In 1856, a teenage girl led 40000 to their deaths in the Eastern Cape.

When Treive Nicholas arrived in the 1980s to teach, he was captivated by the Wild Coast. Researching its history, he explores the Cattle Killing of 1856-1857. Was Nongqawuse a deceiver or a liberation leader?

Treive's quest spans continents, from South Africa to England, ending with a shocking revelation closer to home than expected.

Amid evictions, raids, killings, the drug trade, and fire, inner-city Johannesburg residents seek safety and a home. A grandmother struggles to keep her granddaughter as she is torn away from her. A mother seeks healing in the wake of her son’s murder. And displaced by a city’s drive for urban regeneration, a group of blind migrants try to carve out an existence.

The Blinded City recounts the history of inner-city Johannesburg from 2010 to 2019, primarily from the perspectives of the unlawful occupiers of spaces known as hijacked buildings, bad buildings or dark buildings. Tens of thousands of residents, both South African and foreign national, live in these buildings in dire conditions. This book tells the story of these sites, and the court cases around them, ones that strike at the centre of who has the right to occupy the city.

In February 2010, while Johannesburg prepared for the FIFA World Cup, the South Gauteng High Court ordered the eviction of the unlawful occupiers of an abandoned carpet factory on Saratoga Avenue and that the city’s Metropolitan Municipality provide temporary emergency accommodation for the evicted. The case, which became known as Blue Moonlight and went to the Constitutional Court, catalysed a decade of struggles over housing and eviction in Johannesburg.

The Blinded City chronicles this case, among others, and the aftermath – a tumultuous period in the city characterised by recurrent dispossessions, police and immigration operations, outbursts of xenophobic violence, and political and legal change. All through the decade, there is the backdrop of successive mayors and their attempts to ‘clean up’ the city, and the struggles of residents and urban housing activists for homes and a better life.

The interwoven narratives present a compelling mosaic of life in post-apartheid Johannesburg, one of the globe’s most infamous and vital cities.

Africa is forever on our TV screens, but the bad-news stories massively outweigh the good. Ever since the process of decolonisation began in the mid-1950s, and arguably before, the continent has appeared to be stuck in a process of irreversible decline.

How did we get here? What, if anything, is to be done?

Fully revised and updated and weaving together the key stories and characters of the last sixty years into a stunningly compelling and coherent narrative, Martin Meredith has produced the definitive history of how European ideas of how to organise 10 000 different ethnic groups has led to what British prime minister Tony Blair described as the ‘scar on the conscience of the world’.

Authoritative, provocative, and consistently fascinating, this is the seminal book on one of the most important issues facing the West today

Dwarstrekkers, nonkonformiste, buitestaanders, randeiers...Noem hulle wat jy wil, Suid Afrika het meer as sy deel eksentrieke karakters opgelewer wat mense van die vroegste tye af na hulle asem laat snak of verstom agter hulle hand laat fluister het.

Hierdie rare mense het met die jare hul merk gemaak op vele terreine.

Dis hulle wat Daniël Lotter aan 'n nuwe geslag lesers bekendstel.

There has been a lot of furore in the United States about Critical Race Theory (CRT). Opponents to it claim that it has saturated society at different levels, including the alleged indoctrination of school children and the poisoning of the media and public life. The assertion is that it is divisive and racist towards white people. It is sometimes referred to derisively in the shorthand ‘woke’. This panic has now reached our shores. Critical whiteness studies is an offshoot of CRT that Thandiwe Ntshinga believes is desperately needed in South Africa.

She pokes holes in the belief that leaving whiteness undisturbed for analysis creates justice and normalcy. Instead, she says perpetually studying every other identity can only create the assumption that they are perpetually the problem. By design.

The title of this book comes from one of the first comments she received on Tiktok when discussing her findings and research.

The National Democratic Revolution (NDR) is the policy blueprint of the governing ANC/SACP alliance, who have been implementing it in different spheres for more than two decades. It is intended to provide ‘the most direct route’ to a socialist South Africa and is the key to understanding events in the country since the 1994 transition.

Although many important steps towards Expropriation without Compensation and other NDR objectives have already been taken or are well in train, most South Africans have never been informed about the NDR and its destructive goals.

With growth stalling, joblessness at crisis levels, and governance unravelling, people cannot fathom why the ANC does not implement meaningful reforms. Understand the NDR, however, and its underlying priorities become apparent.

If South Africa’s mainly capitalist economy was thriving, with high growth, low unemployment, and rising living standards, the ANC could not justify expanding state ownership or control. By contrast, with joblessness and destitution at unprecedented levels, the call for state provision and control becomes far more compelling – and even patently harmful policies such as Expropriation without Compensation seem justifiable.

