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Books > Arts & Architecture > Music > Techniques of music
Shimmering in maximal minimalism, joyful bleakness, and bodiless
intimacy, Laurie Anderson's Big Science diagnosed crises of
meaning, scale, and identity in 1982. Decades later, the strange
questions it poses loom even larger: How do we remain human when
our identities are digitally distributed? Does technology bring us
closer together or further apart? Can we experience the stillness
of "now" when time is always moving? How does our experience become
memory? Laurie Anderson pioneered new techniques and aesthetics in
performance art, becoming its first and most enduring superstar. In
this book, author S. Alexander Reed dives into the wonderfully
strange making and meanings of this singular album and of its
creator's long artistic career. Packed with scrupulous new
research, reception history, careful description, and dizzying
creativity, this book is an interdisciplinary love letter to a
record whose sounds, politics, and expressions of gendered identity
grow more relevant each day.
In popular music, live performance is one of the most important
points of contact between artist and audience. However, this
crucial part of the creation and reception of popular music has not
received the attention it deserves. "Rock Music in Performance"
aims to fill this gap. Focussing on one type of popular music -
rock - it will trace the evolution of rock performance styles from
the late 1960s to the present, and discuss the paradoxical nature
of performance in popular music.
An important volume on both the harmonic and melodic aspects of the
modern guitarist with an emphasis on improvisation. Subjects
include chord construction, embellishment, substitution,
connection, resolution and chromatic movement. Also covers whole
tone, blues, altered scales, chord scales and much more.
Written for the cellist looking for an approach that demystifies
cello playing, Cello, Bow and You is an innovative text in the
field of string pedagogy written by a 40+ year veteran of the New
York Philharmonic Orchestra and certified teacher of the Alexander
Technique. Author Evangeline Benedetti has a unique voice and
approach, and invites cellists of all levels to explore, make
discoveries and organically internalize technique. Benedetti's
approach compliments the work that students do with their teachers
by encouraging them to be more aware of themselves and responsive
to internal and external guidance. The book is organized as its
playful title implies. In the Cello and Bow sections, Benedetti
explores the natural physical and mechanical properties of the
instrument and bow, the laws of movement, the influence of gravity,
and the dynamic interaction between them. The "You," or the one who
plays, is explored from the point of view of the player's musical
conception, anatomy, and principles of movement based on the
Alexander Technique and bio-mechanics. Cello, Bow and You allows
students and professionals access to Benedetti's vast performance
and teaching experience. She has pioneered an approach to playing
that is a synthesis of the cellist's musical thought, the knowledge
of the dynamic properties of the instrument and bow, and the
ability to move effectively according to the mechanics of the human
body. The synergy of these elements leads to physically healthy
playing and frees players to be musically expressive. Written in
engaging, informal prose, the book is a must-read for cellists and
cello teachers - beginning, intermediate, or professional.
The New International Edition of Suzuki Piano School, Volume 2
includes French, German and Spanish translations, new Romantic and
20th-century pieces, as well as a newly recorded CD performed by
internationally renowned recording artist Seizo Azuma. Now the book
and CD can be purchased together or separately. The contents have
changed slightly with minimal reordering of the music. The Mozart
Minuet and Bach Musette from the earlier edition were eliminated
and replaced with two new 20th-century pieces by BartA3k (noted
below), and the Bach "Minuet in G Minor" (from J. S. Bachas
Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other
improvements include a cleaner appearance with less editing and
spacious new engravings, as well as more detailed titles that
include the keys, sources, composer dates, and catalog numbers.
Titles: Acossaise (J. N. Hummel) * A Short Story (H. Lichner) * The
Happy Farmer, from Album for the Young, Op. 68, No. 10 (R.
Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G
Major, from J. S. Bach's Notebook for Anna Magdalena Bach
(Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle
Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) *
Hungarian Folk Song, from For Children, Sz. 42 (BA(c)la BartA3k) *
Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) *
Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena
Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance)
(L. van Beethoven) * Children at Play, from For Children, Sz. 42
(BA(c)la BartA3k).
Now published by Norton, Introduction to Post-Tonal Theory has been
thoroughly updated to reflect the latest developments in the field,
with additional coverage of transformational theory and voice
leading. The fourth edition helps students identify key theoretical
points and guides them through the process of analysis, while also
offering new recently composed musical examples-all at an
exceptional value.
The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi
Suzuki's view that every child is born with ability, and that man
is the son of his environment. According to Dr. Suzuki, a
world-renowned violinist and teacher, the greatest joy an adult can
know comes from developing a child's potential so he/she can
express all that is harmonious and best in human beings. Students
are taught using the "mother-tongue" approach. Suzuki Violin School
materials include: Violin Parts (Vol. 1-10) * Piano Accompaniments
(Vol. 1-10) * Cassettes (Vol. 1-3 performed by Shinichi Suzuki,
Vol. 4-8 performed by Koji Toyoda) * Compact Discs (Vol. 5-8,
performed by Koji Toyoda) * David Cerone Performs Suzuki Violin
School (Cassettes & Compact Discs, Vol. 1-4) * David Nadien
Performs Suzuki Violin School (Cassettes and Compact Discs, Vol.
