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Books > Humanities > History > History of specific subjects > Social & cultural history
Killing Crazy Horse is the latest installment of the multimillion-selling Killing series is a gripping journey through the American West and the historic clashes between Native Americans and settlers. The bloody Battle of Tippecanoe was only the beginning. It's 1811 and President James Madison has ordered the destruction of Shawnee warrior chief Tecumseh's alliance of tribes in the Great Lakes region. But while General William Henry Harrison would win this fight, the armed conflict between Native Americans and the newly formed United States would rage on for decades. Bestselling authors Bill O'Reilly and Martin Dugard venture through the fraught history of our country's founding on already occupied lands, from General Andrew Jackson's brutal battles with the Creek Nation to President James Monroe's epic "sea to shining sea" policy, to President Martin Van Buren's cruel enforcement of a "treaty" that forced the Cherokee Nation out of their homelands along what would be called the Trail of Tears. O'Reilly and Dugard take readers behind the legends to reveal never-before-told historical moments in the fascinating creation story of America. This fast-paced, wild ride through the American frontier will shock readers and impart unexpected lessons that reverberate to this day.
'Riot!' illuminates a darker moment in Bristol's history. Set against a backdrop of massive social and political change 'Riot!' vividly recreates the dreadful sequence of events that led to the Bristol Bridge Massacre.Compellingly written and meticulously researched 'Riot!' chronicles the events in Bristol during the pivotal year of 1793. The book was originally published in 1997. The new edition includes a foreword by Dr Steve Poole Associate Professor of Social and Cultural History, University of the West of England, Bristol. Written in a lively and accessible style 'Riot!' is essential reading for anyone interested in local history or politics.
From the rise of leetspeak and words such as “unalive” to the trend of
adding “-core” to different influencer aesthetics, the internet has
ushered in an unprecedented linguistic upheaval. We’re entering an
entirely new era of etymology, heralded by the invisible forces driving
social media algorithms. And with over 7 billion internet users
uploading over 2.5 quintillion bytes of media every day, the sheer
volume of potential new words is astounding.
Eugenic thought and practice swept the world from the late nineteenth to the mid-twentieth century in a remarkable transnational phenomenon that informed social and scientific policy across the political spectrum, from liberal welfare measures in emerging social-democratic states, to feminist ambitions for birth control, to public health campaigns, to totalitarian dreams of the "perfectibility of man." This book dispels for uninitiated readers the automatic and apparently exclusive link between eugenics and the Holocaust: the popularity of eugenics in Japan, for example, comes as a surprise. It is the first world history of eugenics and an indispensable core text for both teaching and research in what has become a sprawling but ever more important field. Eugenics has accumulated generations of interest as part of the question of how experts think about the connections between biology, human capacity and policy. In the past and the present, eugenics speaks to questions of race, class, gender and sex, evolution, governance, nationalism, disability, and the social implications of science. In the current climate, where the human genome project, stem cell research, and new reproductive technologies have proven so controversial, the history of eugenics has much to teach us about the relationship between scientific research, technology, and human ethical decision-making. This volume offers both a nineteenth-century context for understanding the emergence of eugenics and a consideration of contemporary manifestations of, and relationships to eugenics. It is the definitive text for students and researchers to consult for careful and up-to-date summaries, new substantive fields where very little work is currently available (e.g. eugenics in Iran, South Africa, and South East Asia); transnational thematic lines of inquiry; the integration of literature on colonialism; and connections to contemporary issues.