Written in clear and simple language, this book provides an indispensable primer on the NDR and its crucial role in the countdown to socialism in South Africa.

Die slawe aan die Kaap het as draers en skeppers van kultuur, ten spyte van onderdrukking, ’n groot invloed uitgeoefen op die ontwikkeling van die samelewing aan die suidpunt van Afrika en veral van ’n inheemse, kreoolse kultuur.

In hierdie boek word die slawe se rol in die ontstaan van dié eiesoortige kultuur vir die eerste keer verken.

A riveting, kaleidoscopic account of nine tumultuous days, as the assassination of Nelson Mandela’s protégé by a white supremacist threatens to derail South Africa’s democratic transition and plunge the nation into civil war.

Johannesburg, Easter weekend, 1993. Nelson Mandela has been free for three years and is in power sharing talks with President FW de Klerk when a white supremacist shoots the Black leader’s popular young heir apparent, Chris Hani, in hopes of igniting an all-out war. Will he succeed in plunging South Africa into chaos, safeguarding apartheid for perhaps years to come?

In The Plot to Save South Africa, acclaimed South African journalist Justice Malala recounts the gripping story of the next nine days, as the government and Mandela’s ANC seek desperately to restore the peace and root out just how far up into the country’s leadership the far-right plot goes. Told from the points of view of over a dozen characters on all sides of the conflict, Malala offers an illuminating look at successful leadership in action and a terrifying reminder of just how close a country we think of today as a model for racial reconciliation came to civil war.

Feeling an exile in the country of his birth, the talented journalist and leading black intellectual Bloke Modisane left South Africa in 1959. It was shortly after the apartheid government had bulldozed Sophiatown, the township of his childhood. His biting indictment of apartheid, Blame Me on History, was published in 1963 – and banned shortly afterwards.

Modisane offers a harrowing account of the degradation and oppression faced daily by black South Africans. His penetrating observations and insightful commentary paint a vivid picture of what it meant to be black in apartheid South Africa. At the same time, his evocative writing transports the reader back to a time when Sophiatown still teemed with life.

This 60th-anniversary edition of Modisane’s autobiography serves as an example of passionate resistance to the scourge of racial discrimination in our country, and is a reminder not to forget our recent past.

Across three decades of democracy, South Africa has seen an outpouring of longform, narrative journalism and creative nonfiction – genres in which some of the country’s finest writers have tried to make sense of a complex and changing society. This brand new, one-of-a-kind anthology collects some of the best nonfiction published since the end of apartheid, carefully selected and introduced by editors Sean Christie and Hedley Twidle.

From the underworld of zama-zama goldminers to the tragicomic closure of a Cape Town Zoo, from stick fighting to punk rock, game lodges to fruit farms, cricket pitches to mermaids, The Interpreters: South Africa’s New Nonfiction assembles a range of true stories that are often more far-fetched, and more compelling, than any fiction.

Creative nonfiction in South Africa has often been found at the margins of our media – in zines, journals, now defunct magazines and personal blogs. It is a kind of writing that has, in general, not made much financial sense – more a medium for those obsessed with pursuing a single story over months or years. In The Interpreters, the editors have combed through 30 years of post-apartheid writing to produce a collection that combines preeminent names with lesser known but no less immersive and powerful works of nonfiction – voices that deserve to be read and that represent fresh interpretations of a nation’s history.

Featuring J. M. Coetzee • Kimon de Greef • William Dicey • Alexandra Dodd • Madeleine Fullard • Mark Gevisser • Anna Hartford • Anton Harber • Michiel Heyns • Anton Kannemeyer • Bongani Kona • Rustum Kozain • Antjie Krog • Alastair Laird • Adrian Leftwich • Lidudumalingani • Bongani Madondo • Rian Malan • Zanele Mji • Mogorosi Motshumi • Nosisi Mpolweni • Julie Nxadi • Njabulo Ndebele • Lindokuhle Nkosi • Sean O’Toole • Kopano Ratele • Warren Raysdorf • Srila Roy • Lin Sampson • Kwanele Sosibo • Jonny Steinberg • Niren Tolsi • Matthew Wilhelm-Solomon • Roger Young • Percy Zvomuya

In April 1965, Che Guevara set out clandestinely from Havana to Congo to head a force of some 150 veteran Cuban soldiers to assist the Congolese Patrice Lumumba Battalion, four years after the assassination of the democratically elected socialist president of Congo, Patrice Lumumba. Because this diary deals with what Che admits was a “failure”, he examines every painful detail about what went wrong in order to draw constructive lessons for planned future guerrilla movements.

