Much as the modern Western world is concerned with diets, health, and anti-aging remedies, many early medieval Chinese Daoists also actively sought to improve their health and increase their longevity through specialized ascetic dietary practices. Focusing on a fifth-century manual of herbal-based, immortality-oriented recipes-the Lingbao Wufuxu (The Preface to the Five Lingbao Talismans of Numinous Treasure)-Shawn Arthur investigates the diets, their ingredients, and their expected range of natural and supernatural benefits. Analyzing the ways that early Daoists systematically synthesized religion, Chinese medicine, and cosmological correlative logic, this study offers new understandings of important Daoist ideas regarding the body's composition and mutability, health and disease, grain avoidance (bigu) diets, the parasitic Three Worms, interacting with the spirit realm, and immortality. This work also employs a range of cross-disciplinary scientific and medical research to analyze the healing properties of Daoist self-cultivation diets and to consider some natural explanations for better understanding Daoist asceticism and its underlying world view.

This first Western-language translation of one of the great books of the Daoist religious tradition, the Taiping jing, or Scripture on Great Peace," documents early Chinese medieval thought and lays the groundwork for a more complete understanding of Daoism's origins. Barbara Hendrischke, a leading expert on the Taiping jing in the West, has spent twenty-five years on this magisterial translation, which includes notes that contextualize the scripture's political and religious significance. Virtually unknown to scholars until the 1970s, the Taiping jing raises the hope for salvation in a practical manner by instructing men and women how to appease heaven and satisfy earth and thereby reverse the fate that thousands of years of human wrongdoing has brought about. The scripture stems from the beginnings of the Daoist religious movement, when ideas contained in the ancient Laozi were spread with missionary fervor among the population at large. The Taiping jing demonstrates how early Chinese medieval thought arose from the breakdown of the old imperial order and replaced it with a vision of a new, more diverse and fair society that would integrate outsiders in particular women and people of a non-Chinese background.

The Tao Te Ching is a Chinese classic text, which, according to tradition, was written around 6th century BC by the sage Laozi (or Lao Tzu, "Old Master"). The text's true authorship and date of composition or compilation are still debated, although the oldest excavated text dates back to the late 4th century BC. The text is fundamental to both philosophical and religious Taoism and strongly influenced other schools, such as Legalism, Confucianism and Chinese Buddhism, which when first introduced into China was largely interpreted through the use of Daoist words and concepts.

Le livre Tao Te King a ete ecrit par le grand adepte spirituel chinois Lao-Tseu il y a environ 2500 ans. Le livre Tao Te King est l'un des manuels fondamentaux sur la philosophie et la methodologie de la croissance spirituelle.

In this richly illustrated book Stanley Abe explores the large body of sculpture, ceramics, and other religious imagery produced for China's common classes from the third to the sixth centuries C.E. Created for those of lesser standing, these works contrast sharply with those made for imperial patrons, illustrious monastics, or other luminaries. They were often modest in scale, mass-produced, and at times incomplete. These "ordinary images" have been considered a largely nebulous, undistinguished mass of works because they cannot be related to well-known historical figures or social groups. Additionally, in a time and place where most inhabitants were not literate, the available textual evidence provides us with a remarkable view of China through the eyes of a small and privileged educated class. There exists precious little written material that embodies the concerns and voices of those of lower standing.
Situating his study in the gaps between conventional categories such as Buddhism, Daoism, and Chinese popular imagery, Abe examines works that were commissioned by patrons of modest standing in specific local contexts. These works include some of the earliest known examples of Buddha-like images in China; a group of small stone stupas from the northwest; inscribed image niches from a cavernous Buddhist cave temple; and large stele with Buddhist, Daoist, and mixed Buddhist-Daoist iconography from Shaanxi province. In these four case studies, Abe questions established notions of art historical practice by treating the works in a manner that allows for more rather than less contradiction, less rather than more certainty. Sensitive to the fragmentary nature of the evidence and hisposition in a long tradition of scholarly writing, the author offers a sustained argument against established paradigms of cultural adaptation and formal development.
Sophisticated and lucidly written," Ordinary Images" offers an unprecedented exploration of the lively and diverse nature of image making and popular practices.

