In The Singing of the New World Gary Tomlinson offers histories of ancient music long since silent: the songs of the Indians that Europeans met in the sixteenth century. Merging recent cultural history, early European accounts, archaeological findings, and rare indigenous documents for the Mexica (or Aztecs), the Incas, and the Tupinamba of lowland Brazil, Tomlinson explores the place of singing in these societies. He details the expressive and ritual ends it was expected to fulfil before and after the coming of the conquistadors. Musical practices and the cultural ends they served come alive across a spectrum that reaches from the cosmogonic geometry of Inca ritual song through the imminent sacred materiality of Mexican cantares to the intricate interconnections of singing, speaking and eating in Tupinamba cannibalism. A final chapter considers the fears mutually and repeatedly inspired by the expressive powers of American and European song.

(Faber Piano Adventures ). BigTime Piano Rock 'n Roll allows the pianist to "let go" and enjoy the fun sounds of the '50s, '60s and '70s. Upbeat rhythms and pianistic arrangements make the book a delight for both students and teachers. New selections include: Piano Man * Great Balls of Fire * I Heard It Through the Grapevine * I Feel the Earth Move * and more.

The Second Edition of Alfred's Group Piano for Adults, Book 1, includes updates inspired by numerous recommendations from group piano teachers and students. This book includes a CD-ROM containing both Audio and General MIDI Files of the 500] accompaniments included in the text, each with an interesting and engaging arrangement coupled with the piano part. Designed for collegiate non-keyboard music majors with little or no keyboard experience, the easy-to-use text contains 26 units, each intended to be covered in one week, thus fulfilling two semesters or three quarters of study. Theory, technique, sight-reading, repertoire, harmonization, improvisation and ensemble activities are taught thoroughly and consistently throughout the text. Book 1 is 360 pages.

The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This edition supports ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams. All the answers for Improve your aural! Grade 3 are provided on the last page of the physical book.

(Guitar Tab Method). The First and Only Beginning Guitar Method of Its Kind This is the guitar method students and teachers have been waiting for. Learn single notes with riffs like "Day Tripper" and "Crazy Train," power chords with classics by AC/DC and the Who, strumming with songs from Neil Young and Nirvana, and much more. The method's unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like The Beatles, Jimi Hendrix and Led Zeppelin will keep them playing and having fun. This special Combo Edition includes Books 1 and 2 of the series, two audio CDs, plus tons of bonus material Perfect for both acoustic and electric players.

(Guitar Educational). Featuring twelve common chords in all twelve keys, this book is a must-have resource for worship musicians Part of the Hal Leonard Guitar Worship method, this resource includes easy-to-read chord grids and straightforward photos to have you playing any chords you may need to know to lead your congregation. Open chords and barre chords are also covered, and a helpful section on using a capo will make adjusting songs to "singer-friendly" keys a piece of cake

Musical

Book and Lyrics by A.M. Collins, Music and Lyrics by Chad Henry

Characters: 4male, 4female

Various sets.

Bored with their everyday lives and kept in insignificance by their boyfriends/husbands, these are four angry women. They try a number of outlets, but nothing suits until one of them strikes a chord on her guitar and suggests that they form a punk rock group to enter the upcoming talent show at the neighborhood punk club? Their group "The Angry Housewives," enter and win. This genial satire of contemporary feminism ran for ages in Seattle and has had numerous successful productions across the country.

"The show is insistently outrageous, frequently funny, occasionally witty and altogether irresistible."--- Seattle Times

Musical Revue / Characters: 5 female

Scenery: Bare stage w. set pieces

Originally produced by the Women's Project at the American Place Theatre in New York, Alice enjoyed a long run at the Village Gate Off Broadway. This slick and lively revue created by a wide variety of comedy writers, lyricists and composers offers a marvelous kaleidoscope of contemporary women. Sophisticated, bawdy, funny and insightful, the twenty numbers portray friends, rivals, sisters and even members of an all women's basketball team. Winner of the Outer Critics' Circle Award, Best Musical.

"Delightful...The music and lyrics are so sophisticated that they can carry the weight of one act plays."-N.Y. Times

"A boodle of laughs."-N.Y. Post

"Rates an A ."-N.Y. Daily News

Runaways is a collection of songs, dances, and spoken word pieces performed by children who have run away from their homes. Initially created from interviews with homeless children and those in orphanages, Liz Swados' unique piece weaves songs about personal struggle and the world at large through the eyes of youth in New York City in the '70s. The show blends different musical styles, from pop to hip-hop and jazz to reggae, while asking why children can't remain children. The licensed version of Runaways reflects the version performed by Encores in 2016.

