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Books > Humanities > History > History of specific subjects > Social & cultural history
When Love Kills is the tale of hip hop star, AKA. whose life unravelled when he embarked on a relationship with 21 year-old Anele Tembe. When she "fell" to her death from the 10th storey of the Pepper Club in April, 2021, after a long night of heated arguing, details would emerge that they'd been caught up in a whirlwind of toxic obsession, alleged substance abuse and violence. Less then two years later AKA was assassinated in what looked like a hit to avenge her death. This is their tragic story.
In 1913, a secretive American millionaire, who lived on the top floor of the famous Carlton Hotel, had a crazy idea: to make movies in Johannesburg. And not just any movies but the biggest in the world, huge spectacles with elaborate sets, thousands of extras and epic story lines. Isidore Schlesinger – better known as ‘IW’ – built a studio on a farm called Killarney, where he set out to challenge a place in America that was in its infancy: Hollywood. The glamour, gossip and high drama of IW’s studio fit perfectly into a city experiencing an intoxicating golden age. There was as much action on the movie sets as there was on screen: from political intrigue and the clashing of massive egos to public outbursts, fiery judicial inquiries, disaster and death. Behind this mad enterprise was a maverick, a tycoon, a recluse, a friend of the famed and the connected. IW could have held his own in California but he chose as his base the City of Gold. This is the never-been-told-before story of the rise and fall of the strangest and most unique movie empire ever.
In some settings, such as Ireland, contiguous Catholic and Protestant states are often not conducive to good relations or neighbourliness. In colonial and imperial southern Africa, formal inter-state arrangements took place at the expense of a third party - subjected African peoples. Three Wise Monkeys explores some of the contradictions, silences and oversights, and working misunderstandings that arise when an emerging Anglophone, Protestant, industrial and urbanising state - South Africa - develops side by side with Mozambique - a Lusophone, Catholic, commercial, rural colony. In three volumes, Charles van Onselen examines the intertwined relations between South Africa and Portugal's chronically weak east coast colony, as expressed through the migrant labour system, the tourist trade, the rise and fall of LM Radio and the extraordinary tale of the Lourenço Marques Lottery. These areas constituted zones of cross-cultural, transnational interaction that both states were reluctant to acknowledge formally, choosing instead to 'see no evil, speak no evil and hear no evil' for much of the 20th century. Three Wise Monkeys presents a startling new way of viewing the entangled, often hidden, economic, political and social dynamics that informed the rise of 20th-century South Africa, often at the expense of neighbouring Mozambique. The volumes are:
On 16 June 1976, thousands of Black South African school children took to the streets of Soweto in protest against the introduction of Afrikaans as a medium of instruction under apartheid education. Met with brutal police force, many never returned home. This pivotal day, now remembered as the start of the Soweto Uprising, also reverberated through the walls of 6001, Lebo Diseko’s family home in Orlando East. In The House at 6001, Diseko traces the intertwined lives of her parents and her aunts and uncles who gathered, organised and resisted within their four-room Soweto house. From banning orders and exile to late-night parties filled with music and defiance, their story captures both the intimacy and the enormity of South Africa’s struggle. Drawing on unsealed government documents, interviews and her own personal journey to revisit her family history and home, Diseko offers a moving memoir of resistance, secrets and the lasting cost of freedom.
Annemarié van Niekerk returns from The Hague to South Africa for her
gentle friend Ruben’s funeral – he and his mother were murdered in a
farm killing. This journey triggers memories of other journeys: growing
up in Port Elizabeth, teaching at UNITRA in Umtata where she became
entangled in a relationship with a black writing colleague, causing
conflict with her father. Then Hillbrow and Yeoville, where she and
Denzel live together against the law, until violence penetrates their
relationship.
Take one over-the-top, bolshie, city-slicker Indian woman. One reticent and reserved white husband. And their three children. Add them all to a far-flung village in the South African countryside where mixed-race families are somewhat of a rarity, and you get front-row seats to a lifestyle that is both delightful and, at times, decidedly discombobulating. Told with huge dollops of that quirky, sometimes perplexing Indian lingo that is unique to South Africans of Indian origin, garnished with hilarity and introspection, The Village Indian is a journey of the self and an authentic celebration of identity, culture and food, and that confusing, chaotic thing it is to sometimes be South African. From run-ins with deadly snakes, to raising chickens, to sprinklings of small-town skullduggery, scores settling, attempted coup d’états and scamming other villagers – you will get all the tea to titillate. And in a small town, far, far away – meshugas aside – there is the magic of humanity and community. The Village Indian is a tale for all South Africans.
