' New Yorker Best Books Of 2022 So Far 'Bursts with colour and incident' FT Best Books of Summer Read this prize-winning historian's "immersive" ( New York Times) account of the famous writers who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism They were an astonishing group: glamorous, gutsy, and irreverent to the bone. As cub reporters in the 1920s, they roamed across a war-ravaged world, sometimes perched atop mules on wooden saddles, sometimes gliding through countries in the splendour of a first-class sleeper car. While empires collapsed and fledgling democracies faltered, they chased deposed empresses, international financiers and Balkan gunrunners, then knocked back doubles late into the night. Last Call at the Hotel Imperial is the extraordinary story of John Gunther, H.R. Knickerbocker, Vincent Sheean, and Dorothy Thompson: a close-knit band of wildly famous American reporters who, in the run-up to World War II, took on dictators and rewrote the rules of modern journalism. In those tumultuous years, they landed exclusive interviews with Hitler, Franco and Mussolini who sought to persuade them of fascism's inevitable triumph. Nehru and Gandhi also courted them, seeking American allies against British imperialism. Churchill saw them as his best shot at convincing a reluctant America to join the war against Hitler. They committed themselves to the cause of freedom: fiercely and with all its hazards. They argued about love, war, sex, death and everything in between, and they wrote it all down. The fault lines that ran through a crumbling world, they would find, ran through their own marriages and friendships, too. Told with the immediacy of a conversation overheard, this revelatory book captures how the global upheavals of the twentieth century felt to live through up close.

The greatest conversation in the history of Hollywood.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Hollywood: The Oral History, lets a reader ‘listen in’ on candid remarks from the biggest names in front of the camera – Bette Davis, Meryl Streep, Tom Hanks, Jane Fonda, Harold Lloyd – the biggest behind it – Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the musicians, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists who shaped what was heard and seen on screen.

Legendary film scholar Jeanine Basinger and New York Times bestselling author Sam Wasson have undertaken the monumental task of weaving these thousands of hours of talk into a conversation that is lively, funny, insightful, historically accurate and authentically honest in its portrait of workaday Hollywood.

A Mail on Sunday book of the year.

In 1940, Europe was on the brink of collapse. Country after country had fallen to the Nazis, and Britain was known as ‘Last Hope Island’, where Europeans from the captive nations gathered to continue the war effort.

In this epic, character-driven narrative, acclaimed historian and New York Times–bestselling author Lynne Olson takes us back to those perilous days when the British and their European guests joined forces to combat the mightiest military force in history.

From the Polish and French code breakers who helped crack Enigma, to the Czech pilots who protected London during German bombings, Olson tells the stories of the courageous men and women who came together to defeat Hitler and save Europe.