(Music Sales America). This pack is made up of books 1 and 2, plus selections from the performance book. Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune a Day series has revolutionized music making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune a Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD, with actual performances and backing tracks, will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: Advice on equipment; Instructions for an effective embouchure and a comfortable posture; Explanatory section on reading music; Easy-to-follow lessons on clear, uncluttered pages; Audio CDs with virtuoso performance, backing tracks, and audio examples; Great music including duets, rounds, and ensemble pieces; Tests to check progress and comprehension; Useful pull-out chart giving all fingerings; A selection of repertoire at the back; and more!

Paul Harris's brilliant Improve your scales! Piano Grade 4 workbook contains the complete scales and arpeggios for the current ABRSM, Trinity, LCM and MTB Grade 4. It also uses finger fitness exercises, key pieces, sight-reading and simple improvisations to help you play scales and arpeggios with real confidence. An invaluable resource for students, the Improve your scales! Piano series covers all the keys and ranges required for each syllabus, helping you pick up valuable extra marks in exams. New edition, revised to support all major exam syllabuses from 2020.

Creative Health for Pianists: Concepts, Exercises & Compositions is a practical method book for musicians of all abilities. It provides a new way of thinking about the piano, emphasizing the pianist-reader's innate capacity to respond creatively to a musical and technical stimulus. Author and veteran educator Pedro de Alcantara suggests that every pianist, from a complete beginner to a concert artist, may approach the instrument with the frame of mind of an improviser and composer, in which curiosity, inventiveness, and technical skills are inseparable. Throughout the book, original music snippets that encapsulate one or more aspects of piano playing are presented and explained, then developed through tweaks, variations, and compositions of increasing complexity. Every chapter contains variations suited to a complete beginner, as well as musical challenges that will capture the imagination of advanced players. Most chapters contain improvisational prompts and games with step-by-step rules, leading to the development of new creative skills combining musical depth and technical intelligence. Creative Health for Pianists is supported by a dedicated companion website with 48 pedagogical video clips.

The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience.

(Note-for-Note Keyboard Transcriptions). Authentic piano and vocal transcriptions of 18 of her best-known songs, including: Fallin' * How Come You Don't Call Me * If I Ain't Got You * No One * Prelude to a Kiss * When You Really Love Someone * Wild Horses * A Woman's Worth * You Don't Know My Name * and more.

The Singin' with the Jazz Combo series offers a variety of 10 great standards for solo vocalist with a nine or ten-piece combo---ideal for the vocalist who needs arrangements for a small ensemble. The combo instrumentation is trumpet, alto sax, tenor sax, trombone, guitar, bass, drumset, and piano with conductor cues for the horns. An optional baritone sax part adds additional color and texture. Superbly arranged by Dave Wolpe, the songs are in a variety of styles and tempos to provide flexibility in all musical settings.
Titles: A Foggy Day * At Last * Falling in Love with Love * Just in Time * Mack the Knife * Polka Dots and Moonbeams * Santa Claus is Coming to Town * Straighten Up and Fly Right * 'SWonderful * When I Fall in Love.

The greatest virtuoso career in history - that of Franz Liszt - has been told in countless biographies. But what does that career look like when viewed from the perspective of European cultural history? In this study Dana Gooley examines the world of discussion, journalism, and controversy that surrounded the virtuoso Liszt, and reconstructs the multiple symbolic identities that he fulfilled for his enthusiastic audiences. Gooley's work is based on extensive research into contemporary periodicals - well-known and obscure journals and newspapers - as well as letters, memoirs, receipts and other documents that shed light on Liszt's concertising activities. Emphasising the virtuoso's contradictions, the author shows Liszt being constructed as a model aristocrat and a model bourgeois, as a German nationalist and a Hungarian nationalist, as a sensitive romantic artist and a military dictator, as a greedy entrepreneur and as a leading force for humanitarian charity.

Music in Words is both a guide and an invaluable reference tool for researching and writing about music. Fully updated and revised, the book aims to address all the issues that anyone, from students to professional musicians, may encounter when undertaking a writing task, irrespective of the style of music they are writing about. The book: * Teaches effective use of the internet and libraries * Explains the use of scholarly conventions * Offers advice on the form and content of writing tasks * Provides a glossary of terms and phrases used in musical writings

David Rowland traces the history of piano pedalling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedalling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin. In addition, he follows the transition from harpsichord and clavichord to piano and outlines the physical properties of the various stops, levers, and pedals available at the different stages of the instrument's development. The book also includes an appendix of translated extracts from three well-known piano-pedalling tutors. It will be of interest to students and scholars of music history and performance practice, as well as to pianists.