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Books > Humanities > History > History of specific subjects > Social & cultural history
Thoroughly updated and revised for 2024, JERUSALEM: THE BIOGRAPHY is the history of the Middle East through the lens of the Holy City and the Holy Land, from King David to the wars and chaos of today. The history of Jerusalem is the story of the world: Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths. The Holy City and Holy Land are the battlefields for today's multifaceted conflicts and, for believers, the setting for Judgement Day and the Apocalypse. How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East? Why is the Holy Land so important not just to the region and its many new players, but to the wider world too? Drawing on new archives and a lifetime's study, Montefiore reveals this ever-changing city and turbulent region through the wars, love affairs and revelations of the kings, empresses, amirs, sultans, caliphs, presidents, autocrats, imperialists and warlords, poets, prophets, saints and rabbis, conquerors and whores who created, destroyed, chronicled, and believed in Jerusalem and the Holy Land. A classic of modern literature, this is not only the epic story of 3,000 years of faith, slaughter, fanaticism, co-existence, power and myth, but also a freshly updated, carefully balanced history of the Middle East, from King David to the new players and powers of the twenty-first century, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict and the mayhem of today. This is how today's Middle East was forged, how the Holy Land became sacred and how Jerusalem became Jerusalem - the only city that exists twice - in heaven and on earth.
With his bestseller, Between the World and Me, Ta-Nehisi Coates established himself as a unique voice in his generation of American authors; a brilliant writer and thinker in the tradition of James Baldwin. In his keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us. The first of the book’s three main parts finds Coates on his inaugural trip to Africa – a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers along with him to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology – visibly on display in this capital of the confederacy, with statues of segregationists still looming over its public squares. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world – and our own souls – and embrace the liberating power of even the most difficult truths.
Early Americans have long been considered "A People of the Book" Because the nickname was coined primarily to invoke close associations between Americans and the Bible, it is easy to overlook the central fact that it was a book-not a geographic location, a monarch, or even a shared language-that has served as a cornerstone in countless investigations into the formation and fragmentation of early American culture. Few books can lay claim to such powers of civilization-altering influence. Among those which can are sacred books, and for Americans principal among such books stands the Bible. This Handbook is designed to address a noticeable void in resources focused on analyzing the Bible in America in various historical moments and in relationship to specific institutions and cultural expressions. It takes seriously the fact that the Bible is both a physical object that has exercised considerable totemic power, as well as a text with a powerful intellectual design that has inspired everything from national religious and educational practices to a wide spectrum of artistic endeavors to our nation's politics and foreign policy. This Handbook brings together a number of established scholars, as well as younger scholars on the rise, to provide a scholarly overview-rich with bibliographic resources-to those interested in the Bible's role in American cultural formation.
Medieval Rome analyses the history of the city of Rome between 900 and 1150, a period of major change in the city. This volume doesn't merely seek to tell the story of the city from the traditional Church standpoint; instead, it engages in studies of the city's processions, material culture, legal transformations, and sense of the past, seeking to unravel the complexities of Roman cultural identity, including its urban economy, social history as seen across the different strata of society, and the articulation between the city's regions. This new approach serves to underpin a major reinterpretation of Rome's political history in the era of the 'reform papacy', one of the greatest crises in Rome's history, which had a resonance across the entire continent. Medieval Rome is the most systematic analysis ever made of two and a half centuries of Rome's history, one which saw centuries of stability undermined by external crisis and the long period of reconstruction which followed.
In January 2003, the Berest family receive a mysterious, unsigned postcard. On one side was an image of the Opéra Garnier; on the other, the names of their relatives who were killed in Auschwitz: Ephraïm, Emma, Noémie and Jacques. Years later, Anne sought to find the truth behind this postcard. She journeys 100 years into the past, tracing the lives of her ancestors from their flight from Russia following the revolution, their journey to Latvia, Palestine, and Paris, the war and its aftermath. What emerges is a thrilling and sweeping tale based on true events that shatters her certainties about her family, her country, and herself. At once a gripping investigation into family secrets, a poignant tale of mothers and daughters, and an enthralling portrait of 20th-century Parisian intellectual and artistic life, The Postcard tells the story of a family devastated by the Holocaust and yet somehow restored by love and the power of storytelling.