The apartheid security juggernaut met its Battle of Stalingrad in the townships of Port Elizabeth and Uitenhage in 1985 and 1986. This is the blazing story of how the people’s resistance – in the church, in the civic structures, underground – fought that war. Up until these insurrections, the brutal force of the apartheid state successfully crushed all attempts at revolt. Yet in the townships of Port Elizabeth, where they threw everything they had at the uprisings, the people stood and fought, and fought and stood. Riordan, a human rights activist during the years of high apartheid, draws a line connecting the story of Thozamile Botha, the Zwide and KwaZakhele Residents’ Associations and the Port Elizabeth Black Civic Association (PEBCO) of 1979, the subsequent demise of PEBCO, and the February 1990 unbanning of the ANC and the movement at large. What had happened in the intervening ten years to effect this once unimaginable change? Apartheid’s Stalingrad tells us what had happened.
After the runaway success of his Afrikaans memoir, Hoerkind, the contrarian journalist and writer Herman Lategan translated and updated his eventful life story to include material that did not appear in the original book. Herman was conceived illegitimately one warm February night in 1964 in a boarding house in Cape Town. From an early age, he felt disposable, passed from one pair of unstable adult hands to the next, even ending up in an orphanage for a while. At thirteen he was caught in the web of a cunning paedophile, a well-known Afrikaans newspaperman. Shortly after his eighteenth birthday, when his abuser had finished with him, Herman was unceremoniously dumped at the door of his alcoholic father. Conscription into the army and a dishonourable discharge followed. During his teenage years, Herman befriended poets like Sheila Cussons, Tatamkhulu Afrika and Casper Schmidt, and later, in New York, he followed Andy Warhol in the street and partied with a ‘smorgasbord of social butterflies’. Back in South Africa, Herman established himself as a journalist, but struggled with alcohol and drug addiction, and was homeless for a while. For many an employer, he became the nightmare they feared most. Son of a Whore is a gripping account of loss, hardship and overcoming both; it will make you laugh and, at times, break your heart. You will despair at the cruelty of a world in which the marginalised are forsaken, but stand in awe at the extent of the goodness surrounding us, because, ultimately, people depend on each other.
Coloured as an ethnicity and racial demographic is intertwined in the creation of the South Africa we have today. Yet often, Coloured communities are disdained as people with no clear heritage or culture — ‘not being black enough or white enough.’ Coloured challenges this notion and presents a different angle to that narrative. It delves into the history of Coloured people as descendants of indigenous Africans and a people whose identity was shaped by colonisation, slavery, and the racial political hierarchy it created. Although rooted in a difficult history, this book is also about the culture that Coloured communities have created for themselves through food, music, and shared lived experiences in communities such as Eldorado Park, Eersterus, and Wentworth. Coloured culture is an act of defiance and resilience. Coloured is a reflection on, and celebration of Coloured identities as lived experiences. It is a call to Coloured communities to reclaim their identity and an invitation to understand the history and place of Coloured people in the making of South Africa’s future
“There were three other people present, or five, depending on whom one chooses to include. Five, let’s say, the men divided from the women according to the timeworn tradition… The ceremony lasted precisely thirty minutes, as had been agreed on well in advance, not a second longer. One of the people present announced the end in a voice as blunt as it was relieved.” What kind of bar mitzvah lasts no more than thirty minutes? Which five people could have been in attendance, and where could such a ceremony –– if there really was a ceremony –– have taken place under these circumstances? This book has echoes of a detective trail and as Denis Hirson gradually reveals the answers, he explores the wider ancestral and political strands of his story. We are reminded of what the world might have looked like to a thirteen-year-old boy in the Johannesburg of the 1960s. This perspective is, thanks to his daughter, set against that same boy’s adult understanding of what had happened. This is a breathtaking account of the author being confronted by his own past.