The definitive account of the 10/7 attacks through the stories of its victims and the communities they called home. On October 7, 2023―the Sabbath and the final day of the holiday of Sukkot―the Gaza-based terror group Hamas launched an unprecedented assault on the people of Israel. Crashing through the border, attacking from the sea and air, militants indiscriminately massacred civilians in what became one of the worst terror attacks in modern history, and the most lethal day for the Jewish people since the Holocaust. A radically passionate work of investigative journalism and political critique by acclaimed Haaretz reporter Lee Yaron, 10/7 chronicles the massacre that ignited a war through the stories of more than 100 civilians. These stories are the products of extensive interviews with survivors, the bereaved, and first responders in Israel and beyond. The victims run the gamut from left-wing kibbutzniks and Burning Man-esque partiers to radical right-wingers, from Bedouins and Israeli Arabs to Thai and Nepalese guest workers, peace activists, elderly Holocaust survivors, refugees from Ukraine and Russia, pregnant women, and babies. At a time when people are seeking a deeper understanding of the history of the Israeli-Palestinian conflict and how internal political turmoil in Israel has affected it, they predominantly encounter perspectives from the powerful―from politicians and military officers. 10/7 takes a fresh approach, offering answers through the stories of everyday people, those who lived tenuously on the border with Gaza. Yaron profiles victims from a wide range of communities―depicting the fullness of their lives, not just their final moments―to honor their memories and reveal the way the attack ripped open Israeli society and put the entire Middle East on the precipice of disaster. Each chapter begins with a portrait of a community, interweaving history with broader political analysis of the Israeli-Palestinian conflict to provide context for the narratives that follow. Ultimately, 10/7 shows that the tragedy is much greater than the violence of the attacks, and in fact extends back through the entire Netanyahu era, which propagated a false image of Israel as a technologically advanced, militarily formidable powerhouse so essential to the region that it could continue to ignore and undermine Palestinian statehood indefinitely.
In the mountains of northern New Mexico above Taos Pueblo lies a deep, turquoise lake which was taken away from the Taos Indians, for whom it is a sacred life source and the final resting place of their souls. The story of their struggle to regain the lake is at the same time a story about the effort to retain the spiritual life of this ancient community. Marcia Keegan's text and historic photographs document the celebration in 1971, when the sacred lake was returned to Taos Pueblo after a sixty year struggle with the Federal government. This revised and expanded edition celebrates the 40th anniversary of this historic event, and includes forwards from the 1971 edition by Frank Waters, and from the 1991 20th anniversary edition by Stewart L. Udall. Also contained here is new material: statements from past and current tribal leaders, reflections from Pueblo members, historic tribal statements made at the 1970 Congressional hearings and a 1971 photograph o
This study examines the hundreds of secular and religious buildings, urban residential and commercial foundations, and public monuments commissioned in Lucknow and Oudh between 1722 and 1856 by the fabulously rich Nawabs of Oudh and their Court, the English East India Company, and others.
'Beautifully written, sumptuously illustrated, constantly fascinating' The Times On 26 November 1922 Howard Carter first peered into the newly opened tomb of an ancient Egyptian boy-king. When asked if he could see anything, he replied: 'Yes, yes, wonderful things.' In Tutankhamun's Trumpet, acclaimed Egyptologist Toby Wilkinson takes a unique approach to that tomb and its contents. Instead of concentrating on the oft-told story of the discovery, or speculating on the brief life and politically fractious reign of the boy king, Wilkinson takes the objects buried with him as the source material for a wide-ranging, detailed portrait of ancient Egypt - its geography, history, culture and legacy. One hundred artefacts from the tomb, arranged in ten thematic groups, are allowed to speak again - not only for themselves, but as witnesses of the civilization that created them. Never before have the treasures of Tutankhamun been analysed and presented for what they can tell us about ancient Egyptian culture, its development, its remarkable flourishing, and its lasting impact. Filled with surprising insights, unusual details, vivid descriptions and, above all, remarkable objects, Tutankhamun's Trumpet will appeal to all lovers of history, archaeology, art and culture, as well as all those fascinated by the Egypt of the pharaohs. 'I've read many books on ancient Egypt, but I've never felt closer to its people' The Sunday Times
An amusing, fascinating and intriguing description of the origins of everyday phrases, the titles in the 'Well I Never Knew That ' series reveals how many of our common expressions and sayings came to be.