The present edition of The Book of Fallacies is the first that follows Bentham's own structure for the work, and includes a great deal of material, both in terms of the fallacies themselves and the illustrative matter, that previous versions of the work have omitted. The fallacies that concerned Bentham were not logical errors of the sort identified by Aristotle, or commonplace misunderstandings of matters of fact, but arguments deployed in political debate, in particular in the British Parliament, in order to prevent reform. Bentham not only identified, described, and criticized the fallacious arguments in question, which were all characterized by their irrelevancy, but explained the sinister interests that led politicians to employ them and their supporters to accept them. By exposing these political fallacies, Bentham hoped to prevent their employment in future, and thereby to place political debate on its only proper ground, namely considerations drawn from the principle of utility.
Prof. Fransjohan Pretorius se rubrieke oor die geskiedenis van Suid-Afrika van voor Jan van Riebeeck se landing tot die jongste tye wat in die dagblad Beeld verskyn het. Maak kennis met die helde en hendsoppers, die skurke en sterre van die land se verlede in kort en boeiende rubrieke wat die leser se geheue sal verfris oor al die grootste momente in ons geskiedenis asook 'n paar minder bekende maar ewe interessante gebeure.
Since the late nineteenth century, fears that marriage is in crisis have reverberated around the world. Domestic Tensions, National Anxieties explores this phenomenon, asking why people of various races, classes, and nations frequently seem to be fretting about marriage. Each of the twelve chapters analyzes a specific time and place during which proclamations of marriage crisis have dominated public discourse, whether in 1920s India, mid-century France, or present-day Iran. While each nation has had its own reasons for escalating anxieties over marriage and the family, common themes emerge in how people have understood and debated crises in marriage. Collectively, the chapters reveal how diverse individuals have deployed the institution of marriage to talk not only about intimate relationships, but also to understand the nation, its problems, and various socioeconomic and political transformations. The volume reveals critical insights and showcases original research across interdisciplinary and national boundaries, making a groundbreaking contribution to current scholarship on marriage, family, nationalism, gender, and the law.
Here is a brisk, accessible, and vivid introduction to arguably the most important event in the history of the United States--the American Revolution. Between 1760 and 1800, the American people cast off British rule to create a new nation and a radically new form of government based on the idea that people have the right to govern themselves. In this lively account, Robert Allison provides a cohesive synthesis of the military, diplomatic, political, social, and intellectual aspects of the Revolution, paying special attention to the Revolution's causes and consequences. The book recreates the tumultuous events of the 1760s and 1770s that led to revolution, such as the Boston Massacre and the Boston Tea Party, as well as the role the Sons of Liberty played in turning resistance into full-scale revolt. Allison explains how and why Americans changed their ideas of government and society so profoundly in these years and how the War for Independence was fought and won. He highlights the major battles and commanders on both sides--with a particular focus on George Washington and the extraordinary strategies he developed to defeat Britain's superior forces--as well as the impact of French military support on the American cause. In the final chapter, Allison explores the aftermath of the American Revolution: how the newly independent states created governments based on the principles for which they had fought, and how those principles challenged their own institutions, such as slavery, in the new republic. He considers as well the Revolution's legacy, the many ways its essential ideals influenced other struggles against oppressive power or colonial systems in France, Latin America, and Asia. Sharply written and highly readable, The American Revolution offers the perfect introduction to this seminal event in American history.
Fashion History: A Global View proposes a new perspective on fashion history. Arguing that fashion has occurred in cultures beyond the West throughout history, this groundbreaking book explores the geographic places and historical spaces that have been largely neglected by contemporary fashion studies, bringing them together for the first time. Reversing the dominant narrative that privileges Western Europe in the history of dress, Welters and Lillethun adopt a cross-cultural approach to explore a vast array of cultures around the globe. They explore key issues affecting fashion systems, ranging from innovation, production and consumption to identity formation and the effects of colonization. Case studies include the cross-cultural trade of silk textiles in Central Asia, the indigenous dress of the Americas and of Hawai'i, the cosmetics of the Tang Dynasty in China, and stylistic innovation in sub-Saharan Africa. Examining the new lessons that can be deciphered from archaeological findings and theoretical advancements, the book shows that fashion history should be understood as a global phenomenon, originating well before and beyond the fourteenth century European court, which is continually, and erroneously, cited as fashion's birthplace. Providing a fresh framework for fashion history scholarship, Fashion History: A Global View will inspire inclusive dress narratives for students and scholars of fashion, anthropology, and cultural studies.