Born in the old Transvaal town of Schweizer Reneke, Essop Pahad started on a path of political activism from his parents' flat in Becker Street, Ferreirastown, where an all-welcome policy prevailed and visionaries of the Congress alliance, such as Yusuf Dadoo, Walter Sisulu, O.R.Tambo, Nelson Mandela and Ahmed Kathrada were regular visitors. His parents instilled in the family strong anti-racist principles and a genuine concern for all human beings regardless of race, class or religion. A graduate of the 'Congress School' in Johannesburg, Essop's growing commitment to social justice was nurtured by teachers who were among the struggle's most eminent leaders. An executive member of the Transvaal Indian Youth Congress, Essop was banned in 1964 and went into exile in the UK where he was recruited into the South African Communist Party (SACP). In 1973 he studied at the Lenin Party School in Moscow and then worked in Prague representing the SACP on the editorial board of the World Marxist Review for a decade. During this time he was sent by the ANC for military training with Umkhonto we Sizwe in Angola, which he was unable to complete as he contracted malaria. Essop returned to South Africa in 1990, where he played a central role in shaping our new democracy. A Life Committed is the memoir of a revolutionary whose diverse experiences with other progressive people and movements, local and international, enabled him to deepen his understanding of how to better face the challenges confronting South Africa, Africa and the world. The book is spiced with anecdotes from his impressive memory archive and lightened by his mischievous sense of humour. Profiles of his mentors and friends from liberation movements and workers' parties provide insight into the extent of the fierce integrity,compassion and humanity of the author.
A true crime classic about Daisy de Melker in ragtime Joburg – a city of murder, mayhem and gold. Ted Botha takes the reader into the underbelly of Johannesburg in the 1920s and 1930s as he traces the fascinating story of the mysterious Daisy de Melker, who was hanged for poisoning her son. Many also believed she poisoned two husbands for their life insurance money. In the shadow of ever-growing mine dumps, she went about her business quietly and unnoticed – the most unlikely of killers. Even though people close to her kept dying, no one suspected a thing for twenty years. When someone finally spoke up, it led to one of South Africa’s most sensational trials. De Melker’s story unfolds in tandem with those of colourful Johannesburg characters of the same period such as the Foster Gang, Herman Charles Bosman, the dashing conman Baron von Veltheim and a Bonny-and-Clyde-style couple, Dicky Mallalieu and Gwen Tolputt. Some cross paths with each other and also those of famous writers of era such as Sir Arthur Conan Doyle and Sarah Gertrude Millin.
Are farm killings political? Criminal? Is there really a white genocide under a black majority government? Farm murders have occupied a central role in South Africa’s narratives for over 200 years. At the same time, the definition of a 'farmer' is highly contested. Media reports and activism groups typically acknowledge white farmers, frequently excluding the large number of people of colour.
Glossy is a story of more than a magazine. It is a story of passion and power, dizzying fortune and out-of-this-world fashion, of ingenuity and opportunism, frivolity and malice. This is the definitive story of Vogue. Vogue magazine started, like so many great things do, in the spare room of someone's house. But unlike other such makeshift projects that flare up then fizzle away, Vogue burnt itself onto our cultural consciousness. Today, 128 years later, Vogue spans 22 countries, has an international print readership upwards of 12 million and nets over 67 million monthly online users. Uncontested market leader for a century, it is one of the most recognisable brands in the world and a multi-million dollar money-making machine. It is not just a fashion magazine, it is the establishment. But what - and more importantly who - made Vogue such an enduring success? Glossy will answer this question and more by tracing the previously untold history of the magazine, from its inception as a New York gossip rag, to the sleek, corporate behemoth we know now. This will be a biography of Vogue in every sense of the word, taking the reader through three centuries, two world wars, plunging failures and blinding successes, as it charts the story of the magazine and those who ran it.