Unique among his books, Congo Diary gives us Che’s brutal honesty and his story-telling ability as he recounts this fascinating episode of guerrilla warfare unblinkingly and without sugar coating or jargon.

Considered by some to be Che’s best book, it is also one of the few that he had a chance to edit for publication after writing it.

Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory.

In Riotous Deathscapes, Hugo ka Canham presents an understanding of life and death based on indigenous and black ways of knowing that he terms Mpondo theory. Focusing on amaMpondo people from rural Mpondoland, in South Africa’s Eastern Cape, Canham outlines the methodologies that have enabled the community’s resilience and survival.

He assembles historical events and a cast of ancestral and living characters, following the tenor of village life, to offer a portrait of how Mpondo people live and die in the face of centuries of abandonment, trauma, antiblackness, and death. Canham shows that Mpondo theory is grounded in and develops in relation to the natural world, where the river and hill are key sites of being and resistance. Central too, is the interface between ancestors and the living, in which life and death become a continuity and a boundlessness that white supremacy and neoliberalism cannot interdict.

By charting a course of black life in Mpondoland, Canham tells a story of blackness on the African continent and beyond.

An inspiring memoir from Red Bull's senior engineer Calum Nicholas that will open up the world of F1 like never before.

Life in the Pitlane will detail the realities of life off the track; the good and the bad, with a particular spotlight on diversity and inclusion within the sport, and all the entertaining stories and behind the scenes details fans of F1 will be looking for.

Replete with all the high-octane tales and behind the scenes details you'd expect from a life lived next to the fast lane, Life in the Pitlane will bring a brand new perspective to this incredibly exciting corner of the market, as the inimitable Calum Nicholas reflects on his career in the sport so far, as well as the future he hopes lies ahead. Unflinching in his appraisal of F1 and where it's at in terms of diversity and inclusion, Calum hopes to spark industry-changing conversations and initiatives.

While Life in the Pitlane will address some difficult topics, it is, ultimately, a book designed to inspire its reader - because no matter what the odds have been, Calum has always found a way to make it work.

A sweeping account of the social and political world of the Roman emperors by 'the world's most famous classicist' (Guardian).

Cruel control freaks, diligent workaholics or extravagant teenagers? What were the emperors of Rome really like?

In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE).

Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained?

Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

How were whites implicated in and shaped by apartheid culture and society, and how did they contribute to it?

In Ordinary Whites in Apartheid Society, historian Neil Roos traces the lives of ordinary white people in South Africa during the apartheid years, beginning in 1948 when the National Party swept into power on the back of its catchall apartheid slogan. Drawing on his own family’s story and others, Roos explores how working-class white peoples frequently defied particular aspects of the apartheid state but seldom opposed or even acknowledged the idea of racial supremacy, which lay at the heart of apartheid society.

This cognitive dissonance afforded them a way to simultaneously accommodate and oppose apartheid and allowed them to later claim they never supported the apartheid system. Ordinary Whites in Apartheid Society offers a telling reminder that the politics and practice of race, in this case apartheid-era whiteness, derive not only from the top, but also from the bottom.

Buckle up for a tour of South Africa – your guide the inimitable Sihle Khumalo.

Born in South Africa, and having lived here for almost fifty years, Khumalo reflects on the past and ponders the future of this captivating yet complex country. He delves into the history of the names given to our towns and cities (from Graaff-Reinet to Schweizer-Reneke to Zastron) and in the process raises issues we might not have interrogated fully.

This is a thought-provoking account by a South African who asks uncomfortable questions and forces his compatriots to contemplate what the future of this country (or cowntry) might hold. Why ‘cowntry’, Sihle? Consider the shady characters who’ve been milking this piece of land for centuries. And the fact that some politicians mispronounce the word ‘country’. But who knows? Maybe it is not mispronunciation – perhaps they’re giving us a message: the people in power are milking this country and it’s all just a game…

Throughout the past 50 years, the courts have been a battleground for contesting political forces as more and more conflicts that were once fought in Parliament or in streets, or through strikes and media campaigns, find their way to the judiciary.

Certainly, the legal system was used by both the apartheid state and its opponents. But it is in the post-apartheid era, and in particular under the rule of President Jacob Zuma, that we have witnessed a dramatic increase in ‘lawfare’: the migration of politics to the courts.