This volume demonstrates the recent direction of cultural history, as it is now being practiced in both history and musicology, to grasp the realms of human experience, understanding and meaning-how they are constructed, negotiated and communicated on both an individual and a social level. Just as historians in their quest to understand the construction and transmission of meaning, musicologists are turning to new inquiries into cultural representations and their social dynamics, while remaining aware of music's distinctive "register" of representation as an abstract language and a performing art. As the case studies analyzed by musicologists and historians in this volume attest, both fields are not only posing similar questions but attempting to study music itself together with the relevant framing factors and contexts that imbued it with meaning. They are seeking to do so within a factually accurate yet theoretically sophisticated interpretation that combines the insights into language and semiotics characteristic of "the new cultural history" and "new musicology" of the 1980s and '90s with more recent sociological theories and their perspective on how symbols function within the larger field of social power. The volume illuminates how musicologists and historians are practicing the new cultural history of music, employing similar rubrics and specifically those emerging from the recent synthesis of theoretical perspectives on language, symbols, meanings, and their social as well as political dynamics. These include questions of cultural identity and its expression, or its constructions, representations and exchanges, into which music provides a significant mode of access. The scholars who work in these areas are concerned with those cultural sites of the construction or attempted control of identity, as well as its interrogation through active agency on a social and on an individual level, which embraces subjectivity in its relation to the larger cultural unit. Here we may see attempts on the part of both historians and musicologists to engage with the new ways of perceiving the articulation of music, ideology, and politics opened up by figures such as Foucault, Bourdieu, Elias, Habermas and others. Their study of meanings and symbols is thus both relational and contextual as they strive to unlock the idioms not only of social and political power, but of the strategies of contestation or of refusal. Other scholars represented in this volume are particularly interested in cultural practice, collective memory, transmission and evaluation as it is forged and then negotiated, here influenced by figures such as de Certeau, Corbin, Chartier and Nora. Hence a part of this collection is devoted to cultural experience, practice and appropriations, grouping together those cultural arenas in which music both illuminates and is further illuminated by a study of uses, collective practices, modes of inscription, and of evaluation or reception. The contributors here, both historians and musicologists, are apprised of all the dimensions that may affect the construction of signification, including specific material inscriptions as well as the symbolic potential of the artistic language. Hence here we see a concern, characteristic of "the new cultural history," with how the forms assumed by texts may become an essential element in the creation of their meaning since different groups encounter, "possess," and experience a work in various ways, and within the context of substantially different aural and visual cultures.
On March 21, 1960, a line of 150 white policemen fired 1344 rounds
into a crowd of several thousand people assembled outside a police
station, protesting against the Apartheid regime's racist "pass"
laws. The gunfire left in its wake sixty-seven dead and one hundred
and eighty six wounded. Most of the people who were killed were
shot in the back, hit while running away.
The story of Victoria Falls Safari Lodge, one of the world's best-loved hotels, is also the tale of a region rich in cultural and natural history. As the lodge celebrates its 30th anniversary we tell the story of the hotel, the people and the region - a chronicle of a journey 180 million years in the making.
This book explores the impact of brutalist aesthetics on contemporary capitalism, emphasizing the blurring of natural and artificial realms and advocates Afro-diasporic thought as a solution for societal transformation. Eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism in his latest book to describe society’s current moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic. Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.
The delineation and emergence of the Irish border radically reshaped political and social realities across the entire island of Ireland. For those who lived in close quarters with the border, partition was also an intimate and personal occurrence, profoundly implicated in everyday lives. Otherwise mundane activities such as shopping, visiting family, or travelling to church were often complicated by customs restrictions, security policies, and even questions of nationhood and identity. The border became an interface, not just of two jurisdictions, but also between the public, political space of state territory, and the private, familiar spaces of daily life. The effects of political disunity were combined and intertwined with a degree of unity of everyday social life that persisted and in some ways even flourished across, if not always within, the boundaries of both states. On the border, the state was visible to an uncommon degree - as uniformed agents, road blocks, and built environment - at precisely the same point as its limitations were uniquely exposed. For those whose worlds continued to transcend the border, the power and hegemony of either of those states, and the social structures they conditioned, could only ever be incomplete. As a consequence, border residents lived in circumstances that were burdened by inconvenience and imposition, but also endowed with certain choices. Influenced by microhistorical approaches, Unapproved Routes uses a series of discrete 'histories' - of the Irish Boundary Commission, the Foyle Fisheries dispute, cockfighting tournaments regularly held on the border, smuggling, and local conflicts over cross-border roads - to explore how the border was experienced and incorporated into people's lives; emerging, at times, as a powerfully revealing site of popular agency and action.