Bessie Quinn was an early 20th century New Woman, a mother living her love story in the enchanted world of the Garden City. When she died in the Spanish Flu epidemic of 1918-19, her shattered husband abandoned her memory, belongings and life history. Her disappearance reverberated down generations. Starting with only an Arts and Crafts kettle, one photo and a linen smock, Ursula has restored her grandmother to life. After long searches she found Bessie in the Scottish Borders, eighth child of working-class Irish parents who'd fled hunger after the Great Famine of the 1840s. This biography of a poor family unearths hard journeys of love, luck and loss, weaving historical fact with memory and imagination into a compelling story.
The illustrated biography of a Scottish country house, set beside the River Clyde, and of the people who made it their home over the past 850 years Written by four brothers, their sister and the eldest member of the next generation, Finlaystone offers an insidersa view of the house, its beautiful gardens and the surrounding estate. They tell about the lives of its former owners, many of whom played prominent roles in Scottish military, political, religious and cultural affairs. As Scotland moved forward from centuries of feuds between large feudal landowners to the reformation, the age of enlightenment and the industrial revolution, the building evolved from a fortress to a modest but attractive family home in 1746. Its present form as an imposing late Victorian mansion dates from when it was modernised and extended in 1900 by George Jardine Kidston, the great-grandfather of the older authors, who had grown wealthy from running one of the worlda s earliest steamship companies. In its hey-day, Finlaystone was managed for the comfort and leisure of its owners by a bevy of household servants living in a wing of the house, and by an army of workers, including gardeners, foresters, game-keepers, joiners and a laundry-maid. The prosperity that had made such a lavish life possible, however, soon started to decline, with George Kidstona s death in 1909, followed just 5 years later by war, the economic depression in the 1930s, and then World War II. Unlike many other large country houses, Finlaystone remains a family home, kept afloat largely by the hard work and adaptability of the members of the family who reflect in this book on the joys and travails that this implied.
The bestselling author of The Beauty Myth, Vagina and The End of America chronicles the struggles and eventual triumph of John Addington Symonds, a Victorian-era poet, biographer, and critic who penned what became a foundational text on our modern understanding of human sexual orientation and LGBTQ+ legal rights. In Outrages, Naomi Wolf chronicles the struggles and eventual triumph of John Addington Symonds, a Victorian-era poet, biographer, and critic who penned what became a foundational text on our modern understanding of human sexual orientation and LGBTQ+ legal rights, despite writing at a time when anything interpreted as homoerotic could be used as evidence in trials leading to harsh sentences under British law. Wolf's book is extremely relevant today for what it has to say about the vital importance of freedom of speech and the courageous roles of publishers and booksellers in an era of growing calls for censorship and ever-escalating state violations of privacy. At a time when the American Library Association, the Guardian, and other observers document national and global efforts from censoring LGBTQ+ voices in libraries to using anti-trans and homophobic sentiments cynically to win elections, the story of how such hateful efforts evolved from the past, to reach down to us now, is more important than ever. Drawing on the work of a range of scholars of censorship and of LGBTQ+ legal history, Wolf depicts how state censorship, and state prosecution of same-sex sexuality, played out-decades before the infamous trial of Oscar Wilde-shadowing the lives of people who risked in ever-changing, targeted ways scrutiny by the criminal justice system. She shows how legal persecutions of writers, and of men who loved men affected Symonds and his contemporaries, all the while, Walt Whitman's Leaves of Grass was illicitly crossing the Atlantic and finding its way into the hands of readers who reveled in the American poet's celebration of freedom, democracy, and unfettered love. Inspired by Whitman, Symonds kept trying, stubbornly, to find a way to express his message-that love and sex between men were not 'morbid' and deviant, but natural and even ennobling. He wrote a strikingly honest secret memoir written in code to embed hidden messages-which he embargoed for a generation after his death - and wrote the essay A Problem in Modern Ethics that was secretly shared in his lifetime and is now rightfully understood as one of the first gay rights manifestos in the English language. Equal parts insightful historical critique and page-turning literary detective story, Wolf's Outrages is above all an uplifting testament to the triumph of romantic love.