The authors show through a series of case studies how just about every aspect of political life ends up in court: the arms deal, the demise of the Scorpions, the Cabinet reshuffle, the expulsion of the EFF from Parliament, the nuclear procurement process, the Cape Town mayor…

Contesting one’s place remains central to confronting the lingering impact of colonisation and apartheid, emerging as it does out of the intermingling of our environments, histories, languages and experiences. In this volume, architects, anthropologists, artists, urban planners, activists and historians examine the ways in which people are rethinking, repurposing and reusing colonial and apartheid architecture and infrastructure. They seek to engage with ways in which history, art and architecture practices contest and subvert these protracted conditions in terms of social justice, development, conservation, heritage, land reclamation and urban renewal.

The focus is on colonial environments in different parts of South Africa and Africa to understand the history of disputed places and responses of remembrance, communal consideration, revival and conflict. In recent years, public awareness of the physical and environmental reminders of this past has been sharpened by sporadic campaigns and ongoing disputes around land, gentrification, repatriation and heritage. Globally, there has been a wave of public outcry and contestation about the place of racist names and statues in public spaces, litigation over abandoned and toxic sites, with calls for removal and restitution as an integral part of decolonisation. And there has been recognition of the lived experiences, knowledge and activities through which people and communities build their heritage.

In this context, questions about the place of colonial and apartheid planning and architecture and their past acquire salience and urgency in the present.

Dana Snyman is volksbesit. Met Die binneland in verken dié geliefde skrywer ons land en sy mense vandag.

Dana reis landin, op soek na sekerheid en lig. Hy rou oor dié wat weggeval het, soos die ikoniese Fred Mouton. Hy gesels met Pipo die clown, die karwag wat Adriaan Vlok onthou en oom Bok Horn wat 'n leeu uitoorlê het.

In die nadraai van die pandemie, met beurtkrag, oorlog in Oekraïne en die politiek, begin mense moed opgee, ook oor hulself. Maar Dana vind hoop, liefde - en geloof.

These Potatoes Look Like Humans offers a unique understanding of the intersection between land, labour, dispossession and violence experienced by Black South Africans from the apartheid period to the present.

In this ground-breaking book, uMbuso weNkosi criticises the historical framing of this debate within narrow materialist and legalistic arguments. His assertion is that for most Black South Africans the meaning of land cannot be separated from one’s spiritual and ancestral connection to it, and this results in him seeing the dispossession of land in South Africa with a perspective not yet explored.

Nkosi takes as his starting point the historic 1959 potato boycott in South Africa, which came about as a result of startling rumours that potatoes dug out of the soil from the farms in the Bethal district of Mpumalanga were in fact human heads. Journalists such as Ruth First and Henry Nxumalo went to Bethal to uncover these stories and revealed horrific accounts of abuse and routine killings of farmworkers by white Afrikaners. The workers were disenfranchised Black people who were forced to work on these farms for alleged ‘crimes’ against National Party state laws, such as the failure to carry passbooks.

In reading this violence from the perspectives of both the Black worker and the white farmer, Nkosi deploys the device of the eye to look at his research subjects and make sense of how the past informs the present. His argument is that the violence against Black farmworkers was not only on the exploitation of cheap labour, but also an anxiety white farmers felt about their settler-colonial appropriation of land. This anxiety, Nkosi argues, is pervasive in current heated public debates on the land question and calls for ‘land expropriation without compensation’. Furthermore, the dispossession of Black people from their land cannot be overcome until there is a recognition of the dead and restless spirits of the land, and a spiritual return to home for Black people’s ancestors. Until such time, the cycles of violence will persist.

This book will be of interest to academics and scholars working in the area of land and workers’ struggles but also to the general reader who wants to gain a deeper understanding of redress and social justice on multiple levels.

The battle of Blood River, or Ncome, on 16 December 1838 has long been regarded as a critical moment in the history of South Africa. It is the culminating victory by the land-hungry Boers who had migrated out of the British-ruled Cape and invaded the Zulu kingdom in 1837.

Many Afrikaners long acclaimed their triumph as the God-given justification for their subsequent dominion over Africans. By contrast, Africans celebrate the war with pride for its significance in their valiant struggle against colonial aggression.

In this telling of the Boer invasion, John Laband deals even-handedly with the warring sides in the conflict, explaining both victory and defeat in the many battles that marked the war. Crucially, he takes the Zulu evidence into full account to present the less familiar Zulu perspective and to explain the decisions taken by the Zulu leaders, as they grappled with the existential threat of the Boer invasion.

The protagonists are placed in the context of a subcontinent experiencing a time of turmoil in the early nineteenth century. A time that saw the displacement of populations and migrations, the emergence of new, warlike African kingdoms such as that of the amaZulu, and the inexorable and violent advance of colonial settlement and rule.