Across three decades of democracy, South Africa has seen an outpouring of longform, narrative journalism and creative nonfiction – genres in which some of the country’s finest writers have tried to make sense of a complex and changing society. This brand new, one-of-a-kind anthology collects some of the best nonfiction published since the end of apartheid, carefully selected and introduced by editors Sean Christie and Hedley Twidle. From the underworld of zama-zama goldminers to the tragicomic closure of a Cape Town Zoo, from stick fighting to punk rock, game lodges to fruit farms, cricket pitches to mermaids, The Interpreters: South Africa’s New Nonfiction assembles a range of true stories that are often more far-fetched, and more compelling, than any fiction. Creative nonfiction in South Africa has often been found at the margins of our media – in zines, journals, now defunct magazines and personal blogs. It is a kind of writing that has, in general, not made much financial sense – more a medium for those obsessed with pursuing a single story over months or years. In The Interpreters, the editors have combed through 30 years of post-apartheid writing to produce a collection that combines preeminent names with lesser known but no less immersive and powerful works of nonfiction – voices that deserve to be read and that represent fresh interpretations of a nation’s history. Featuring J. M. Coetzee • Kimon de Greef • William Dicey • Alexandra Dodd • Madeleine Fullard • Mark Gevisser • Anna Hartford • Anton Harber • Michiel Heyns • Anton Kannemeyer • Bongani Kona • Rustum Kozain • Antjie Krog • Alastair Laird • Adrian Leftwich • Lidudumalingani • Bongani Madondo • Rian Malan • Zanele Mji • Mogorosi Motshumi • Nosisi Mpolweni • Julie Nxadi • Njabulo Ndebele • Lindokuhle Nkosi • Sean O’Toole • Kopano Ratele • Warren Raysdorf • Srila Roy • Lin Sampson • Kwanele Sosibo • Jonny Steinberg • Niren Tolsi • Matthew Wilhelm-Solomon • Roger Young • Percy Zvomuya
The book is the first of its kind as it combines cultural history with natural, as the historical context of the tidal pools are brought to life. Through the lense of South Africa’s history, this insight allows adventurers to really enhance their experience of the tidal pools with a deeper understanding of their significance. The gorgeous photo-filled book contains information on how to get to the best pools, accessibility, facilities, swimmability, what to expect when you get there, things to do nearby and safety. Along with the stunning photography, unique and detailed maps of the areas are included. It includes tips on where is best for families, picnics, romantic dips, sunsets, sunrises, training and learning to swim. There are black and white ink illustrations of the marine life found in the intertidal zone, and their relation to the tidal pools. The health benefits of cold-water immersion and the necessary safety, gear and guidance to safe swimming in cold water is valuable for the rising trend of cold-water swimmers.
This close media study considers how, squeezed in the moral vice of past and present, Afrikaners look in a mirror that reflects only a beautiful people. It is an image of upstanding, hard-working citizens. To hold on to that image requires blinkers, sleights of hand and contortion. Above all, it requires an inversion of the liberation narrative in which the wretched of South Africa are the historical oppressors, besieged in their language, their homes, their jobs. They are the new `grievables', an identity that requires intricate moral manoeuvres, and elision as much of the past as of transformation.
With prose like jazz – thrilling, mysterious, playful – Oyama Mabandla excavates the values that created a steady flow of pioneering South Africans under impossible conditions. Can these values, maligned in 1994, be recaptured and set South Africa on its best trajectory?
Set amid the civil rights movement, this is the true story of NASA's African-American female mathematicians who played a crucial role in America's space program. Before Neil Armstrong walked on the moon, a group of professionals worked as 'Human Computers', calculating the flight paths that would enable these historic achievements. Among these were a coterie of bright, talented African-American women. Segregated from their white counterparts, these 'coloured computers' used pencil and paper to write the equations that would launch rockets, and astronauts, into space. Moving from World War II through NASA's golden age, touching on the civil rights era, the Space Race, the Cold War, and the women's rights movement, 'Hidden Figures' interweaves a rich history of mankind's greatest adventure with the intimate stories of five courageous women whose work forever changed the world.
What is it like to be born dirt-poor in South Africa? Clinton Chauke knows, having been raised alongside his two sisters in a remote village bordering the Kruger National Park and a squatter camp outside Pretoria. Clinton is a young village boy when awareness dawns of how poor his family really is: there’s no theft in the village because there’s absolutely nothing to steal. But fire destroys the family hut, and they decide to move back to the city. There he is forced to confront the rough-and-tumble of urban life as a ‘bumpkin’. He is Venda, whereas most of his classmates speak Zulu or Tswana and he has to face their ridicule while trying to pick up two or more languages as fast as possible. With great self-awareness, Clinton negotiates the pitfalls and lifelines of a young life: crime and drugs, football, religion, friendship, school, circumcision and, ultimately, becoming a man. Throughout it all, he displays determination as well as a self-deprecating humour that will keep you turning the pages till the end. Clinton’s story is one that will give you hope that even in a sea of poverty there are those that refuse to give up and, ultimately, succeed.