Women are the creators, the endless possibilities and origins of life. The Tao reveals the ways in which women can utilize their innate power, resulting in a simplified life of higher quality. In 1950, a secret woman's writing was discovered near Hunan, China. "The perfect example of how women have always found ways to communicate their wisdom." - Norma Libmun, Chicago Tribune "I'm ordering copies of this book for all the women in my life; it deeply touched my heart." - NAPRA Review

Using a historical, textual and ethnographic approach, this is the most comprehensive presentation of Daoism to date. In addition to revealing the historical contours and primary concerns of Chinese Daoists and Daoist communities, The Daoist Tradition provides an account of key themes and defining characteristics of Daoist religiosity, revealing Daoism to be a living and lived religion. Exploring Daoism from a comparative religious studies perspective, this book gives the reader a deeper understanding of religious traditions more broadly. Beginning with an overview of Daoist history, The Daoist Tradition then covers key elements of Daoist worldviews and major Daoist practices. This is followed by a discussion of the importance of place and sacred sites as well as representative examples of material culture in Daoism. The work concludes with an overview of Daoism in the modern world. The book includes a historical timeline, a map of China, 25 images, a glossary, text boxes, suggested reading and chapter overviews. A companion website provides both student and lecturer resources: http://www.bloomsbury.com/the-daoist-tradition-9781441168733/

An exploration of the elusive nature of learning and teaching.This adaptation of the Tao discusses the various phases of intellectual growth, the roles of the student and mentor, and how to express, receive, and consider knowledge. If you have ever taught or been taught something that affected your life, this book will unlock the magic in that meaningful process.

The balancing of man and woman is not just their coming together, but their ability to stay separate. Love, like the Tao, cannot be limited by time or words. They are a process, a way of life, a balance. They move from the yin and yang of male/female to the mystical wholeness of the Tao. This thought-provoking, intuitive, and inspiring volume is for all lovers to learn from and enjoy.

In this volume, an interdisciplinary group of scholars explores the social history and anthropology of Daoism from the late nineteenth century to the present, focusing on the evolution of traditional forms of practice and community, as well as modern reforms and reinventions both within China and on the global stage. Essays investigate ritual specialists, body cultivation and meditation traditions, monasticism, new religious movements, state-sponsored institutionalization, and transnational networks.

El secreto de la Flor de Oro es una obra taoista china sobre meditacion, que fue traducida por Richard Wilhelm. Wilhelm era amigo del psicologo Carl Gustav Jung. A pesar de la diversidad de impresiones, interpretacion y opinion expresadas por Wilhelm y Jung, la tecnica de meditacion descrita en El Secreto de la Flor De oro es una tecnica sencilla, silenciosa (la descripcion del libro de meditacion ha sido caracterizada como Zen con detalles). La tecnica de meditacion, enunciada en lenguaje poetico, se reduce a una formula sobre la postura, la respiracion y la contemplacion. La postura principalmente se relaciona con una posicion recta. El camino de la energia asociado con la respiracion ha sido descrito como semejante a una rueda interna alineada verticalmente con la columna vertebral. Cuando la respiracion es constante, la rueda gira hacia adelante, con la energia vital aumentando en la espalda y descendiendo en el frente. Malos habitos de respiracion (o mala postura, o incluso malos pensamientos) pueden ocasionar que la rueda no gire, o retroceda, inhibiendo la circulacion de la energia vital esencial. En contemplacion, se observan los pensamientos como van surgiendo y retrocediendo.

Synopsis A practical guide to a balanced way of being, this adaptation of the Tao te Ching explores the relationship between the spirit of thinking and doing by the simplicity of the Tao. Discover how the application of the Tao can integrate the mind and body into one complete, balanced essence of being.

Women are the creators, the endless possibilities and origins of life. The Tao reveals the ways in which women can utilize their innate power, resulting in a simplified life of higher quality. In 1950, a secret woman's writing was discovered near Hunan, China. "The perfect example of how women have always found ways to communicate their wisdom." - Norma Libmun, Chicago Tribune "I'm ordering copies of this book for all the women in my life; it deeply touched my heart." - NAPRA Review

The Tao is said to be one yang and one yin in dynamic balance. The balancing of man and woman is not just their coming together; but also their staying separate. The process is two contradictory things happening at the same time. The difference and sameness of man and woman must be simultaneously maintained. Maintaining the paradox is the mystic's art and the lover's art. This is the contention of The Tao of Relationships. The art is practiced by balancing the physical with the mental, the primal with the cultivated, the wanton with the aesthetic. The Tao of Relationships is about this balancing and achieving the "extra-ordinary ordinary."