A narrative tour de force that combines wide-ranging scholarship with captivating prose, Kevin Starr's acclaimed multi-volume Americans and the California Dream is an unparalleled work of cultural history. In this volume, Starr covers the crucial postwar period-1950 to 1963-when the California we know today first burst into prominence. Starr brilliantly illuminates the dominant economic, social, and cultural forces in California in these pivotal years. In a powerful blend of telling events, colorful personalities, and insightful analyses, Starr examines such issues as the overnight creation of the postwar California suburb, the rise of Los Angeles as Super City, the reluctant emergence of San Diego as one of the largest cities in the nation, and the decline of political centrism. He explores the Silent Generation and the emergent Boomer youth cult, the Beats and the Hollywood "Rat Pack," the pervasive influence of Zen Buddhism and other Asian traditions in art and design, the rise of the University of California and the emergence of California itself as a utopia of higher education, the cooling of West Coast jazz, freeway and water projects of heroic magnitude, outdoor life and the beginnings of the environmental movement. More broadly, he shows how California not only became the most populous state in the Union, but in fact evolved into a mega-state en route to becoming the global commonwealth it is today. Golden Dreams continues an epic series that has been widely recognized for its signal contribution to the history of American culture in California. It is a book that transcends its stated subject to offer a wealth of insight into the growth of the Sun Belt and the West and indeed the dramatic transformation of America itself in these pivotal years following the Second World War. This is the seventh volume in Kevin Starr's widely acclaimed and monumental history of California-Americans and the California Dream. It covers the crucial postwar period-1950 to 1963-when much of what has become California as we know it today was brought into existence. As in previous volumes, Starr brilliantly illuminates the dominant economic, social, and cultural forces in California in these years. Among the topics discussed are the suburbanization of California, with emphasis on the San Fernando Valley, Orange County, the San Francisco Peninsula, and Marin County; life style and the novels that reflected it; the rise of San Diego; the "Golden Age of San Francisco," with its cultural roots and influential minorities; Los Angeles, the Chandlers, the Music Center, the Dodgers, and its special lifestyle; defense industries; Cold War "think tanks," Palo Alto and the creation of the transistor and later the computer industry; the new California "Multiversity" and its director, Clark Kerr; public works, with special emphasis on the burgeoning of freeways; and cultural events and happenings, including jazz, the "Beats," the Hollywood "rat pack" (Sinatra and friends) and the flowering of Palm Springs, youth culture, and "Zen California."
Here is a fascinating compact history of Chinese political, economic, and cultural life, ranging from the origins of civilization in China to the beginning of the 21st century. Historian Paul Ropp combines vivid story-telling with astute analysis to shed light on some of the larger questions of Chinese history. What is distinctive about China in comparison with other civilizations? What have been the major changes and continuities in Chinese life over the past four millennia? Offering a global perspective, the book shows how China's nomadic neighbors to the north and west influenced much of the political, military, and even cultural history of China. Ropp also examines Sino-Indian relations, highlighting the impact of the thriving trade between India and China as well as the profound effect of Indian Buddhism on Chinese life. Finally, the author discusses the humiliation of China at the hands of Western powers and Japan, explaining how these recent events have shaped China's quest for wealth, power and respect today, and have colored China's perception of its own place in world history.
The Second World War affected the lives and shaped the experience
of millions of individuals in Germany--soldiers at the front,
women, children and the elderly sheltering in cellars, slave
laborers toiling in factories, and concentration-camp prisoners and
POWs clearing rubble in the Reich's devastated cities.
Who were the Victorians? Were they self-confident imperialists
secure in the virtues of the home, and ruled by the values of
authority, duty, religion and respectability? Or were they
self-doubting and hypocritical prudes whose family life was
authoritarian and loveless? Ever since Lytton Strachey mocked
Florence Nightingale and General Gordon in Eminent Victorians, the
reputation of the Victorians, and of what they stood for, has been
the subject of vigorous debate. |
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