1-4). Suzuki Method Core Materials available for piano, violin,
viola, cello, string bass, flute, harp, guitar, and recorder.
The two-volume Oxford Handbook of Music Performance provides a
resource that musicians, scholars and educators will use as the
most important and authoritative overview of work within the areas
of music psychology and performance science. The 80 experts from 13
countries who prepared the 53 chapters in this handbook are leaders
in the fields of music psychology, performance science, musicology,
psychology, education and music education. Chapters in the Handbook
provide a broad coverage of the area with considerable expansion of
the topics that are normally covered in a resource of this type.
Designed around eight distinct sections - Development and Learning,
Proficiencies, Performance Practices, Psychology, Enhancements,
Health & Wellbeing, Science, and Innovations - the range and
scope of The Oxford Handbook of Music Performance is much wider
than other publications through the inclusion of chapters from
related disciplines such as performance science (e.g., optimizing
performance, mental techniques, talent development in non-music
areas), and education (e.g., human development, motivation,
learning and teaching styles) as well as the attention given to
emerging critical issues in the field (e.g., wellbeing, technology,
gender, diversity, inclusion, identity, resilience and buoyancy,
diseases, and physical and mental disabilities). Within each
chapter, authors have selected what they consider to be the most
important scientific and artistic material relevant to their topic.
They begin their chapters by surveying theoretical views on each
topic and then, in the final part of the chapter, highlight
practical implications of the literature that performers will be
able to apply within their daily musical lives.
Perfect Italian Diction for Singers is an authoritative guide for
singing the most beautiful and expressive Italian. This book is the
culmination of decades of experience and insights by two noted
Italian and American pedagogues and vocal coaches as they
systematically home in on essential features of the most beautiful
Italian, the main issues and pitfalls of non-Italian singers, and
steps and tools to overcome them. Timothy Cheek and Anna Toccafondi
provide a step-by-step guide for singing flawlessly in this
language, and, in addition to delving to the heart of Italian
sounds and inflection, they present controversies, misconceptions,
and various approaches-often conflicting-that have arisen
throughout the last century for approaching Italian diction.
Chapters also address: Italian style and legato Best use of
supplemental resources and dictionaries Recitative with suggested,
short Mozart excerpts Working with text Singing diphthongs,
triphthongs, and hiatus Also included are a plethora of audio and
video examples and exercises (over seventy QR codes), written
exercises for group or self-study, and self-assessment summaries at
the ends of chapters. Careful study of this book will help to lay a
solid foundation for communicating in beautiful lyric Italian.
This practical resource for music educators provides 15
fully-developed and classroom-vetted instructional plans with
assessments that are aligned to articulate learning from
kindergarten through grade 12. With these instructional lessons and
adaptations for K-12 music and STEM classes, pre-service educators,
in-service educators, and administrators can better understand and
immediately use tools for planning, assessing, and the practical
integrating of STEM with Music. As authors Shawna Longo and Zachary
Gates demonstrate, the arts bring creativity and innovation to the
forefront in STEM learning. This book helps music teachers make
natural connections between science, technology, engineering, math,
and music. To do so, the book frames twenty-first century learning
skills and career-ready practices so that the creativity and
innovation necessary to succeed in STEM content areas and careers
can be directly addressed by the educational community. The
connection that the book makes between STEM content areas and music
stimulates inquiry, dialogue, and critical thinking.
Sets out everything that female singers will need to understand in
order to perform safely and effectively in musical theatre. Aimed
at trainee singers at undergraduate level in MT degrees, as well as
early career professionals. No other book sets out the requirements
and capacities of the female voice in this level of detail.
Young pianists pursuing a professional career face a barrage of
questions, choices, and challenges. In this book, experienced
teacher and performer Stewart Gordon offers a new and practical way
to approach them by helping readers to plan strategically and build
a secure and successful career from the ground up. For decades,
Gordon has guided young pianists through the details of how to
prepare musically, navigate their college years, and forge a career
that will provide a livelihood. In this guide to beginning that
musical career, Gordon has assembled the wisdom of decades of
teaching: a fundamental body of information emerging pianists will
rely on as they work toward their goals. His advice, focused on
both mental and practical work, will enhance both motivation and
security. Carefully balancing aspiration with reality and
inspiration with organization, Gordon creates a blueprint for
transforming dreams into achievement, and illustrates his points
with examples drawn from the lives of famous musicians. The book
also addresses many practical matters, such as developing keyboard
technique, acquiring reading and memorizing skills, building
repertoire, and balancing the demands of being a musician with
living a full life. This volume is a valuable resource for both
young pianists and their parents.
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