On 10 October 1810, 27 men came together to form the Independent Order of Oddfellows, Manchester Unity. It was to be the beginning of an organisation which for the last 200 years has appealed to the best in people, treated them as capable of exercising responsibility, and empowered them to face the challenges of life. All the principles and practices of Oddfellowship developed from these core values, which still characterise the Society today. The story of the last two centuries, including many dramatic changes, is chronicled in this well-researched, readable and lively history, lavishly illustrated with many wonderful photographs, documents and commemorative memorabilia. And, as befits a Society which values its members so highly, there are also contributions from present-day Oddfellows, whose memories and recollections have been passed down through families over generations. This wonderful book vividly portrays the life of the Oddfellows since its birth and is certain to fascinate all current Society members, for whom it will be a treasured keepsake. It is also, however, a valuable and interesting resource for historians, those connected with the study of friendly societies, and anyone interested in British social history.
Through reconstruction of oral testimony, folk stories and poetry, the true history of Hausa women and their reception of Islam's vision of Muslim in Western Africa have been uncovered. Mary Wren Bivins is the first author to locate and examine the oral texts of the 19th century Hausa women and challenge the written documentation of the Sokoto Caliphate. The personal narratives and folk stories reveal the importance of illiterate, non-elite women to the history of jihad and the assimilation of normative Islam in rural Hausaland. The captivating lives of the Hausa are captured, shedding light on their ordinary existence as wives, mothers, and providers for their family on the eve of European colonial conquest. From European observations to stories of marriage, each entry provides a personal account of the Hausa women's encounters with Islamic reform to the center of an emerging Muslim Hausa identity. Each entry focuses on: BLFemale historiography BLThe importance of oral history BLNew methodoligical approaches to the oral culture of popular Islam BLThe raw voice of Hausa women. The comprehensive history is easy to read and touches on an era that no other scholar has dissected.
The nineteenth-century middle-class ideal of the married woman was
of a chaste and diligent wife focused on being a loving mother,
with few needs or rights of her own. The modern woman, by contrast,
was partner to a new model of marriage, one in which she and her
husband formed a relationship based on greater sexual and
psychological equality. In Making Marriage Modern, Christina
Simmons narrates the development of this new companionate marriage
ideal, which took hold in the early twentieth century and prevailed
in American society by the 1940s.
WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY "Full of...lively insights and lucid prose" (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States-from before the arrival of Columbus to the present day-written by one of the world's leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued-through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raul Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington-Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden-have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an "important" (The Guardian) and moving chronicle that demands a new reckoning with both the island's past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; "readers will close [this] fascinating book with a sense of hope" (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States-as well as the author's own extensive travel to the island over the same period-this is a stunning and monumental account like no other.
Capturing the Spoor describes and discusses the virtually unknown rock art of the northernmost reaches of South Africa, in the area of the Central Limpopo Basin. The title of the book comes from the belief held by some traditional Bantu-speakers that the San can ‘capture’ animal spoor and bewitch it in order to ensure hunting success. The authors use this as an analogy for understanding the behavior of people in the past through the traces they leave behind. This book describes the work of four distinct cultural groups: the San; Khoekhoen (Khoikhoin or ‘Hottentots’), Venda and Northern Sotho, and, most recently, people of European descent. Further, it discusses the interaction and connection between the four groups. It is the first substantial body of work from South Africa to focus on an area outside the Drakensberg, which has become synonymous with ‘southern African rock art’. Although the book focuses on a specific region, it introduces anthropological information from the Cape to the greater Kalahari region. The text is interspersed with first-hand accounts of Kalahari and Okavango San beliefs and rites and discussions with traditional Bantu-speaking peoples. A distillation of 14 years of field surveying and research in the Central Limpopo Basin, it targets the general reader who would like to know more about southern Africa’s rock art traditions, but at the same time addresses many academic concerns. A simple narrative line and copious endnotes, respectively, ensure that both ‘lay’ and academic readers will find the subject interesting. The text is abundantly illustrated with line drawings and expressed through photographs. A list of rock art sites in Limpopo that are open to the public will be included. This is a rare publication where information that is collected is analyzed with the help of knowledge and experience accumulated by the local indigenous communities, whose have been seldom heard in this context before.
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