Ella Blumenthal’s story of surviving the Holocaust and building a new life in South Africa is a lesson in resilience, attitude and joy.

From the dying embers of the Warsaw Ghetto to the gas chambers of the Nazi concentration camps; from Poland to Paris, Palestine and eventually Cape Town; from stateless refugee to community pillar, Ella’s 100 years of life have been nothing short of herculean.

After decades, Ella is finally ready to tell her full story to bestselling author Joanne Jowell.

The 1930s and 40s were tumultuous decades in South Africa’s history. The economy declined sharply in the wake of the Wall Street crash, giving rise to a huge number of poor whites and the growth of a militant and aggressive Afrikaner nationalism that often took its lead from the Nazis in Germany.

A Perfect Storm reveals how the right-wing’s malevolent message moved from the margins to the centre of political life; how antisemitism seeped into mainstream political life with real and lasting consequences. Milton Shain, South Africa’s leading scholar of modern Jewish history, brings into sharp relief the ‘Jewish Problem’, detailing the rise of influential organisations such as the Grey Shirts and the New Order, which fanned the flames of antisemitism. He devotes considerable attention to the Ossewa-Brandwag, which, by 1941, constituted the largest yet mobilisation of Afrikaners.

The National Party itself contributed to the climate of hostility to Jews. It was instrumental in ensuring that only few of the Jewish refugees from Nazi Germany and elsewhere were permitted as immigrants. The National Party contributed to the prevailing climate of Jew-baiting. Indeed, some of its worst offenders were accorded high office after 1948 when the National Party came to power.

Suid-Afrika se skoonheid en koloniale geskiedenis het seker gemaak dat verskeie bloubloediges deur die eeue heen sterk bande met die land ontwikkel het. Só is daar byvoorbeeld die Nederlandse prinses Irene van Lippe-Biesterfeld, met haar groot liefde vir die Karoo, wat hard baklei het teen skaliegas-ontginning deur die Nederlandse petroleummaatskappy Shell.

As godsdienstige of politieke leiers - dikwels van adellike afkoms - in die Oosterse kolonies té veel geluide begin maak het, is hulle na die Kaap verban, wat 'n deurslaggewende rol gespeel het in die land se slawegeskiedenis: Hiervan getuig die verhale van sjeg Joesoef en die radja van Tambora. Watter spoor het die Napoleons in Durban agtergelaat? En George Rex, stigter van Knysna, wat dan nou op 'n druppel water soos koning George III van Engeland gelyk het?

Hoe het dit gekom dat prinses Anne van Brittanje se oorkrabbetjie dwarsdeur 'n volstruis se pens gegaan het? Konstantyn II, die laaste Griekse koning, prinses Charlotte van Liechtenstein en die Karadjordjević's van Serwië het hulle eie bande met Suid-Afrika - en die kroonprins van Albanië praat Afrikaans! Hoe het dit alles gebeur? En hoekom lui die naam lady Juana Smith 'n klokkie?

Blou bloed: koninklike spore in Suid-Afrika gaan soek antwoorde op hierdie en nog baie ander vrae.

Brace yourself for a thrilling journey into the heart of black life and culture through the philosophy of Hibirism, masterminded by Donald Mokgale and Ernest Nkomotje.

Hibirism ● (noun): Derived from the social greeting ‘hibiri’, made famous by the South African song Sister Bethina (a hit by musician Mgarimbe in 2006), Hibirism adds depth and meaning to the salutation and signifier ‘hibiri’. The goal is to explain some of the underlying reasons behind our actions and uncover profound insights within the experiences of black life. Ultimately, Hibirism transforms an empty signifier into a noun, referring to a specific philosophy or set of ideas that elevate social situations and challenge existing norms.

This book contains humorous anecdotes, thought-provoking ideas, witty banter, and profound observations on black life, showcasing Hibirism at play. The book also shows how Hibirism can be used as a tool for creative problem-solving as it probes deeper into conventions to unearth insights like no other framework.

Among many captivating topics, they embark on a quest to discover the perfect vetkoek (igwinya), draw parallels between the arrangement of atoms and four-four masihlalisane (a seating arrangement in local taxis), offer a deep dive into the Amapiano movement, and even share the tale of Bobby, a beloved township dog known to survive on nothing but a diet of pap and H2O.

If you are an individual or a business aiming to deepen your understanding and build a more meaningful connection with the black world, Introducing Hibirism is for you.

Join the movement. Hibiri …