What happens when death becomes the ultimate marker of one’s commitment to one’s freedom? What happens when the opposite of freedom is not unfreedom but death, not slavery but mortality? How are we to think of the right to life when a political demand for dignity and honor might be more important than life itself? Dying for Freedom explores these questions by drawing on archival evidence from South Africa to show how death and conflicting notions of sacrifice dominated the struggle for political equality in that country. This political investment in death as a marker of commitment to the anti-apartheid struggle encouraged a masculinist style of politics in which the fight for freedom was seen and understood by many activists as a struggle literally for manhood. This investment generated a notion of political sacrifice so absolute that anything less than death was rendered suspect. More importantly, it resulted in a hierarchy of death whereby some deaths were more important than others, and where some deaths could be mourned and others not. This highly original account of the necropolitics of the liberation struggle will be of interest to students and scholars throughout the humanities and social sciences and to anyone interested in South Africa.
Sol Plaatje’s Mhudi is one of South Africa’s most famous novels. First published in 1930, it is the first full-length novel by a black South African writer, and is widely read and studied in South African schools, colleges and universities. It has been translated into a number of different languages. Written over 30 years before Chinua Achebe’s famous Things Fall Apart, Mhudi is a pioneering African novel too, anticipating many of the themes with which Achebe and other writers from the African continent were concerned. Mhudi has had a complicated history. Critics have been divided in their views, and there was a delay of ten years between the time Plaatje wrote the book and when it was published. A century on from when it was written, the time is now right to both celebrate its composition and to assess its meanings and legacy. In this book, a distinguished cast of contributors explore the circumstances in which Mhudi was both written and published, what the critics have made of it, why it remains so relevant today. Chapters look at the eponymous feminist heroine of the novel and what she symbolizes, the role of history and oral tradition, the contentious question of language, the linguistic and stylistic choices that Plaatje made. In keeping with Mhudi’s capacity to inspire, this book also includes a poem and short story, specially written in order to pay tribute to both the book and its author.
Fifty years after the Soweto Uprising, little is known about its most iconic youth leader, the elusive Tsietsi Mashinini, who instigated the schools protest which changed South Africa forever, only to flee the country, shun the ANC, hang out with Miriam Makeba, marry Miss Liberia – and be mysteriously murdered. Now, in time for the anniversary, Sowetan author and social historian Sam Mathe tells Tsietsi’s full story for the first time.
Provides a comparative study of the complex governance challenges confronting city-regions in each of the BRICS countries. It traces how governance approaches emerge from the disparate intentions, actions and practices of multiple collaborating and competing actors, working in diverse contexts of political settlement and culture. The scale and pace of urban change in the recent past has been disorienting. As individual cities evolve into complex urban agglomerations, scholars battle to find adequate vocabularies for contemporary urban processes while practitioners search for meaningful governance responses. Governing Complex City-Regions in the Twenty-first Century explores the ongoing evolution of metropolitan governance as diverse urban agents grapple with the dilemmas of collective action across multi-layered and fragmented institutions, in contexts where there are also manifold centres of influence and decision-making. Whereas much of the existing literature is founded on the settled urban contexts of Western Europe and North America this book draws on the experiences of the BRICS countries (Brazil, Russia, India, China and South Africa). The author shows that governance approaches are rarely designed but emerge, rather, from the disparate intentions, actions and practices of multiple collaborating and competing actors working within diverse contexts of political settlement and political culture. Intended for students, academics and professionals, the book does not offer packaged solutions or easy answers to the challenges of urban governance, but it does show the value of comparative study in inspiring new thought and perspectives, which could lead to improved governance practice within South African contexts.
Too much of South Africa’s history has been lost and suppressed, leaving a void for many South Africans. Sylvia Vollenhoven brings together her life and that of a long-ago ancestor, Kabbo, a respected Khoisan storyteller. She writes of her experience as being “too black” for her coloured schoolmates, working as one of the early female journalists in the misogynistic environment of the 70s, and of the constant impact on her life of her background – including her ancestors. |
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